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Piano Solo - Level 5 - Digital Download SKU: A0.1043795 By Gordon Lightfoot. By Gordon Lightfoot. Arranged by Dean Gilbert. Folk. Score. 6 pages. Dean Gilbert #648473. Published by Dean Gilbert (A0.1043795). Forty-five years ago, on November 10, 1975 29 crew members lost their lives on the Edmund Fitzgerald sailing across Lake Superior. I took Gordon Lightfoot's beautiful song and turned it into my own piano arrangement. You will notice that the ship bell is heard throughout the song. This song is in six parts. The summon begins with the ship's bell ringing summoning everyone to gather for a story, Next is The Voyage Begins with a calm Lake Superior. The ship bell rings again announce heavy seas ahead and we are now into the next section called The Storm Begins. The bell continues to ring warning the crew of heavy waves. The next section is called The Gales of November. The intensity picks up. The bell rings with force calling for help. The next section is called The Sinking. You can hear the waves crashing into the ship as the bell continues to call for help. At the end the ship sinks as the bell continues to ring. There is one last ring as it settles on the bottom of Lake Superior. The last section is The Memorial. It is the stillness of the water after a storm with no sign of the Edmund Fitzgerald. The bell ring 29 times for each of the crew members. Enjoy.
The Wreck Of The Edmund Fitzgerald
Piano seul
Gordon Lightfoot
$4.99 4.76 € Piano seul PDF SheetMusicPlus

Flute Quintet,Woodwind Ensemble Alto Flute,Piccolo - Level 3 - Digital Download SKU: A0.1312269 Composed by Richard O'brien. Arranged by Sean Sullivan. 20th Century,Broadway,Film/TV,Musical/Show,Rock. 20 pages. Sean Sullivan #901126. Published by Sean Sullivan (A0.1312269). Looking for a unique and festive addition to your flute quintet repertoire? Look no further than this arrangement of Richard O'Brien's Whatever Happen to Saturday Night! Filled with energy, nostalgia and toe-tapping fun, this exciting arrangement captures the infectious energy of the original and perfectly translates it for flute quintet. Whether you're looking for a standout piece for your next performance or simply want to add some pizzazz to your next rehearsal, Whatever Happen to Saturday Night! is the perfect choice. With its recognizable melody and catchy lyrics, this arrangement is guaranteed to be a hit with audiences of all ages. So why wait? Order your copy of Whatever Happen to Saturday Night! today and bring the excitement and fun of Richard O'Brien's memorable hit to your next performance!
Whatever Happened To Saturday Night?
Quintette de Flûte : 5 flûtes

$14.99 14.29 € Quintette de Flûte : 5 flûtes PDF SheetMusicPlus

Picc. (G tr). 3 Fl. Afl. Bfl. (Cafl). (Cbfl). Cbfl in G). (Dbl Cbfl). - Easy - Intermediate - Digital Download SKU: F2.FM600 Composed by Traditional. Arranged by Robert Rainford. A great piece for introducing the full flute choir to audiences. Score and parts. 53 pages. Forton Music - Digital #FM600. Published by Forton Music - Digital (F2.FM600). ISBN 9790570484997.This piece has been created to give the flute choir a chance to introduce the entire flute family to the audience in a lighthearted, fun way. At each 'vamp' section, while the flutes continue to play the ostinato pattern the narrator (this can be the conductor or a dedicated narrator) can talk to the audience about the flute that is about to play the next 'verse' of the tune. The style of the narration can be varied depending on the nature of the situation. It may be possible to hold up the various flutes next to each other to give the audience an idea of the comparative sizes of the various instruments. You could also talk about relative pitches of each member of the flute family, their development, some repertoire (both solo and orchestral), and about the development of the flute choir as an ensemble. This piece is performable with the minimum forces of piccolo, 3 flutes, alto flute and bass flute. The sections featuring the other, rarer member of the flute family can be omitted by cutting from the end of any vamp bar to the letter where the next available solo instrument takes the tune. Following the entry of the last solo instrument (the piccolo) there are two sections for the full flute choir. One also features some hidden flute 'lollipops' that you may or may not want to draw the audiences attention to, and the final section is a jazzy finale with the option of swinging the quavers. Above all, this arrangement was produced to be usable. Please feel free to adapt it in any way you like to help us introduce audiences to the great sound of the flute choir!
When The Saints

$22.95 21.88 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 1 - Digital Download SKU: A0.765640 Composed by Bradshaw, 1820. Arranged by Michael Myrick. Easter,Sacred. Octavo. 8 pages. MICHAEL MYRICK #4762079. Published by MICHAEL MYRICK (A0.765640). Based on a beautiful poem by Charles Wesley, this anthem will be the perfect backdrop for your next communion service. Set to a sacred harp tune, this simple yet effective anthem is an excellent choice for your next communion celebration. A beautiful accompaniment underscores the voices while a solo flute punctuates and adds just the right flavor to this meditative setting. An excellent choice and powerful addition to your next communion service! Solo flute part included at no additional cost.
O Christ, Who This Mysterious Bread
Chorale SATB

$2.10 2 € Chorale SATB PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.533667 Composed by Carson Cooman. Contemporary. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037087. Published by Musik Fabrik Music Publishing (A0.533667). Pittsburgh Concerto (2005) was written for the Carnegie Mellon Philharmonic and isdedicated to Amy Stabenow, concert manager at Carnegie Mellon’s School of Music. Thepiece was conceived as a tribute to the city of Pittsburgh, Pennsylvania, USA.The work contains only two specific “programmatically inspired†images related toPittsburgh. They form the outer two sections of the work. The inner four sections areinspired more abstractly by various aspects of the city, its landscapes, and its people; theyfeature a series of solos and duets for many members of the orchestra – in the manner of a“concerto for orchestra.â€The opening of the work is inspired by Pittsburgh’s history as America’s steel capital.Colors and sounds of the clangorous industrial age of America’s past are evoked. The basicmusical material (a six-note cell) for the entire work is presented in this aggressiveintroduction. Throughout the rest of the work, this basic material is developed in ways thatrange from lushly romantic to aggressively athletic.The following section is marked “slow, lush†and features a duet first between trumpet andtuba, over warm harmonies in the orchestra. A brief duet for vibraphone and marimba leadsto an extended viola solo.The next section is fast and energetic. It begins with an athletic duet for English horn andbass trombone, followed by a ringing duet of tubular bells and crotales. The final solo is forviolin, as the orchestral texture disintegrates around it.The next section, marked “slow, mysticalâ€, begins with a duet between piano and bassclarinet. A passionate horn duo follows before a passage for solo bass leads directly into thenext section.This section is fragmentary and halting. An unpitched duo of bass drum and flexatonebegins, leading to an aggressive and abortive duet between solo flute and bassoon. Finally,an extended cello solo closes the section.The final part of the work is inspired by my first visit to Pittsburgh. When driving in fromPittsburgh airport (which is far outside the city), the city itself is “hidden†from the road byhills. Upon reaching the hills, one enters the Fort Pitt tunnel and, after a few moments,emerges from it on a suspension bridge over the Monongahela River. Late at night, this wasa truly breathtaking moment as the city and its rivers emerged suddenly in a mass of glitteringlights. The ecstatic rush of the lighted city at night is portrayed in this section – amidstfragments from the opening, recalling the industrial past, now transformed into somethingnew.Instrumentation3 Flutes (3rd dbl. Picc.)2 OboesEnglish Horn3 Clarinets in BbBass Clarinet in Bb2 BassoonsContrabassoon4 Horns in F/Bb3 Trumpets in Bb2 TrombonesBass TromboneTubaTimpaniPercussion (3 players)I: tubular bells, bass drumII: vibraphone (motor off)III: crotales, marimba, flexatone(Percussion II needs two rosined bows.Percussion III needs one rosined bow.)PianoViolin IViolin IIViolaCelloContrabass(principal/solo contrabass must have machine extension to low Db)This is the score only.  The parts are available on rental from the publisher
Carson Cooman: Pittsburgh Concerto (2005) for orchestra, study score
Orchestre

$25.95 24.74 € Orchestre PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158392 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 19 pages. Https://gildedmusicpress.com/ #758673. Published by https://gildedmusicpress.com/ (A0.1158392). “Valor†offers a potent two-minute concert opener, or an attention grabber after intermission. It is also highly effective as an encore (depending on endurance, particularly of the first trumpeter and hornist), leaving the audience with a rush and energy typified by an effective encore. Besides some minor edits and formatting, the composition was completed the day I hit my ten-year anniversary of serving in the United States Air Force Bands—a fitting anthem to celebrate a decade of service to my wonderful country! The title settled the next day as I began my second decade as an Airman Musician: Valor. The best account is recorded in my personal journal on 27 April 2021: “[Valor] is the Thrower family motto from hundreds of years ago. It’s also a concept that helped get me into [Arizona State University] for my doctoral studies. [Professor] Hickman asked for a very difficult orchestral excerpt during my audition. [Béla Bartók’s “Concerto for Orchestra.â€] I expressed some trepidation, but decided to give it a shot. I nailed it! Then Hickman turned to me with a big smile, ‘I give extra points for valor!’ So I’m pretty sure this little two-minute musical journal entry will keep the name ‘Valor’… as a motivational cheer for my next ten years in the Air Force. Valor! Great courage in the face of danger, especially in battle. Ok, in the face of life’s many battles, Valor it is! And on to the next ten years!†The music is in AA’BA’ form. The B section is heavily influenced by the thematic material of the A section, but with a strongly contrasting mood that could be dubbed quiet dignity. A finale section follows the last A with some motivic twists from throughout the piece, decisively ending with a power that could well be accompanied by a dazzling flurry of fireworks. None of the performers get much of a reprieve throughout the two minutes packed full of notes. The first trumpet part stays in the upper mid-range for most of it, which would absolutely sparkle on an E-flat trumpet (alternate part provided). Second trumpet is also demanding. The horn part demands a decent level of mastery in the high range as well as the low range, vehemently forsaking its traditional role of off beats. The trombone and tuba parts also present their challenges, and never really stop longer than to take a breath. Although this work could conceivably be performed without percussion, doing so is strongly discouraged. The power delivered by the snare, bass, and cymbals, and even the triangle in the B section, make the part arguably indispensable.
Valor (for Brass Quintet & Percussion)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$19.95 19.02 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1281978 Composed by John P.W. Hudson. 20th Century,Contest,Festival. Score and Parts. 90 pages. 'Published by John P.W. Hudson #872903. Published by 'Published by John P.W. Hudson (A0.1281978). Premiered June 6th, 2023 by the Killarney Senior Wind Ensemble and Alumni directed by Meagan Lawson, 'Killarney Carnivale' is a programmatic piece describing a small town carnival in rural Manitoba in the early 1930's, spotlighting the family of the town dentist, Dr. Martin McLaren, his wife Irene, and their six girls. 'Killarney Carnivale' describes a fictitious event, but the family is that of the composer, John Hudson. His mother, (second in a family of six girls), as a young teen in Killarney Manitoba, loved playing piano and aspired to be a concert pianist playing her favourite composers in concert halls. Her dreams took a different turn when the family had to move west for Dr. McLaren's health, but she carried with her the melodies she composed and later played to her own children.Picture John Hudson listening to hours of his mother playing piano as a young boy in the early 1950's, immersed in his mother's beautiful music. After her passing in 2010, he longed to hear these beautiful, playful melodies again. His sister Jane Keyes had become a professional piano player and happily took up the task of recreating several of their mother's pieces, which John, now a retired band director, began to transcribe. Inspired by a photograph of the family that very much looked like a carnival booth style photograph, 'Killarney Carnivale' came to life. It opens as the youngest, probably under age two at the time, wakes up. The scene swiftly changes to arrival at the much - anticipated carnival, with all of its magical sights, sounds and heavenly smells of popcorn and treats. First is the carousel, with wooden horses flying about in endless circles with children regaling with laughter.The next is a sideshow tent featuring the exotic dancer Salome, who wiled King Herod, (and probably more than a few in the audience) as her thin, tantalizing veils hinted at her charms.The next tent is dim and displays the wierd and mysterious curiosities from around the world like bearded ladies, dwarfs and the like.The cakewalk is next, with children vying to be the last person sitting as chairs are removed and the music abruptly stops each time. (This section could host a real cakewalk with a few chairs and willing audience participation. Three chairs is suggested.)Finally, the exhausted family drives home in their antique (to us) automobile with the childrens' hair flying in the breeze.One by one, the excited children fall prey to dreamland, and at long last, the exhausted parents flop into bed too.Honouring his mother's short pieces has been a life long dream of Mr. Hudson, and to hear them played by the Killarney Wind Ensemble and Alumni Band was a poignant moment: the return of these melodies to the little town where they first came to life. Many, many thanks to Meagan Lawson, their director, and all of the members of the Killarney band who so very willingly took up the challenge of playing 'Killarney Carnivale'. Their hard work and dedication to this piece is deeply, deeply appreciated.
Killarney Carnivale
Orchestre d'harmonie

$60.00 57.19 € Orchestre d'harmonie PDF SheetMusicPlus

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.1267125 By Meat Loaf. By Jim Steinman. Arranged by Michael Thomas Coull. 20th Century,Contemporary,Pop,Rock,Standards. 18 pages. MTC Publishing #859760. Published by MTC Publishing (A0.1267125). You Took The Words Right Out Of My Mouth - Choral Arrangement for SATB and Piano by Michael Thomas Coull.You Took the Words Right Out of My Mouth (also known as You Took the Words Right Out of My Mouth (Hot Summer Night)) is the first solo single by the American singer Meat Loaf, released in 1977.  It is a track from his album Bat Out of Hell, written by Jim Steinman. According to his autobiography, Meat Loaf asked Jim Steinman to write a song that was not 15 or 20 minutes long, and, in Meat Loaf’s words, a ‘pop song’.  His autobiography also dates the writing of the song to 1975, the song reportedly being a key factor in Meat Loaf and Steinman deciding to do an album together.  The song was the first single released from the album, with an edit of For Crying Out Loud as the B-side.  The record peaked at No. 73 in the Record World singles chart, and didn't appear at all in Billboard Hot 100.  Billboard reviewed the single, finding the guitar introduction to be energetic, the beat to be ‘catchy’ and the vocal performance to be somewhat similar to Bruce Springsteen.  Billboard also commented on how occasional pauses in the instruments allow the ‘infectious’ vocals to be highlighted.   Following the success of the next two singles, Two Out of Three Ain't Bad and Paradise by the Dashboard Light, the song was re-released in October 1978 with Paradise as the B-side.  This issue peaked at No. 39 on the Billboard Hot 100 chart, over a year after the first release of the song.This exciting and energetic choral arrangement is voiced for full SATB choir with piano accompaniment, and will lend a touch of contemporary pop/rock to your next concert.Also available for SSAA.
You Took The Words Right Out Of My Mouth
Chorale SATB
Meat Loaf
$3.99 3.8 € Chorale SATB PDF SheetMusicPlus

Flute Solo and piano - Grade 4 - Digital Download SKU: DX.MW2038 Composed by Lidie H. Edmunds. Arranged by Gordon Schuster. Sacred instrumental music. Sheet Music. Traditional. Score and parts. 6 pages. David E. Smith - Digital Sheet Music #MW2038. Published by David E. Smith - Digital Sheet Music (DX.MW2038). An accompanied flute solo which begins with the flute alone. The second phrase is together. The following phrase as a more active accompaniment giving a flowing feeling. The second melodic statement is very ornamented with a lot of flourish. The next section is a variation using a triplet figure leading where the next phrase is in quadruplets. With a brief pause the piece becomes much slower and expressive and continues in that manner until the piece lies in repose.
My Faith Has Found a Resting Place
Flûte traversière et Piano

$4.95 4.72 € Flûte traversière et Piano PDF SheetMusicPlus

String quartet - Grade 2.75 - Digital Download SKU: DX.169423 Composed by Charles Wesley. Arranged by Dana F. Everson. Christmas. Sheet Music. Sacred instrumental music. Score and parts. 16 pages. David E. Smith - Digital Sheet Music #169423. Published by David E. Smith - Digital Sheet Music (DX.169423). A string quartet with optional violin for viola. After a full ensemble introduction the piece gives way to a duet in the viola and cello. With the violins entering one at a time the piece now becomes full with all parts present gravitating to motivic development moving to a modulation. The next section gives the tune to the cello with the upper lines adding punctuated accompanied figures. The next section uses motivic patterns while passing portions of the tune to the various players. A modulation- then the parts become increasingly more active in a variation style. With a solid ensemble altering the melody; a brake; then, repose.Key of G, C, D.
Thou Didst Leave Thy Throne
Quatuor à cordes: 2 violons, alto, violoncelle

$9.00 8.58 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.817126 Composed by Charles Decker. 21st Century,Chamber,Contemporary,Contest,Festival. 22 pages. Charles Decker Music Press #3548819. Published by Charles Decker Music Press (A0.817126). Bold, brassy and brief best describes these three preludes that can add a dramatic and festive flair to your next concert or special event. Want to increase the impact of the bold and brassy sound? Double parts and open your next band or orchestra concert featuring the brass section. Scored for a brass quintet of two B-flat trumpets with alternate C parts, horn in F with flugelhorn/trumpet substitute part for horn, trombone and tuba.  The audio file is an actual brass quintet performance of the entire work and not a computer playback of the score. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.   For more Charles Decker brass quintet publications use these links to Kendor Music and Cherry Classics Music to see listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.
Three Festive Preludes for Brass Quintet
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$11.95 11.39 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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