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Concert Band - Level 3 - Digital Download SKU: A0.1475560 Composed by Dennis McCarthy. Arranged by Lorenzo Bocci. Film/TV. 108 pages. Lorenzo Bocci #1053115. Published by Lorenzo Bocci (A0.1475560). STAR TREK®: Generations - Theme From The Paramount Motion Picture Star Trek: Generationsfor Concert Band - Grade 3 - Digital Download - More Star Trek MusicComposed by Dennis McCarthy. Arranged by Lorenzo Bocci. Film/TV. Concert Band - Blasorchester - Harmonie. Score and parts. Duration 2'44''. Published by Lorenzo Bocci.Instrumentation:Full Score, Flute 1, 2, Oboe, Bassoon, Eb Clarinet, Bb Clarinet 1, 2, 3, Bb Bass Clarinet, Eb Alto Saxophone 1, 2, Bb Tenor Saxophone 1, 2, Eb Baritone Saxophone, Bb Trumpet 1, 2, 3, F Horn 1, 2, 3, 4, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set.Additional Parts:Bb Soprano Saxophone, Eb Horn 1, 2, 3, 4, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Star Trek Generations is a 1994 American science fiction film and the seventh film in the Star Trek film series. Malcolm McDowell joins cast members from the 1960s television show Star Trek and the 1987 sequel series The Next Generation, including William Shatner and Patrick Stewart. Generations was conceived as a transition from the original cast of the Star Trek films to the cast of The Next Generation. The film was scored by regular Star Trek composer Dennis McCarthy. Critical reception was mixed, with critics divided on the film's characters and comprehensibility to a casual viewer.Subscribe to my YouTube Channel to stay updated on new releases.
Star Trek(R) Generations
Orchestre d'harmonie

$94.00 80.31 € Orchestre d'harmonie PDF SheetMusicPlus

Brass Ensemble Bass Trombone,Euphonium,Flugelhorn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1417868 Composed by Dennis McCarthy. Arranged by Lorenzo Bocci. Film/TV. 80 pages. Lorenzo Bocci #999409. Published by Lorenzo Bocci (A0.1417868). STAR TREK: GENERATIONS Theme From The Paramount Motion Picture Star Trek: Generationsfor Brass Ensemble and Rhythm Section - Grade 3 - Digital Download Composed by Dennis McCarthy. Arranged by Lorenzo Bocci. Film/TV. Brass Ensemble and Rhythm Section. Score and parts. Duration 2'46''. Published by Lorenzo Bocci.Instrumentation:Full Score, Bb Trumpet 1, 2, 3, Bb Flugelhorn, F Horn 1, 2, Trombone 1, 2, Bass Trombone, Euphonium, Bass, Electric Bass, Drum Set.Additional Parts:Eb Horn 1, 2, Bb Trombone 1, 2 T.C., B.C., Bb Bass Trombone T.C., B.C., Bb Euphonium T.C., B.C., Bb Bass T.C., B.C., Eb Bass T.C., B.C.Star Trek Generations is a 1994 American science fiction film and the seventh film in the Star Trek film series. Malcolm McDowell joins cast members from the 1960s television show Star Trek and the 1987 sequel series The Next Generation, including William Shatner and Patrick Stewart. Generations was conceived as a transition from the original cast of the Star Trek films to the cast of The Next Generation. The film uses a mix of traditional optical effects alongside computer-generated imagery and was scored by regular Star Trek composer Dennis McCarthy.Subscribe to my YouTube Channel to stay updated on new releases.
Star Trek(R) Generations
Ensemble de cuivres

$33.00 28.2 € Ensemble de cuivres PDF SheetMusicPlus

Guitar - Level 3 - Digital Download SKU: A0.1407589 By Rage Against The Machine. By Brad Wilk, Tim Commerford, Tom Morello, and Zack De La Rocha. Arranged by Stephan Langenberg. Contest,Festival,Grunge,Punk,Rock. Guitar Tab. 5 pages. Stephan Langenberg #990255. Published by Stephan Langenberg (A0.1407589). Do you want your audience to jump and headbang? The hit song Killing in the Name by Rage Against the Machine, which we all know and love, is arranged with meticulous detail and precision for your cover band's next live performance. A must-have for your audience and your next concert.Notice: Both guitars and bass guitar have classically notated sheet music, supplemented with tabs for optimal performance results.For further information, you are invited to visit my website: www.langenbergmedia.comDon't miss any more publications and check out my other arrangements for this lineup:.You only need one part of each instrument? You can purchase them here
Killing In The Name
Guitare notes et tablatures
Rage Against The Machine
$4.99 4.26 € Guitare notes et tablatures PDF SheetMusicPlus

Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 4 - Digital Download SKU: A0.1256884 Composed by Lon W. Chaffin. 21st Century,Chamber. 71 pages. LCS Productions #850272. Published by LCS Productions (A0.1256884). Imagine a place where cultures are blended and people of all races can laugh, play, sing, dance, and even pray together.  Colores is a musical tale in which children show us how to create such a place.A child walks on to a deserted playground, looking for others.  Another child joins.  They introduce themselves and begin to talk to each other.  A third joins the conversation, then another, and another, until there is a large group of children, creating a colorful, contrapuntal cacophony of vocal chatter.  After the introductions and lively conversations, they pause to decide what to do next.  As would be expected, they decide to just play.  They run races, play chase and tag, catch and kickball, and laugh and giggle until their energy is gone.  Settling down, and wondering what to do next, one child begins singing a tune that is familiar.  …but not to all of them.  So, it’s time to teach the song to everyone.The tune is shared, bit by bit, and one by one every child learns it and joins in.  Before it’s over, their full-voiced singing creates a choral tapestry in which every child adds his or her own color to the musical palette.After a brief conversation, they add their renewed energy to the song they just learned, pick up the pace, and dance.  They twist and spin, jump and swing, making up their moves as they go along.  But, as before, their energy wanes.  This time, as they settle down, one child feels so comfortable with these new friends, he chooses to share his faith in the form of a chant — a prayer.Some join his prayer, as others add a familiar religious tune.  They pray and sing, and their separate experiences combine to produce a stirring, blended chorale.  As they finish, the day ends and they quickly reminisce about the blended experiences that are now behind them.  Before they go their separate ways, they share a moment of gratitude for the place where they can be free to be who they are, together.On a musical note, Colores combines multiple scale structures and varying types of vertical harmonies to give the piece its color palette.  Each of the five voices is set in a different mode, with different tonal centers and sets of accidentals.  The harmony combines both traditional tertian chords with secondal, quartal, and quintal structures.The colors within the music are intended to represent the racial diversity of the borderland from which the composer drew his inspiration.  It is hoped that we can learn from the example of children who talk, laugh, play, sing, dance, and pray together.  …who are grateful for the time and experiences they share.
Colores (Let the Children Teach Us)

$35.00 29.9 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.976935 Composed by Sabrina Pena Young. Broadway,Film/TV,Jazz,Musical/Show,Opera. Score. 4 pages. Sabrina Peña Young #3430825. Published by Sabrina Peña Young (A0.976935). Jazzy musical tune from the groundbreaking animated opera film Libertaria. A fun work arranged for Male Vocal and Piano. Ideal for Tenor or Baritone, room for improvisation. Broadway inspired. Award-winning composer. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
Metal Ink for Jazz Vocal and Piano
Piano, Voix

$8.99 7.68 € Piano, Voix PDF SheetMusicPlus

Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158292 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Jazz,Multicultural,World. 30 pages. Https://gildedmusicpress.com/ #758480. Published by https://gildedmusicpress.com/ (A0.1158292). Commentary written by the composer, Dr. Daniel N. Thrower: In July 2018 I spent nine days in Barra Mansa, Brazil, which lies a couple hours west of Rio de Janeiro. The occasion of my visit was the second annual International Music Festival. The festival coordinator, Vantoil de Sousa, Jr. brought me there to be the resident trumpet professor for the week, and to premiere my three-movement Concerto for Trumpet and Orchestra at the Closing Concert. As I speak Portuguese somewhat fluently, many of the 20 trumpet students of all levels became great friends. Throughout the week I kept mentioning that my next composition was going to be “Lembranças do Brasil†as yet another musical journal entry in my life’s soundtrack. Truly, I had a lifetime of extraordinary experiences in Brazil during that week, from the outstanding food to my humorous self-introduction to capivaras! Overall, that week was supremely memorable and definitely a highlight of my life. One morning in early November 2018, a 'feel-good' cool melody woke me up and wouldn’t leave. It developed in my mind and I was in a spectacular mood all day long. It felt like Bobby McFarrin’s 'Don’t Worry, Be Happy' or Pharrell Williams’ 'Happy,' though in a vastly different style from either. This was my happy song. Long hours flowed quickly through the next few days as I worked out the form and details of the music, which screamed for the promised title 'Lembranças do Brasil'! Happy memories of my beautiful week in Brazil, some of which are captured on the front cover collage, now have the perfect soundtrack in my musical journal. This version was tweaked from the original five flugelhorns, and lends itself very well (perhaps even better) in the brass quintet setting.
Lembranças do Brasil (for Brass Quintet)
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$24.95 21.32 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus

Clarinet,Piano - Level 5 - Digital Download SKU: A0.907129 Composed by Emily Wood. Christian,Concert,Contemporary,Sacred,Standards. Score and part. 16 pages. Emily Sue Wood #4323489. Published by Emily Sue Wood (A0.907129). This is a programmatic piece for clarinet and piano based on 1 John 4:1-6, in which the apostle John warns the early church to discern the true spirit of God from false spirits of the antichrist. In the beginning, the soloist introduces the God melody, a pure and simple line. The next section, depicting the false spirits, takes this melody and turns it into what starts as cutesy and endearing, but ends up into an awkward and chaotic mess. God asserts Himself in the next section, bringing the chaos to a halt. Then, the false spirits try to steal the spotlight again, but they fail, of course. The Lord always triumphs, and His sheep know their Shepherd when they hear His voice. About 6 minutes long, written in fall 2018. .
Beloved, Test the Spirits (sacred piece for clarinet and piano)
Clarinette et Piano

$4.99 4.26 € Clarinette et Piano PDF SheetMusicPlus

Large Ensemble Choir,Voice - Level 4 - Digital Download SKU: A0.799660 Composed by D. M. Gardner. Contemporary. Score and parts. 40 pages. D. M. Gardner Music #3370295. Published by D. M. Gardner Music (A0.799660). FULL SCORE***PARTS & CHORAL SCORE SOLD SEPARATELY*** Nebraska, My Heartland was written to not only celebrate 150 years of Nebraskan history, but to express my own gratitude for all that the Midwestern way of life has to offer. It celebrates the natural beauty of the Sandhills, prairies, forests, and bluffs, along with the strength of its people, its flourishing family friendly communities, and its deep and rich traditions in the arts. I have lived near mountains, near oceans, and visited some of the most beautiful places in the world, but none of those places have ever felt as much like home as Nebraska. Nebraska, My Heartland incorporates the poetry of both Willa Cather, the famous Nebraskan poet and writer who helped the rest of America gain an appreciation for the pioneer life, and Veronica Torraca-Bragdon, a contemporary poet and friend whose heart will always belong to Nebraska. Cather’s poem, Prairie Spring was chosen because it vividly portrays the struggles of the pioneers who originally settled here, yet juxtaposes this struggle with youthful determination, and the optimism and enthusiasm brought about by hope.  Veronica’s poem, titled Nebraska, is the centerpiece for the fanfare and celebration of a state that abounds with success in all of the ways that make Nebraska a great place to live. The music begins as the sun is about to rise and burst forth with the promise of a new day. It speaks of Nebraska’s natural beauty and landscapes while the sweet song of the Western Meadowlark, our state bird, drifts on the wind.  Next, the changing seasons and thriving spirit of Nebraska’s people are portrayed with an energetic, youthful melody leading into a celebratory sesquicentennial fanfare. But as the seasons change, the listener is reminded that to thrive is also to persevere, and soon a storm begins to loom. First the rolling thunder, then the rain, and finally the full devastation of nature’s fury are realized by the combined forces of both ensembles. Yet, as hope springs eternal, we are reminded again of the strength of the pioneer and the roots that keep us anchored against the storm. Out of this resilience bursts forth a brilliant light signifying the future that is before us for this generation and the next, ending with words that summarize so eloquently how Nebraskans feel about their home: With loving beauty, you’ll forever shine! INSTRUMENTATION 1 Piccolo 2 Flute 1 2 Flute 2 2 Flute 3 1 Oboe 1 1 Oboe 2 1 Bassoon 1 1 Bassoon 2 4 Bb Clarinet 1 4 Bb Clarinet 2 4 Bb Clarinet 3 2 Bb Bass Clarinet 1 Eb Alto Saxophone 1 1 Eb Alto Saxophone 2 1 Bb Tenor Saxophone 1 Eb Baritone Saxophone 3 Bb Trumpet 1 3 Bb Trumpet 2 3 Bb Trumpet 3 3 Bb Trumpet 4 1 F Horn 1 1 F Horn 2 1 F Horn 3 1 F Horn 4 2 Trombone 1 2 Trombone 2 2 Bass trombone 3 Euphonium B.C. / Baritone T.C. 6 Tuba 1 Timpani (4 drums) 5 PERCUSSION Suspended Cymbal Crash Cymbal,Wind Chimes,Orchestral Chimes,Snare Drum (3 if available), Bass Drum, *Wind Machine (optional), *Suspended Thundersheet (as available), *Large Timpani Drumhead 1 PITCHED PERCUSSION Glockenspiel,Marimba SATB & Rehearsal PianoTo learn more about the composer, please visit https://www.dmgardner.com
Nebraska - My Heartland (FULL SCORE)

$200.00 170.88 € PDF SheetMusicPlus

Full Orchestra - Level 2 - Digital Download SKU: A0.1178931 By W. Luke Kelly. By W. Luke Kelly. 20th Century,Contest,Festival,Traditional. Score and parts. 28 pages. W. Luke Kelly #778901. Published by W. Luke Kelly (A0.1178931). On the Moors is a free form, free tempo piece, meant to evoke a walk through green hills and a cool breeze. Begin the piece with confidence, but calmly.The piano player should be the highlight of the piece, but give room for some spotlights to the woodwinds and strings at times. Observe the fermatta at m. 14 with a great amount of anticipation, perhaps even a few beats of silence. Allow the audience to lean in as they reach for the next note, then bring in the new key at m. 15 with purposeful steps into the next motif. Observe molto rit and poco rit sections to take as much time as the Director wishes, and consider the entire piece espressivo with overtones of warmth, as in sunlit rolling hills during an early Spring afternoon.Composer's Note:This piece is dedicated to the beauty of the State of Ohio, whose open fields, beautiful rolling hills, and warm sun have become my home, and to it's people, who are as warm and welcoming as any American community could ever be.
Song of the Moorland
Orchestre
W Luke Kelly
$30.00 25.63 € Orchestre PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Bass Clarinet,Oboe - Level 4 - Digital Download SKU: A0.844885 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969589. Published by Phil Beaman (A0.844885). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.  
Cara e Dolce-Scarlatti-Woodwind Trio 2

$6.99 5.97 € PDF SheetMusicPlus

C Instrument - Level 2 - Digital Download SKU: A0.1101518 By Jack Leonard with Tommy Dorsey Orchestra. By Jerome Kern and Oscar Hammerstein. Arranged by Davi Rocha Campos. Broadway,Classical,Film/TV,Jazz,Musical/Show,Wedding. Lead Sheet / Fake Book. 1 pages. Davi Rocha Campos #704896. Published by Davi Rocha Campos (A0.1101518). How to read accidents in sheet music Lesson 9 Signs of change. This class is about sharp #, flat b and bequadro (I can't do this sign by keyboard. That's why it's important to watch this class that will be on the card in the upper right corner). There are still the signs of double sharp x or ## and double flat bb. Don't be folded bequadro. I ask permission to use pleonasm Sharp # function: raises the pitch of the note by a semitone up. Makes the note a semitone higher. B-flat function: lower the pitch of the note by a semitone down. Makes the note a semitone lower. Double sharp x or ## function: raise the pitch of the note by one step. Makes the note a higher pitch. Double-flat bb function: lower the pitch of the note by one tone. Makes the pitch of the note a lower pitch. Bequadro function (I can't make this signal by keyboard. That's why it's important to watch this class that will be on the cards in the upper right corner). Nullify both the sharp (whether it's doubled or not) and the flat function (whether it's doubled or not). The bequadro still cancels the accidents of the key signature. Lesson 10 Bars and bar numbers It is a vertical line placed on the pentagram. It serves to organize the writing of the score in a Cartesian way. When the amount of beats exceeds the measure, it is necessary to place the vertical line and continue in another measure. This is one of the reasons to know the bar count. Another reason is when a large group is going to rehearse a song and it is often necessary to stop the rehearsal in order to make necessary adjustments. In this case, to optimize the rehearsal, the music is not restarted from measure 1, but from a few measures before the adjustments made, whether by the group, conductors, etc. The barline cancels out the accidentals that occur. For example, if an F# note appears in the middle of a piece of music, when that F moves to the next measure, it will no longer be sharp. The barline also cancels the bequadro in this situation, that is, if by chance the music is not set to a key other than C major or A minor, when the bequadro appears precisely on the keynote note, in the next bar if it is not spelled again, the key signature accident takes effect. Lead Sheet / Fake Book. All the things you are.
All The Things You Are
Instruments en Do
Jack Leonard with Tommy Dorsey Orchestra
$3.99 3.41 € Instruments en Do PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download SKU: A0.1118223 Composed by Dalva R. R. Barbosa. Classical,Latin. Score. 5 pages. Dalva Regina Ribeiro Barbosa #719739. Published by Dalva Regina Ribeiro Barbosa (A0.1118223). This piece presents the process of overcoming feelings of betrayal (romantic relationship, workplace, friendship, family). The first part describes the negative sensations. The second part represents the process of overcoming. The images with water have an important meaning in the message I am giving. The first seconds of the piece are sad with memories of good moments now lost. The next stage is the hurt and the feelings of guilt . Anger and indignation follow, blaming the world and shouting. What comes next is liberation. The second half of the piece begins with rethinking of the future, with the same theme from the beginning of the piece. The scene shows an upright boy looking at the new waves he will face. The mind begins to put things together and reorganize itself. Then the soul, once wounded, begins to rise again ready to face a new life. Finally, with high spirits, pleasantly, new waves will be experienced and dominated.
Why
Piano seul

$3.00 2.56 € Piano seul PDF SheetMusicPlus






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