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Bass Guitar - Level 4 - Digital Download SKU: A0.941957 By Bbno$/Sonn. By Alex Gumuchian. Arranged by Daniel Roberts. Contemporary. Score. 4 pages. Daniel P Roberts #5899839. Published by Daniel P Roberts (A0.941957). Flex by bbno$ and featuring Sonn. Bass transcription, note for note.[Chorus]So I'm sweet like Tutti FruttiBooty gave me cooties1970 shitMight just pop a ludieFuck a sinus cold, fuck pneumoniaYour mommy's quite the bitch and she want my bonerAnd I had to phone her and her name is MonaAnd of course i got her leashed up I'm a lonerShe need the dong to live and I'm the donor[Post-Chorus]So I get a big bag and I flex (and I flex)Then I get a bad bitch, fuck an ex (fuck an ex)So I drop another track, yeah I'm next (yeah I'm next)And I did it like that, I'm the best (Skrrt Skrrt Skrrt)[Verse 1]Diamonds I talk aboutGot a little bit of plastic, I'm moving the copper nowCan you tell me why your girl has a potty mouthWhy is this something you haven't even thought aboutHeard that I'm the bestGucci on my chestSpeaking for the publicI don't got a problemSipping on some bubblyMan my life is lovelyMommy on my caseWhy she tryna rub meBooty so wide its 5 by 5Make a couple tracks 25 x 5Bandwidth it be WiFiNot Sci-fi, sorry Bill NyeDoing just fine, 500 there500 there, 500 squaredIn my bank account, I'ma tell you nowI'm doing just fine, fuck a discount
Flex
Basse electrique
Bbno$/Sonn
$4.99 4.17 € Basse electrique PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.535419 Composed by Carson Cooman. 20th Century,Sacred. Score and parts. 39 pages. Musik Fabrik Music Publishing #6237283. Published by Musik Fabrik Music Publishing (A0.535419). Fantasy on “Nassau†(2004) for organ and four-part band was written for and is dedicated to Wayne Leupold and Kernersville Moravian Church, Kernersville, NC.The work is based on the Moravian chorale tune NASSAU. The opening section of the work is slow and mystical: the band plays the first few notes of the chorale and the organ emerges from the chords with harmonic commentary.In the next section the organ and the band present the tune antiphonally because the organ emerges with a triplet figuration. This next development section builds to a climax. The band then plays the chorale tune all the way through for the first time with an organ “descant.â€The final section recalls the opening material and the work ends in tranquillity The disposition and instrument assignments for the parts is left at the conductor’s discretion. Though conceived originally for the “Moravian church bands†of the American South, the work may be played by any sort of band (including concert band) or combination of brass or wind instruments. 
Carson Cooman: Fantasy on "Nassau" for organ and four part wind band
Orchestre d'harmonie

$29.95 25.03 € Orchestre d'harmonie PDF SheetMusicPlus

Small Ensemble Cello,Flute,Oboe - Level 4 - Digital Download SKU: A0.844883 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. Score and parts. 6 pages. Phil Beaman #5969519. Published by Phil Beaman (A0.844883). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.  
Cara e Dolce-Scarlatti-Mixed Chamber Trio

$6.99 5.84 € PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Bass Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.844882 Composed by Alessandro Scarlatti. Arranged by Phil Beaman. Baroque,Opera,Standards. 6 pages. Phil Beaman #5969543. Published by Phil Beaman (A0.844882). The Italian Baroque composer Alessandro Scarlatti wrote Cara e Dolce as a Vocal Aria for his opera Fidalba e Oreste (ca 1679). It was originally written with just melody and a figured bass line. I have arranged it for an Instrumental Trio. I began by putting the original melody and bass line in place with minor changes. Then I realized a single inner voice according to the figured bass. Since there were no lyrics now, I needed to add interest musically. I next elaborated each of the lines with extra notes to create a more melodic line for each part. Then in several places I also elaborated the figured bass and used period chord substitutions to strengthen texture. Next I devised detailed new phrasing to create a more polyphonic feeling. Finally I decorated with numerous baroque ornaments and dynamics. Don't worry, all that effort was just to make it easy and fun for you to play and absolutely gorgeous. This piece is a fantastic addition to Baroque period repertoire.  
Cara e Dolce-Scarlatti-Woodwind Trio 3

$6.99 5.84 € PDF SheetMusicPlus

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1019292 Composed by #GeoffRodThomson. Lyrics: #CJDennis. 20th Century,Children,Contemporary,Musical/Show. Score. 1 pages. Geoff R Thomson #3138357. Published by Geoff R Thomson (A0.1019292). #TheDrovers is a short poem by C.J.Dennis about where drovers ride. Geoff Rod Thomson,(me), while keeping the tune extremely simple(bordering on boring;) decided to experiment with his (dis)chord progressions when writing his accompanying music to this poem. To be honest, and I confess, this piece was just an example of pure self-indulgence with chord experimentation on my part and has next-to-no similarity to my other kid songs so my recommendation unless you're into 'acoustic pain' is to move on to my next C.J.Dennis song.....for those who I haven't scared off, feel free to try it out for yourselves. Apologies to the rest of you. I cannot be contacted at #Geoffspianosongs in this case;) or GeoffRodThomson@gmail.com.
THE DROVERS. lead sheet& #CJDennis words AND piano
Piano, Voix

$1.99 1.66 € Piano, Voix PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1289409 By Bill Chase. By Bill Chase, Jeff Moore, and Scott Boerma. Arranged by Jeff Tincher. Contemporary,Jazz,Rock. Score. 10 pages. Jeff Tincher #880155. Published by Jeff Tincher (A0.1289409). Here is a song that still thrills me to listen to. If you like screaming trumpets, this song is for you. In the original key from the LP Chase, this song is a fast, driving piece. One note about this arrangement...I know it's next to impossible to play both the melody and the chords in some parts of this arrangement. I wanted to keep the arrangement as it appears in the record as close as possible. I have a fond memory of this song and am sorry you can't experience this version anymore. I was working in a department store electronics dept the year Quadrophonic music came out. Quad was the precursor to Surround Sound. To stand in the middle of 4 speakers facing you and here the opening riffs of this song bounce from one speaker to the next is an experience that is hard to describe. There is a youTube video that has the Quad version posted. But it just isn't the same.
Open Up Wide
Piano seul
Bill Chase
$5.99 5.01 € Piano seul PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Trio Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.912939 Composed by Brandon Nelson. Concert,Contemporary,Standards. 17 pages. Brandon Nelson #4303271. Published by Brandon Nelson (A0.912939). A brilliant way to open or close your next recital!  Impressive, gutsy gestures (well within the reach of good high school players) and an in-your-face style will leave your audience jumping to its feet!Based on a highly-descriptive poem written by the composer's son (included in the program notes), you won't want to miss programming this sax trio on your next recital! Scored for alto sax, tenor sax, baritone sax
Hot as Fire! (Opener or Encore Piece for Sax Trio)
3 Saxophones (trio)

$10.99 9.18 € 3 Saxophones (trio) PDF SheetMusicPlus

Voice Duet Voice - Level 4 - Digital Download SKU: A0.976934 Composed by Sabrina Pena Young. Film/TV,Holiday,Musical/Show,Opera,Patriotic. 7 pages. Sabrina Peña Young #3430815. Published by Sabrina Peña Young (A0.976934). Moving triumphant duet for male singers and piano from the groundbreaking contemporary animated opera Libertaria. Brisk military march. Ideal for Tenor or Baritone singers. In this song, Gabe and Miguel prepare for ultimate war with their enemy. Recommended for Intermediate Advanced/Advanced Vocalists. Award-winning composer. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerLIBERTARIA: THE VIRTUAL OPERAhttps://virtualopera.wordpress.com/ ABOUT LIBERTARIA: In a post-USSA apocalyptic world, the young Libertaria escapes from evil geneticists and teams up with her addict father Simeon to defeat the Collective with a ragtag Underground army of cyborgs and misfits. The world’s first machinima opera, Libertaria has been called Groundbreaking by the Palm Beach Arts Paper. A truly dystopian novelization, the Libertaria Chronicles, is now available at Amazon. One of my favorite things about this story is its odd apocalyptic tone and strong sci-fi/fantasy foundation. The dark quality that comes with it is the cherry on top. –FanboysAnonymous.comWHAT FANS ARE SAYING ABOUT THE LIBERTARIA CHRONICLESBetween the book, virtual opera, soundtrack, and all the extras, Young has created a convincing world…a dark dystopian future for you to get lost in. The characters are complex, flawed, and human, and you are never sure what they will do next. Looking forward to the next book in the series!Award-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
Pilar of the Underground for Voice and Piano from Libertaria Opera
Voix duo

$7.99 6.68 € Voix duo PDF SheetMusicPlus






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