Piano Solo - Level 3 - Digital Download SKU: A0.829433 Composed by Words: Philipp Nicolai, by Philipp Nicolai, and tr. by Catherine Winkworth / Tune: WACHET AUF. Arranged by Lyndell Leatherman. Christian,Sacred. Score. 2 pages. Leatherman Music Services #5993815. Published by Leatherman Music Services (A0.829433). This arrangement is included in the Leatherman Library of Christian Hymnody (LLOCH). The library’s first 75 entries are codified in the publication BEST-LOVED HYMNS I, published by FJH Music of Ft. Lauderdale, Florida, and available from your favorite online music supplier. Those are the 75 hymns found most often in a broad cross-section of hymnals published since 1970, and collectively they form the core canon of hymnody that every church musician should at least be aware of, IMO.

Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1162781 By Stephen Tanner. By Philipp Nicolai. Arranged by Stephen Tanner. Christian,Contemporary,Religious,Sacred. Individual part. 4 pages. Stephentannermusic #763144. Published by stephentannermusic (A0.1162781). This Chorale Prelude follows the tradition followed by organ composers across the centuries of basing compositions around chorale or hymn tunes which would be well known to audiences and in particular church congregations.“Wachet auf, ruft uns die Stimme� (Wake O wake with tidings thrilling) is a Lutheran hymn written by Philipp Nicolai in 1598. Mendelssohn, Reger and in particular J.S.Bach are amongst the composers who have based compositions on this melody. It is particularly suitable for use in the season of Advent.

Piano Solo - Level 3 - Digital Download SKU: A0.828258 Composed by Philipp Nicolai. Arranged by Paul Thurmond. Christian,Christmas,Sacred. Score. 3 pages. Paul Thurmond #4969081. Published by Paul Thurmond (A0.828258). Tune: WACHET AUFUse: Prelude, Offertory, CommunionIn 1599, Philipp Nicolai published a hymn based on Matthew 25, the parable of the ten virgins:Wake, awake, for night is flying;The watchmen on the heights are crying:Awake, Jerusalem, at last!Midnight hears the welcome voicesAnd at the thrilling cry rejoices;Come forth, ye virgins, night is past.The Bridegroom comes, awake;Your lamps with gladness take;Alleluia! And for His marriage feast prepareFor ye must go and meet Him there.Christ was speaking of his second coming, but now this hymn is used during Advent, to refer to his first coming.

Instrumental Solo,Organ - Level 3 - Digital Download SKU: A0.1162776 By Stephen Tanner. By Philipp Nicolai. Arranged by Stephen Tanner. Christian,Contemporary,Praise & Worship,Religious. Individual part. 4 pages. Stephentannermusic #763135. Published by stephentannermusic (A0.1162776). This Improvisation follows the tradition followed by organ composers across the centuries of basing compositions around chorale or hymn tunes which would be well known to audiences and in particular church congregations.Wie schön leuchtet der Morgenstern� (How brightly shines the morning star) is a Lutheran hymn by Philipp Nicolai written in 1597 and first published in 1599. It is particularly suitable for use in the season of Epiphany.

Piano Solo - Level 3 - Digital Download SKU: A0.834256 Composed by Philipp Nicolai. Arranged by John Carter. Christmas,Contemporary,Sacred. Score. 6 pages. John Carter #6639013. Published by John Carter (A0.834256). A setting for piano solo of the familiar Advent/Christmas chorale.  WACHET AUF, composed by Philipp Nicolai in 1599. He wrote this during a plague in his town, which makes this timely in our present day. It is a message of hope and being prepared. The piano setting opens with a chorale-like style, then moves to a setting in 6/8 meter in a somewhat lyric waltz-like style.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1097306 Composed by Peter Cornelius/Philipp Nicolai. Arranged by William J. Bullock. 19th Century,A Cappella,Christmas,Holiday,Spiritual. Octavo. 7 pages. Sigma Squared Music #701255. Published by Sigma Squared Music (A0.1097306). This famous song is from the cycle Weihnachtslieder (“Christmas Songs�) by the deeply spiritual German composer Peter Cornelius. Composed in 1856 and revised in 1859 and 1870, the cycle is one of the composer’s most popular works. The perspicuity and clarity of its music and verse (Cornelius wrote both) reflect the composer’s engaging and candid temperament. The poetic message of the angular vocal line is cleverly bolstered by the subliminal message of the smoothly flowing accompanying chorale, How Brightly Shines the Morning Star by Philipp Nicolai (1556–1608). Originally scored for piano, the chorale is sung in this arrangement by a four-part mixed chorus.

Alto Recorder,Bass Recorder,Tenor Recorder,Treble Recorder - Level 2 - Digital Download SKU: A0.1225660 Composed by Nicolai Tcherepnin. Arranged by Clive Lane. 19th Century,Classical. Recorder Ensemble. 2 pages. Clive Lane #821730. Published by Clive Lane (A0.1225660). Nicolai Tcherepnin (1873-1945) was a Russian composer. This beautiful Nocturne in C is from his Opus 35, 6 Horn Quartets, here arranged for recorder quartet.

Woodwind Ensemble,Woodwind Quintet - Level 4 - Digital Download SKU: A0.786205 Composed by Otto Nicolai. Arranged by Bill Malcolm. Romantic Period. 52 pages. Bill Malcolm #5312159. Published by Bill Malcolm (A0.786205). Nicolai's classic overture provides a fun read for wind quintets. The clarinet part is very busy and challenging but , I think playable. This arrangement when printed 2-sided will have the correct page turns if you include the shameless ads. Enjoy!

Alto Saxophone,B-Flat Clarinet,B-Flat Trumpet,Baritone Saxophone,Cello,Flute,Horn,Oboe,Tenor Saxophone,Trombone,Tuba,Viola,Violin,Voice - Level 3 - Digital Download SKU: A0.1097330 Composed by Peter Cornelius/Philipp Nicolai. Arranged by William J. Bullock. 19th Century,Christmas,Holiday,Sacred,Spiritual. 33 pages. Sigma Squared Music #701272. Published by Sigma Squared Music (A0.1097330). This famous song is from the cycle Weihnachtslieder (“Christmas Songs�) by the deeply spiritual German composer Peter Cornelius. Composed in 1856 and revised in 1859 and 1870, the cycle is one of the composer’s most popular works. The perspicuity and clarity of its music and verse (Cornelius wrote both) reflect the composer’s engaging and candid temperament. The poetic message of the angular vocal line is cleverly bolstered by the subliminal message of the smoothly flowing accompanying chorale, How Brightly Shines the Morning Star by Philipp Nicolai (1556–1608). Please review our electronic delivery policy before purchasing the digital download version of this title. The accompaniment in this arrangement is scored for flexible instrumentation sextet, and is playable by a wide variety of standard ensembles or any other combination of players. Possible options include woodwind or brass quintet plus melody, string sextet, clarinet choir, saxophone sextet, or double reed ensemble. The parts are available in the following transpositions: Part 1 (Melody) C (Flute, Oboe, Violin) B-flat (Clarinet, Soprano Sax, Trumpet) E-flat (Alto Sax) Part 2 C (Flute, Oboe, Violin) B-flat (Clarinet, Soprano Sax, Trumpet) E-flat (Alto Sax*) Part 3 C (Flute, Oboe, Violin) B-flat (Clarinet, Soprano Sax, Trumpet) E-flat (Alto Sax, Alto Clarinet) Viola Part 4 C (Violin) B-flat (Clarinet, Trumpet) E-flat (Alto Sax, Alto Clarinet) F (Horn in F, English Horn) Viola Part 5 Bass Clef (Bassoon, Cello, Trombone) B-flat (Bass Clarinet, Tenor Sax, Baritone TC) E-flat (Baritone Sax) Horn in F Part 6 Bass Clef (Bassoon, Cello, Trombone, Tuba) B-flat (Bass Clarinet) B-flat (Bass Sax, Contrabass Clarinet) E-flat (Baritone Sax, Contralto Clarinet) * Note that due to the range of Part 2, the Alto Sax is quite high and Soprano would be a better option.

Guitar - Level 4 - Digital Download SKU: A0.974540 Composed by Edvard Grieg, Gioachino Rossini, Jacques Offenbach, Johann Sebastian Bach, Johannes Brahms, Nicolai Rimski Korsakov, and Wolfgang Amadeus Mozart. Arranged by Damien Roy. Standards. Guitar Tab. 47 pages. 42 Fingers Publishing #6795045. Published by 42 Fingers Publishing (A0.974540). 10 CLASSICAL PIECES FOR ELECTRIC GUITAR is a collection of famous baroque, classical, romantic, opera compositions by famous and great composers as Johann Sebastian Bach, Wolfgang Amadeus Mozart, Gioachino Rossini, Edvard Grieg, Jacques Offenbach, Johannes Brahms and Nicolai Rimski Korsakov, transcribed and arranged by Damien Roy with music notation and guitar tablature. The level of difficulty goes crescendo from easy to advanced.Rondo Alla Turca and Prelude No 2 in Cm are arranged for lead and rhythm guitar.

Guitar,Piano,Vocal,Voice - Level 3 - Digital Download SKU: A0.1294962 Composed by Words: Philipp Nicolai (tr. Catherine Winkworth)/ Music: Philipp Nicolai. Arranged by Lyndell Leatherman. Christian,Religious,Sacred. Score. 2 pages. Leatherman Music Services #885277. Published by Leatherman Music Services (A0.1294962). Welcome to this entry in the Leatherman Library of Hymnody (LLOH).Features of the series include:•Intermediate 2-page arrangements suitable as either piano or organ solos.•Chord symbols included as a service to classical guitarists.•Lyrics included (and occasionally updated) to facilitate congregational singing or vocal solo.•Hymn background information included for personal edification or use as printed program notes.•Optional repeats which allow you to fit into the allotted time available in a service.•An introduction and/or tag in many cases, often incorporating a classical excerpt or related hymn fragment.If you like this format, you may be interested in a published volume of 75 similar arrangements: BEST-LOVED HYMNS I  (© FJH Music, distributed by Alfred Music).************It has long been my passion and privilege to create customized arrangements for the churches and schools with whom I have been associated. Many were published; some were not. During the 2020 slowdown caused by Covid-19, I finally had the time to start posting the unpublished resources on Sheet Music Plus. If you are curious about what else is available, please navigate to my publisher page here on SMP < https://www.sheetmusicplus.com/publishers/leatherman-music-services/16718 >  or slip over to Facebook < https://www.facebook.com/leathermanmusicservices >, where you can see and hear many of my published works. Thanks for your interest!   God bless!Lyndell Leatherman, ASCAP.

Piano Solo - Level 3 - Digital Download SKU: A0.1377461 By Ennio Morricone, Bruno Nicolai. By Bruno Nicolai and Ennio Morricone. Arranged by Jeff Siesser. Film/TV. Score. 1 pages. Mercenary Publications #962052. Published by Mercenary Publications (A0.1377461). This is my piano solo arrangement of Ennio Morricone's light-hearted main theme from the 1973 film Ci Risiamo, Vero Provvidenza?.

Bassoon Solo - Level 3 - Digital Download SKU: A0.1392281 By Nicole Doran. By Nicole Doran. Arranged by Nicole Doran. 21st Century,Baroque,Classical,Contest,Festival. Individual part. 2 pages. Nicole E Doran #975828. Published by Nicole E Doran (A0.1392281). This is a great solo or offertory piece that celebrates Bach the father of western music and weaves in Hypherdol-Jesus, What a Friend for Sinners in a way that knits the players and listeners into the beauty of this creative medium.

Soprano voice,Vocal Solo - Level 5 - Digital Download SKU: A0.799613 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 17 pages. Nicole Elyse DiPaolo #5022029. Published by Nicole Elyse DiPaolo (A0.799613). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.This aria is also available to purchase in smaller sections, as commonly offered in auditions, at reduced prices. They include a score beginning at Noch glaub' ich and one beginning at So war es mit Pagliazzo. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages. The edition you are viewing here is the complete aria, covering rehearsal nos. 100-130.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .

Soprano voice,Vocal Solo - Digital Download SKU: A0.799614 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 20th Century,Romantic Period. 12 pages. Nicole Elyse DiPaolo #5022031. Published by Nicole Elyse DiPaolo (A0.799614). The first of its kind, and the sixth entry in Nicole Elyse DiPaolo's Accessible Accompaniments series of aria reductions, this is a genuinely playable and piano/vocal reduction of Grossmächtige Prinzessin, Zerbinetta's famous aria from Strauss's Ariadne auf Naxos (second version, 1916). Please note that the version on this page is a cut beginning from Noch glaub' ich and the complete aria, from rehearsal nos. 100-130, is available separately. Coloratura sopranos who love this aria no longer need to fear bringing it in for auditions, last-minute performing engagements, or other situations in which the pianist may have to sight-read from the chaotic and sometimes unplayable vocal score. Pianists may now enjoy playing this aria comfortably, without risking strain/injury.In addition to the current cut, one beginning at So war es mit Pagliazzo is also available. To see previews of those sections within the aria, please visit their respective SheetMusicPlus pages.All Accessible Accompaniments, including this one, boast several unique features:1. No reduction ever requires stretches of over an octave, not including bass notes meant to be held or fudged with the pedal (though octaves may also contain chord tones within them). This reduces the amount of rearranging that smaller-handed pianists must already do. Obviously, further reworkings are to be expected and pianists should feel free to add to or modify what I’ve provided.2. I’ve included less essential, but potentially desirable additional voices/passages in cue-size noteheads so that pianists can easily see them, but know that they are not necessary in a sink or swim accompanying situation. Presenting less essential material in cue-size noteheads also reduces visual clutter on the page.3. In addition to the composer’s markings, when needed, I have included hints on particular notes to bring out when the singer is likely to need them as a pitch anchor or when it is not obvious which line should be brought out within the texture.4. All page turns have been carefully selected so as to result in the least possible disruption to the pianist when possible. When an inevitable page turn precedes a potentially surprising note or chord, I’ve included the next downbeat’s notes in cue-size stemless noteheads at the end of the preceding measure.5. When known, I’ve noted alternate cuts that singers might like to take within certain arias.6. In some cases I’ve modernized spelling conventions for easier readability (for example, by replacing ß with ss in German arias) and occasionally I've enharmonically respelled brief passages for greater clarity.About the Arranger: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited blog contributor and guest instructor at Tonebase; and a sought-after online instructor of piano, music theory, and composition who includes partimento and historical improvisation in her curricula. For more information, please visit http://ndipaolo.musicaneo.com .