Voice and piano - Medium - Digital Download SKU: MQ.8492-30E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-30E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-30E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Cello Solo - Level 1 - Digital Download SKU: A0.805516 Composed by Laura C. Quijada Ortíz. Concert,Instructional,Standards. Individual part. 13 pages. Laura Quijada #6711649. Published by Laura Quijada (A0.805516). 20 Melodies on two strings at a time, a good complement to beginner cello methods. The finger pattern is kept on the three pair of strings, and the melodies can be started randomly (not necessarily in the order they appear). With the exception of the last one, all the melodies are in 2/4 to facilitate the staff reading at this level. Scales and arpeggios are included to keep up with the instrument's technique. No technique marks (arco, pizzicato), bowings, dynamics or tempi are indicated, leaving this to the teacher's discretion to assign them, as the goal is to have the cellist play the tunes perfectly at his/her own pace and abilities. This music can also be used for solo recitals. Keys: D Major, A Major, C Major

Double Bass,String Bass Solo - Level 1 - Digital Download SKU: A0.805519 Composed by Laura C. Quijada Ortíz. Concert,Instructional,Standards. Individual part. 13 pages. Laura Quijada #6711755. Published by Laura Quijada (A0.805519). 20 Melodies on two strings at a time, a good complement to beginner bass methods. The finger pattern is kept on the three pair of strings, and the melodies can be started randomly (not necessarily in the order they appear). With the exception of the last one, all the melodies are in 2/4 to facilitate the staff reading at this level. Scales and arpeggios are included to keep up with the instrument's technique. No technique marks (arco, pizzicato), bowings, dynamics or tempi are indicated, leaving this to the teacher's discretion to assign them, as the goal is to have the student play the tunes perfectly at his/her own pace and abilities. This music can also be used for solo recitals. Keys: D Major, A Major, E Major

Violin Solo - Level 5 - Digital Download SKU: A0.1040132 Composed by Mark O'Connor. Arranged by Mark O'Connor. 20th Century,Classical,Contemporary,Folk. 10 pages. Mark O'Connor Musik International #644940. Published by Mark O'Connor Musik International (A0.1040132). Caprice No. 7 in C Major (unaccompanied violin) MO176 Unaccompanied Violin Music by Mark O’Connor 6 pages - 3:15 minutes in length Caprice No. 7 in C Major for unaccompanied violin is a composition by Mark O’Connor derived from his own “Caprice For Three� he recorded with Yo-Yo Ma and Edgar Meyer. Receiving great interest from performers, teachers and students of the violin, O’Connor has contributed music here which will challenge even the most gifted virtuoso. O’Connor’s caprices, like Nicolo Paganini’s and Pietre Locatelli’s, push the violin into a new direction, musically and technically, furthering the possibilities of the instrument. “Caprice No. 7� features demanding techniques which are desirable for study purposes, and at the same time, are accessible to concert audiences. The violinist will find passages containing complex rhythms, various spicatto and double-stopped runs. In addition to these specialized skills, the violinist must master the works’ driving and aggressive rhythms in order to perfect the performance of them. This collection is appropriate for the advanced student but isolated selections could be valuable for the intermediate. Original music printed from the composer’s manuscripts. Music editing, copying and engraving by Mark O’Connor using Finale on Apple Macintosh 1997 Composed by Mark O’Connor Mark O’Connor - Violin Catalogue Number MO176 Copyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visit www.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs: www.oconnormethod.com.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Level 3 - Digital Download SKU: A0.540374 By Ray Thompson Music. By Edvard Grieg. Arranged by Ray Thompson. Romantic Period. 11 pages. RayThompsonMusic #150525. Published by RayThompsonMusic (A0.540374). Two Elegiac Melodies, Op. 34, is a composition in two movements for string orchestra by Edvard Grieg, completed in 1880 and first published in 1881.The two movements are instrumental arrangements Grieg made of two of his 12 Melodies, Op. 33, published in 1880: these were settings for voice and piano of words by the Norwegian poet and journalist Aasmund Olavsson Vinje.The Two Elegiac Melodies were dedicated to Heinrich von Herzogenberg.Grieg also made an arrangement for solo piano.This arrangement is of No.2 - VÃ¥ren ( Last Spring).. In Vinje's words, from Grieg's Op. 33 No. 2, the poet describes the beauty of the countryside in spring, appearing after the snow of winter; he thinks he might be seeing it for the last time.It is arranged for standard wind quintet.My other Grieg arrangements.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1205322 By Andrew Lamb. By Felix Alexandre Guilmant. Arranged by Andrew Lamb. 19th Century,Chamber,Wedding. 46 pages. Andrew Lamb #803510. Published by Andrew Lamb (A0.1205322). This arrangement of Wedding March (Souvenir de la Marche de Procession) Op. 77, No. 2 by Alexandre Guilmant brings a touch of elegance and grandeur to any wedding ceremony. Crafted specifically for Brass Quintet, this arrangement beautifully captures the regal and celebratory spirit of the original composition.With its soaring melodies and rich harmonies, this rendition of the beloved Wedding March is perfect for accompanying the bride's entrance, recessional, or any other significant moment during the ceremony. The vibrant brass ensemble adds a resplendent quality to the performance, filling the space with a majestic sound that is sure to leave a lasting impression on both the couple and their guests.The arrangement showcases the brilliance and versatility of the brass instruments, allowing each member of the quintet to shine individually while blending harmoniously as a group. The trumpets add a brilliant fanfare-like quality, the horn provides warm and lyrical undertones, the trombone adds depth and resonance, and the tuba anchors the ensemble with its rich and sonorous bass lines.Whether performed by a professional ensemble or a talented group of amateur musicians, this arrangement of Wedding March guarantees to elevate the ambiance of any wedding ceremony. Its timeless beauty and joyful character will create a memorable and enchanting atmosphere, leaving a lasting impression on everyone present.Make your wedding day even more extraordinary with the resounding splendor of the Brass Quintet arrangement of Wedding March (Souvenir de la Marche de Procession) Op. 77, No. 2 by Alexandre Guilmant. Celebrate this special occasion with a touch of musical brilliance that will forever be treasured.

Woodwind Ensemble,Woodwind Quintet Bassoon,Clarinet,Flute,Horn,Oboe - Digital Download SKU: A0.1205321 By Andrew Lamb. By Felix Alexandre Guilmant. Arranged by Andrew Lamb. 19th Century,Chamber,Wedding. 46 pages. Andrew Lamb #803509. Published by Andrew Lamb (A0.1205321). This arrangement of Wedding March (Souvenir de la Marche de Procession) Op. 77, No. 2 by the renowned French organist and composer Alexander Guilmant (1837–1911) is a delightful addition to any wedding ceremony. Crafted specifically for wind quintet, this arrangement beautifully captures the grandeur and elegance of Guilmant's original composition while providing a fresh and dynamic interpretation. The quintessential sounds of the flute, oboe, clarinet, bassoon, and French horn intertwine to create a harmonious blend that will enchant both the couple and their guests.Ideal for processionals, recessionals, or other key moments throughout the wedding celebration, this arrangement of the Wedding March adds a touch of sophistication and musical splendor to the occasion. The melodic lines are skillfully distributed among the wind instruments, allowing each one to shine individually and collectively, creating a rich and vibrant sonic tapestry.With its timeless appeal and classical elegance, this wind quintet arrangement of the Wedding March is a perfect choice for couples seeking a distinctive and memorable musical experience on their special day. Whether performed by a professional ensemble or a group of talented friends, this arrangement will enhance the romantic atmosphere and create lasting memories for the happy couple and their loved ones.Make your wedding ceremony truly unforgettable with this exquisite wind quintet arrangement of Wedding March (Souvenir de la Marche de Procession) Op. 77, No. 2 by Alexander Guilmant. Allow the enchanting melodies and harmonies to accompany you on your journey of love and celebration.

Brass Quartet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1405799 Composed by Edvard Grieg. Arranged by André Nusa. 19th Century,Folk,Romantic Period. 6 pages. Andre_Nusa #988856. Published by Andre_Nusa (A0.1405799). Dive into the captivating melodies of Grieg's Lyric Pieces Op.12 No.8 with this exquisite arrangement for brass quartet. Immerse yourself in the vibrant harmonies and expressive textures as the brass instruments bring to life the beauty and depth of Grieg's original composition. Perfect for brass ensembles looking to explore new repertoire, this arrangement offers a thrilling musical experience while retaining the timeless charm of Grieg's work.