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Piano,Tuba - Level 1 - Digital Download SKU: A0.548505 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387403. Published by jmsgu3 (A0.548505). The First Noel arranged for Tuba & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Tuba Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s.  Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol.  Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.  Register for free lifetime updates and revisions at www.jamesguthrie.com  
The First Noel for Tuba & Piano
Tuba et Piano

$24.95 21.29 € Tuba et Piano PDF SheetMusicPlus

Piano,Vocal,Voice - Digital Download SKU: A0.1182309 Composed by Julián De La Chica. Classical,Opera,Spiritual. Score. 56 pages. Vagabundo Music Publishing #782045. Published by Vagabundo Music Publishing (A0.1182309). MUSIC NOTES:How does Julián De La Chica materialize the question of “being†in sound? Through text and music as sound material: the choice of the German tongue as a philosophic language; in its sonority, the reference to the tradition of Lieder, a form where word and sound construct a system of meanings in search of the essential. Materializing it through sound, the works achieve this “concentration†of the essential, guided by the question of the “being.†But, how do they achieve it? Long phrases, almost Gregorian rhythmicity, recuperate the capacity for enunciation born of medieval liturgical chant and Buddhist mantras. The concentration of power in the invoked words – to enunciate is to make real what is invoked. The essence is enunciated in the concept, in the construction of the enunciations that constitute the exoskeleton of these songs. The sound materializes the concept; it is sound that creates reality. The sound is in the center of the congealed hurricane. A person that asks the question of “beingâ€, stops time. Their presence is now; only the now exists. That instant is nonetheless a whirlwind that in the meditative act stops in front of the asking person and contemplates their mortal state, unappealable: the state of mortality as illumination. — Susan Campos-Fonseca.
De La Chica: Experimentelle und unbestimmte Lieder Op. 9
Piano, Voix

$55.00 46.94 € Piano, Voix PDF SheetMusicPlus

B-Flat Trumpet,Piano - Level 1 - Digital Download SKU: A0.548502 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387385. Published by jmsgu3 (A0.548502). The First Noel arranged for Trumpet in Bb & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Trumpet Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s.  Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol.  Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.  Register for free lifetime updates and revisions at www.jamesguthrie.com  
The First Noel for Trumpet & Piano
Trompette

$24.95 21.29 € Trompette PDF SheetMusicPlus

Piano,Viola - Level 1 - Digital Download SKU: A0.548507 Composed by Traditional. Arranged by James M. Guthrie, ASCAP. Christian,Christmas. Score and part. 4 pages. Jmsgu3 #3387407. Published by jmsgu3 (A0.548507). The First Noel arranged for Viola & Piano with new harmony for the final verse.Origins The First Noel is an English Christmas carol. Even more, it was probably written in the late Cornish Renaissance period. While other versions spell the title as Nowell, this is just a colloquial variation. Furthermore, Noel is an older word meaning Christmas. Therefore the First Noel translates as the First Christmas. First of all, Gilbert and Sandy published the earliest version. As a result, this version appears in the Carols Ancient and Modern songbook of 1823. William Sandy edited and arranged the book. Similarly, his partner Davies Gilbert edited and added the familiar extra verses. The First Noel: Viola Version comes with new harmony in final verse for more energy and drive. Stainer Organist and composer Sir John Stainer published the most noteworthy customary arrangement in the 1870’s.  Stainer is above all famous for his songbook entitled: Christmas Carols New and Old (1871). This volume served as an important catalyst for reviving the English Christmas carol.  Other famous Stainer arrangements from this book are such titles as What Child Is This, God Rest Ye Merry Gentlemen, Good King Wenceslas, and I Saw Three Ships. Diatonic Function The melodic structure in the First Noel is uncommon among English folk tunes. It simply repeats one phrase twice then follows a variation refrain. All three phrases of the song end on the mediant scale degree. This is unusual because the diatonic function of the mediant is non-final compared to the more usual tonic or even dominant degrees. Consequently, this gives the song as kind of open-ended feeling – like maybe it never really ends. Political Context The Catholic clergy sang carols outside of the church in Latin. After the Protestant Reformation, the reformers thought it would be better for everyone to sing carols. They decided to bring music back to the common folk. So, they translated the lyrics from Latin into common language. Moreover, the Protestants wanted more control over the music in church than what the Vatican allowed. Protestant composers such as William Byrd composed complex polyphonic Christmas music that they called carols. Nonetheless, some famous folk carols were composed in this era. Eminent composers in the nineteenth century began to revise and adapt them. Consequently, they revived the English carol.  Register for free lifetime updates and revisions at www.jamesguthrie.com  
The First Noel for Viola & Piano
Alto, Piano

$24.95 21.29 € Alto, Piano PDF SheetMusicPlus

Brass Ensemble - Level 3 - Digital Download SKU: A0.808663 Composed by Richard Rodgers. Arranged by F. Leslie Smith. Pop,Rock. Score and parts. 21 pages. Sweetwater Brass Press #2853385. Published by Sweetwater Brass Press (A0.808663). My Funny Valentine is a show tune from the 1937 Richard Rodgers and Lorenz Hart musical Babes in Arms. In the play, a character named Billie Smith sings the song to Valentine Val LaMar. Two years later, the film version of the play was released, but the plot had been revised to the extent that it kept only a couple of songs from the stage version; My Funny Valentine was not one of them. Nonetheless, the song became both a pop and a jazz standard and has been recorded many times. This version has a distinctly baroque feel.Completed in 2016, this arrangement runs about 3 minutes, 29 seconds. The arranger, Les Smith, can be reached at lessmith@ufl.edu. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the SheetMusicPlus search box.
My Funny Valentine
Ensemble de cuivres

$15.00 12.8 € Ensemble de cuivres PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017011_AX1 E-flat Alto Saxophone. Composed by Scott Watson. Instructional. Part. 2 pages. Alfred Music - Digital Sheet Music #00-PC-0017011_AX1. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017011_AX1). UPC: 038081505602.Der ErlkAPnig, or The Elf King, is based on Johann Goethe's late 18th-century poem of the same name in which a father and his young son ride home on horseback one dark and eerie night. The father tries to calm the increasingly fearful son by explaining everything the boy reports as simply leaves rustling in the wind or willows moving in the fog. Nonetheless, the father rides faster and faster home only to find the boy is dead in his arms when they arrive. Goethe's dark and gothic tale is brought to spine-tingling life in this harrowing, fast-paced tone poem for band. (3:20)Concert/Contest.
Der Erlkönig: E-flat Alto Saxophone
Orchestre d'harmonie

$3.00 2.56 € Orchestre d'harmonie PDF SheetMusicPlus

Piano,Violin - Digital Download SKU: A0.1516059 Composed by Traditional. Arranged by Phyllis Hopper. Christmas,Holiday,Religious. 8 pages. HopSez Productions #1090172. Published by HopSez Productions (A0.1516059). Merry Christmas and get your greenery here!You'll find this a light, whimsical prelude for recital, Winter gathering, or church service. The melody passes between the instruments, allowing each one plenty of opportunity to shine.Included in this medley are: The Holly and the Ivy Greensleeves Sing We Noel Christmas (which is not green, but it weaseled its way into the arrangement, nonetheless) Time: 3:40The music is fairly straightforward and easy follow. History: This piece was arranged to serve as a yuletide prelude during Advent. It has since proven a delightful addition to the Christmas playlist.I'd love to hear from you! Feel free to submit feedback, suggestions and requests to: phroglis@tutanota.com and once you're familiar with the piece, I'm sure others will appreciate it if you leave a review at this site. Thanks!
Christmas Greens for violin
Violon et Piano

$7.99 6.82 € Violon et Piano PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.815396 Composed by Frank Rogers, Jacob Davis, Phillip Brian White, and Phillip White. Arranged by Denise Bruckno. Broadway,Contemporary,Film/TV,Musical/Show. Score. 4 pages. Denise Bruckno #5968223. Published by Denise Bruckno (A0.815396). PART OF YOUR WORLD from the THE LITTLE MERMAID is a much loved Disney classic and now young piano students can add it to their repertoire with this attractive shortened arrangement carefully written for late beginner/ early intermediate players.  It's in the key of F and basically centered in the middle of the keyboard. Harmonies are simple with a few accidentals,  but nonetheless capture the essence of this charming and meaningful song. Lyrics and chord symbols are included in addition to a pictured title page.
Part Of Your World
Piano, Voix

$4.99 4.26 € Piano, Voix PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1404778 Composed by Stanley M Hoffman. Arranged by Stanley M Hoffman. 20th Century,21st Century,Classical. 88 pages. Stanleymhoffman.com #987840. Published by stanleymhoffman.com (A0.1404778). Written in 2024, Romance for String Orchestra is unabashedly tonal piece based on music from my compositions Romance for Orchestra (1982) and Pasacalle Triste (2024). Romance for Orchestra was composed as my undergraduate thesis at The Boston Conservatory of Music and has since writhed in obscurity. One understands why, though: various passages sound like juvenilia. Still, others sound a good deal stronger, and it is those passages that I have rescued, and which are featured in Romance for String Orchestra. Newly composed passages bracket and are intertwined with older ones, many of which are here transposed. Though just a smattering when compared to the number of passages borrowed from Romance for Orchestra, the ones borrowed from Pasacalle Triste nonetheless provide a meaningful creative arc manifested in one composition, and they provide just the right touches during various sequential passages. Speaking of sequences, Romance for Orchestra contains what is for my oeuvre the most expansive sequence I have composed to date; in both cases that sequence leads to the formal recapitulation of the main theme in the tonic key C Minor. I hope you enjoy Romance for Orchestra. Thank you for your time and attention.
Romance for String Orchestra
Orchestre à Cordes

$44.00 37.55 € Orchestre à Cordes PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549384 Composed by George Frideric Handel. Arranged by James M. Guthrie, ASCAP. Baroque,Sacred,Standards,Wedding. Score and part. 9 pages. Jmsgu3 #3492299. Published by jmsgu3 (A0.549384). Duration: 4:55, Score: 6 pages, Solo part: 1 page, piano part: 2 pages. A very famous aria (Ombra mai fu) from XerxesSuitable for any venue requiring meditative music. Excellent choice for a recital encore.Xerxes Xerxes is, in fact, an opera seria in three acts by Handel. Moreover, Handel conducted the premiere performance in London in 1738. Handel casts the opera in Persia in 470 BC. The part of Xerxes was indeed originally sung by a soprano castrato. Nowadays, the part is generally sung by a mezzo-soprano or conversely a counter-tenor. In the first place, Xerxes sings an opening aria, Ombra mai fu to a plane tree. Handel sets this aria to one of his most truly famous melodies. Although many refer to it traditionally as Handel’s Largo, Handel has, on the contrary, clearly marked Larghetto in the score. Handel Background George Frideric Handel (1685 - 1759) was born in Germany, but eventually became a British citizen. Nonetheless, he was a famous Baroque composer. In fact, he became famous for his operas, oratorios, anthems, and organ concertos. Handel studied music and, by and large, worked as a composer in Germany and Italy before moving to London. On the whole, Handel was very familiar with the contemporary music of Italy and Germany. Career in England It is important to realize that Italian opera was all the rage in England at the time. Moreover, Handel was really good at writing them. Therefore, he started not one but three opera companies in England. Alexander's Feast was a huge success in 1736, but Handel nevertheless began composing English choral works. After success with the Messiah in 1742) he certainly never again wrote an Italian opera. Consequently, he died in 1759, a treasured genius. Accordingly, the English government gave him full state honors at his funeral. Hence, he is buried in Westminster Abbey in London. Legacy Music historians agree that Handel was in general one of the greatest composers of the Baroque era.  To demonstrate, his works such as the Messiah, Water Music, and Music for the Royal Fireworks remain consistently popular up to the present time. He especially composed the coronation anthem, Zadok the Priest for the coronation of George II. Nevertheless, it has specifically been performed at every succeeding British coronation since. His oratorio Solomon has by all means also continued to be prevalent. As a matter of fact, the Sinfonia from act 3 was featured the 2012 London Olympics opening ceremony. Handel was particularly prolific. To enumerate, he wrote over forty operas.  Since the late 1960s, we have expressly experienced a revival of baroque music. Similarly, we have especially seen a pique of interest in historically informed musical performance. Since his death in 1779, interest in Handel's music has, all in all, expanded.   Register for free lifetime updates and revisions of this product at www.jamesguthrie.com.
Handel: Largo from Xerxes for Baritone Sax & Piano
Saxophone Baryton, Piano

$32.95 28.12 € Saxophone Baryton, Piano PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PR-0005210 Score. Composed by Scott Watson. Instructional. Score. 8 pages. Alfred Music - Digital Sheet Music #00-PR-0005210. Published by Alfred Music - Digital Sheet Music (AX.00-PR-0005210). UPC: 038081505602.Der ErlkAPnig, or The Elf King, is based on Johann Goethe's late 18th-century poem of the same name in which a father and his young son ride home on horseback one dark and eerie night. The father tries to calm the increasingly fearful son by explaining everything the boy reports as simply leaves rustling in the wind or willows moving in the fog. Nonetheless, the father rides faster and faster home only to find the boy is dead in his arms when they arrive. Goethe's dark and gothic tale is brought to spine-tingling life in this harrowing, fast-paced tone poem for band. (3:20)Concert/Contest.
Der Erlkönig: Score
Orchestre d'harmonie

$7.00 5.97 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0017011_TMP Timpani. Composed by Scott Watson. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0017011_TMP. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0017011_TMP). UPC: 038081505602.Der ErlkAPnig, or The Elf King, is based on Johann Goethe's late 18th-century poem of the same name in which a father and his young son ride home on horseback one dark and eerie night. The father tries to calm the increasingly fearful son by explaining everything the boy reports as simply leaves rustling in the wind or willows moving in the fog. Nonetheless, the father rides faster and faster home only to find the boy is dead in his arms when they arrive. Goethe's dark and gothic tale is brought to spine-tingling life in this harrowing, fast-paced tone poem for band. (3:20)Concert/Contest.
Der Erlkönig: Timpani
Orchestre d'harmonie

$3.00 2.56 € Orchestre d'harmonie PDF SheetMusicPlus

Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe,Percussion - Level 4 - Digital Download SKU: A0.1353773 Composed by Erik Satie. Arranged by Ray Thompson. 20th Century. 27 pages. RayThompsonMusic #938540. Published by RayThompsonMusic (A0.1353773). Arranged double wind quintet/bass and optional percussion.Background info:Parade is a ballet choreographed by Leonide Massine, with music by Erik Satie and a one-act scenario by Jean Cocteau. The ballet was composed in 1916–17 for Sergei Diaghilev's Ballets Russes. The ballet premiered on Friday, May 18, 1917, at the Théâtre du Châtelet in Paris, with costumes and sets designed by Pablo Picasso, choreography by Léonide Massine (who danced), and the orchestra conducted by Ernest Ansermet.The ballet was remarkable for several reasons. It was the first collaboration between Satie and Picasso, and also the first time either of them had worked on a ballet, thus making it the first time either collaborated with Diaghilev and the Ballets Russes.The plot of Parade incorporated and was inspired by popular entertainments of the period, such as Parisian music-halls and American silent-films.Much of the settings used in Parade's plot occurred outside of the formal Parisian theater, depicting the streets of Paris.The plot reproduces various elements of everyday life such as the music hall and fairground.Before Parade, the use of popular entertainment materials was considered unsuitable for the elite world of the ballet.The plot of Parade composed by Cocteau includes the failed attempt of a troupe of performers to attract audience members to view their show.Some of Picasso's Cubist costumes were in solid cardboard, allowing the dancers only a minimum of movement.The score contained several noise-making instruments (typewriter, foghorn, an assortment of bottles, pistol, and so on), which had been added by Cocteau (somewhat to the dismay of Satie).It is supposedthat such additions by Cocteau showed his eagerness to create a succès de scandale, comparable to that of Igor Stravinsky's Le Sacre du Printemps which had been premiered by the Ballets Russes some years before, and caused no less scandal.Although Parade was quite revolutionary, bringing common street entertainments to the elite, being scorned by audiences and being praised by critics,nonetheless many years later Stravinsky could still pride himself in never having been topped in the matter of succès de scandale.The ragtime contained in Parade would later be adapted for piano solo and attained considerable success as a separate piano piece.The finale is a rapid ragtime dance in which the whole cast [makes] a last desperate attempt to lure the audience in to see their showThe premiere of the ballet resulted in a number of scandals. One faction of the audience booed, hissed, and was very unruly, nearly causing a riot before they were drowned out by enthusiastic applause.Many of their objections were focused on Picasso's cubist design, which was met with cries of sale boche. Petite Fille Americaine  (Young American Girl) is no 2 in the ballet, and includes some of the odd percussion : typewriter and gunshots, in addition to normal orchestral perc.It also includes the Ragtime Dance which became very popular in it's own right.The piece can be performed without percussion....but the percussion gives it an extra something!!
Satie: Parade - II. Petite Fille Americaine - wind dectet

$14.95 12.76 € PDF SheetMusicPlus

Small Ensemble Alto Flute,Piano - Level 5 - Digital Download SKU: A0.851542 Composed by Wolfgang Amadeus Mozart. Arranged by Brett Thompson. Classical. Score and parts. 51 pages. Brett Thompson #3074759. Published by Brett Thompson (A0.851542). P.p1 {margin: 0.0px 0.0px 12.0px 0.0px; font: 15.0px 'Helvetica Neue'} span.s1 {font-kerning: none} span.s2 {font-kerning: none; color: #038dc8} Mozart’s Symphony no 40 is one of his most loved works. The fourth movement is an exhilarating conclusion. This unabridged transcription is scored for 3 flutes, alto flute and piano If you would like to watch a full video preview, or prefer this product formatted for A4 paper size, please visit:  http://www.fourandtwentymusic.com/pieces/symphony-no-40-mvt-4/ Or please visit the Four and Twenty website to view our other products: http://www.fourandtwentymusic.com
Symphony no 40, 4th movement, arranged for four flutes and piano

$25.00 21.33 € PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1003371 Composed by Floriano Canali. Arranged by Aristotle A. Esguerra. Christian,Classical,Renaissance,Sacred,World. Octavo. 2 pages. CantemusDomino.Net #3536041. Published by CantemusDomino.Net (A0.1003371). A setting of an antiphon assigned for the petition of peace by Floriano Canali (c.1550–c.1630) for SATB or STTB choir.Total length: ~1:45Key: D DorianMode: Mode IRange requirements (middle C = C4):· Cantus [Soprano]: C4–E5· Altus [Alto or Tenor I]: F3–G4· Tenor [Tenor or Tenor II]: D3–E4· Bassus [Baritone or Bass]: C3–C4Pages: two 8.5x11 sheetsSystems per page: 4Accompaniment: noneEnglish Translation:Grant peace, O Lord, in our time;for there is none other that fighteth for us,but only Thou, O our God!
Da pacem Domine (Canali)
Chorale SATB

$3.00 2.56 € Chorale SATB PDF SheetMusicPlus






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