Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534703 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Standards. Score and parts. 17 pages. Musik Fabrik Music Publishing #6341543. Published by Musik Fabrik Music Publishing (A0.534703). The composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The manuscript of the Sonata in A minor, Madame Brillon’s only solo keyboard work, s in her hand. Crossed-out measures and partially abbreviated notation indicate that t was for her own use in salon performances. This is probably an early work, given the classical haronic vocabulary and typical classical balance of the forms.   The second movement is more virtuosic, with an initial theme in four octaves, scales in doubled thirds and figures which are in alternate hands.

Bassoon,Piano - Level 5 - Digital Download SKU: A0.534689 Composed by Thierry Pélicant. 20th Century,Concert,Contemporary. Score and part. 25 pages. Musik Fabrik Music Publishing #6230963. Published by Musik Fabrik Music Publishing (A0.534689). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the piano reduction and solo part. The score is also available for sale.   The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...

Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534711 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Holiday,Patriotic,Standards. Score and parts. 12 pages. Musik Fabrik Music Publishing #6359041. Published by Musik Fabrik Music Publishing (A0.534711). SONATA NO. 8 IN A MINOR  I. [Allegro]II. Minuetto e Trio The composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitumâ€�, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia.  

Woodwind Ensemble - Digital Download SKU: IZ.PDP282 Composed by Normand Lockwood. Score and Parts. 18 pages. Imagine Music - Digital #PDP282. Published by Imagine Music - Digital (IZ.PDP282). 9 x 12 inches.Lockwood composed in all media throughout his career, including a great deal of chamber music. A Prelude for Woodwinds was written in 1925 while studying with Respighi. The work is scored for an octet consisting of piccolo, flute, oboe, English horn, clarinet, bass clarinet, bassoon, and contrabassoon-unique in the chamber music or wind ensemble literature.

Choir and various instruments - Digital Download SKU: MQ.80-420A-E Composed by Normand Gouin. Instrument part. 13 pages. MorningStar Music Publishers - Digital Sheet Music #80-420A-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-420A-E).

Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.1240555 Composed by Emmanuel Rhene-Baton. Arranged by Steven Nunes. 19th Century,A Cappella,Classical,Romantic Period. Octavo. 6 pages. Nagamon Publications #835939. Published by Nagamon Publications (A0.1240555). Emmanuel Baton, known as Rhené-Baton (5 September 1879 – 23 September 1940), was a French conductor and composer. Though born in Courseulles-sur-Mer, Normandy, his family originated in Vitré in neighbouring Brittany. He returned to the region at the age of 19, and many of his compositions express his love of the area. He also had close relationships with composers of the Breton cultural renaissance.

Cantor, congregation, SATB choir, and organ, with optional soprano descant and C instrument - Moderately Easy - Digital Download SKU: MQ.80-980-E Composed by Normand Gouin. All Saints/All Souls, Funeral. Instrument part. 12 pages. MorningStar Music Publishers - Digital Sheet Music #80-980-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.80-980-E). This is a communion procession for the Mass of Christian Burial, also appropriate for Memorial Masses and the Feast of All Souls. The assembly sings a plainsong antiphon, and the verses from psalm 121 are set for cantor and/or SATB voices. There is an optional descant, set in Latin, and C instrument part. The music has a tranquil quality that helps us express in song our hopes and prayers for the dead. Part of C Instrument and Congregational page included.

B-Flat Clarinet,Piano - Level 1 - Digital Download SKU: A0.548475 Composed by Mueller. Arranged by James M. Guthrie. Christian,Christmas. Score and part. 3 pages. Jmsgu3 #3386527. Published by jmsgu3 (A0.548475). Traditional Christmas song arranged for Bb Clarinet & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther.   Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol.  Register for free lifetime updates and revisions of this product at www.jamesguthrie.com

Composed by Normand Gouin. Assembly edition. Published by MorningStar Music Publishers (MQ.80-680C-E). - assembly edition - - MorningStar Music Publishers

Flute,Piano - Level 1 - Digital Download SKU: A0.548476 Composed by Mueller. Arranged by James M. Guthrie. Christmas. Score and part. 3 pages. Jmsgu3 #3386529. Published by jmsgu3 (A0.548476). Traditional Christmas song arranged for Flute & Piano. Third verse features new harmony. Score: 2 pg. Part: 1 pg.Away in a Manger Away in a Manger is a popular Christmas song published originally sometime in the later 19th century and performed throughout the world. In England, it is considered one of the two most popular carols of all time; a 1996 poll ranked it as a tie for second place. To begin with, many thought it was written by Martin Luther, but now the song is considered to be absolutely American. The most common musical arrangements are by William Kirkpatrick (1895) and James R. Murray (1887). The melody was first published, as Luther's Cradle Hymn, by James R. Murray. Then, came a confusing series of explanations about how Martin Luther wrote the song. Murray even went so far as to suggest that Luther wrote it for his children. As a result, the song has become known as simply Mueller. Nobody knows who this Mueller actually is, but the name stuck. Popularity By the 1880’s the cradle song was being performed in church. By the 1990’s the song was becoming the most popular Christmas song of all time. It was sung in school, in church, and at home by nearly everyone. Other musical settings The first musical setting published with the lyrics appeared in the Little Children's Book for Schools and Families (1885). The title was Away in a Manger. This edition is the first one not to attribute the song to Martin Luther.   Charles H. Gabriel was the first arranger to present the third verse. He also composed and published a large number of different arrangements of the song. In one of his settings, he supplies a chorus for each verse with asleep sung in canon. Another prevalent preparation uses the lyrics to the melody Flow Gently, Sweet Afton. Yet another arrangement dating uses the lyrics to an old Normandy Carol. 

Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534717 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Holiday,Patriotic,Standards. Score and parts. 52 pages. Musik Fabrik Music Publishing #6359163. Published by Musik Fabrik Music Publishing (A0.534717). SONATA NO. 5 IN E FLAT MAJOR I. Allegro II. Presto ORLD PREMIÈRE RECORDINGCD 2SONATA NO. 6 IN D MINOR I. Cantabile II. Allegro SONATA NO. 7 IN B FLAT MAJOR I. Allegro II. Andante III. PrestoSONATA NO. 8 IN A MINOR I [Allegro]. II. Minuetto e Trio The composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitum�, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia.

Large Ensemble Euphonium,Glockenspiel,Horn,Sleigh Bells,Timpani,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.761094 Composed by Various. Arranged by Stephen Rockey. 20th Century,Christian,Christmas,Romantic Period. Score and parts. 32 pages. Stephen Rockey #5034037. Published by Stephen Rockey (A0.761094). A Trilogy of 'Away In A Manger' for Large Brass Group. This is an original arrangement of three versions of the Christmas Carol, from the US: Mueller, Europe: Normandy Melody, and the UK: Kirkpatrick. This would make a peaceful interlude to any Christmas or New Year concert or recital. Specially written for a concert, the instrumentation is; 3 Trumpets in B flat, Flugelhorn in B flat, 3 Horns in F, 2 Tenor Trombones, Bass Trombone, Euphonium, Tuba and (opt.) 2 percussionists.

Baritone Saxophone,Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1078620 By Gabriel Navarro. By Normandia Gonzalez and Rudy Amado Perez. Arranged by juan carlos esteve /Gran Coda. Latin. 8 pages. Juan Carlos Esteve #682847. Published by Juan Carlos Esteve (A0.1078620). • Transcription of sheet music (handwritten) for Trumpet (2), Trombone, Tenor Saxophone and Baritone Saxophone of the theme Vivir Lo Nuestro. • The download contains 8 pages in pdf format folio size A4 (21x29.7cm)-(8.27x11.69 in) • Original Ringtone: Ebm • Total number of measures: 170 • Degree of difficulty: Intermediate.

Instrumental Duet Harpsichord,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.534715 Composed by Anne-Louise Brillon de Jouy. Classical,Concert,Folk,Holiday,Patriotic,Standards. Score and parts. 16 pages. Musik Fabrik Music Publishing #6359087. Published by Musik Fabrik Music Publishing (A0.534715). SONATA NO. 12 IN C MINOR I. Allegro II. PrestoThe composer and harpsichordist Anne-Louise Brillon de Jouy was born in Paris in 1744, and died in 1824 in Villers-sur-Mer in Normandie. She married Jacques Brillon de Jouy 22 years her senior,and had two daughters, Cunégonde and Aldegonde, Anne-Louise Brillon de Jouy had a salon in Passy whose guests included the violinist Jean-Pierre Pagin and cellist and composer Luigi Boccherini. Benjamin Franklin was also a frequent vistor and Madame Brillon has an extensive correspondence with him, including the period after his stay in Paris during the American Revolution .Many of her compositions were purchased in 1957 by the American Philosophical Society of Philadelphia, in honor of this friendship.In 2021, French Pianist Nicolas Horvath recorded a landmark CD for Grand Piano (GP872-73) of Brillon’s keyboard noatas with extensive notes by Aliette de Laleu, Deborah Hayes and Nicolas Horvath and Christine de Pas The keyboard sonatas published here are intended to document this reocrding.The twelve numbered sonatas, marked “Troisième Recueil de Sonates pour le pianoforte ou clavecin avec accompagnement d’un viiolon ad libitum�, are in the hand of a copyist and are contained in a bound volume labeled as her Troisième Recueil (‘Third Collection’) and dedicated to Mesdemoiselles Brillon. Evidently the composer at some point chose these 12 sonatas to be copied as a sampling of her work for her two daughters. The manuscript is in the collection of the American Philosopical Society in Philadelphia.