Piano Solo - Level 4 - Digital Download SKU: A0.693010 Composed by Ben Dockery. Contemporary,Folk,Instructional,Standards. Score. 3 pages. Ben Dockery #3241725. Published by Ben Dockery (A0.693010). This fast angular piano piece (1 min. 5 sec) is the tenth in a series of impromptus inspired by the sounds of childhood, namely the soundtracks of early 90s video game systems like Nintendo.  This composition captures the robotic, computerized quality that was common with many of the 8-bit soundtracks.  Although composers were limited to writing thin textures, they often took advantage of the computer's ability to play virtuosic passages that would be nearly unimaginable for a living performer. The texture of this piece is almost entirely monophonic.  The velocity of the 16th notes creates the impression of harmony in the same way virtuosic blue-grass flat-picking guitarist can.  The greatest challenge to the performer is getting the alternating hands coordinated.  Fingerings are important, but more so is deciding which hand to play specific melodic passages.  Where these spots seemed most precarious, I provided suggestions.  Elsewhere, it is helpful to recognize that any consecutively repeated note is best played with an alternate hand.Follow my work at www.bendockery.comThere you can sign up for my email list and get tons of free music! .

Large Ensemble,Strings B-Flat instrument,Bass Clef Instrument,E-Flat Instrument,Multi-Percussion,Treble Clef Instrument - Level 2 - Digital Download SKU: A0.1013117 Composed by Traditional American Folk. Arranged by Anthony Susi. Folk. Score and parts. 56 pages. Susi Music #5997791. Published by Susi Music (A0.1013117). This popular 19th century American Folk Song (traditionally sung) has been arranged instrumentally in the Flex-style, allowing any combination of wind or string instruments (with optional added percussion) to perform it.  The non-pitched percussion part can be divided among a few players or played on the drum set by one.The optional piano part can cover missing voices and help the piece sound fuller if performed by less than 5 wind/string performers.  There are opportunities to showcase every performer with written 2 bar solos that can alternatively be improvised using just the 6 notes of a blues scale.

Piano Solo - Level 5 - Digital Download SKU: A0.1324800 By David Tsvariani. By David Tsvariani. Classical,Contemporary. Score. 3 pages. David Tsvariani #913009. Published by David Tsvariani (A0.1324800). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.

Piano Solo - Level 4 - Digital Download SKU: A0.862644 Composed by Franz Schubert. Arranged by Michael Bomier. Classical,Instructional,Romantic Period. Score. 18 pages. Michael Butkus-Bomier #3538691. Published by Michael Butkus-Bomier (A0.862644). Franz Schubert wrote many piano pieces for concert performers and are accessible to students seeking a repertoire. These two pieces have maintained themselves in the rep since their inception. All-original notes, but NO pagebacks, facing pages that make for easy pageturns, and notation that emphasizes what you must play when, and not multiple voices or less relevant detail, as is so often presented in scholarly editions. Both with pedaling throughout, at the performer's discretion. Tempos marked are modest, and each piece can go faster if you are able. Audio sample is No. 3 in Gb. Dynamic range is wide, so set your speakers to a low volume, to accomodate the crescendos. MBBMBB / GateWay Editions.

Piano Solo - Level 5 - Digital Download SKU: A0.1324803 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913012. Published by David Tsvariani (A0.1324803). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.

Piano Solo - Level 4 - Digital Download SKU: A0.1228553 Composed by Gustav Mahler. Arranged by John Kerr. 20th Century,Classical,Romantic Period. Score. 6 pages. John Kerr #824631. Published by John Kerr (A0.1228553). This is a piano transcription of the sublime conclusion to Mahler's third symphony. The richly textured melodic progression requires a lot of stretching but performers should feel free to omit any notes that they can't comfortably reach or arpeggiate. The tremolo sections are intended either to emulate the powerful bass of the timpani or the ethereal shimmering of high strings and should be played at liberty as the performer interprets. Play it slowly and contemplatively and enjoy!

Piano Solo - Level 5 - Digital Download SKU: A0.1324805 Composed by David Tsvariani. Classical,Contemporary. Score. 4 pages. David Tsvariani #913014. Published by David Tsvariani (A0.1324805). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.

Piano Solo - Level 5 - Digital Download SKU: A0.1324802 Composed by David Tsvariani. Classical,Contemporary. Score. 5 pages. David Tsvariani #913011. Published by David Tsvariani (A0.1324802). Fugues Op. 17 for Piano by David TsvarianiIntroduction:Allow me to share a few thoughts about my recent composition, Fugues Op. 17, for piano. Comprising four individual fugues that can be performed separately or as a complete suite, this work explores a range of tempos, keys, and thematic nuances. I've endeavored to create a modest collection that, when performed together, offers a glimpse into various emotional landscapes.Fugue No. 1 in C Major (Allegro vivace):The journey begins with the lively Allegro vivace in C major, a modest 01:44 celebration of joy and energy. It is my hope that this piece, with its brisk tempo, serves as a lively opening to the collection, showcasing the pianist's skill and the intricate counterpoint I aimed to achieve.Fugue No. 2 in B-flat Major (Andante):The second fugue, marked Andante with a duration of 02:25, introduces a contemplative mood in the key of B-flat major. In my modest attempt, this piece invites the listener to reflect and explore a more introspective side, providing a gentle contrast to the preceding fugue.Fugue No. 3 in A Major (Adagio):With a deliberate pace of 02:57 and an Adagio tempo, the third fugue in A major emphasizes melody and expression. My humble intention was to create a serene and emotional landscape, allowing the listener to experience a deeper connection with the music.Fugue No. 4 in D Major (Allegretto):The final fugue, an Allegretto in D major, lasts a mere 01:40. In a departure from convention, I introduced an Eastern or oriental scale, aiming to infuse the composition with a unique character. It is my modest hope that this unexpected touch adds a distinctive flavor to the overall work.Program Notes:As I share Fugues Op. 17, I am mindful of the privilege of having my compositions interpreted by talented performers. My sincere aspiration was to create a humble collection that weaves together varied emotions and styles. The inclusion of a melodic third fugue and the exoticism of the fourth fugue seeks to expand the tonal palette modestly. I hope that, as a whole, this collection speaks with a quiet resonance, leaving room for interpretation and connection between the music, the performer, and the listener. With gratitude, David Tsvariani.

Piano Solo - Level 3 - Digital Download SKU: A0.1016581 Composed by R. Currier III. 20th Century,Contemporary. Score. 7 pages. R. Currier III #6105695. Published by R. Currier III (A0.1016581). These four, contemporary, solo piano pieces afford the performer an opportunity to really dig into the underlying texture of the works. Intermediate players will find some unusual features of interest, while more advanced performers will enjoy exploring the spaces between notes within the deceptively simple framework of the final three, contemplative miniatures.Thanks for stopping by to check out Four Piano Miniatures. For more original music in a variety of genres, please visit my website, www.raysoctopus.com, which includes some of my art photography, information about me, and a link to my SoundCloud account. Or, you can just jump on over to SoundCloud via this link: https://soundcloud.com/ray-currier.

2 Pianos,4 Hands,Piano Duet - Level 5 - Digital Download SKU: A0.1423827 By Richard Simm. By Charles Marie Widor. Arranged by Richard Simm. Classical,Praise & Worship,Religious,Romantic Period,Sacred. Score. 13 pages. Richard Simm #1005053. Published by Richard Simm (A0.1423827). Richard Simm having some serious 2-piano fun with Widor's famous Toccata from his 5th Organ Symphony. The original is a technical marathon for the performer's right hand, although the footwork is relatively easy. So the idea here was to arrange this spectacular work in a new format for two pianos, and in such a way as to redistribute all those right-hand notes between two hands and generally give both performers a more comfortable time.

Trumpet Solo - Digital Download SKU: A0.829062 Composed by Eric Bolvin. Arranged by Eric Bolvin. Contemporary. Individual part. 56 pages. ERIC V BOLVIN #3578765. Published by ERIC V BOLVIN (A0.829062). Most brass players are familiar with the ubiquitous Clarke’s Technical Studies. Here are some creative variations on Studies I, II, III, V and VII. All the variations are progressive so I guarantee they get harder and will be useful to players at all levels and styles.There are two essential books that just about every trumpet player has studied; Arban’s Conservatory Method and Clarke’s Technical Studies. The Arban is fondly referred to as the trumpet player’s bible. If that is the case, then the Clarke should be the new testament. I consider Herbert L. Clarke to be the George Washington of trumpet, as he was the one of the first Americans to achieve greatness as a performer on the cornet. He was also one of the first notable pedagogues and taught such greats as Rafael Mendez and Claude Gordon, who was my teacher. I am fond of telling my students that they are the great-grandchildren of H. L. Clarke, one of our country’s first great virtuosos.The impetus for this set of variations is based on the idea of an Expanding Scale or Expanding Range. Each set will start with a small range of notes covering an interval such as a 5th and will expand over the course of the study to the whole range of the trumpet. The idea is to imagine you are holding one note and let your fingers do the rest. This concept is, of course, metaphorical but if employed will greatly enhance your technique and efficiency.This is a progressive course, so it is recommended that you practice the studies in the order they are presented. Make note of the intervals in each study. Study 1 is all chromatic, so it is easier to transition from one note to another. The second group is based on Clarke Study 5 and is all diatonic. The third group is based on Clarke Study 2 which is diatonic with some thirds. The fourth group is based on Clarke Study 3 which is arpeggios. So with each group the intervals get a little more challenging. I’ve also included more chromatic work based on Studies 7 & 8.

1 Piano,4 Hands,Piano Duet - Level 2 - Digital Download SKU: A0.893929 By Jessica Darrow. By Lin-Manuel Miranda. Arranged by Joan Bujacich. Contemporary. Score. 10 pages. Joan Bujacich #6794295. Published by Joan Bujacich (A0.893929). The upbeat, fun tune from the Disney MovieEncanto is a Duet arrangement for Junior / Early Intermediate levels. If students love this song, they will love playing this duet version, it is so much fun! It shares melodic themes between the Primo and Secondo partners.  Though it uses the dotted eighth note-sixteenth note figure in the notation, the coordination between the hands is always on the beat making it easier to learn.  It includes the verse, chorus and middle rap-like sections. The middle section melody rhythm is not performed with the strict dotted -eight note rhythm as notated but more like a swinging eight notes. Joan Bujacich also offers an Elementary and Junior level solo version of this popular song. This piece works well on the piano and makes a good rewarding sound without too much work for the student. Ms. Bujacich also has several arrangements of the other hit from this movie. We Don't Talk About Bruno. Ms. Bujacich's decades of experience as a performer, composer and teacher is evident in her musically friendly arrangements.

Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.1389729 By Taylor Swift. By Taylor Swift. Arranged by Paul Lorenz. Broadway,Country,Musical/Show,Pop,Rock,Wedding. Score. 7 pages. Paul Lorenz #973325. Published by Paul Lorenz (A0.1389729). Taylor Swift Love Story Sheet Music: A Symphony of Romance and Talent Unleash the Emotion with Every Note Dive into the heart of Taylor Swift's masterpiece with Love Story sheet music piano PDF, meticulously curated by Paul Lorenz Music. Whether you're a pianist or a string enthusiast, our collection of Love Story piano sheet music and Love Story music score offers an unparalleled musical experience. For those who feel the music in their fingertips, the Love Story piano score and Love Story by Taylor Swift piano sheet music are your keys to a profound performance. A Melody That Speaks to Hearts Paul Lorenz Music takes pride in offering Love Story piano sheet music Taylor Swift and Love Story Taylor Swift piano sheet, ensuring every note captures the essence of Swift's iconic song. The Taylor Swift Love Story piano score is more than just notes on a page; it's a gateway to storytelling through music. With our Love Story sheet music Taylor Swift, performers of all levels can find joy in the melody, from Love Story easy piano to more complex arrangements. Versatile Arrangements for Every Musician Our selection caters to every instrument, from Love Story piano notes to Love Story sheet music violin. Violinists will revel in the Love Story Taylor Swift violin sheet music, while those looking for Love Story easy piano sheet music will find arrangements that match their skill level. Additionally, we offer Love Story flute sheet music, Love Story music sheet PDF, and Love Story guitar sheet music, allowing musicians to choose their preferred instrument for this timeless tune. Designed for Musicians, By Musicians At Paul Lorenz Music, we understand the connection between artist and instrument. That's why we offer Love Story Taylor Swift piano notes and more, designed to inspire and enhance your musical journey. Our mission is to make classical music accessible and beloved, and through offerings like these, we invite you to join us in this endeavor. Frequently Asked Questions (FAQs) Who did Taylor Swift write Love Story about? Taylor Swift was inspired by a personal experience that resonated with the theme of a forbidden love, much like the story of Romeo and Juliet, to write Love Story. What was Taylor Swift's first hit song? Taylor Swift's first hit song that garnered national attention was Tim McGraw, released in 2006. How did Taylor Swift get discovered? Taylor Swift was discovered at the age of 14 by music industry executive Scott Borchetta, who saw her perform at a café in Nashville and subsequently signed her to his newly formed record label, Big Machine Records. Did Taylor Swift write Love Story on her own? Yes, Taylor Swift wrote Love Story on her own, showcasing her talent as a songwriter at a young age.

Woodwind Ensemble,Woodwind Trio Flute - Level 2 - Digital Download SKU: A0.991617 Composed by Antonis Koundourakis. Baroque,Contemporary,Instructional,Renaissance,Standards. 10 pages. ANTONIOS KOUNDOURAKIS #3459933. Published by ANTONIOS KOUNDOURAKIS (A0.991617). This piece was  written by Antonis to explore the timbre of the Flute and to utilise the relatively high register of the flute for harmony and counterpoint. There are many compositional techniques epmloyed such as immitation, use of the modes and chromatic alteration, but the overall style of the piece is that of a choral, intended to be close to the serene style of Palestrina, or Josquin Des Prez. This piece is to be played as if singing and the coordination of the 3 performers will be one of the challenges but also an interesting part of playing this piece. It could be played by a tutor and 2 pupils alternating the parts for extra practice benefits. If the students are experienced solo performers it could be also perfrormed prima vista to practice counting the pauses and re-entrances of the voices while the other players continue to play.   If you play this piece don't hesitate to contact me for feedback on the score legibility and playability of the piece and to let me know how you enjoyed the music! My e-mail: midnightnotesband@gmail.com .

Cello,Piano - Level 2 - Digital Download SKU: A0.1505148 By R. Schumann. By R. Schumann. Arranged by Ian Fitze. 19th Century,Contest,Festival,Instructional,Romantic Period. Score and part. 6 pages. Ian Fitze #1080547. Published by Ian Fitze (A0.1505148). Visit my website at IAN FITZE MUSICAL ARRANGEMENTS for a complete catalogue of my works including FREE DOWNLOADS.Two simple pieces adapted in an easy-to-play arrangement for Cello solo with Piano/keyboard accompaniment.Note: notes given in octaves to be chosen by the performer - play either the top notes OR the bottom notes.