Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.1198479 By John Legend. By John Stephens, Lauren Frawley, Melanie Fontana, Michael Lindgren Schulze, Michel Lindgren Shulz, Michel Schulz, Mick Schultz, Stephen Franks, Stephen Mcgregor, and Steven Franks. Arranged by George B Chave. Contemporary,Multicultural,Pop,World. Score and part. 7 pages. BrassMagicMusic.com #797621. Published by BrassMagicMusic.com (A0.1198479). An arrangement of this catchy Reggae-style work features a solo Tenor Saxophone with Piano Accompaniment geared toward the High School or advanced Middle School performer.  It is in concert Bb (written C for Tenor Sax).  The Tenor Sax written range in this arrangement spans from G4 to G5 [top note on staff]. There is some syncopation in keeping with the original melody, but nothing out-of-reach for a competent performer.  The piano accompaniment is reasonably simple: a somewhat active L.H. part with chord comping in the R.H.

Instrumental Duet,Synthesizer,Vibraphone - Level 4 - Digital Download SKU: A0.1235343 By Paul Emmett. By Paul Emmett. 21st Century,Contemporary. 8 pages. Paul Emmett #830880. Published by Paul Emmett (A0.1235343). Momentum takes us on a journey to explore the hidden potential of the fixed metallic bars of the vibraphone in a live electroacoustic performance. Composed for the extraordinarily talented multi-percussionist Rosie Clark, currently studying performance at the University of Nottingham, and in demand across the country with a variety of ensembles and collaborating with Rosie to bring this composition to life has been an exciting and educational experience.The inspiration for Momentum came while watching a video of the Frankfurt based percussionist, composer, and lecturer, Max Gaertner. In the footage, Gaertner demonstrated the art of pitch bending a note on a vibraphone, and in that moment the idea for this composition was born.In Momentum, we delve into the intriguing concept that seemingly static metallic bars possess the ability to move and transform within this musical context. This can occur either through the physical manipulation of the performer, or by the technical wizardry of the technician. These bars which are often viewed as fixed entities thus reveal their hidden dynamism, allowing for a world of musical possibilities.Enhancing this idea of motion, Momentum incorporates a further extended technique of bowing causing the bars to resonate with an ethereal vibrancy. Pairing this effect with spectral effects through plugins by Michael Norris in Ableton Live amplify the kinetic energy of the composition. The performer also moves a handheld microphone over the bars, capturing their sounds in real-time motion.Paul Emmett - May 2023.

Easy Piano - Level 1 - Digital Download SKU: A0.1511470 Composed by Jeff Cohen, Michael Smidi Smith, Molly Kaye, and Scott Krippayne. Arranged by Rachel Mitchell. Children,Film/TV,Pop. Score. 2 pages. Mitchell Family Publishing #1086624. Published by Mitchell Family Publishing (A0.1511470). Even the earliest pianist will be ready to play this piece on the double! With simplified rhythm, melody, and notation, this arrangement is ready for the beginning pianist. It introduces the performer to dynamics and whole-note rests in fun and familiar environment. The lyrics are included so every performer will be ready to sing along to this exciting arrangement from their favorite pups!

Piano Solo - Level 3 - Digital Download SKU: A0.1257384 Composed by Johann Sebastian Bach. Arranged by Darek. Baroque,Classical,Early Music,Wedding. Score. 2 pages. Darek #850717. Published by Darek (A0.1257384). Indulge in the sublime beauty of Air on the G String, an extraordinary composition from Suite No. 3 (BWV 1068) by the revered Johann Sebastian Bach. Immerse yourself in the enchanting melody and let your fingers navigate the intricacies of this medium difficulty piano arrangement, capturing the essence of this timeless classic.Designed for pianists seeking a captivating challenge, this medium difficulty piano sheet music unveils the true depth and complexity of Bach's masterpiece. As you embark on this musical journey, you'll discover the harmonious balance between technical brilliance and expressive nuances, allowing you to showcase your artistry and command over the keyboard.Experience the unique blend of elegance and emotional depth as each note resonates with sheer brilliance. The Air on the G String stands out for its ability to evoke a profound sense of tranquility and introspection, captivating listeners with its ethereal charm.Unleash your musical expression and let your fingertips breathe life into this magnificent piece. Delve into the rich tapestry of emotions woven within the composition, from gentle whispers to soaring melodies, each phrase telling a captivating story that transcends time and space.Whether you're a seasoned performer or an aspiring pianist looking to expand your repertoire, this medium difficulty piano sheet music is a treasure trove of artistic possibilities. Elevate your playing to new heights and delight audiences with a truly captivating rendition of Bach's timeless masterpiece.Keywords: Air on the G String, medium difficulty piano sheet music, Suite No. 3, BWV 1068, Johann Sebastian Bach, sublime beauty, captivating challenge, technical brilliance, expressive nuances, artistry, command over the keyboard, elegance, emotional depth, profound sense of tranquility, introspection, ethereal charm, musical expression, captivating story, seasoned performer, aspiring pianist, expand your repertoire, artistic possibilities, timeless masterpiece.

Choral Choir (TTBB) - Digital Download SKU: A0.856156 By Queen. By Freddie Mercury and Frederick Mercury. Arranged by Liz Garnett. Rock. Octavo. 5 pages. Liz Garnett #3628565. Published by Liz Garnett (A0.856156). One of Queen’s all-time great feel-good songs. It is impossible to sing or hear this song without getting an immediate boost to your mood. Go on, try singing ‘I am a sex-machine’ without smiling. The arrangement follows the form of the original closely, including ending with a gradual fade-out. There is an optional cut if you don't feel like pretending to be Brian May on the guitar for the instrumental break, and an optional moment of a high 5th part, put in because a performer loved a particular guitar twiddle in the original.Vocal ranges:Tenor: B flat 3 – D5 (with alt note C3)Lead: F3 – B flat 4 (with alt note C3)Bari: F3 – G4 (with alt note C3)Bass: F2 – F#4A video of this arrangement in performance is available at: https://www.helpingyouharmonise.com/DontStop

Easy Piano - Level 1 - Digital Download SKU: A0.835160 Composed by Muzio Clementi. Arranged by Cody Weinmann. Baroque,Classical,Concert,Instructional,Standards. Score. 6 pages. Cody Weinmann #6113425. Published by Cody Weinmann (A0.835160). This piece is an arranged version of the first movement of composer Muzio Clementi's Sonatina in C (Op.36, No.2). What inspired this arrangement is a fondness for extending harder repertiore to the students at lower levels, by making some of the rhythms less complex than those of the original pieces. This is to ensure that the tradition of passing on classical music (and all other forms) is carried on throughout generations. This piece has many of the fast eighth note passages in both hands somewhat broken down into slightly larger rhythm durations so that the young student or performer can play it without too much difficulty. There is also a bit of dynamic contrast thrown in throughout to introduce the player to different expressive text. Below is a brief legend of some of the terms and symbols used in this arrangement. Alpha-note names are also written inside the note heads for the player's reference.Cody Weinmann is a composer, arranger and a pianist who writes in manydifferent types and genres of music. He has a special interest in writingand arranging music for young people in addition to writing for moreexperienced musicians.Among the genres, Cody writes for are classical piano/easy piano,solo instrument and piano, voice/choir and piano, and works for band and orchestra.He also composes his own Jazz and Singer-songwriter type songs in lead sheet format.To learn more about him and his music go to http://www.codyweinmann.musicaneo.com or visit his publisher page on Sheet Music Plus at https://www.sheetmusicplus.com/publishers/Cody-Weinmann-CJW-Music/1308.

Trombone Solo - Level 2 - Digital Download SKU: A0.792163 Composed by Clarke, Ernest. Arranged by Cherry, Gordon. Instructional. Individual part. 113 pages. Gordon Cherry #3820405. Published by Gordon Cherry (A0.792163). The Clarke Method for Trombone has some uncommon features not found in other method books.1. First, is the use of the key of C for the initial 33 exercises. The author then progresses through all of the keys, alternating the sharp (first) and flat keys through to six sharps and six flats by the end of exercise 155.2. Secondly, there are no exercises devoted solely to minor keys. However, Clarke employs the minor mode in all of his exercises through the use of scales and arpeggios, so in fact the performer is receiving a steady diet of minor melody built in for him/her.3. Thirdly, Clarke uses no metronome markings. He explains; each exercise should be practiced carefully over and over again until every difficulty is thoroughly overcome – until the exercise can be played through correctly – before going on to the next. His purpose is to avoid speeding through them.Clarke’s exercises are progressive throughout the keys, however each one starts out easily in order to keep the student focused on the new key and the new progression notes that come with it.For the advanced performer, this book is great to use as a way to ease back into shape after a rest from the instrument, allowing the performer to relearn the instrument carefully and methodically. I use it also for tone building, phrasing, and breath control. Throughout the book, Clarke reminds the performer to always produce a noble sound, stressing natural playing (without forcing) and relaxation. His phrase, the breath is the life of the tone, is a phrase that Remington used throughout his great teaching career as well. Clarke talks about tonguing, saying that, the tongue is used merely as an aid in articulating – not as a necessity... the tone does not depend on the tongue... the tongue should not be made too important...