Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947275 Composed by John Philips. Jazz,Latin. Score and parts. 30 pages. John Philips Music Service #3867663. Published by John Philips Music Service (A0.947275). This a very real Latin in the style of Perez Perado. It is in mambo style and like all Latin it must have a claves playerfull time or is is not Latin. It is not difficult but requires good intonation and a drummer that plays the correct rhythm--not the usual heavy on 3 rock.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

Flute,Instrumental Duet,Oboe - Level 2 - Digital Download SKU: A0.1468222 Composed by P. R. Frederick. Arranged by P. R. Frederick. 20th Century,Contemporary. 4 pages. P. R. Frederick #1046532. Published by P. R. Frederick (A0.1468222). Melodie uses nothing more intricate than dotted eighth-sixteenth rhythms. It is written as a duet for flute and oboe in concert Ab major. Written in ABA form it opens with a lilting flute melody against a contrapuntal oboe part. The B section is much more flowing and dynamically softer in the relative minor key. This is an excellent piece to use to teach contrasting styles and accurate articulation. This would make a great addition to any school concert or community program. A score and separate parts are included in your purchase.See my other works for flute and oboe here

Jazz Ensemble Jazz Ensemble - Level 1 - Digital Download SKU: A0.947267 Composed by John Philips. Blues,Jazz. Score and parts. 15 pages. John Philips Music Service #3867629. Published by John Philips Music Service (A0.947267). First adjust the tempo...This should run at about 130/140. It’s a Funky 2 beat on I Got Rhythm changes gets into 4 on the first bridge. Ending is multiple tags with big finish. This could be opened for choruses. The idea here is the loose swing and not to concentrate on technique so it bogs down. If you liked Basie you would like this.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947273 Composed by John Philips Music Service. Jazz. Score and parts. 26 pages. John Philips Music Service #3867651. Published by John Philips Music Service (A0.947273). This is all about your bary player. He should stand in front of the band into a mic. Be careful not to have the band so loud that you cover the soloist. The whole charts revolves around the LOW 'A . Solo has a few notes beyond an eighth. Watch the ending--the Bary does a Basie ending, very high. A happy loose chart.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947271 Composed by John Philips. Jazz,Latin. Score and parts. 34 pages. John Philips Music Service #3867643. Published by John Philips Music Service (A0.947271). First adjust tempo...175 minimum. This is a montuno which is often mistaken as a samba or merengue. The bass line must be as written. The harmonic structure for the solos is indicated and is limited so the soloists must think in lines, not just a lot of notes. You must use claves full time---no claves--no Latin Music. Intonation and a relaxed feel are needed to make this swing. If there are no solos, skip letter E/EE and go to F for the 2 bar chase solos, into the cascade, rhythm section solo, quiet interlude to sign. etc.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533506 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 13 pages. Musik Fabrik Music Publishing #3002369. Published by Musik Fabrik Music Publishing (A0.533506). Jenny L'Ouvrière is a popular romance from 1845 with music by Étienne Arnaud and words by Emile Barateau. The song speaks of an hardworking weaver who is poor, but also courageous and good. The pastorale-like theme is also presented in a more varied form.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that heconverted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. OnMarch 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.

Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533493 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 15 pages. Musik Fabrik Music Publishing #3000187. Published by Musik Fabrik Music Publishing (A0.533493). Souvenirs d’Île Maurice begins with a lyrical pastorale in 12/8 time which features chromatic harmonies in the piano. The Rondo section presents first a Waltz theme in minor mode and then reprises the pastorale theme which is then varied in several brilliant passages.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.

Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.752803 Composed by Robert Scumann. Arranged by Kevin Love. Romantic Period. Score and parts. 5 pages. Kevin Edward Love #26473. Published by Kevin Edward Love (A0.752803). Von fremden Landern und Menschen, or Of Foreign Lands and Peoples, is from Kinderszenen (Scenes from Childhood), a set of thirteen pieces of music for piano written in 1838. In this work, Schumann provides us with his adult reminiscences of childhood. Schumann described the titles as nothing more than delicate hints for execution and interpretation..

Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533501 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 30 pages. Musik Fabrik Music Publishing #3001077. Published by Musik Fabrik Music Publishing (A0.533501). The work is divided into three large sections. An initial introduction and aria leads an Irish ballade The Last Rose of Summer which is then varied. The Valse Brillante which follows is interrupted by a reprise of the ballade before finishing with a brillant coda.One of the most enigmatic figures in the history of Wind Music, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director of music of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collectionknown as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.

Violin Duet Violin - Level 3 - Digital Download SKU: A0.785768 Composed by Grant Horsley. Celtic,Folk,Holiday,Irish,Wedding. 32 pages. Grant Horsley #6214843. Published by Grant Horsley (A0.785768). Helen's Meadow is in ternary form and is a modern jig. 6/8 time and in D minor.THE PIANO ACCOMPANIMENT TRACK IS AVAILABLE AS AN MP3. There is nothing more complicated than crotchets and quavers throughout-hence I anticipate a competent intermediate player will be fine with it.  I have not included bowing marks as I have left it to the individual player. The influence is Scottish/Irish/Celtic/FolkTo enable you to judge, the youtube link gives you the entire score. It is around 3 mins 45 long.The price is for full score and parts.It is a ideal for concerts, recitals, weddings, special occasions etc.

Viola Solo - Digital Download SKU: A0.923298 Composed by Patrick Prejean. Contemporary. Individual part. 7 pages. Patrick Prejean #6104441. Published by Patrick Prejean (A0.923298). This suite, The Infinite Quarantine, was originally conceived when the world ended. This piece is violent, filled with vitriol, and does not have a happy ending. I have nothing more to say, the piece speaks for itself. .

Instrumental Duet,Piano Clarinet,Flute,Instrumental Duet,Piano - Level 3 - Digital Download SKU: A0.1468526 Composed by Grant Horsley. Celtic,Contest,Festival,Folk,Irish,Multicultural,Wedding,World. 32 pages. Grant Horsley #1046843. Published by Grant Horsley (A0.1468526). THE PIANO ACCOMPANIMENT TRACK IS AVAILABLE AS AN MP3. Helen's Meadow is in ternary form and is a modern jig. 6/8 time and in D minor.There is nothing more complicated than crotchets and quavers throughout-hence I anticipate a competent intermediate player will be fine with it. The influence is Scottish/Irish/Celtic/Folk I've kept the instrumental parts as equal as possible. I have set it to intermediate level but to enable you to judge, the whole score is on the youtube link. It is around 3 mins 30 long. It is a ideal for concerts, recitals, weddings, special occasions etc.Price is for the score and parts.Flute Duet and Violin Duet versions are also available.

Piano Solo - Level 3 - Digital Download SKU: A0.862548 Composed by Michael Bomier. Contemporary,Instructional,Standards. Score. 6 pages. Michael Butkus-Bomier #2034423. Published by Michael Butkus-Bomier (A0.862548). The combination of a 4th and a wholestep makes a structure known as the tritonic scale. Simply a three-tone scale, nothing more to it than that! highly pianistic, very mirror-able, and able to display sudden and dramatic shifts in harmonic colors while keeping a steady cascade of notes in motion. Octaves in the left hand make both a bassline and a melody underneath these arpeggiated scalar figures. The piece is in 12/8 time, as is often used for these three-notes up-three notes down, and back again kind of elements. The mirroring here is less topographical than the other pieces, but the contrary motion and mirrored fingerings persist, as does the strict use of the intervals at hand. Approx running time is 3 mins 15 secs. A Fun piece for the display of the sound of the piano, and the display of the ability of the player to maintain a flowing 1/8-note triplet motion through many different shades of major and minor, lydian and phrygian . MBB.

Digital Download SKU: HX.428446 By Nothing More. Rock. Guitar Rhythm Tab. 15 pages. Published by Hal Leonard - Digital (HX.428446).

Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533351 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 33 pages. Musik Fabrik Music Publishing #2363197. Published by Musik Fabrik Music Publishing (A0.533351). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.Souvenirs du Cap Bonne Espérence (Souvenirs of the Cap of Good Hope) begins with a dramatic aria, perhaps evoking the trip to the Cap which was, in the 19th century, still very dangerous. The Irish folksong « the Irish Emigrant » is presented as a them and in two variations. Finally an extended polka in rondo form finishes the work brilliantly.