Tuba Solo - Level 4 - Digital Download SKU: A0.991804 Composed by Jason Allie. 20th Century,Contemporary,Romantic Period,World. Individual part. 14 pages. Joaba LLC #3109635. Published by Joaba LLC (A0.991804). DescriptionA delightful, intermediate-advanced level work suitable for encouraging students, hobbyists and professionals to improve or show off their performance skills. This multifarious work grips the audience with a variety of moods, styles and affects. A great recital piece or encore piece to show off the melodiousness, harmoniousness and vibrancy of the tuba. Please send feedback, praises and more to contact@joaba.com. Total Duration: ~10 to 15 minutes depending upon taking the repeats and varying the tempo.Performance Notes Introduction This piece boldly explores the Bâ™­ Major key and related tonalities.  It yields exciting moves to tease the audience’s appetite for the real treats of the variations. The key to performing this piece is to feel and emphasize the half-note rhythm and play the phrases against it.  Dynamics are up to the performer. Theme & Variations The delight for the performer and listener is to emphasize the unique traits of each variation while celebrating their similarities. A great audience toe-tapper (mostly!). Each variation’s title indicates how to play it; further notes below. 1 PLAYFUL Stretches the theme’s rhythms for a friendly teasing. 2 MAJESTIC This variation indulges in the compound meter exploration of the theme.  Emphasize the linear lines and the ornamental notes will shine. 3 BRIGHT Practice the intervallic phrasing until you can hear what note follows which.  Then bang it around for a jaunty, vigorous performance. 4 AGILE Practice slow then add speed.  The luscious 16th notes energize the phrases and give them wit. 5 TEARFUL Let the notes do the work-don’t try too hard. 6 FESTIVE Must use repeats.  A gigue that washes away the previous variation’s mood.  Always emphasize the one-two bounce feel throughout. 7 TREMENDOUS Molto expressivo.  This A section is anguish; B is reflective, loving, and then tender. 8 CHICKEN Chicken chickens chicken.  Chicken! 9 FANTASTICAL No repeats: just a glorious monstrosity of extraordinariness.  Get ugly. 10 MARCH Must use repeats.  If you clip the dotted notes and focus on the one-two, one-two march rhythm, the melody will soar. 11 BLUES Be sure to swing it and adjust the tempo so the bluesy sound comes through. 12 A CARNIVAL NEAR VENICE Akin to variation 2.  Practice it slow and build up speed.  Nothing more than the theme with a compound voice in the upper register. 13 FUGUE Distinguish the two lines and it’ll be like playing two tubas simultaneously.  Practice slow to learn to differentiate the two voices and it’ll be a dazzler. 14 FAREWELL A bittersweet mixture of bold thankfulness for the joyous discoveries and sadness for having to say goodbye.  Be aggressive with the arpeggios for the harmony to resound.

Small Ensemble - Level 2 - Digital Download SKU: A0.947268 Composed by John Philips. Jazz. Score and parts. 27 pages. John Philips Music Service #3867631. Published by John Philips Music Service (A0.947268). First adjust the tempo...This should run at about 130/140. It’s a Funky 2 beat on I Got Rhythm changes gets into 4 on the first bridge. Ending is multiple tags with big finish. This could be opened for choruses. The idea here is the loose swing and not to concentrate on technique so it bogs down. If you liked Basie you would like this.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947275 Composed by John Philips. Jazz,Latin. Score and parts. 30 pages. John Philips Music Service #3867663. Published by John Philips Music Service (A0.947275). This a very real Latin in the style of Perez Perado. It is in mambo style and like all Latin it must have a claves playerfull time or is is not Latin. It is not difficult but requires good intonation and a drummer that plays the correct rhythm--not the usual heavy on 3 rock.If you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

Flute Duet Flute - Level 2 - Digital Download SKU: A0.1087293 Composed by P. R. Frederick. Arranged by P. R. Frederick. Contemporary. Score. 2 pages. P. R. Frederick #691501. Published by P. R. Frederick (A0.1087293). Melodie uses nothing more intricate than dotted eighth-sixteenth rhythms. It is written as a flute duet in concert Ab major. Written in ABA form it opens with a lilting flute 1 melody against a contrapuntal flute 2 part. The B section is much more flowing and dynamically softer in the relative minor key. This is an excellent piece to use to teach contrasting styles and accurate articulation. This would make a great addition to any school concert or community program.

Jazz Ensemble Jazz Ensemble - Digital Download SKU: A0.947277 Composed by John Philips. Jazz. Score and parts. 16 pages. John Philips Music Service #3867667. Published by John Philips Music Service (A0.947277). Based on the 12 bars blues format, this charts just rolls along with some solos available. The title is derived fromthe initials for Western Illinois University------WIU------If you pronounce the initials it come out as WHY YOU-----that's what it's called by many----add Blues to this and you have WHY YOU BLUES-for no reasonIf you want a Maynard or Buddy chart, look elsewhere. This series of charts uses nothing more complicated than eighth notes, are not frantic or screamers, extreme ranges and are hemi-demi-semi-quaver free. They depend on intonation and the players being not intimidated by what he is asked to play. There is no contest to see how high you can go before you need oxygen , how many notes you can play in 9 seconds or before your bell overheats , or how long it takes the audience to cover their earsRelaxed and confident players always play more in tune. Good harmonies, lines and realistic rhythm patterns will produce a good result that will swing and be enjoyed by player and listener alike.

Brass Ensemble - Level 4 - Digital Download SKU: A0.775299 By Chicago. By Robert Lamm. Arranged by Alex Wilson. Pop,Rock. Score and parts. 28 pages. Alexander Wilson #5299121. Published by Alexander Wilson (A0.775299). Written by Robert Lamm and recorded in 1969, 25 or 6 to 4 is one of the band Chicago's most well known hits.  There was speculation about the meaning of the title, including one hypothesis that led the song to be banned in Singapore for over 20 years for alleged allusions to drugs, but according to the composer the song is about writing music in the early morning, and the title is nothing more salacious than 3:35am (25 to 4) or 3:34am (26 to 4).In any case, this song remains a classic of the rock genre 40 years after its publication, and is arranged here for 10 Bb trumpets.  Most of the higher and more difficult licks are concentrated in the top 4 parts, and the 1st part requires particular skill (leading me to mark this arrangement's difficulty as advanced intermediate), but each trumpeter involved will have have at least one moment of guitar-solo glory.  Perfect for a large trumpet ensemble with diverse skill levels.

String Orchestra - Level 1 - Digital Download SKU: A0.1300531 Composed by Vincent Vitale. Instructional,Traditional. Score and Parts. 9 pages. Vincent Vitale #890267. Published by Vincent Vitale (A0.1300531). Ditto is composed by a retired public school instrumental music teacher.  It is written for elementary students on an easy level.  All notes are in First Position and utilizes three part harmony that benefits ensembles lacking adequate instrumentation.  Viola and 2nd violin are doubled as are cello and contrabass making this is a very playable and full sounding composition. This piece is very suitable for your students first concert and features the back and forth “echoing� effect between instruments, hence the name Ditto.  Nothing more than half notes, dotted half notes and quarter notes. If this composition appeals to you please consider the many others in this string series. I trust you, your students and audience will enjoy this piece and as always I thank you for your consideration.  I wish you and your students much musical success......Copyright 2023

Piano - Digital Download SKU: A0.1070269 Composed by Tito Abeleda. 20th Century,Concert,Contemporary,New Age. Full Performance. Duration 356. Visionary Quest Records #5739985. Published by Visionary Quest Records (A0.1070269). Drifting is an intermediate piano solo composed by Tito Abeleda (1964 - ). Download = 10 pages.There is nothing more soothing than floating and drifting in water - its quiet solitude, its comforting surrounding holding you, embracing you with its healing touch. You can dream. You can escape to a beautiful wonderland just by closing your eyes and drifting away with gentle waters carrying you ever so slowly or simply holding you blissfully still - a peaceful perfect moment all to yourself.SoundCloud - https://bit.ly/DriftingforPiano_SoundCloudSpecial thanks to Daria Sannikova for the photography for sheet music and album cover - https://www.pexels.com/photo/woman-on-body-of-water-2528846/Contact Tito for original compositions: http://bit.ly/TitoAbeleda_SoundBetterEmail: tito@visionaryquestrecords.comPRO: BMI.comVisionary Quest Recordshttps://www.visionaryquestrecords.com

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.506041 By Stevie Wonder. By Stevie Wonder. Arranged by Thomas Graf. Pop. Score and parts. 29 pages. Thomas Graf - the-hit-factory.com #117641. Published by Thomas Graf - the-hit-factory.com (A0.506041). Stevie Wonder’s classic – Just one of the best songs in music history. Nothing more to say. Here it comes in challenging polyphonic arrangement that will surely impress your audience! Instrumentation: Part I: Trumpet in Bb/C, Part II: Horn in F/Eb/Trombone in C/Bb, Part III: Tuba/Bass in Bb - flexible instrumentation is possible Listen to the video recording - a challenge for your ensemble. Please don't forget to review your purchase - you will help other musicians to choose the perfect arrangement for their ensemble. Thank you very much! Important note: All our arrangements, esp. Big Band and Concert Band arrangements are played and prooved with our own ensembles with great fun and success. Please let us know if you have any request, question or if you need transposed parts. Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 - E-Mail: info@the-hit-factory.com. - www.the-hit-factory.com - facebook: https://www.facebook.com/hitfactorymusic.

Trombone,Tuba - Level 4 - Digital Download SKU: A0.506544 Composed by Anthony Newley and Leslie Bricusse. Arranged by Demetrio Bonvecchio. Jazz. 24 pages. Demetrio Bonvecchio (Db Music) #118023. Published by Demetrio Bonvecchio (Db Music) (A0.506544). This is my arrangement for trombone choir (with opt. Drums) of this perfectly written melody, nothing more, there is space for two soloists! [Score + Parts included].

Trombone Duet Trombone - Level 1 - Digital Download SKU: A0.1136286 By Carrie Underwood. By Gloria Shayne and Noel Regney. Arranged by Jerremy Fender. Chamber,Christian,Christmas. Score. 1 pages. Jerremy Fender #736295. Published by Jerremy Fender (A0.1136286). This classic Christmas tune is arranged for simple trombone duet. Both parts reach high Bb and nothing more. It does require independent counting to get through a few measures. Overall, a great Christmas recital piece.

Alto Saxophone,Piano - Level 3 - Digital Download SKU: A0.533491 Composed by Ali Ben Sou Alle. Concert,Romantic Period,Standards. Score and part. 6 pages. Musik Fabrik Music Publishing #3000183. Published by Musik Fabrik Music Publishing (A0.533491). A lyric piece, celebrating Ali Ben Sou Alle's visit to Natal, which is now part of South Africa.One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London.While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series inLondon. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octavemechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and begantouring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the«turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, throughChina and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It wasduring this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). Hesubsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyageswere subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection knownas The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution.Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, heperformed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire ImperialFamily. After 1865, nothing more is known about him.

Digital Download SKU: HX.428436 By Nothing More. Rock. Guitar Rhythm Tab. 5 pages. Published by Hal Leonard - Digital (HX.428436).

Piano,Soprano Saxophone - Level 4 - Digital Download SKU: A0.533349 Composed by Ali Ben Sou Alle. Arranged by Paul Wehage. Concert,Romantic Period,Standards. Score and part. 42 pages. Musik Fabrik Music Publishing #2348225. Published by Musik Fabrik Music Publishing (A0.533349). One of the most enigmatic figures in the history of the Saxophone, Ali Ben Sou Alle (Charles-Valentin Soualle) was born in 1820 in Arras, France. After receiving his first prize in Clarinet at the Paris Conservatory in 1844. he served as the director ofmusic of The French Marine Band in Senegal, and then was named first clarinet solo at the Opéra-Comique in Paris. However, after the Revolution of 1848, Soualle was forced to flee France to England where he settled in London, playing in the Orchestra of the Queen's Theatre. His songs and piano pieces were published in London. While in London, Soualle met another exiled French musician, Louis Antoine Jullien, who conducted a light music series in London. Jullien encouraged Soualle to take up the saxophone, and after modifying the instrument by adding a single octave mechanism (the modern system used today) and keys for the lower register, Soualle became known as a virtuoso and began touring performing solo recitals (or mono-concerts, as they were called at the time) calling his modified saxophone the «turcophone ». He performed in all the European capitals and then traveled to Australia, New Zealand, Manilla, Java, through China and then to India where he finally settled in Mysore, becoming the director of the Royal Music for the Maharadjah. It was during this period that he converted to Islam and changed his nmae to Ali ben Sou Alle (or Ali, son of Soualle). He subsequently travaled to Ile Maurice, to French Polynesia, the Cap of Natal and the Cap of Good Hope. All of these voyages were subjects of musical works which Soualle entitled Souvenirs de... and may perhaps have been part of a collection known as The Royal Album which was presented to the Prince of Wales after a royal concert. Soualle returned to Mysore in 1858 and was almost killed in the Indian Revolution. Around 1860, Soualle returned to France for health reasons and began publishing his own music. On March 27 1865, he performed a command performance for the Emperor Napoleon III at the Tuileries Palace in the presence of the entire Imperial Family. After 1865, nothing more is known about him.Souvenirs d’Ecosse begins with a classical aria which leads to theme and three variations on the Scottish song « Charley is my Darling », a ballade by Charles Gray (1782-1851). The work ends with a brillant and decidedly non-Scottish bolero, which was probably a piece that Soualle wrote while he was in Scotland.

Digital Download SKU: HX.428449 By Nothing More. Rock. Guitar Rhythm Tab. 12 pages. Published by Hal Leonard - Digital (HX.428449).