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Piano Solo - Level 2 - Digital Download SKU: A0.1292876 By Judy Garland. By E.Y. Yip Harburg and Harold Arlen. Arranged by Sérgio Matias da Cunha. 20th Century,Film/TV,Instructional,Jazz,Wedding. Score. 1 pages. Sérgio Matias da Cunha #883473. Published by Sérgio Matias da Cunha (A0.1292876). Arranjo claro, objetivo, conciso e acessível apresentando marcações de cifra, dedilhado, sinais de repetição e figuras rítmicas maiores que a semicolcheia, buscando o melhor efeito com simplicidade e equilíbrio. Acompanhamento baseado no arpejo ascendente e descendente de sucessivas colcheias que pontuam as notas dos respectivos acordes em estado fundamental ou invertidos. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
Over The Rainbow
Piano seul
Judy Garland
$4.99 4.28 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1281045 Composed by Edson Borges De Abrantes. Arranged by Sérgio Matias da Cunha. 20th Century,Children,Christian,Christmas,Instructional. Score. 1 pages. Sérgio Matias da Cunha #872383. Published by Sérgio Matias da Cunha (A0.1281045). Arranjo claro, objetivo, conciso e acessível apresentando marcações de cifra, dedilhado, figuras rítmicas maiores que a semicolcheia e linha de oitava, buscando o melhor efeito com simplicidade e equilíbrio. Acompanhamento em movimento padronizado de sucessivas colcheias sobre as notas dos respectivos acordes que alternam o baixo nas partes fortes das unidades de tempo. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
Para Nao Ser Triste
Piano seul

$4.99 4.28 € Piano seul PDF SheetMusicPlus

Piano Solo - Digital Download SKU: A0.818245 Arranged by Stephen R. Dalrymple (Dalrymple Designs). Sacred. Score. 9 pages. Stephen R Dalrymple #3457493. Published by Stephen R Dalrymple (A0.818245). Softly and Tenderly Jesus is Calling Hymn arrangement for left hand alone piano solo by Stephen R Dalrymple performed by the composer © 2017,  â„—  2020 Stephen R Dalrymple    This hymn, often used by Dwight Moody as a hymn of invitation was composed by Will Lamartine Thompson 1880. On Moody’s deathbed, he told Thompson Will, I would rather have written Softly and Tenderly Jesus is Calling than anything I have been able to do in my life. Combined with Lord, I’m Coming Home (lyrics and melody by William J Kirkpatrick 1892) and Amazing Grace lyrics by John Newton 1779 and melody first published in Virginia Harmony 1831, arranged by Edwin O. Excell 1900    Updated November 2020. Suitable for preludes, offertories, concerts, personal meditation. Includes 2 versions 1) piano score, letter size 2) piano score, small page format for performing from 10.1 inch tablet  (Note: Tell your computer which pages you want to print. There are programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.)
Softly and Tenderly Jesus is Calling
Piano seul

$4.45 3.81 € Piano seul PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.818288 By Passion. By Chris Tomlin, Jason Ingram, and Matt Maher. Arranged by Stephen R. Dalrymple (Dalrymple Designs). Christian,Praise & Worship,Sacred. Score. 14 pages. Stephen R Dalrymple #4985077. Published by Stephen R Dalrymple (A0.818288). Jesus Son of God by Chris Tomlin, Jason Ingram, and Matt Maher ♫ with O Word of God Incarnate (lyrics by William Walsham How 1867, melody from Gesangbiuch Meiningen, 1693) ♫ piano solo arrangement by Stephen R Dalrymple ♫ slide presentation by Stephen R Dalrymple ♫ This .pdf file includes 2 files: 1) Letter size piano score 2) Small page piano score for performing from a 10 inch tablet. (Tell your computer which pages you want to print. You can find programs online that will allow you to split pdf files so that you can choose the correct part of the pdf for your tablet.) ♫ The YouTube video contains the full recording.
Jesus, Son Of God
Piano seul
Passion
$6.00 5.14 € Piano seul PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.1321655 Composed by Traditional Christmas Carols. Arranged by SilverTonalities. Children,Christian,Christmas,Instructional. Score. 56 pages. SilverTonalities #910120. Published by SilverTonalities (A0.1321655). Silent Night and the Carols of Christmas for Beginner Piano Traditional Christmas Carols for Beginner Pianists by SilverTonalities!Including fingering tips and the letter names embedded into each notehead. This makes reading music a breeze, especially for beginners and allows you to quickly associate the correct notes and effortlessly recognize the pitch.ANGELS SINGING CHURCH BELLS RINGING, is a traditional Children’s Carol, written by Claudia Frances Hernaman, pages 1-3AWAY IN A MANGER, celebrates the birth of Jesus surrounded by gentle animals and adoring angels,  pages 4-6BLASTS OF CHILL DECEMBER, is an English Carol composed in 1894 by Reverend R.F. Smith, with lyrics by Norval Clyne, pages 7-9CAROL OF THE BELLS, with its origins deeply rooted in the Ukraine, this instrumental Carol was composed by Mykola Leontovych in 1916, pages 10-12DECK THE HALL, is a Welsh Carol dating back to the 16th Century, representing a joyous celebration of the season, pages 13-15GOD REST YE MERRY GENTLEMEN, is a traditional English Carol, possibly dating back to as early as the 1650’s, pages 16-17GOOD KING WENCESLAS, is set to the melody of the 13th Century Spring Carol, “Tempus adest floridumâ€, pages 18-19HERE WE COME A WASSAILING, is a 17th Century Carol, also known as “The Wassail Songâ€, and/or “Here We Come a Caroling, pages 20-22IN BETHLEHEM CITY ON CHRISTMAS DAY MORN, is an old Worcestershire Carol, in the 7th or “Locriaen†mode, pages 23-24JINGLE BELLS, the iconic Carol written by James Lord Pierpont in 1857 and published under the title of “One Horse Open Sleigh†in 1857, pages 25-27JOLLY OLD ST. NICHOLAS, is a Children’s Christmas song, originating from a poem by Emily Huntington Miller in 1865, pages 28-30LO HOW A ROSE EVER BLOOMING, or “Es ist a Ros Entsprungen†is a German Carol, with the lyric “Rose†referring to the Virgin Mary, pages 31-32O COME LITTLE CHILDREN, “Ihr Kinderlein kommetâ€, also a German Carol composed in 1840 by Johann Abraham Peter Schulz, pages 33-34O HOLY NIGHT, or “Cantique de Noel†is a French Carol written by Adolphe C. Adam in 1843, pages 35-38PARADE OF THE WOODEN SOLDIERS, is a popular Character Piece, written by the German Composer, Leon Jessel in 1897, pages 39-43RING OUT SWEET BELLS, written by the English Composer and Organist, William Joseph Westbrook, pages 44-45SILENT NIGHT, this classic Austrian Carol was composed in 1818 by Franz Xaver Gruber, capturing the spirit of peace and harmony, pages 46-47SLOWLY FALL THE SNOWFLAKES, is a tradtional English Carol by the hymnist, William Henry Borrow, pages 48-49STAR OF THE EAST, composed by Amanda Kennedy in 1890, was inspired by the biblical story of the Star of Bethlehem leading the Wise Men to Jesus, pages 50-52WE WISH YOU A MERRY CHRISTMAS, a popular 18th Century English Carol, based on the tradition of giving treats to carolers, pages 53-54
Silent Night and the Carols of Christmas for Beginner Piano
Piano Facile

$9.99 8.56 € Piano Facile PDF SheetMusicPlus

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1426566 By Gb?r? Dodoh. By Several Composers. Arranged by Holyone Tombari Dodoh. Baroque,Chamber,Christian,Classical,Praise & Worship. 58 pages. Holyone Tombari Dodoh #1007264. Published by Holyone Tombari Dodoh (A0.1426566). Re-arrangement of several great classical works for choral and chamber orchestral ensemble.(suitable for Easter)Lyrics:The Heavens are tellingThe glory of GodThe wonder of His workDisplays the firmamentThe wonder of His workDisplays the firmamentLet the Celestial concertsAll uniteLet the Celestial concertsAll uniteFor the wonder of His workDisplays the firmamentThe Heavens are tellingThe glory of GodThe wonder of His workDisplays the firmamentGlorious is thy name, Almighty LordGlorious is thy nameIs thy name, O LordGlorious is thy nameGlorious is thy name, Almighty (Glorious is thy name, O Lord)Glorious is thy name, Almighty LordPraise the LordPraise the LordPraise the Lord In holy songs of joyIn holy songs of joyPraise the LordPraise the LordPraise the Lord In holy songs of joyIn holy songs of joyPraise the Lord in holy songsIn holy songsPraise the Lord in songs of joyBlessing and honour Be to God forever and ever moreBlessing and honour Be to God forever and ever moreGreat is the Lord!Alleluia!Up from the grave He aroseWith a mighty triumph o'er His foesHe arose a victor from the dark domainAnd He lives forever with His saints to reignHe arose! He aroseAlleluia Christ aroseCome Christians join to singAlleluia AmenLoud praise to Christ our KingAlleluia AmenLet all with heart and voiceBefore His throne rejoicePraise is His gracious choiceAlleluai Amen.
Glorious Heavens Praise - Remix
Chorale SATB
Gb?r? Dodoh
$7.00 6 € Chorale SATB PDF SheetMusicPlus

Piano Solo - Level 2 - Digital Download SKU: A0.1267798 By Various. By Melodia Gaulesa. Arranged by Sérgio Matias da Cunha. Children,Christian,Christmas,Instructional,Traditional. Score. 1 pages. Sérgio Matias da Cunha #860347. Published by Sérgio Matias da Cunha (A0.1267798). Arranjo claro, objetivo, conciso e acessível apresentando marcações de cifra e dedilhado. Partitura com figuras rítmicas maiores que a semicolcheia e acompanhamento relativamente padronizado ocupando as unidades de tempo do compasso quaternário simples. Presença de movimento contrário, movimento paralelo, figura pontuada e contratempo no discurso melódico. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques†no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028).
Deck the hall - Alegria de natal
Piano seul
Various
$2.99 2.56 € Piano seul PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 4 - Digital Download SKU: A0.948121 Composed by Piotr Chaikovski. Arranged by Sam Bateman. Children,Christmas,Contemporary,Romantic Period,World. 13 pages. Sam Bateman #3375349. Published by Sam Bateman (A0.948121). Disfrute toda belleza maravillosa de esta suite de música clásica de uno de los mejores compositores del período de Romanticismo – Piotr Chaikovski! Ahora, usted puede comprar su propia copia de la suite de El cascanueces, por ejecutar con el resto de su cuarteto de saxofones. Aquí está el cuarto movimiento, la Danza rusa, o el Trepak. ¡Disfrútela! Si usted quiera oír algunos mis otros arreglos, no dude en mirar mi canal de YouTube, Sam Bateman’s Music. Si usted quiera contactarme para pregunta o solicitud, no dude en enviar un correo electrónico a sambateman.music@gmail.com, y responderé a usted lo antes posible.
La suite de El cascanueces - 4. Danza rusa (Trepak)
Quatuor de Saxophones: 4 saxophones

$6.00 5.14 € Quatuor de Saxophones: 4 saxophones PDF SheetMusicPlus

Guitar,Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.497027 By Banda Reguera. By Paulo Rowlands. Arranged by Paulo Rowlands. Latin,Multicultural,Pop,World. Score. 23 pages. Paulo Rowlands Voz & Arte #111123. Published by Paulo Rowlands Voz & Arte (A0.497027). Partitura da canção REGGAE LEVE, de Paulo Rowlands (1971- ). Este infoproduto oferece 7 (sete) partituras da canção REGGAE LEVE, de Paulo Rowlands (1971- ), com melodia, cifras (acordes) e letra, nos tons: Lá Maior (A), Si bemol Maior (Bb), Dó Maior (C), Ré Maior (D), Mi Maior (E), Fá Maior (F) e Sol Maior (G), todas em um único documento de 23 páginas no formato PDF. A edição é do Maestro Paulo Rowlands.
Reggae Leve
Piano, Voix et Guitare
Banda Reguera
$2.99 2.56 € Piano, Voix et Guitare PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.974553 Composed by 1543), ERHALT UNS, and HERR (J. Klug. Arranged by Lowell Prescott. Christian,Sacred. Octavo. 4 pages. LHPMusic #6234639. Published by LHPMusic (A0.974553). This familiar 16th century melody is presented in a modern, spare, and meditative setting. It is available for SATB, SSAA, or TTBB voicings (all included with this octavo), and features a modern update on the text, as well as including Martin Luther's original version in its familiar translation as an alternate.Tune: ERHALT UNS, HERR (J. Klug, 1543), arr. Lowell PrescottModern text adaptation (by Lowell Prescott): God, keep us steadfast in your Word;Curb those who by deceit or swordWould draw the people from your waysAnd seize your name in empty praise. O, Jesus Christ, our strife release,For you are Justice, Truth and Peace;Renew your church that we may liveTo love and welcome and forgive. O Comforter of priceless worth,Send peace and unity on earth;Support us in our days of strifeAnd lead us out of fear to Life. Original text (included, by Martin Luther, 1483-1546; tr. Catherine Winkworth, 1829-1878): Lord, keep us steadfast in your Word;Curb those who by deceit or swordWould wrest the kingdom from your SonAnd bring to nought all he has done. Lord Jesus Christ, your pow'r make known,For you are Lord of lords alone;Defend your holy Church, that weMay sing your praise triumphantly. O Comforter of priceless worth,Send peace and unity on earth;Support us in our final strifeAnd lead us out of death to life.
Steadfast (Lord, Keep Us Steadfast in your Word)
Chorale SATB

$2.49 2.13 € Chorale SATB PDF SheetMusicPlus

String Quartet Cello,String Quartet,Viola,Violin - Level 3 - Digital Download SKU: A0.1107440 By Nathan Evans. By Alexander Oriet, David Phelan, and Nathan Evans. Arranged by Joel Jacklich (A.S.C.A.P.). 19th Century,Folk,Multicultural,World. 12 pages. Joel Jacklich #710097. Published by Joel Jacklich (A0.1107440). New Zealand-based music teacher and folk music compiler Neil Colquhoun claimed to have collected the song around 1966 from one F. R. Woods. Woods, who was in his 80s at the time, had allegedly heard the song from his uncle. it was attributed to one D.H. Rogers. It has been speculated that Rogers was the uncle of Woods and that Rogers had worked as a teenage pirate or shore whaler in the early-to-mid 19th century, composing this and another song in his later years and eventually passing them on to his nephew as an old man. Nathan Evers recorded the work in 2021 during the COVID pandemic and it became a viral sensation with house-bound Tik-Tokers sparking a whole re-introduction of sea shanties in what was termed Shanty-Tok. This string quartet arrangement gives all instruments a chance at the melody, and adds the affectation of a foot-stomp and a shout at the ends of verses. The history of whaling in New Zealand stretches from the late eighteenth century to 1965. In 1831, the British-born Weller brothers Edward, George, and Joseph, who had emigrated to Sydney in 1829, founded a whaling station at Otakou near modern Dunedin in the South Island of New Zealand, seventeen years before Dunedin was established. The Weller brothers had on their voyage to New Zealand brought in the 'Lucy Ann' (the Weller brothers' barque) a good deal of rum and a good deal of gunpowder. From 1833, the Weller brothers sold provisions to whalers in New Zealand from their base at Otakou, which they had named Otago in approximation of the local MÄori pronunciation. The song's lyrics describe a whaling ship called the Billy o' Tea [Note: a billy is a pot in which water is boiled to make tea or coffee] and its hunt for a right whale. The song describes how the ship's crew hope for a wellerman to arrive and bring them supplies of luxuries. According to the song's listing on the website New Zealandfolk Song, the workers at these bay-whaling stations (shore whalers) were not paid wages, they were paid in slops (ready made clothing), spirits and tobacco. The chorus continues with the crew singing of their confidence that the tonguin' will be the last step of their plight. Tonguing in this context refers to the practice of cutting strips of whale blubber to render into oil. Subsequent verses detail the captain's determination to bring in the whale in question, even as time passes and the quartet of whaling boats is lost in the fight. In the last verse, the narrator conveys how the Billy o' Tea is still considered locked in an ongoing struggle with the whale, with the wellerman making his regular call to strengthen the captain and crew. Note from Wikipedia.
Wellerman
Quatuor à cordes: 2 violons, alto, violoncelle
Nathan Evans
$12.99 11.13 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Handbell - Level 2 - Digital Download SKU: A0.953733 Composed by Frank M. Davis, Henry Smart, John Hughes, Robert Lowry, William B. Bradbury, and and George A. Young. Arranged by G. R. Adkison. Christian,Sacred. Score. 10 pages. Gary Ray Adkison #14705. Published by Gary Ray Adkison (A0.953733). God: Our Leader Medley is a 120 measure arrangement for 4-5 octave handbell choir and 3 octaves of OPTIONAL associated handchimes, although the handchime parts can also be played by handbells. The overall theme is the leadership of God in the life of the Christian. This is a medley of 7 Christian hymns. The first 4 are requests---requests to God to lead us. The last 3 are descriptions of God leading us (responses by God). The 1st request is presented by the handchimes playing Savior Lead Me. This is a simple, easy to play section in the key of D. Still in D, the 2nd request is Lead on, O King Eternal. After a false modulation, the 3rd request is Savior, Like a Shepherd Lead Us. This features a few bass runs. After a modulation to the key of G, the 4th request starts with Guide Me, O Thou Great Jehova. Also featuring some bass runs, it also makes use of descant lines. The 1st response, also in G, is All the Way My Savior Leads Me. This section is not in the original 3/4 time, but in 4/4 time, although near the end it reverts to the normal 3/4. It makes heavy use of fills and a brief descant line. The 2nd response is a 6/4 version of God Leads Us Along in the key of C. Again, there is a brief descant line. The last response is He Leadeth Me, also in C, that features two descant passages, and bass runs in the last two lines. After the first section of the overall arrangement, the chords used are often significantly more interesting than the chords normally used with these 7 hymns. This arrangement uses various dynamic and tempo markings, in order to achieve musical contrast, and still be true to the character of the original hymns. (The MP3 audio demonstration file provided is in a piano patch (voice), although the actual arrangement is for (and, of course, will sound better with a) handbell choir.) This arrangement is probably a level 2+ (2 plus) degree of difficulty.
God: Our Leader Medley (for 4 and 5 octave handbell choirs)
Cloches

$4.00 3.43 € Cloches PDF SheetMusicPlus

Piano Solo - Level 5 - Digital Download SKU: A0.1335536 Composed by Juan María Solare. 20th Century,21st Century,Classical,Contemporary,Contest,Festival. Score. 19 pages. Juan Maria Solare #921371. Published by Juan Maria Solare (A0.1335536). Hommage to Ursula is a piano piece in memory of Ursula Görsch (1932-2023). The piece is based on the six sounding letters of her last name (GERSCH, where the O is omitted, the R represents RE - the D note in Spanish, Italian, or Turkish - and the S represents the E flat, 'Es' in German), as well as on the remaining six notes of the total chromatic scale (C#, F, F#, Ab, A, B). Both Pitch Class Sets are identical from an intervallic perspective - transposed by a tritone. Such coincidences confirm to me that I am on the right path, at least musically.The reference to Turkey is not coincidental, as Ursula taught in Istanbul for many years.The initial texture of the piece - a kind of toccata with many repeated notes - is a purely musical homage to Ursula: she used this texture in some passages of her compositions. Besides that, this piece contains no direct quotation from Ursula's music.The work Hommage an Ursula is based on a series of 12 notes. The original version (Prime) and the inverted version (Inversed) alternate. From these 24 versions of the series, 24 sections result. I add a final section based on the original series ('Das Ende im Anfange'*); thus, there are 25 sections.To order the 5 motivic elements, I generate a Latin square. The 5 elements do not rotate, but, in each of the 5 main sections, the initial motive is always the same (A), and the order of the other four (BCDE) changes, permutating according to the following Latin square:A BCDEA CEBDA DBECA EDCBA BCDEThis work can then be considered as a derivation of the 'theme and variations' structure, with the peculiarity that there are five sub-themes that are rearranged in each of the variations.This piece lasts about 11 minutes. The premiere, performed by the composer (that is, by myself), took place on November 26, 2023, at the Konzertsaal of the Hochschule für Künste in Bremen, during the concert 'Gedenkkonzert Ursula Görsch und Harald Kruse', as part of the 73rd Hausmusikwoche, organized by the DTKV (German Association of Sound Artists) in cooperation with the ABK (Circle of Composers in Bremen).This is not an easy piece to listen to. It is absolutely consistent but perhaps monotonous. During the premiere, the yawns of someone in the audience prompted me to briefly interrupt the performance to inform them that the end was near. After the concert, one of the organizers suggested to me that the piece was too 'anstrengend' (demanding, exhausting). It is up to the gentle pianists to risk experiencing the same as me.* 'Das Ende im Anfange' reads the legend that can be read in the circle of tonalities reproduced by Johann Friedrich Michael Wiedeburg in his treatise Der sich selbst informirende Clavierspieler (Leipzig and Halle, 1765-1775, Verlag der Buchhandlung des Waisenhauses).Juan María SolareBremen, September & December 2023.
Hommage an Ursula [piano solo]
Piano seul

$4.00 3.43 € Piano seul PDF SheetMusicPlus






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