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Piano - Digital Download

SKU: A0.1066542

Composed by THEMIS KOUTRAS. Christian,Gospel,Praise & Worship,Sacred. Full Performance. Duration 248. THEMIS KOUTRAS #4764083. Published by THEMIS KOUTRAS (A0.1066542).

This song is you got to know the holy bible well to understand this so i will explain the dove in Christianity represents the holy spirit it is also how they believed in the old days to communicate with people like a post office of doves doves where known as pigeons in those days if you know your history the 1st post office was done using pigeons they put a message on it;s foot and let it go it will always return home so they will have a whole post office like that transporting pigeons to places they will then let them go with a message on there feet thus it would fly home so when JESUS CHRIST was baptize it writes the holy spirit came upon him in the form of a dove as GOD SPOKE OUT OF HEAVEN saying this is my beloved son listen to him thus everyone herd that so they only new how to explain it that the communication came to JESUS CHRIST communicating with GOD as they all herd it they told this expressing it how they understood it as the holy spirit came upon JESUS CHRIST as a dove thus what i am singing is very much that at the same time i am communicating with GOD just as the song says OK that is its meaning that i am communicating with GOD as sung

LITTLE DOVE 4 Piano seul

$4.99 4.61 € Piano seul PDF SheetMusicPlus

Full Orchestra - Level 4 - Digital Download

SKU: A0.869355

Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Jazz,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #15875. Published by Thomas Oboe Lee (A0.869355).

Instrumentation: solo alto saxophone & 2222-4231-perc-drumset-strings. Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea. One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately. My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops. ENJOY!!!

Focus on Grace ... A concerto for jazz saxophone and orchestra (2010) Orchestre

$9.99 9.23 € Orchestre PDF SheetMusicPlus

Jazz Combo - Level 4 - Digital Download

SKU: A0.970761

Composed by Mike Strand, ASCAP. Blues,Jazz. Score and parts. 6 pages. Michael M. Strand #6136125. Published by Michael M. Strand (A0.970761).

Mike Strand, ASCAP

This is a lead sheet with lyrics, chords and guitar fret boards, for a jazz group, small, or large, with singer or solo instruments. It serves as a good basis for a variety of arrangements, contra facts, and improvisations.

The audio sample is a jazz quintet: A slow swing jazz accompaniment from iReal Pro, combined with my duet tunes from Finale PrintMusic. In this sample, a flute takes the accompaniment (treble clef), with a baritone sax in the bass clef.

The main tune (bass clef) is accompanied, making this an unusual duet lead sheet. For example, a flute may accompany a baritone singer.

An option is to interchange the voice roles (e.g., main tune octave higher, accompaniment octave lower), or use one of the tunes of the duet by itself.

I wrote this piece in honor of immigrants, in recognition of the courage it takes to move to a new country and learn a new language. New immigrants often go through difficulties and setbacks, including persecution from citizens of their adopted country. This, despite the recent immigrant ancestry of most of the persecutors, notably in the USA.

In the subtitle of Immigrant Blues, I recognize my own immigrant ancestors, and also Anders Lundegård, who, like my paternal grandparents, moved to the USA from Sweden. Anders helped me with this piece, with his reviews and comments.

**Here are the lyrics for Immigrant Blues:

1.

Moving to the U. S., far away.

Life here is so bad, I will not stay.

Talked to Mom and Dad, they said OK.

I want to make a place for them some day.

2.

First time in the States was no picnic.

Half the time no work, and I got sick.

Some folks try to help, while others scoff.

I have friends, but others put me off.

3.

Looking bright and able, that’s my plan.

Taking ESOL classes when I can.

Learning English is no easy chore,

And I want my folks here, that’s for sure.

 

And I want my folks here, that’s for sure.

Oh, yeah!



Immigrant Blues Jazz combo

$3.00 2.77 € Jazz combo PDF SheetMusicPlus

Small Ensemble - Level 4 - Digital Download

SKU: A0.869266

Composed by Thomas Oboe Lee. 20th Century,Contemporary,Jazz,Latin,Romantic Period. Score and parts. 73 pages. Thomas Oboe Lee #2019061. Published by Thomas Oboe Lee (A0.869266).

Instrumentation: Alto sax solo and orchestra, 2222-4231-perc-drum set-strings

Program note. Maestro Max Hobart called me in the spring of 2009 and told me to check out this young jazz phenom on the saxophone named Grace Kelly. I said OK, that’s cool. That summer we went to the Regatta Bar in Harvard Square to hear her play with her band, and I was duly impressed by her musicality, soulfulness and chops. Max asked if I would be interested in writing a concerto for her and the Wellesley Symphony. I said, Sure. It sounds like a great idea.

One of the most cherished jazz records in my vast collection is the collaboration between Stan Getz and Eddie Sauter entitled Focus. Eddie, who used to be an arranger for the Benny Goodman Band in the forties, went on to create the Sauter Finegan Band in the early fifties. The band was one of the first to include the piccolo, oboe, bassoon, harp, celesta, French horn, tuba, xylophone, glockenspiel, chimes, timpani, and other unusual symphonic instruments in the standard big band format of trumpets, trombones, saxophones and rhythm section of piano, bass and drum set. On the album Focus Eddie Sauter composed seven tracks of music for string orchestra and rhythm section. Stan Getz did not have a written part - he just improvised over the written music. If you are not familiar with this recording, then you will do yourself a huge favor if you go find it and add it to your own CD collection. The music is phenomenal and Stan is on top of his game, soaring above the strings with endless melodic inventions, flights of imagination and whimsy! It is one of those desert island CDs one should not be without. When I emailed Grace about this project and mentioned Stan Getz’s Focus, she said, It’s one of my favorite albums. So, we got off on a positive note immediately.

My work, Focus on Grace … Concerto for Jazz Saxophone and Orchestra, is very much inspired both by the Stan Getz album and by the performances I heard of Grace and her band. The first movement is based on a funk groove in D minor: Grace’s part is initially written-out but she improvises freely in the coda. The second movement is a boss nova: as in the Stan Getz album, Grace does not have a written part but improvises over a set of chord changes provided by the orchestra. The third and last movement is an Afro-Cuban groove in six-eight: Grace has a written melody at first but soon launches into improvisation on a 12-bar blues in F. She ends the concerto in a free cadenza to show off her virtuosity and saxophone chops.

ENJOY!!!

Focus on Grace ... A concerto for jazz saxophone and orchestra (2010)
$9.99 9.23 € PDF SheetMusicPlus


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