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Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes  This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012.   The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes).  Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨  - F G - D E¨ - B C -   F G   - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
Passacaglia in C (Organ)
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Organ - Level 2 - Digital Download SKU: A0.1438694 Composed by Vidas Pinkevicius. Christian,Classical,Contemporary,Religious,Sacred. Score. 4 pages. Secrets of Organ Playing #1018768. Published by Secrets of Organ Playing (A0.1438694). This gentle meditation is based on the American hymn tune FOUNDATION which has a melody, entirely written in Major Pentatonic mode. Therefore this mode fits this piece very well. The tune is heard in the right hand part, and left hand with pedals play asynchronous ostinato figures around it, creating colorful harmonies. The piece touches G major, Bb major, Gb major, A major and G major areas. This composition will be very effective in liturgical organ playing and concert programs whenever peaceful music is desired.
Meditation on Foundation, Op. 265 (Organ Solo) by Vidas Pinkevicius
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Organ - Level 3 - Digital Download SKU: A0.1117893 Composed by Phil Lehenbauer. Arranged by Phil Lehenbauer. Classical,Contemporary,Holiday,Sacred,Traditional. Score. 8 pages. Phil Lehenbauer #719400. Published by Phil Lehenbauer (A0.1117893). Nun Danket Alle Gott is usually known as the hymn Now Thank We All Our God, sung at many times throughout the church year. This is another in a series of works for the younger or less experienced instrumentalist, with a limited range, easy rhythms, and an easily playable organ part that provides great support to the young player. In addition to the trombone and organ parts, there is a treble clef part provided that can be used by a trumpet, baritone, or tenor sax player. It was written and recorded on a two manual instrument, with the composer playing both parts (thanks to the organ's MIDI recorder). I hope you will feature the younger players in your church!
Prelude on "Nun Danket Alle Gott" (Now Thank We All Our God) for Trombone and Organ, Phil Lehenbauer
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Organ - Level 3 - Digital Download SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score. 6 pages. Matthew Alan Edwards #4266213. Published by Matthew Alan Edwards (A0.898551). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. It may be performed in alternatum with one of the choral versions (SATB English, SATB Latin, SSA/TTB Latin, or SSA/TTB English) or with a soloist(s) on the chant or as an organ solo. I have provided the first line of chant below and all six verses in Latin with translations on the next page. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristi Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. Either the two-staff or single-staff version may be performed by solo organ. In the single-staff version, stem direction decisions were made primarily for readability, not to show voice leading. Refer to the four-part, two-staff version for voice leading questions.Also available as SSA/TTB in Latin or English. SATB Latin/English versions coming soon!
Op. 7 Canzona alla terza "Verbum supernum prodiens" (Organ solo)
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Organ - easy - Digital Download SKU: S9.Q22568 Urtext. Composed by Johann Wilhelm Haessler. This edition: Sheet music. Downloadable. Schott Music - Digital #Q22568. Published by Schott Music - Digital (S9.Q22568). Despite the central role of the organ in the life of Johann Wilhelm Häßler (1747-1822), he dealt with the organ only occasionally as a composer. The 'Acht und vierzig kleine(n) Orgelstücke, theils zu Choral=Vorspielen beim öffentlichen Gottesdienst, theils zur Privatübung für angehende Orgelspieler und Schulmeister auf dem Lande bestimmt', as says the original title, represent the entire output of his organ works. In many of these short pieces, Häßler developed a miniature-like, facet-like form combining Baroque elements with a sentimental gesture and sometimes giving an idea of a Romantic character piece.
48 short Organ Pieces
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Organ - Digital Download SKU: S9.Q49648 This edition: Sheet music. Downloadable. Op. 1. Schott Music - Digital #Q49648. Published by Schott Music - Digital (S9.Q49648). German.This method of organ playing presupposes a certain technical skill on the piano. The pedal exercises at the beginning are fundamental and should be practiced in all keys with gradually increasing tempo. The structure of this method is based on the increasing polyphony: two-part pieces are followed by three-and multi-part pieces. Studying the strict structure of the polyphonic compositions, getting a feel of the liveliness of these parts, their coming, going and returning, all this, with the knowledge of harmonic form and architectonic values, provides the essential background for the correct interpretation of polyphonic music, especially of the fugue. The most important musical forms have been used to illustrate the various possibilities of registration and its relationship to style (colourful, solo and smooth playing).Progress within this method is made in a winding pattern, i.e. by falling frequently back on earlier aspects, through the juxtaposition of special stylistic and formal features, in order to consolidate them or add to variety. It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music over the centuries and thus be prepared for a really artistic performance and interpretation of old and new works on his instrument, especially for the incomparable art of our great Johann Sebastian Bach.Wer nach dieser Schule das Orgelspiel erlernen will, muss schon eine gewisse technische Fertigkeit auf dem Klavier besitzen. Die Pedalübungen zu Anfang sind grundlegend. Sie sind in allen angegebenen Tonarten und in allmählich beschleunigtem Zeitmaß auszuführen.
Organ Method
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Organ - Level 2 - Digital Download SKU: A0.1453398 Composed by Ausra Motuzaite-Pinkeviciene. Christian,Classical,Contemporary,Religious,Sacred. Score. 3 pages. Secrets of Organ Playing #1032627. Published by Secrets of Organ Playing (A0.1453398). This is my original meditation on the beloved hymn tune FINLANDIA, often sung to the text Be Still, My Soul in the key of Eb major. The hymn tune is played in the right hand part with the reed registration while the left hand and pedal parts play colourful ostinato patterns around it. Dedicated to my husband Vidas Pinkevicius. This composition will be very effective in liturgical organ playing and concert programs whenever contemplative music is desired.
Meditation on Finlandia, Op. 25 (Organ Solo) by Ausra Motuzaite-Pinkeviciene
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Organ - Level 3 - Digital Download SKU: A0.920392 Composed by Sergei Rachmaninoff (1873-1943). Arranged by Marcus Wibberley. 20th Century,Romantic Period. Score. 3 pages. Marcus Wibberley #5986279. Published by Marcus Wibberley (A0.920392). Vocalise (Op.34, No.14) was originally composed in 1912, later orchestrated by Rachmaninoff in 1929.  In this popular arrangement for organ by Marcus Wibberley, the orchestral colours and singing qualities of the organ are showcased.  It is of moderate difficulty, very accessible and can be used in a range of contexts - recitals, church services, weddings and funerals, as well as teaching material for schools and organ pupils.The audio sample is a recording of this arrangement, played by Marcus Wibberley (the arranger) in a public recital in York Minster in 2004.
Organ: Vocalise (Op.34, No.14) - Rachmaninoff
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