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Organ - Level 5 - Digital Download SKU: A0.890713 Composed by John Pitts. Baroque,Christian,Contemporary,Sacred. Score. 20 pages. Intensely Pleasant Music #3424723. Published by Intensely Pleasant Music (A0.890713). Passacaglia (2000-2012) for Organ - 6 minutes  This piece exists in versions for organ (this one - the original version in 2000) and orchestra (performed by Bristol University Symphony Orchestra under the baton of John Pickard in 2001), and finally a piano duet version completed in 2012.   The theme is based on the ground bass from Bach’s stonking Passacaglia in C minor for organ. However, the implied harmonies of Bach’s original ground bass are treated to some twisted harmonies – where each chord is altered using a system of harmonic substitution - swapping each chord implication for a newly chosen one (Cm=C, Fm=F#, G=A, Dm=A¨, Eb=F and on it goes around the 12 chromatic notes).  Each key therefore has a ‘dominant’ and ‘subdominant’ that are not the actual chords V and IV in that key, so the traditional cadences and chord relationships are supplanted by 12 individual 3-chord relationships – one set of three chords for each of the 12 (now almost exclusively major) keys. In an attempt to recreate the pulls of the traditional tonic-dominant-subdominant relationships, each key then also has a particular mode/scale with particular added notes that are designed to recreate the sense of moving away from and back towards the home chord of that key. This results in a lot of rich added harmonies and some idiomatic voice-leading. Bach’s original theme in Cm is: C G - E¨ F - G A¨  - F G - D E¨ - B C -   F G   - C, and in the opening statement of the ground bass this has become: C A - E F# - A B¨ - F# A - D# E - C# C - F# A - C. There are then 21 variations which modulate through a range of keys, during which the ground bass is constantly re-adjusted to fit the new harmonic areas. It starts in C major, then goes through ‘closely’ related keys (eg A major and A¨ major), and then back to C in variations 6, 9 and 11. This kind of arch then happens again but going through more distant keys before returning to C in variations 18, 19 and the final climactic variation 21. Leaving aside the structural and tonal nuts and bolts, my aim was to compose a piece that attempts to recapture some of the nobility and beauty of Bach's Passacaglia, with rich added note harmonies, and exuding an exuberant joy.
Passacaglia in C (Organ)
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Organ - Level 3 - Digital Download SKU: A0.1117893 Composed by Phil Lehenbauer. Arranged by Phil Lehenbauer. Classical,Contemporary,Holiday,Sacred,Traditional. Score. 8 pages. Phil Lehenbauer #719400. Published by Phil Lehenbauer (A0.1117893). Nun Danket Alle Gott is usually known as the hymn Now Thank We All Our God, sung at many times throughout the church year. This is another in a series of works for the younger or less experienced instrumentalist, with a limited range, easy rhythms, and an easily playable organ part that provides great support to the young player. In addition to the trombone and organ parts, there is a treble clef part provided that can be used by a trumpet, baritone, or tenor sax player. It was written and recorded on a two manual instrument, with the composer playing both parts (thanks to the organ's MIDI recorder). I hope you will feature the younger players in your church!
Prelude on "Nun Danket Alle Gott" (Now Thank We All Our God) for Trombone and Organ, Phil Lehenbauer
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Organ - Level 4 - Digital Download SKU: A0.1137387 Composed by Felix Bartholdy Mendelssohn. Arranged by Phil Beaman. Classical,Romantic Period,Sacred,Standards. Score. 11 pages. Phil Beaman #737590. Published by Phil Beaman (A0.1137387). Psalm 22 is a well-known and loved 8 part a capella choral work by Felix Mendelssohn. I have here arranged it for Organ Solo. Psalm 22 is about a person crying out to God to save him from his enemies, then thanks God for rescuing him. Thus, the first half is in E minor and the second half is in E major. Since it no longer has lyrics to convey the meaning I have used new tempi, dynamics, and registration, and also altered some harmonies and rhythms to add the appropriate interest and emotion. In order to create dialogue on the organ I have used unmetered recitative chant followed by metered antiphon in many places. In another section I use overlapping call and response between the hands and manuals. These are interspersed with 4 part Chorales. The mood constantly shifts throughout in many short sections, but the beauty is in the way they fit together creating harmony and polyphony and dialogued emotions. This is a great 9 minute organ Prelude which bridges the Classical and Romantic eras. 9:15 minutes; 11 pages (Apologies- I was in a hurry to record this, so there are a couple of wrong notes and rhythmic inaccuracies in the recording.).
Psalm 22 - Mendelssohn-organ solo
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Organ - Level 3 - Digital Download SKU: A0.1026888 Composed by Vidas Pinkevicius. Arranged by Vidas Pinkevicius. 20th Century,Contemporary,Wedding. Score. 3 pages. Vidas Pinkevicius #632366. Published by Vidas Pinkevicius (A0.1026888). In this gentle and optimistic arrangement for solo organ of Walk with Me, Op. 108 for organ duet by Vidas Pinkevicius beautiful solo melody in the soprano can be heard among lush sounds of string stops. This piece is dedicated to composer's wife Ausra on the occasion of their silver wedding anniversary. The title Walk With Me comes from their second most favourite activity (after playing organ duets) which is taking walks in the forrest together. It is also an allusion to walking together through life. This piece will work very well for both liturgy and recital setting when meditative music is needed.
Walk With Me, Op. 108a (Organ Solo) by Vidas Pinkevicius (2022)
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Organ - Level 3 - Digital Download SKU: A0.898551 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Score. 6 pages. Matthew Alan Edwards #4266213. Published by Matthew Alan Edwards (A0.898551). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. It may be performed in alternatum with one of the choral versions (SATB English, SATB Latin, SSA/TTB Latin, or SSA/TTB English) or with a soloist(s) on the chant or as an organ solo. I have provided the first line of chant below and all six verses in Latin with translations on the next page. The SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristi Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. Either the two-staff or single-staff version may be performed by solo organ. In the single-staff version, stem direction decisions were made primarily for readability, not to show voice leading. Refer to the four-part, two-staff version for voice leading questions.Also available as SSA/TTB in Latin or English. SATB Latin/English versions coming soon!
Op. 7 Canzona alla terza "Verbum supernum prodiens" (Organ solo)
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Instrumental Solo,Pipe Organ - Level 4 - Digital Download SKU: A0.1089729 Composed by Julius Katterfeldt. Baroque,Classical,Romantic Period. Individual part. 9 pages. Albismusic #693937. Published by Albismusic (A0.1089729). Copyright 2005 by AlbisMusic - Julius Katterfeldt (1813-1886) started his career like Vincent Lübeck jun. once did: focused on a Schnitger organ. For his father worked at the Jacobi Church in Hamburg. Above all, the three Nachspiele op. 1, which he dedicated to three Hamburg citizens in the early 1830s, can be related to this early period; they were probably written after Katterfeldt's master apprenticeship with Christian Heinrich Rinck in Darmstadt. Later active in Schleswig, Preetz and Schwerin, this famous Sonata for Organ was printed by him in 1885, whose introductory section is inconceivable without knowledge of the virtuoso organ style of the Buxtehude tradition.
Sonata for Organ d-minor
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Organ - Level 3 - Digital Download SKU: A0.1475637 Composed by Henry Purcell. Arranged by Phil Lehenbauer. Classical,Contemporary,Contest,Festival,Lent,Sacred. Score. 8 pages. Phil Lehenbauer #1053193. Published by Phil Lehenbauer (A0.1475637). This work for trombone and organ is part of the 2024 Suite for Trombone and Organ, which is geared toward the younger, less experienced player, with works that can be performed at church services and other occasions.  Dido's Lament, from Purcell's opera Dido and Aeneas is a lyrical, somber piece, giving the younger player the chance to develop phrasing and legato playing.  The emotional mood of this makes it perfect during reflective times of a service, especially during the Lenten season.  The range is one that a typical high school player (or advanced middle schooler) could play, with rhythms well within the reach of players at that level.  The solo part is well-supported by the organ part, with hopes that rehearsals can be minimal in putting this together for performance.  There are two other movements to this 2024 Suite, both available on this site as well.  Please give that young musician the chance to shine!  Also included is a treble clef part that could be played by trumpet, treble clef baritone, or tenor sax.
2024 Suite for Trombone and Organ, 2. Dido's Lament (Purcell), work by Phil Lehenbauer
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Organ - Level 3 - Digital Download SKU: A0.1451552 Composed by Vidas Pinkevicius. Christian,Classical,Contemporary,Religious,Sacred. Score. 5 pages. Secrets of Organ Playing #1030882. Published by Secrets of Organ Playing (A0.1451552). This fantasia is based on the Gregorian chant hymn Ave Maris Stella. It's a polyphonic piece where every line of the chant is treated in imitative counterpoint, like in a fugue. To create more colour, the keys change periodically and dynamic range expands from mezzo piano to fortissimo. This composition will be very effective in liturgical organ playing and concert programs when music to honor Virgin Mary is desired. Dedicated to James Flores.
Fantasia on Ave Maris Stella, Op. 261 (Organ Solo) by Vidas Pinkevicius (2024)
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Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1436104 By Bernd Förster. By Bernd Förster. Arranged by Bernd Foerster. 21st Century,Classical,Contemporary,New Age,Spiritual. Individual part. 7 pages. Bernd Foerster #1016261. Published by Bernd Foerster (A0.1436104). New Organ Music for 2024!  STORM is a Toccata for Pipe Organ.  Its main theme is consisting of sextuplets which should be played in both hands fifty-fifty and a sonorous theme in the pedal and it sounds like... a summer storm.There are suggestions for the registration in the sheet music, but as always they are meant to be guidelines - choose which stops fit your organ best. If you have two manuals start with the Grand Orgue forte and switch two times to the Swells (or whatever you have) with a mezzoforte mix of stops. Always feel free to contact me on my instagram if there are any questions (@berndfoerstermusik). I hope you enjoy playing my newest piece. Thank you so much for buying and playing my music!There will be a video on YouTube on May 15th 2024. 
STORM - Toccata for Pipe Organ.
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Bernd Förster
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Organ - Level 2 - Digital Download SKU: A0.1434756 Composed by Ausra Motuzaite-Pinkeviciene. Christian,Classical,Contemporary,Religious,Sacred. Score. 4 pages. Secrets of Organ Playing #1014887. Published by Secrets of Organ Playing (A0.1434756). In this meditation on the beloved hymn tune Nicaea (often sung to the words of Holy, Holy, Holy) the hymn tune appears in the right hand part, first in D major and then in F major. The left hand and pedal parts play asynchronous ostinato motives around the tune producing colourful harmony. The piece ends with the last phrase of the hymn in the D major key. This composition will be very effective in liturgical and concert organ playing whenever contemplative music is desired. Dedicated to Vidas Pinkevicius.
Meditation on Nicaea, Op. 22 (Organ Solo) by Ausra Motuzaite-Pinkeviciene
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