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Organ - Level 4 - Digital Download SKU: A0.1139501 Composed by Alex. Guilmant. Arranged by Phil Beaman. March,Romantic Period,Standards. Score. 11 pages. Phil Beaman #739789. Published by Phil Beaman (A0.1139501). I wrote this piece to use as the opening piece for an organ dedication recital I was playing. I admired this March by Alexander Guilmant, but that piece opened softly and I wanted a bold opening; so I expanded and arranged the piece, using Guilmant's own material, and created new beginning sections so that I could open the dedication concert with trumpets. The piece is now about contrasts as I have changed tempi, dynamics, registrations, and textures to alternate with each section. Many colours of the organ are shown, from reeds to flutes, from mp to tutti. The piece builds to a full and vigorous Tutti climax. 11 pages; 5:45 minutes.
Marche Processionelle-Guilmant- organ solo
Orgue

$7.40 6.36 € Orgue PDF SheetMusicPlus

Organ - Level 1 - Digital Download SKU: A0.989816 Composed by YASKAWA Toru. Christian,Contemporary,Sacred. Score. 21 pages. HALF CAT #4799537. Published by HALF CAT (A0.989816). Prelude and Postlude for christian worship, composed in 2011~12.Include 25 tunes for pipe organ (almost tunes can play by positive organ).    #26 B-flat major, 4/2, [1'22]    #27 E-flat major, 2/2, [1'19]    #28 D major, 2/4, [1'08]    #29 A major, 4/2, [1'12</td>    #30 A-flat major, 7/2, [1'13]    #31 A-flat major, 2/2, [2'36]    #32 D-flat major, 2/4, [0'51]    #33 G major, 6/8, [0'53]    #34 F major, 2/2, [0'45]    #35 E-flat major, 2/2, [0'58]    #36 F major, 2/4, [0'47]    #37 E major, 4/4, [1'50]    #38 G minor, 4/2, [1'17]    #39 D major, 4/4, [0'53]    #40 G major, 4/4, [0'57]    #41 F major, 4/4, [1'27]    #42 C major, -, [1'05]    #43 E-flat major, 4/2, [1'39] <-demo    #44 G minor, 2/2, [0'56]    #45 E minor, 2/2, [2'50]    #46 A-flat major, 3/8, [0'58]    #47 D minor, 4/2, [1'13]    #48 D major, 4/4, [0'35]    #49 G minor, 3/8, [0'43]    #50 C minor, 3/8, [0'38]
Music for Worship, book.2 for organ, Op.85
Orgue

$9.90 8.51 € Orgue PDF SheetMusicPlus

Organ - Level 4 - Digital Download SKU: A0.547959 Composed by James M. Guthrie. 20th Century,Contemporary. Score. 20 pages. Jmsgu3 #3089193. Published by jmsgu3 (A0.547959). Theme and seven variations for organ, suitable for performance in church or recital hall. Contents/Durations:Theme: 1:15Canon: 2:06Fugue I: 2:29Fantasia: 2:09Trio: 1:55Fugue II:1:43Interlude/Double Fugue 4:51Meditation: 1:47Herzlich tut mich verlangen is a German hymn with lyrics written in 1599 by Christoph Knoll. It contains 11 stanzas and is known for its plaintive character.  The melody was adapted from a secular song by Hans Leo Hassler called Mein G'müt ist mir verwirret. The tune, Befiehl du deine Wege, first appeared in print in the 1601 Lustgarten Neuer Teutscher Gesäng.The melody is associated with the prayer for a blessed death, beginning Herzlich tut mich verlangen nach einem sel'gen End (I do desire dearly a blessed end). The hymn has been referenced in the works of composers such as J.S. Bach and Brahms, and it is also associated with the organ piece BWV 727. The title is sometimes confused with O Haupt voll Blut und Wunden, as the two melodies are occasionally interchangeable in hymnals from the time.
Guthrie: Organ Variations on Herzlich tut mich verlangen
Orgue

$29.95 25.75 € Orgue PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Organ,Soprano Saxophone - Level 5 - Digital Download SKU: A0.981222 Composed by Judith Cloud. Contemporary. Score and parts. 24 pages. Judith Cloud #6690537. Published by Judith Cloud (A0.981222). What Would Nina Simone Say? For Soprano Sax and Organ (9'50)Program NotesI became interested in Nina Simone in the spring of 2018. She was born Eunice Waymon in Tryon, North Carolina, my own hometown. I knew little about her while I was growing up. Later I heard she was an activist and the sentiment around town I observed was that there was far from a feeling of pride about who Nina Simone was. If that really was the case (and I have no proof of it) there was a dramatic change with the creation of The Nina Simone Project in 2006. I was still ignorant of this, having lived in Arizona for most of my adult life. But researching Simone led me to an immense feeling of pride for my hometown when I read about the support she had from the white community in the 1940’s. Without that encouragement and financial support, as well as artistic support from a local piano teacher, Muriel Mazzanovich, Mrs. Mazzy, as she was called and who Nina treasured and respected all of her life, Nina Simone would never have reached the world with her unique prodigious musical talent. She was a diva by all counts and her original compositions reflect a balance of words with music that is far superior to what her contemporaries were creating. A bronze sculpture of her by Zenos Frudakis now stands on Main Street in Tryon. How can you be an artist and not reflect the times? Simone asked in an interview. That to me is the definition of an artist. The feminist writer Germaine Greer declared Every generation has to discover Nina Simone. She is evidence that female genius is real. What would Nina Simone say today? I think she’d be mad as hell and screaming about revolution, probably still advocating for the use of violence. I’ve used some of Simone’s energetic and compelling motives in this composition. It is my own tribute to her genius and to how she gave to the world so much even though she was plagued with agonizing physical and mental ailments. That suffering seems to me an undercurrent in each video I have watched of her concerts. What I would give to have been in her presence for one of those concerts! She embodied music as an art form, revering her musical teachers, Bach, especially. That she never achieved her main goal of becoming the first female African-American classical pianist of world stature is perhaps not so sad when you think of how many more people she moved with her talent expressed in jazz and folk popular idioms. But she was prone to violence and many people, even those closest to her, were often fearful of her rage. She was misunderstood for so many years and it was only in the last two decades of her life that her moods were somewhat controlled through use of prescription drugs. The musical life that began for Eunice Waymon when she was seven years old playing the piano and organ for services at St. Luke’s C.M.E. Church (where her mother was the preacher) in Tryon, N.C. traversed many cities in many countries. She died at the age of 70 in 2003 in Carry-le-Rouet, France.
What Would Nina Simone Say? For Soprano Sax & Organ (9'50")
Saxophone et Orgue

$15.00 12.9 € Saxophone et Orgue PDF SheetMusicPlus

Organ 3-staff - Intermediate - Digital Download SKU: LX.70-2425L Hymn Settings and Original Pieces. Composed by David Lasky. Sacred. Organ. 60 pages. Lorenz Publishing - Digital Sheet Music #e70/2425L. Published by Lorenz Publishing - Digital Sheet Music (LX.70-2425L). The musical counterpoint possible in two and three-voice compositions make them a natural fit for the organ, and such works have been a part of the instrument’s repertoire since the very beginning. David Lasky has written seven free duos, eight free trios, and seven trios on familiar hymns to comprise this useful collection. The pieces are all short—most are less than two minutes—and thus can serve, individually or in groups, as fitting music anywhere in a service. Additionally, they will work well as teaching pieces at the early intermediate or intermediate level.
Duos and Trios for Solo Organ
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$28.00 24.08 € Orgue PDF SheetMusicPlus






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