SKU: A0.590241

10 Gospel Duets is an exciting collection of traditional Spirituals and Gospel favorites arranged by David McKeown as duets for two Oboes.

These Duets explore different styles and flavours of Gospel music, with imaginative arrangements in various contemporary styles. Click the link above to watch and listen to samples of all 10 duets (clarinet version) on YouTube.

Most of these duets are ideal for players of an Intermediate standard, with two or three more suitable for Advanced Intermediate.

10 Gospel Duets are

• perfect for concert performances large and small; each piece lasts between three and four minutes.
• fully articulated to help develop that Gospel style.
• great for helping with complex rhythms.
• road tested with scores of students and performed all over the world.
• fun to play.
• an exciting introduction to the world of Gospel music.
• 32 pages adding up to more than half an hour of quality music.

The ten titles are, Amazing Grace, Down By the Riverside, Go Down Moses, Go Tell It on the Mountain, He’s Got the Whole World in His Hands, Just a Closer Walk with Thee, Shall We Gather at the River, Steal Away to Jesus, Swing Low, Sweet Chariot and When the Saints Go Marching In.

There are many more top quality arrangements and compositions by David McKeown for you to browse at https://www.sheetmusicplus.com/publishers/david-mckeown/6203

SKU: A0.588942

Merengue de Merlín is an exciting original composition by David McKeown, arranged as a duet for two Oboes.

This duet is based on the traditional Latin style of Merengue that emerged in the Dominican Republic during the Nineteenth Century. Merengue Tipico bands maintain the traditional instrumentation of the double-headed tambora drum, güira, accordion and vocal, while urban bands in the North American diaspora often add saxophone, bass and other percussion. The Merengue dance became hugely popular in the 1950s and new forms continue to draw audiences around the world.

If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. The steady quintilla tambora rhythm is present throughout, and following the precise articulation in the score will help convey the style. The main challenge is the fast tempo and melodies should be clearly articulated. Merengue de Merlín has a performance time of around two and a half minutes at full tempo. You can listen to a full performance the Alto Saxophone version of this duet by following the YouTube link above.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

SKU: A0.588941

Mambo de Maya is an exciting original composition by David McKeown, arranged as a duet for two Oboes.

This duet is based on the fast, traditional Latin style of Mambo that emerged in Cuba in the 1930s. Later, when Mambo and its dance steps spread to Mexico and New York, hugely successful band leaders like Perez Prado and Tito Puente borrowed ideas from Big-Band Jazz and produced the bold and brassy sound we associate with Mambo today.

If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. The steady Mambo bell rhythm is implied throughout, and following the precise articulation in the score will help convey the style. Melodies are clearly articulated and played with passion. Mambo de Maya has a performance time of around two and a half minutes at full tempo. You can listen to a full performance the Clarinet version of this duet by following the YouTube link above.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

SKU: A0.588948

Calypso d’Isaac is an exciting original composition by David McKeown, arranged as a duet for two Oboes.

This duet is written in the style of Calypso music. Calypso’s roots lie in West Africa but first appeared in recognisable form in the late 19th century in Trinidad.  Originally sung in French Creole, the music quickly spread throughout the Caribbean and Venezuela. The modern English-language Trinidadian style is often topical and political in content. Calypso performers such as Mighty Sparrow in turn have inspired new styles such as Ska, Reggae and Soca, while Calypso rhythms can be heard in countless international hits such as Mary’s Boy Child and Disney’s Under the Sea.

If you play to an intermediate standard and upwards, then you and your audience will enjoy this piece. Following the articulation in the score will help convey the relaxed but rhythmic style. Calypso d’Isaac has a performance time of two and a half minutes. Follow the link above to listen to a complete YouTube performance of the Clarinet version of Calypso d’Isaac.

There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

SKU: A0.594193

Away in a Manger is a much-loved Christmas carol. This version is arranged as a duet in a Jazz Swing style for two Oboes. Click on the YouTube link above to listen to a full length performance of this arrangement played on Clarinet.

The melody of Away in a Manger, Cradle Song was written by William J Kirkpatrick, an Irish born American composer. The origins of the lyrics are less certain. Throughout the nineteenth century they were attributed to Martin Luther, but this version of events has since been discredited.

With a performance time of around two and a half minutes, this version of Away in a Manger is perfect for seasonal celebrations and concert performances, both formal and informal. The jazz swing style is a fun and fresh take on this familiar traditional tune.

Away in a Manger is arranged in a key and range best suited to the instruments. The original 3/4 meter has been altered to 4/4. Rhythms are syncopated, as one would expect in swing music, and there is plenty of articulation detail to help deliver an authentic style. The melody is played twice, with intros and outros. This arrangement is suitable for players at an intermediate or early advanced level.

SKU: A0.590120

He’s Got the Whole World in His Hands is a traditional American Gospel Song. This version is arranged as a duet for two Oboes.

He’s Got the Whole World in His Hands has unknown nineteenth century origins, but was first published in 1927 and reached a wider audience with Laurie London’s version in 1957. Mahalia Jackson often performed He’s Got the Whole World in His Hands in her inimitable style.

He’s Got the Whole World in His Hands is played eight times in a gospel swing style. The melody climbs through six different keys, a semitone at a time, with the accompaniment varying throughout. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.

He’s Got the Whole World in His Hands is suitable for players at an advanced intermediate level and above. With a performance time of around three and minutes, this version of He’s Got the Whole World in His Hands is perfect for worship and concert performances, both formal and informal.

 There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203