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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
Concertino - for clarinet, mandolin and symphony orchestra
Orchestre de chambre

$54.00 46.91 € Orchestre de chambre PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.47 € Chorale TTBB PDF SheetMusicPlus

Guitar Ensemble - Level 4 - Digital Download SKU: A0.1464488 Composed by Randy Newman. Arranged by Harry O'Brien. 21st Century,Film/TV,Jazz. Score and Parts. 18 pages. Harry O'Brien #1043211. Published by Harry O'Brien (A0.1464488). An Intermediate/advanced 4 piece guitar ensemble arrangement of Randy Newman's jazzy title track from Pixar's Monsters Inc.The arrangement for 3 guitars and 1 bass creatively arranges the piece for a small guitar ensemble, and can be played by either a quartet, or an ensemble with multiple players per part. It would suit a high school guitar ensemble or similar. Jazz shell voicings, jazz melodic lines and solos, and fast walking bass lines are featured in this piece.Comes with Full Score and parts for the following instruments:Guitar IGuitar IIGuitar IIIElectric BassAbout the arranger:Harry O'Brien is an emerging composer, arranger, guitarist and music educator in Sydney, Australia. His rock/jazz performance background, orchestral and film composition studies at Sydney Conservatorium, along with being an experienced conductor/director of school-level concert bands and guitar ensembles, give him a highly versatile and distinct arranging sound, one which understands the role every instrument can play in a school band. Arrangements for professional orchestras have been performed in venues around Australia including the State Theatre and Her Majesty's Theatre Adelaide. Website: https://obrienharry08.wixsite.com/music
Monsters Inc.

$45.00 39.09 € PDF SheetMusicPlus

Castanets,Flute,Guitar,Timpani,Trumpet,Woodblock - Level 4 - Digital Download SKU: A0.1324942 Composed by Jonathon Erickson. 21st Century,Chamber,Contemporary. 78 pages. J. Erickson Compositions #913158. Published by J. Erickson Compositions (A0.1324942). A three part suite of themes dedicated to the character of an altruistic monk hailing from the desert of a hostile land. Instrumentation consists of Flute, Trumpet, Classical Guitar, Timpani, Castanets, and Secco (woodblock). Ten Minutes in length with all three movements. The Idealistic: Skamos Levenbrand portrays the naivete of a young hero - one who wants nothing more than to save the world and protect everyone. A lofty and laudable goal, but one that our monk may soon realize may not actually be possible  The Wandering: Skamos' faith has been shaken. Though he anticipated life in Aknir was rough, he never considered that the real monsters in life may actually be the 'civilized' beings he swore to protect. This leaves Skamos shaken, unsure if his path in life is still righteous. The Virtuous: Skamos has overcome many of his uncertainties and has become self actualized. He has meditated on the concepts of life, death, and love and discovers there is more to life than simple heroism, and accepts that the simple pleasures in life are best shared.
The Emissary of Hope

$14.99 13.02 € PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1403380 Composed by Randy Newman. Arranged by Francis Dummer. Jazz. 59 pages. Francis Dummer #986293. Published by Francis Dummer (A0.1403380). This high energy arrangment of Monsters Inc will be sure to keep, you, your band, and the audience on there toes. The melody is thrown around the winds making sure that every section has a moment in the spotlight, when they are not playing the melody they are usually playing one of the many energetic lines that Monsters Inc is known for. On top of that there are three (3) solos for Alto Sax 1, Trumpet 1, and Vibraphone respectively, giving room for your players to improvise over such fast changes. Without further ado, I hope you enjoy my arrangment of Monsters Inc by Randy Newman
Monsters Inc.
Ensemble Jazz

$50.00 43.43 € Ensemble Jazz PDF SheetMusicPlus

Small Ensemble - Level 1 - Digital Download SKU: A0.750321 Composed by Pearl Lewis, Eddie Lewis. Children. Score and parts. 53 pages. Tiger Music #4829773. Published by Tiger Music (A0.750321). The MONSTER MUSIC JOURNAL is a wild and whacky, monster-infested space for you to fill with music compositions, transcriptions of your favorite songs, music theory exercises, and other monstrous things that mean something to you (or your music instructor). The MONSTER MUSIC JOURNAL is a musical playground. The generously spaced staff lines make writing musical notes easy for beginners (or for those who like to live life BIG - and let's be honest: who doesn't like to live life really BIG). Plus, there is plenty of boxed-off writing space for non-musical notes, so you can include song lyrics, love letters, homework assignments, thoughts, poems, or questions to ask your teacher. Hey, there is even space for you to scribble or to doodle your own family of monsters. The MONSTER MUSIC JOURNAL is heavily illustrated with line art monster characters that will tickle the imagination of kids and adults. Every turn of the page presents you with new monsters. Naturally, they are all trying to look grim, but rest assured - they are all very docile. And because the illustrations in the book are simple line art, you are free to add color to the manuscript or note pages. This is a music journal and not a coloring book, but there is no shortage of things (well, creatures actually) that you can color, if you so wish. Created by the musician and illustrator husband-and-wife team, Eddie Lewis and Pearl Lewis, this music journal has many uses. Let it turn dull, repetitive music theory exercises into an adventure at every turn of the page. Suggest the illustrations as prompts for improvised music. Gift it to your teacher or your student or your musician buddy. Or use the journal to introduce young musicians to composition and transcription. Music homework just got a MAJOR upgrade on the fun scale.
Monster Music Journal by Pearl and Eddie Lewis

$9.99 8.68 € PDF SheetMusicPlus

Concert Band - Level 5 - Digital Download SKU: A0.1028397 Composed by Hector Berlioz. Arranged by Vincent Fung Kin Yuen. Romantic Period. Score and parts. 150 pages. Vincent Fung Kin Yuen #3558347. Published by Vincent Fung Kin Yuen (A0.1028397). A few years ago, I attended a concert by the National University of Singapore Symphony Orchestra, a group of passionate students, at the National University of Singapore. They performed Berlioz’s Symphonie Fantastique, which has continuously captivated me through the wild, grotesque sounds. Recently, my friend, Joshua suggested that I could write an orchestral transcription for Dream of a Witches’ Sabbath. I have decided to keep the instrumentation to a minimum, where smaller size bands can give it a try without the fear of not owning unusual auxiliary instruments, but still able to maintain the original orchestral sounds.  The original program notes by Berlioz is as follows: He sees himself at a witches' sabbath, in the midst of a hideous gathering of shades, sorcerers and monsters of every kind who have come together for his funeral. Strange sounds, groans, outbursts of laughter; distant shouts which seem to be answered by more shouts. The beloved melody appears once more, but has now lost its noble and shy character; it is now no more than a vulgar dance tune, trivial and grotesque: it is she who is coming to the sabbath ... Roar of delight at her arrival ... She joins the diabolical orgy ... The funeral knell tolls, burlesque parody of the Dies irae, the dance of the witches. The dance of the witches combined with the Dies irae.  
Dream of a Witches' Sabbath
Orchestre d'harmonie

$200.00 173.73 € Orchestre d'harmonie PDF SheetMusicPlus

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.796623 By Of Monsters and Men. By Of Monsters and Men. Arranged by Gary D. Belshaw (ASCAP). Contemporary. Score and parts. 38 pages. DR GARY D BELSHAW #3106197. Published by DR GARY D BELSHAW (A0.796623). Some music, like this, makes you happy while appealing to your intellect. Beware - this will grow on you, and on your fans. It will also appeal to the younger arts patronsOf Monsters and Men is an alternative rock band from Reykjavík, Iceland. This title is from the band's 2011 debut album My Head Is an Animal, which reached No.1 in Australia, Iceland, Ireland and the U.S. Rock and Alternative Charts, while peaking at No. 6 on the U.S. Billboard 200 album chart. The music translates astonishingly well into a quasi-minimalist style; inbue it - where suitable - with an Appalachian flavor. Check out the lyrics, and enjoy the story of the beast with those four dirty paws. Follow Gary D. Belshaw Music on Facebook and Twitter.
Dirty Paws
Quatuor à cordes: 2 violons, alto, violoncelle
Of Monsters and Men
$14.99 13.02 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.796604 By Of Monsters and Men. By Of Monsters and Men. Arranged by Gary D. Belshaw (ASCAP). Contemporary. 27 pages. DR GARY D BELSHAW #3012245. Published by DR GARY D BELSHAW (A0.796604). 26 pages, not including sample part page. Duration 4:30. 2 Altos, 2 Tenors, Bari.Beware - this will grow on you, and on your fans. It will also appeal to the younger arts patrons.Of Monsters and Men is an alternative rock band from Reykjavík, Iceland. This title is from the band's 2011 debut album My Head Is an Animal, which reached No.1 in Australia, Iceland, Ireland and the U.S. Rock and Alternative Charts, while peaking at No. 6 on the U.S. Billboard 200 album chart. Check out the lyrics, and enjoy the story of the beast with those four dirty paws.Follow Gary D. Belshaw Music on Facebook and Twitter.
Dirty Paws
Quintette de Saxophone: 5 saxophones
Of Monsters and Men
$19.99 17.36 € Quintette de Saxophone: 5 saxophones PDF SheetMusicPlus

Piano - Digital Download SKU: LV.23196 Composed by Charles Young. Heaven, Angels, Musical instruments, Demons, Skeletons, Monsters, Snakes, Barrels, Crocodiles, Witches, Supernatural beings, Civil war--Confederate. Lester S. Levy Collection. 5 pages. Published by Johns Hopkins University Sheridan Libraries (LV.23196). Reconstruction! Grand March. By Charles Young. Published 1868 by A.E. Blackmar in New Orleans. Composition of da capo with piano instrumentation. Subject headings for this piece include Heaven, Angels, Musical instruments, Demons, Skeletons, Monsters, Snakes, Barrels, Crocodiles, Witches, Supernatural beings, Civil war--Confederate. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.
Reconstruction! Grand March
Piano seul
Charles Young Published 1868 by A
$5.99 5.2 € Piano seul PDF SheetMusicPlus


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