Composed by Frederic Chopin (1810-1849). Arranged by Jeza Sygrynn Bigueras. Romantic Period, Early Music, World, Recital, Old-time. Score, Solo Part. 6 pages. Published by JedEd

Large Ensemble Accordion,Clarinet,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Download SKU: A0.734443 By Marlene Dietrich. By Norbert Schultze. Arranged by Dennis Ruello. Contemporary. Score and parts. 12 pages. Chicory Music #5734393. Published by Chicory Music (A0.734443). Lili Marlene Without any doubt the most popular song of the Second World War was 'Lili Marlene'. It was based on a poem written during the First World War by German soldier Hans Leip and was addressed to two of Leip’s girlfriends, Lili and Marlene.It was published in 1937 as 'The Song of the Young Sentry' and set to music the following year by Norbert Schultze. Recorded by cabaret artiste Lale Andersen on 2 August 1939, the song sold a mere 700 copies on release and faded into obscurity.

Guitar - Level 1 - Digital Download SKU: A0.1495038 By Cream. By Eric Clapton and George Harrison. Arranged by Marcelo Borba. Blues,Folk,Jazz,Rock,Standards. Chords/Lyrics. 19 pages. Marcelo Borba #1071601. Published by Marcelo Borba (A0.1495038). Voice (singer) + Guitar Tablature + Bass Tablature. general and individual scores. FULL transcribed guitar solo and bass. The song Badge is a famous track that emerged from a collaboration between George Harrison of The Beatles and Eric Clapton, one of the most renowned guitarists in rock. This song is part of the album *Goodbye* (1969) by the band Cream, which Clapton was a member of, along with Jack Bruce and Ginger Baker. The story behind Badge is interesting and reflects the close friendship between Harrison and Clapton at the time.### Collaboration and CreationGeorge Harrison and Eric Clapton were great friends, and this friendship resulted in several musical collaborations over the years. Badge was written during a session where both were together. Harrison wrote the main part of the song, while Clapton contributed the characteristic guitar riff and melody.### The Title BadgeThe story of the song's title is curious. According to reports, Harrison wrote the word Bridge in the draft of the song to indicate a transition part. Clapton, reading the draft, mistakenly interpreted the word as Badge. They found the confusion amusing and decided to keep Badge as the official title of the song.### Ringo Starr's ContributionRingo Starr, drummer of The Beatles, also participated in the creation of Badge. He contributed a line of lyrics that says, I told you not to wander around in the dark. Starr's involvement in the creation of the song is further proof of the frequent interactions between The Beatles members and Clapton.### Release and ReceptionBadge was released as part of Cream's *Goodbye* album and became one of the album's most memorable songs. Although it was a collaboration, the song is generally credited to Clapton and Harrison. The song is known for its iconic guitar riff and the blend of rock and blues elements.This collaboration between George Harrison and Eric Clapton is an example of how friendship and mutual respect between musicians can result in unique and enduring creations. Badge is a song that is still appreciated by fans of classic rock and highlights the genius of the artists involved.

C Instrument - Level 1 - Digital Download SKU: A0.1495048 By Cream. By Eric Clapton and George Harrison. Arranged by Marcelo Borba. Blues,Folk,Jazz,R & B,Rock. Lead Sheet / Fake Book. 3 pages. Marcelo Borba #1071612. Published by Marcelo Borba (A0.1495048). Part Leadsheet style. Chrods  The song Badge is a famous track that emerged from a collaboration between George Harrison of The Beatles and Eric Clapton, one of the most renowned guitarists in rock. This song is part of the album *Goodbye* (1969) by the band Cream, which Clapton was a member of, along with Jack Bruce and Ginger Baker. The story behind Badge is interesting and reflects the close friendship between Harrison and Clapton at the time.### Collaboration and CreationGeorge Harrison and Eric Clapton were great friends, and this friendship resulted in several musical collaborations over the years. Badge was written during a session where both were together. Harrison wrote the main part of the song, while Clapton contributed the characteristic guitar riff and melody.### The Title BadgeThe story of the song's title is curious. According to reports, Harrison wrote the word Bridge in the draft of the song to indicate a transition part. Clapton, reading the draft, mistakenly interpreted the word as Badge. They found the confusion amusing and decided to keep Badge as the official title of the song.### Ringo Starr's ContributionRingo Starr, drummer of The Beatles, also participated in the creation of Badge. He contributed a line of lyrics that says, I told you not to wander around in the dark. Starr's involvement in the creation of the song is further proof of the frequent interactions between The Beatles members and Clapton.### Release and ReceptionBadge was released as part of Cream's *Goodbye* album and became one of the album's most memorable songs. Although it was a collaboration, the song is generally credited to Clapton and Harrison. The song is known for its iconic guitar riff and the blend of rock and blues elements.This collaboration between George Harrison and Eric Clapton is an example of how friendship and mutual respect between musicians can result in unique and enduring creations. Badge is a song that is still appreciated by fans of classic rock and highlights the genius of the artists involved.

Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534586 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. 12 pages. Musik Fabrik Music Publishing #4729123. Published by Musik Fabrik Music Publishing (A0.534586). Part of the AIDS memorial songbook, this melody for tenor voice and piano has an orginal text by the composer: It was still dark.The dawn had not yet arrived.He stood quietly, looking out over the field.,soon to be filled with patches of grief.Monuments to great men,grey against the pre-dawn sky,reminded him of the Great Dream:We are all equal under Law, it promised.We are all equal under Law.He smiled wryly at the thought.The keepers of that Dream still keep it for themselves,only- releasing what little part what group or anothercan wrest away.The unfolding began.Each patch holds the grief of dozens:friends, family.Amercia's children left to die alone.Amercia's children left to diebecause of who they were, who they had to be.Fully open now.Small groups wander here and there.searching, looking,Afraid that the edges wait for them.Afraid that the edges wait for them.Some already gathering scraps of cloth.Finally, he moves at last.Finally with enough courage to go look.His thoughts warmly dwell on him who made it.The one whose devotion was unquestioned.whose love was always present.Having seen it, he was cotent to move on towhatever was to come.His patch was there.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1358279 By Simon And Garfunkel. By Paul Simon. Arranged by Odd Helge Hveding. Historic,Multicultural,Pop,Singer/Songwriter,Standards,World. Brass Band. 50 pages. Oh2Musikk #942741. Published by oh2Musikk (A0.1358279). Arranged for Brass Band and Male VocalBridge over Troubled Water by Simon & Garfunkel stands as a timeless masterpiece, resonating with its listeners due to its profound emotional depth and uplifting melody. The song serves as a musical refuge, a comforting bridge over life's turbulent waters. Its soothing piano chords and Art Garfunkel's soulful vocals create an ethereal atmosphere, offering solace and strength in moments of adversity.The lyrics, penned by Paul Simon, poetically convey a message of support and unconditional love. As the song unfolds, it becomes a poignant narrative of friendship and selflessness. Playing Bridge over Troubled Water isn't just a musical experience; it's a journey through empathy and compassion. The arrangement's gradual build-up mirrors life's challenges, culminating in a crescendo of hope. This timeless composition has the power to heal, inspire, and connect with the human spirit, making it a great choice for those seeking solace or aiming to uplift the hearts of others through the universal language of music.Bridge over Troubled Water av Simon & Garfunkel står som et tidløst mesterverk, og resonerer med lytterne på grunn av sin dype emosjonelle dybde og oppløftende melodi. Sangen fungerer som et musikalsk tilfluktssted, en trøstende bro over livets stormfulle farvann. Dens beroligende pianoakkorder og Art Garfunkels sjelfulle vokaler skaper en eterisk atmosfære, og tilbyr trøst og styrke i øyeblikk av motgang.Teksten, skrevet av Paul Simon, formidler poetisk en melding om støtte og ubetinget kjærlighet. Mens sangen utfolder seg, blir den en rørende fortelling om vennskap og selvfornektelse. Å spille Bridge over Troubled Water er ikke bare en musikalsk opplevelse; det er en reise gjennom empati og medfølelse. Arrangementets gradvise oppbygging speiler livets utfordringer og kulminerer i en crescendo av håp. Denne tidløse komposisjonen har kraften til å helbrede, inspirere og knytte seg til menneskesinnet, noe som gjør den til et utmerket valg for de som søker trøst eller ønsker å løfte hjertene til andre gjennom musikkens universelle språk.

Piano Quartet - Level 5 - Digital Download SKU: A0.1397796 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 104 pages. Jmsgu3 #981065. Published by jmsgu3 (A0.1397796). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.The composition was inspired by a visit to an art exhibition featuring the works of Mussorgsky's friend, the Russian artist Viktor Hartmann. The Pictures at an Exhibition pieces aim to capture the sketches, watercolors, and architectural designs displayed at the exhibition. Mussorgsky links the suite's movements to depict the viewer's progress through the exhibition. Two Promenade movements serve as portals to the various pictures, representing the composer himself strolling through the exhibition. Mussorgsky and Hartmann were devoted to the cause of an intrinsically Russian art, and their friendship likely developed in the home of the influential critic Vladimir Stasov, who followed both of their careers with interest. Mussorgsky's original composition is known for its multi-layered music imbued with energy and vitality, requiring the performer to move between soothing melodies, humorous tunes, and pounding rhythms. The suite's diverse range of musical styles and moods is a testament to Mussorgsky's skill as a composer.Pictures at an Exhibition (Картинки � вы�тавки) by Modest Petrovi� Musorgskij, 1874(Моде�т Петрович Му�орг�кий) Arranged for Piano Quartet by James M. Guthrie (Джейм� М. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)      Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупивших�� птенцов   Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)      Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) Париж�кие катакомбы Largo       CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)      Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. Ча�ы в ру��ком �тиле      Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект город�ких ворот в Киеве. Главный фа�адThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.

Small Ensemble Flute,Piano,Voice - Level 3 - Digital Download SKU: A0.1008082 Composed by Connie Pwll Walck Tyler. Contemporary,Sacred. Score and parts. 14 pages. Connie Tyler #4607671. Published by Connie Tyler (A0.1008082). This piece, for soprano and alto duet with piano and flute, speaks of the persistence of the dove, the peace maker, faced with war, famine, poverty, etc. It was written when the United States went to war with Afghanistan and Representative Barbara Lee stood up and was the lone voice against war. Although the piece is secular, the use of the symbol of the dove would work well in religious services.The piece involves a two against three rhythm which suggests the difficulties the dove faces flying for peace against the overwhelming odds of war. The .mp3 file is computer generated with choral oohs for the voices. The words are:Now the dove flies, sails the war-torn skies,feels the wind rip through her wings.Tossed and turned now, cries of war howl,tear-ing through her, and she still sings.  Sings to march-ers on crowd-ed streetssing-ing songs of love and songs of peace.Tips her wings to those who dare stand tall,speak re-sound-ing no's in hal-lowed halls.  They say that that sin means to miss the mark.I have so man-y times aimed in the dark.We fail in lit-tle ways, be-tray our friends.It was-n't planned that way.Dis-trac-tion leads to e-vil ends.  The sha-dow fear clouds our at-ten-tion.Mind falls a-stray in-to dis-sen-sion. Ig-no rance can twist the dartand then it falls far from the mark.  Na-tions, too, a-stray our free-doms bend‘til some have bombed away all chance at friends.  We see glo-ry mag-ni-fied.Shout our prais-es to the to the skies.Build our mon-u-ments to our wars,for-get-ting the needs of of weak and poor.  And still the dove flies while the earth criespol-lu-ted with more de-bris of war.Child-ren sick now, soldiers cry foul!Dove is weep-ing and yet she hums.  Hums to child-ren who diede-spite moth-ers' deep cries.Sings to young who march to war,de-spite fa-thers' out-raged roars.Wings o-ver fa-mine and drought,pol-lu-ted wa-ter, pol-lu-ted ground.Folds us un-der her down-y breast.Warms us in her gen tle nest. Yes, the dove flies. Sails the wa- torn skies.Feels the wind rip through her wings.Tossed and turned now cries of war howltear-ing through her and yet,and yet she sings. For more information or possible revisions contact Connie Pwll Walck Tyler at connie@deephum.com. You can also find out more about her work at www.deephum.com. The words are:

Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.