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Viola Solo - Level 3 - Digital Download SKU: A0.875348 Composed by Traditional. Arranged by Dr Jerry Nelson. Christian,Concert,Instructional,Jazz,Spiritual. Individual part. 11 pages. Jerry Nelson #3877935. Published by Jerry Nelson (A0.875348). Gotta love this SIGNATURE Arrangement.  Cool JAZZ on Wayfarin' Stranger with I Need Jesus to Walk With Me.  Stairstep from Level 3 to 5 using Jerry Nelson's unique Dual Staff System.  Bonus (3 performance options):  Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this stunning Orchestral Accompaniment Track (#SO.434387). Time  4:06.   Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and  Track.  Whether you play winds or strings or '88 keys', you've found a goldmine of awesome arrangements.  Share them with your friends.   SEARCH Jerry Nelson (plus your instrument's name).  You may include a Title... or Genre (Ex:  Style, specific Holiday, Musical Period).
Wayfarin Stranger with I Need Jesus... (Arrangements Level 3-5 for VIOLA + Written acc)
Alto seul

$4.99 4.32 € Alto seul PDF SheetMusicPlus

Cello Solo - Level 2 - Digital Download SKU: A0.875312 Composed by Saint Saens. Arranged by Dr Jerry Nelson. Children,Instructional,Romantic Period,World. Individual part. 6 pages. Jerry Nelson #3877181. Published by Jerry Nelson (A0.875312). Try to find a more beautiful melody.  Accessible to most any instrumentalist.   Stairstep from Level 2 to 5 using Jerry Nelson's unique Dual Staff System.  Bonus (3 performance options):  Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this stunning Orchestral Accompaniment Track (#SO.434341). Time  3:01   Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and  Track.  Whether you play winds or strings or '88 keys', you've found a goldmine of awesome arrangements.  Share them with your friends.   SEARCH Jerry Nelson (plus your instrument's name).  You may include a Title... or Genre (Ex:  Style, specific Holiday, Musical Period).
The Swan-v2 - Saint Saens (Arrangements Level 2-5 for CELLO + Written Acc)
Violoncelle

$4.99 4.32 € Violoncelle PDF SheetMusicPlus

Cello Solo - Level 3 - Digital Download SKU: A0.875320 Composed by English Melody. Arranged by Dr Jerry Nelson. Christian,Holiday,Sacred. Individual part. 7 pages. Jerry Nelson #3877523. Published by Jerry Nelson (A0.875320). A very familiar hymn presented in a JAZZ style, with moments of 5/4 meter - shades of Dave Brubeck.   Stairstep from Level 3 to 5 using Jerry Nelson's unique Dual Staff System.  Bonus (3 performance options):  Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this stunning Orchestral Accompaniment Track (#SO.434371). Time  3:02.   For a SLOWER, rehearsal version at reduced price, Order #SO.419767.  Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and  Track.  Whether you play winds or strings or '88 keys', you've found a goldmine of awesome arrangements.  Share them with your friends.   SEARCH Jerry Nelson (plus your instrument's name).  You may include a Title... or Genre (Ex:  Style, specific Holiday, Musical Period).
This Is My Fathers World (Arrangements Level 3-5 for CELLO + Written acc) Hymns
Violoncelle

$4.99 4.32 € Violoncelle PDF SheetMusicPlus

Trumpet Solo - Level 3 - Digital Download SKU: A0.875304 Composed by Frances Allitson. Arranged by Dr Jerry Nelson. 20th Century,Christian,Sacred,Standards. Individual part. 9 pages. Jerry Nelson #3877155. Published by Jerry Nelson (A0.875304). This is one of the most powerful Classics of the century.  We recorded the Demo with the London Concert Orchestra.   Stairstep from Level 3 to 5 using Jerry Nelson's unique Dual Staff System.  Bonus (3 performance options):  Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this stunning Orchestral Accompaniment Track (#SO.434335). Time  4:16   Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and  Track.  Whether you play winds or strings or '88 keys', you've found a goldmine of awesome arrangements.  Share them with your friends.   SEARCH Jerry Nelson (plus your instrument's name).  You may include a Title... or Genre (Ex:  Style, specific Holiday, Musical Period).
The Lord Is My Light (Arrangements Level 3-5 for TRUMPET + Written Acc) Hymns
Trompette

$4.99 4.32 € Trompette PDF SheetMusicPlus

Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.875305 Composed by Frances Allitson. Arranged by Dr Jerry Nelson. 20th Century,Christian,Sacred,Standards. Individual part. 9 pages. Jerry Nelson #3877153. Published by Jerry Nelson (A0.875305). This is one of the most powerful Classics of the century.  We recorded the Demo with the London Concert Orchestra.   Stairstep from Level 3 to 5 using Jerry Nelson's unique Dual Staff System.  Bonus (3 performance options):  Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this stunning Orchestral Accompaniment Track (#SO.434335). Time  4:16   Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and  Track.  Whether you play winds or strings or '88 keys', you've found a goldmine of awesome arrangements.  Share them with your friends.   SEARCH Jerry Nelson (plus your instrument's name).  You may include a Title... or Genre (Ex:  Style, specific Holiday, Musical Period).
The Lord Is My Light (Arrangements Level 3-5 for TROMBONE + Written Acc) Hymns
Saxophone Tenor

$4.99 4.32 € Saxophone Tenor PDF SheetMusicPlus

Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.875342 Composed by Traditional. Arranged by Dr Jerry Nelson. Christian,Instructional,Jazz,Spiritual. Individual part. 11 pages. Jerry Nelson #3877909. Published by Jerry Nelson (A0.875342). Gotta love this SIGNATURE Arrangement.  Cool JAZZ on Wayfarin' Stranger with I Need Jesus to Walk With Me.  . Stairstep from Level 3 to 5 using Jerry Nelson's unique Dual Staff System.  Bonus (3 performance options):  Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this stunning Orchestral Accompaniment Track (#SO.434387). Time  4:06.   Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and  Track.  Whether you play winds or strings or '88 keys', you've found a goldmine of awesome arrangements.  Share them with your friends.   SEARCH Jerry Nelson (plus your instrument's name).  You may include a Title... or Genre (Ex:  Style, specific Holiday, Musical Period).
Wayfarin Stranger with I Need Jesus... (Arrangements Level 3-5 for ALTO SAX + Written Acc)
Saxophone Alto

$4.99 4.32 € Saxophone Alto PDF SheetMusicPlus

Violin Solo - Level 3 - Digital Download SKU: A0.875350 Composed by Traditional. Arranged by Dr Jerry Nelson. Christian,Concert,Instructional,Jazz,Spiritual. 12 pages. Jerry Nelson #3877937. Published by Jerry Nelson (A0.875350). Gotta love this SIGNATURE Arrangement.  Cool JAZZ on Wayfarin' Stranger with I Need Jesus to Walk With Me.  . Stairstep from Level 3 to 5 using Jerry Nelson's unique Dual Staff System.  Bonus (3 performance options):  Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this stunning Orchestral Accompaniment Track (#SO.434387). Time  4:06.   Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and  Track.  Whether you play winds or strings or '88 keys', you've found a goldmine of awesome arrangements.  Share them with your friends.   SEARCH Jerry Nelson (plus your instrument's name).  You may include a Title... or Genre (Ex:  Style, specific Holiday, Musical Period).
Wayfarin Stranger with I Need Jesus... (Arrangements Level 3-5 for VIOLIN + Written Acc)
Violon

$4.99 4.32 € Violon PDF SheetMusicPlus

Trumpet Solo - Level 3 - Digital Download SKU: A0.875349 Composed by Traditional. Arranged by Dr Jerry Nelson. Christian,Spiritual. Individual part. 11 pages. Jerry Nelson #3877933. Published by Jerry Nelson (A0.875349). Gotta love this SIGNATURE Arrangement.  Cool JAZZ on Wayfarin' Stranger with I Need Jesus to Walk With Me.  . Stairstep from Level 3 to 5 using Jerry Nelson's unique Dual Staff System.  Bonus (3 performance options):  Written Pno Accomp included, plus Chord Chart for live rhythm. Or perform with this stunning Orchestral Accompaniment Track (#SO.434387). Time  4:06.   Visit www.JerryNelsonMusic.com for your FREE 16-minute Mega-Medley Arrangement and  Track.  Whether you play winds or strings or '88 keys', you've found a goldmine of awesome arrangements.  Share them with your friends.   SEARCH Jerry Nelson (plus your instrument's name).  You may include a Title... or Genre (Ex:  Style, specific Holiday, Musical Period).
Wayfarin Stranger with I Need Jesus... (Arrangements Level 3-5 for TRUMPET + Written Acc)
Trompette

$4.99 4.32 € Trompette PDF SheetMusicPlus

Piano - Level 4 - Digital Download SKU: A0.1398436 By Bobby Darin. By Albert Lasry, Charles Trenet, and Jack Lawrence. Arranged by Tobi A Crawford. Contemporary,Jazz. Score (Chords/Lyrics). 7 pages. Tobi Crawford #981711. Published by Tobi Crawford (A0.1398436). This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea” over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,” and the song ends with: “and never again I’ll go sailing.” It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables” and should be more of a lament. Listen to singers like Aubrey Johnson and Sara Gazarek improvise on ballads for inspiration.
Beyond The Sea
Piano seul
Bobby Darin
$25.00 21.65 € Piano seul PDF SheetMusicPlus

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1308788 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. 11 pages. Tobi Crawford #898034. Published by Tobi Crawford (A0.1308788). *Purchase 10 copies to perform this piece with your ensemble of any size*Purchase the instrumental pack (bass and drum part) here: https://www.sheetmusicplus.com/en/product/beyond-the-sea-instrumental-pack-only-22605052.htmlThis arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea” over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,” and the song ends with: “and never again I’ll go sailing.” It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables” and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
Beyond The Sea
Chorale SATB

$10.00 8.66 € Chorale SATB PDF SheetMusicPlus

Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1308790 Composed by Charles Tenet. Arranged by Tobi Crawford. Jazz. Set of parts. 10 pages. Tobi Crawford #898036. Published by Tobi Crawford (A0.1308790). *THIS ACCOMPANIES THE VOCAL ARRANGEMENT* This arrangement came to me over a number of weeks in a very organic way that began with the ostinato piano figure that prevails throughout the piece. I began playing it unattached to any tune and I just liked the way the line descended in the left hand and how I had to find voicings in the right hand that made harmonic sense – like a puzzle. As I was playing around with this puzzle, thoughts of my father were swirling around in my head – I was at the end of a 4 year period of separation from my parents owing to the fact that I’m a Canadian expat living in the US and the borders were closed for a long time because of Covid, and then I had work visa issues and my parents were getting older before my eyes. They were also losing friends to cancer and other ailments and my dad, in particular, had experienced the loss of many close family members and friends during our separation and it was taking a toll. One day I sat down and played the now familiar-to-me ostinato but randomly I started to sing “Beyond the Sea” over it and it fit perfectly. I thought it a happy coincidence. As the days went on I committed to putting my ostinato with Beyond the Sea and the lyrics started to seep into my brain. I have, of course, heard these lyrics many times before, (who hasn’t seen Finding Nemo?) but the lyrics didn’t mean what I thought they meant… They’re NOT about the ocean, they are about my dad!!! Well, kind of… I realized, through careful reflection and by slowing the words down, that the lyrics are talking about a person in heaven who is patiently waiting for their partner to join them. Somewhere beyond the seaShe’s there watching for me…It’s far beyond the starsIt’s near beyond the moon And the lyrics end with them meeting, “We’ll meet beyond the shore, we’ll kiss just like before,” and the song ends with: “and never again I’ll go sailing.” It’s like the big bang went off in my head about why all these thoughts of my dad, and his friends, and this arrangement, and what it all meant suddenly just MADE SENSE and I was able to start formulating a plan. Performance Suggestions: The improvisation solo in the middle should be free of any traditional “scat syllables” and should be more of a lament. Listen to singers like Aubrey Johnson improvise on ballads for inspiration. An idea for that improv section might be to have a male singer start the improv, then a female singer joins (as if together in heaven) then they sing letter F together (warning: will cause tears…). All solo sections do not have to be sung as written – soloists can take liberties with the melody as the spirit moves.
Beyond The Sea *INSTRUMENTAL PACK ONLY*
Ensemble Jazz

$30.00 25.98 € Ensemble Jazz PDF SheetMusicPlus

Percussion Ensemble - Level 3 - Digital Download SKU: A0.793569 Composed by Ferdinand Herold. Arranged by Brian Hardy - Bacchus Quartet. Classical,Instructional,Standards. Score and parts. 45 pages. Brian Hardy #3259147. Published by Brian Hardy (A0.793569). I wrote this version for the Lincolnshire Music Service 'Massed Strings Project' which brought together 300 young string players of all abilities from progressing beginners to advanced students. We teamed up with some of our friends from the percussion department to create a memorable performance enjoyed by students, teachers and audience alike.4 violin parts, 3 viola, 4 cello, 2 bass, percussion, glock and optional piano. Ideal encore piece for school concerts.Also to find 'IN THE HALL OF THE MOUNTAIN KING' visit sheetmusicplus.com/publishers/bacchusquartet/5331.
CLOG DANCE from 'La Fille mal Gardee'
Ensemble de Percussions

$19.99 17.31 € Ensemble de Percussions PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.597487 Composed by Franz Schubert. Arranged by Flavio Regis Cunha. Romantic Period,Wedding. Score and part. 8 pages. Flavio Regis Cunha #6208653. Published by Flavio Regis Cunha (A0.597487). Here we offer a beautiful easy arrangement written for cello and piano duet transposed to G Major from the original piece written in G flat Major. You, your student and your audience will love playing and hearing this waltz.Leopold Kupelweiser was the son of Johann Baptist Georg Kilian Kupelwieser (1760–1813), co-owner of a factory that produced tableware.[1] His talents were recognized at an early age by the sculptor Franz Anton von Zauner and by the time he was twelve, he was already attending the Academy of Fine Arts, Vienna.His brother was the theatrical director Joseph Kupelwieser, who wrote the libretto for Schubert's opera Fierrabras. With his brother, Joseph, he was a member of the Schubertianern (friends of Franz Schubert), a group that often got together for summers at the Schloss Atzenbrugg, west of Vienna. In 1826, Leopold married Maria Johanna Evangelista Augustina Stephania Theodora Lutz, an occasion which was marked by Schubert's composition, the Kupelwieser Waltz (never written down, but passed along by the family and later transcribed by Richard Strauss).
Kupelwieser Waltz (for Violoncello and Piano) from Waltz in G-flat major, D.Anh.I/14 - EASY VERSION
Violoncelle, Piano

$7.99 6.92 € Violoncelle, Piano PDF SheetMusicPlus

Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.549018 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447449. Published by jmsgu3 (A0.549018). Baritone Sax version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Bari Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
Schubert: Moment Musicaux for Baritone Sax & Piano
Saxophone Baryton, Piano

$32.95 28.54 € Saxophone Baryton, Piano PDF SheetMusicPlus

Baritone Horn TC,Euphonium,Piano - Level 2 - Digital Download SKU: A0.552841 Composed by Franz Schubert. Arranged by James M. Guthrie, ASCAP. Holiday,Romantic Period,Sacred,Standards. Score and part. 10 pages. Jmsgu3 #3447443. Published by jmsgu3 (A0.552841). Baritone Horn version of Moment Musicaux, Op. 94 (D. 780) No. 3 by Franz Schubert, published in 1828. Duration: 1:53 Score 6 pg. 54 ms. Alto Sax 1 pg. Piano part 3 pg. One of Schubert's most well-known pieces. This is an effective recital encore due to its brevity and range of expression. Could work well for a variety of occasions: wedding receptions, church services (Easter), and anniversaries. It seems like a pleasant dance, unlike some previous dance music. Schubert improvised these dances at parties for his friends.  Although conceived on-the-fly, these dances are the work of a genius. Composers have similarly elevated dance music to artistic status. As a result, they freed it from the original purpose of dancing. Certainly, the older masters used the dance forms as vehicles for complex treatments. Here, however, Schubert retains the dance-like quality while finally expressing his innermost thoughts and emotions. The dance is certainly filled with a doleful expression, yet the texture remains even more light and refined. Therefore, to perform these with sensitivity we probably need to use a light but accurate touch. The accompaniment pattern needs to be crisp and delicate – probably even in the more forceful parts. The piano pedal should also be used very carefully so as a result not to blur the outline. Instead, it should contribute to the dynamic quality of the piece. Schubert Franz Schubert (1797–1828) was, in fact, a famous Austrian composer. Moreover, he composed during the late Classical and early Romantic periods. Schubert was comparatively prolific. He wrote more than 600 secular vocal works, seven symphonies, and, correspondingly, a massive amount of piano and chamber music. Critics agree, as a matter of fact, that his most famous works include his Piano Quintet in A major, D. 667 (also known as the Trout Quintet), the Symphony No. 8 in B minor, D. 759 (Unfinished Symphony), the last sonatas for piano (D. 958–960), and the song cycles Die schöne Müllerin (D. 795) and Winterreise (D. 911). Education Schubert was furthermore a musical child prodigy. He studied violin with his father as well as piano with his older brother. In addition, when Schubert was eleven he studied at Stadtkonvikt school, where he became familiar with the orchestral music of Haydn, Mozart, and likewise Beethoven. In due time he left school and returned home where he studied to become an educator; nevertheless, he continued studying composition with Antonio Salieri. Performance Eventually, Schubert was admitted to the Gesellschaft der Musikfreunde as a performer. This appointment straightaway established his name in Vienna as a composer and pianist. Finally, he gave his only composition recital in 1828. He died suddenly a few months later probably due to typhoid fever. Legacy Schubert’s music was by and large underappreciated while he was alive. There were all in all only a few enthusiasts in Vienna. After he died, however, interest in his work in fact increased. Felix Mendelssohn, Robert Schumann, Franz Liszt, Johannes Brahms, and other famous composers in due time discovered his compositions. Nowadays, historians rank Schubert expressly among the greatest composers of the era, and his music remains in general very popular.
Schubert: Moment Musicaux for Baritone Horn & Piano

$32.95 28.54 € PDF SheetMusicPlus


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