Composed by Frederic Chopin (1810-1849). Arranged by Jeza Sygrynn Bigueras. Romantic Period, Early Music, World, Recital, Old-time. Score, Solo Part. 6 pages. Published by JedEd

Large Ensemble Accordion,Clarinet,Drums,Piano,Tenor Saxophone,Trombone,Trumpet,Tuba,Voice - Level 3 - Digital Download SKU: A0.734443 By Marlene Dietrich. By Norbert Schultze. Arranged by Dennis Ruello. Contemporary. Score and parts. 12 pages. Chicory Music #5734393. Published by Chicory Music (A0.734443). Lili Marlene Without any doubt the most popular song of the Second World War was 'Lili Marlene'. It was based on a poem written during the First World War by German soldier Hans Leip and was addressed to two of Leip’s girlfriends, Lili and Marlene.It was published in 1937 as 'The Song of the Young Sentry' and set to music the following year by Norbert Schultze. Recorded by cabaret artiste Lale Andersen on 2 August 1939, the song sold a mere 700 copies on release and faded into obscurity.

Guitar - Level 1 - Digital Download SKU: A0.1495038 By Cream. By Eric Clapton and George Harrison. Arranged by Marcelo Borba. Blues,Folk,Jazz,Rock,Standards. Chords/Lyrics. 19 pages. Marcelo Borba #1071601. Published by Marcelo Borba (A0.1495038). Voice (singer) + Guitar Tablature + Bass Tablature. general and individual scores. FULL transcribed guitar solo and bass. The song Badge is a famous track that emerged from a collaboration between George Harrison of The Beatles and Eric Clapton, one of the most renowned guitarists in rock. This song is part of the album *Goodbye* (1969) by the band Cream, which Clapton was a member of, along with Jack Bruce and Ginger Baker. The story behind Badge is interesting and reflects the close friendship between Harrison and Clapton at the time.### Collaboration and CreationGeorge Harrison and Eric Clapton were great friends, and this friendship resulted in several musical collaborations over the years. Badge was written during a session where both were together. Harrison wrote the main part of the song, while Clapton contributed the characteristic guitar riff and melody.### The Title BadgeThe story of the song's title is curious. According to reports, Harrison wrote the word Bridge in the draft of the song to indicate a transition part. Clapton, reading the draft, mistakenly interpreted the word as Badge. They found the confusion amusing and decided to keep Badge as the official title of the song.### Ringo Starr's ContributionRingo Starr, drummer of The Beatles, also participated in the creation of Badge. He contributed a line of lyrics that says, I told you not to wander around in the dark. Starr's involvement in the creation of the song is further proof of the frequent interactions between The Beatles members and Clapton.### Release and ReceptionBadge was released as part of Cream's *Goodbye* album and became one of the album's most memorable songs. Although it was a collaboration, the song is generally credited to Clapton and Harrison. The song is known for its iconic guitar riff and the blend of rock and blues elements.This collaboration between George Harrison and Eric Clapton is an example of how friendship and mutual respect between musicians can result in unique and enduring creations. Badge is a song that is still appreciated by fans of classic rock and highlights the genius of the artists involved.

C Instrument - Level 1 - Digital Download SKU: A0.1495048 By Cream. By Eric Clapton and George Harrison. Arranged by Marcelo Borba. Blues,Folk,Jazz,R & B,Rock. Lead Sheet / Fake Book. 3 pages. Marcelo Borba #1071612. Published by Marcelo Borba (A0.1495048). Part Leadsheet style. Chrods  The song Badge is a famous track that emerged from a collaboration between George Harrison of The Beatles and Eric Clapton, one of the most renowned guitarists in rock. This song is part of the album *Goodbye* (1969) by the band Cream, which Clapton was a member of, along with Jack Bruce and Ginger Baker. The story behind Badge is interesting and reflects the close friendship between Harrison and Clapton at the time.### Collaboration and CreationGeorge Harrison and Eric Clapton were great friends, and this friendship resulted in several musical collaborations over the years. Badge was written during a session where both were together. Harrison wrote the main part of the song, while Clapton contributed the characteristic guitar riff and melody.### The Title BadgeThe story of the song's title is curious. According to reports, Harrison wrote the word Bridge in the draft of the song to indicate a transition part. Clapton, reading the draft, mistakenly interpreted the word as Badge. They found the confusion amusing and decided to keep Badge as the official title of the song.### Ringo Starr's ContributionRingo Starr, drummer of The Beatles, also participated in the creation of Badge. He contributed a line of lyrics that says, I told you not to wander around in the dark. Starr's involvement in the creation of the song is further proof of the frequent interactions between The Beatles members and Clapton.### Release and ReceptionBadge was released as part of Cream's *Goodbye* album and became one of the album's most memorable songs. Although it was a collaboration, the song is generally credited to Clapton and Harrison. The song is known for its iconic guitar riff and the blend of rock and blues elements.This collaboration between George Harrison and Eric Clapton is an example of how friendship and mutual respect between musicians can result in unique and enduring creations. Badge is a song that is still appreciated by fans of classic rock and highlights the genius of the artists involved.

Tenor Voice,Vocal Solo - Level 4 - Digital Download SKU: A0.534586 Composed by Gregory Sullivan Isaacs. Concert,Contemporary,Standards. 12 pages. Musik Fabrik Music Publishing #4729123. Published by Musik Fabrik Music Publishing (A0.534586). Part of the AIDS memorial songbook, this melody for tenor voice and piano has an orginal text by the composer: It was still dark.The dawn had not yet arrived.He stood quietly, looking out over the field.,soon to be filled with patches of grief.Monuments to great men,grey against the pre-dawn sky,reminded him of the Great Dream:We are all equal under Law, it promised.We are all equal under Law.He smiled wryly at the thought.The keepers of that Dream still keep it for themselves,only- releasing what little part what group or anothercan wrest away.The unfolding began.Each patch holds the grief of dozens:friends, family.Amercia's children left to die alone.Amercia's children left to diebecause of who they were, who they had to be.Fully open now.Small groups wander here and there.searching, looking,Afraid that the edges wait for them.Afraid that the edges wait for them.Some already gathering scraps of cloth.Finally, he moves at last.Finally with enough courage to go look.His thoughts warmly dwell on him who made it.The one whose devotion was unquestioned.whose love was always present.Having seen it, he was cotent to move on towhatever was to come.His patch was there.

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1358279 By Simon And Garfunkel. By Paul Simon. Arranged by Odd Helge Hveding. Historic,Multicultural,Pop,Singer/Songwriter,Standards,World. Brass Band. 50 pages. Oh2Musikk #942741. Published by oh2Musikk (A0.1358279). Arranged for Brass Band and Male VocalBridge over Troubled Water by Simon & Garfunkel stands as a timeless masterpiece, resonating with its listeners due to its profound emotional depth and uplifting melody. The song serves as a musical refuge, a comforting bridge over life's turbulent waters. Its soothing piano chords and Art Garfunkel's soulful vocals create an ethereal atmosphere, offering solace and strength in moments of adversity.The lyrics, penned by Paul Simon, poetically convey a message of support and unconditional love. As the song unfolds, it becomes a poignant narrative of friendship and selflessness. Playing Bridge over Troubled Water isn't just a musical experience; it's a journey through empathy and compassion. The arrangement's gradual build-up mirrors life's challenges, culminating in a crescendo of hope. This timeless composition has the power to heal, inspire, and connect with the human spirit, making it a great choice for those seeking solace or aiming to uplift the hearts of others through the universal language of music.Bridge over Troubled Water av Simon & Garfunkel står som et tidløst mesterverk, og resonerer med lytterne på grunn av sin dype emosjonelle dybde og oppløftende melodi. Sangen fungerer som et musikalsk tilfluktssted, en trøstende bro over livets stormfulle farvann. Dens beroligende pianoakkorder og Art Garfunkels sjelfulle vokaler skaper en eterisk atmosfære, og tilbyr trøst og styrke i øyeblikk av motgang.Teksten, skrevet av Paul Simon, formidler poetisk en melding om støtte og ubetinget kjærlighet. Mens sangen utfolder seg, blir den en rørende fortelling om vennskap og selvfornektelse. Å spille Bridge over Troubled Water er ikke bare en musikalsk opplevelse; det er en reise gjennom empati og medfølelse. Arrangementets gradvise oppbygging speiler livets utfordringer og kulminerer i en crescendo av håp. Denne tidløse komposisjonen har kraften til å helbrede, inspirere og knytte seg til menneskesinnet, noe som gjør den til et utmerket valg for de som søker trøst eller ønsker å løfte hjertene til andre gjennom musikkens universelle språk.

Piano Quartet - Level 5 - Digital Download SKU: A0.1397796 Composed by Modest Petrovich Mussorgsky. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. 104 pages. Jmsgu3 #981065. Published by jmsgu3 (A0.1397796). The Second edition features more textural variety and interplay between the strings and piano.Mussorgsky is known for his ability to evoke vivid pictures through his music. He creates soundscapes that transport listeners to other places and times. Using complex harmonies and shifting tonalities, Mussorgsky creates sonic paintings that are as diverse and varied as any works of art in a museum. He takes listeners on a journey through different landscapes and environments, ranging from pastoral settings to the underworld depths. In his famous suite, Pictures at an Exhibition, Mussorgsky gives each movement a title referencing a painting, sculpture, or architectural feature from an art museum. The suite is composed to capture the moods and emotions the artworks evoke. From the bright and energetic Promenade to the somber and mysterious Catacombs, Mussorgsky's Pictures at an Exhibition paints a vivid sonic landscape that brings the listener into the art museum.The composition was inspired by a visit to an art exhibition featuring the works of Mussorgsky's friend, the Russian artist Viktor Hartmann. The Pictures at an Exhibition pieces aim to capture the sketches, watercolors, and architectural designs displayed at the exhibition. Mussorgsky links the suite's movements to depict the viewer's progress through the exhibition. Two Promenade movements serve as portals to the various pictures, representing the composer himself strolling through the exhibition. Mussorgsky and Hartmann were devoted to the cause of an intrinsically Russian art, and their friendship likely developed in the home of the influential critic Vladimir Stasov, who followed both of their careers with interest. Mussorgsky's original composition is known for its multi-layered music imbued with energy and vitality, requiring the performer to move between soothing melodies, humorous tunes, and pounding rhythms. The suite's diverse range of musical styles and moods is a testament to Mussorgsky's skill as a composer.Pictures at an Exhibition (Картинки � вы�тавки) by Modest Petrovi� Musorgskij, 1874(Моде�т Петрович Му�орг�кий) Arranged for Piano Quartet by James M. Guthrie (Джейм� М. Гатри)Score: 103 pages, 924 measures, duration: 34:30. Contents: Promenade 1 Allegro giusto, nel modo russico; senza allegrezza, ma poco sostenuto 1. GNOMUS (The Gnome) Sempre vivo  Promenade 2 Moderato commodo assai e con delicatezza  2. IL VECCHIO CASTELLO (The Old Castle) Andante molto cantabile e con dolore  Promenade 3 Moderato non tanto, pesamente  3. TUILLERIES Dispute d'enfants après jeux (Children's Quarrel after Games)      Allegretto non troppo, capriccioso 4. BYDLO (Cattle) Sempre moderato pesante Promenade 4 Tranquillo 5. Ballet of the Unhatched Chicks Балет невылупивших�� птенцов   Scherzino 6. Samuel Goldenberg und Schmuÿle  Еврей в меховой шапке. Cандомир Andante Promenade 5 Allegro giusto, nel modo russico, poco sostenuto 7. LIMOGES. LE MARCHÉ. (La grande nouvelle) The Market (The Great News)      Allegretto vivo, sempre scherzando 8. CATACOMBAE (Sepulchrum romanum) (Roman Tomb) Париж�кие катакомбы Largo       CON MORTUIS IN LINGUA MORTUA (With the Dead in a Dead Language)      Andante non troppo, con lamento 9. The Hut on Hen's Legs (Baba Yaga) Избушка Бабы-Яги на курьих ожках. Ча�ы в ру��ком �тиле      Allegro con brio, feroce  10. The Bogatyr Gates (In the Capital in Kiev) Проект город�ких ворот в Киеве. Главный фа�адThe Great Gates of Kiev Allegro alla breve Maestoso con grandezza.

Full Orchestra - Level 5 - Digital Download SKU: A0.534555 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #4283543. Published by Musik Fabrik Music Publishing (A0.534555). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher.  The full score is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...

Full Orchestra - Level 5 - Digital Download SKU: A0.534554 Composed by Thierry Pélicant. 20th Century,Contemporary,Standards. Score and parts. 136 pages. Musik Fabrik Music Publishing #4283537. Published by Musik Fabrik Music Publishing (A0.534554). In 2004, the Orchestre Philharmonique de l’Oise commissioned its musical director, t Thierry Pélicant, this concerto for the late Claude Caens, the principal contrabass of this orchestra. This great artist, who was friends with everyone in this ensemble, wanted everyone to have a part in the festivities, not only the strings, but also the winds, the horns, the trumpets and the percussion, and also that they all should be heard ! Thierry Pélicant wrote therefore a concerto which is at once very symphonic – and for this reason, it is strongly advised that the contrabass be amplified – but also a piece which would express the friendship between the orchestra and the soloist. This concerto strives to be both warm and lyrical : it is not a virtuoso showpiece, inspite of the real technical that it offers to the soloist and which he would do well to try to hid them from the audience. It is also not a battle between the orchestra and this gentle giant : they stroll together, sometimes joyously, sometimes with nostalgia and go through the strong storms which do not fail to present themselves, smiling together and finding them to be envigorating.The work is scored for (2(Pic)2(EH)22/2200/Timp/2perc/strings) and lasts aproximately 23 minutes. The orchestral parts are on rental from the pubilsher.  The piano reduction with the solo part is available for sale on this site.Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate ssupporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, written for his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gàlvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée (quintet for oboe and strings), Sextuor d’été, and Milonga (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ...

Small Ensemble,Strings Piano,Violin - Digital Download SKU: A0.885854 Composed by Jonasson, Malmsten, Meritahti, and Traditional. Arranged by Lauri Hamalainen. Children,Concert,Instructional,Standards. Score and parts. 26 pages. Suomi Music #4809945. Published by Suomi Music (A0.885854). 11 CHILDREN’S SONGS ARRANGED FOR PIANO QUINTET ARRANGED BY LAURI HÄMÄLÄINEN © VIOLIN FRIENDS 2019 The purpose of the Violin Friends music books is to inspire students and their friends to practice and perform music together with happy, pedagogical and fun music.  11 Children’s Songs arr. for piano quintet gives students the chance to play rhythmical variations of well-known melodies. The parts for strings are written in the first position except for the Poor Little Teddy where the cello line introduces playing in positions. The music can be performed with a string orchestra and piano soloists or with a traditional piano quintet. The part for 3rd violin can be used if there are no violas available.  THE SMALL TRAIN (Danish) POTPOURRI (American, French, German) OLD MCDONALD (American) IHAHAA (Finnish) FRÈRE JAQUES (French) SAMBA LELE (Brazilian) MARCH OF THE ELEPHANTS (Finnish) ITSY BITSY SPIDER (American) POOR LITTLE TEDDY (Finnish) PIPPI LONGSTOCKING (Swedish) RATI RITI RALLA (Finnish)  The family of Violin Friends consist of Violin and Viola Friends I- II, Eight Trios for Violin, Viola and String Trio, 12 Variations on Twinkle, Twinkle, Little Star by Mozart arr. for piano quartet and 11 Children’s Songs arr. for piano quintet.  For more info please visit www.violinfriends.com. 

Small Ensemble,Strings Piano - Level 2 - Digital Download SKU: A0.885856 Composed by Johansson, Malmsten, Meritahti, and Traditional. Arranged by Lauri Hamalainen. Children,Instructional,Standards. Score and parts. 44 pages. Suomi Music #4809951. Published by Suomi Music (A0.885856). 11 CHILDREN’S SONGS ARRANGED FOR PIANO QUINTET ARRANGED BY LAURI HÄMÄLÄINEN © VIOLIN FRIENDS 2019 The purpose of the Violin Friends music books is to inspire students and their friends to practice and perform music together with happy, pedagogical and fun music.  11 Children’s Songs arr. for piano quintet gives students the chance to play rhythmical variations of well-known melodies. The parts for strings are written in the first position except for the Poor Little Teddy where the cello line introduces playing in positions. The music can be performed with a string orchestra and piano soloists or with a traditional piano quintet. The part for 3rd violin can be used if there are no violas available.  THE SMALL TRAIN (Danish) POTPOURRI (American, French, German) OLD MCDONALD (American) IHAHAA (Finnish) FRÈRE JAQUES (French) SAMBA LELE (Brazilian) MARCH OF THE ELEPHANTS (Finnish) ITSY BITSY SPIDER (American) POOR LITTLE TEDDY (Finnish) PIPPI LONGSTOCKING (Swedish) RATI RITI RALLA (Finnish)  The family of Violin Friends consist of Violin and Viola Friends I- II, Eight Trios for Violin, Viola and String Trio, 12 Variations on Twinkle, Twinkle, Little Star by Mozart arr. for piano quartet and 11 Children’s Songs arr. for piano quintet.  For more info please visit www.violinfriends.com. 

Small Ensemble,Strings Piano - Level 2 - Digital Download SKU: A0.885857 Composed by Johansson, Malsten, Meritahti, and Traditional. Arranged by Lauri Hamalainen. Children,Concert,Instructional,Standards. Score and parts. 28 pages. Suomi Music #4809949. Published by Suomi Music (A0.885857). 11 CHILDREN’S SONGS ARRANGED FOR PIANO QUINTET ARRANGED BY LAURI HÄMÄLÄINEN © VIOLIN FRIENDS 2019 The purpose of the Violin Friends music books is to inspire students and their friends to practice and perform music together with happy, pedagogical and fun music.  11 Children’s Songs arr. for piano quintet gives students the chance to play rhythmical variations of well-known melodies. The parts for strings are written in the first position except for the Poor Little Teddy where the cello line introduces playing in positions. The music can be performed with a string orchestra and piano soloists or with a traditional piano quintet. The part for 3rd violin can be used if there are no violas available.  THE SMALL TRAIN (Danish) POTPOURRI (American, French, German) OLD MCDONALD (American) IHAHAA (Finnish) FRÈRE JAQUES (French) SAMBA LELE (Brazilian) MARCH OF THE ELEPHANTS (Finnish) ITSY BITSY SPIDER (American) POOR LITTLE TEDDY (Finnish) PIPPI LONGSTOCKING (Swedish) RATI RITI RALLA (Finnish)  The family of Violin Friends consist of Violin and Viola Friends I- II, Eight Trios for Violin, Viola and String Trio, 12 Variations on Twinkle, Twinkle, Little Star by Mozart arr. for piano quartet and 11 Children’s Songs arr. for piano quintet.  For more info please visit www.violinfriends.com. 

Small Ensemble,Strings Cello,Piano - Level 2 - Digital Download SKU: A0.885855 Composed by Johansson, Malmsten, Meritahti, and Traditional. Arranged by Lauri Hamalainen. Children,Concert,Instructional,Standards. Score and parts. 26 pages. Suomi Music #4809947. Published by Suomi Music (A0.885855). 11 CHILDREN’S SONGS ARRANGED FOR PIANO QUINTET ARRANGED BY LAURI HÄMÄLÄINEN © VIOLIN FRIENDS 2019 The purpose of the Violin Friends music books is to inspire students and their friends to practice and perform music together with happy, pedagogical and fun music.  11 Children’s Songs arr. for piano quintet gives students the chance to play rhythmical variations of well-known melodies. The parts for strings are written in the first position except for the Poor Little Teddy where the cello line introduces playing in positions. The music can be performed with a string orchestra and piano soloists or with a traditional piano quintet. The part for 3rd violin can be used if there are no violas available.  THE SMALL TRAIN (Danish) POTPOURRI (American, French, German) OLD MCDONALD (American) IHAHAA (Finnish) FRÈRE JAQUES (French) SAMBA LELE (Brazilian) MARCH OF THE ELEPHANTS (Finnish) ITSY BITSY SPIDER (American) POOR LITTLE TEDDY (Finnish) PIPPI LONGSTOCKING (Swedish) RATI RITI RALLA (Finnish)  The family of Violin Friends consist of Violin and Viola Friends I- II, Eight Trios for Violin, Viola and String Trio, 12 Variations on Twinkle, Twinkle, Little Star by Mozart arr. for piano quartet and 11 Children’s Songs arr. for piano quintet.  For more info please visit www.violinfriends.com.