Piano Solo - Digital Download SKU: A0.982800 Composed by Louis Sauter. 20th Century,Christmas,Classical,Contemporary,Romantic Period. Score. 6 pages. Louis Sauter #2029391. Published by Louis Sauter (A0.982800). Variations on the traditional song We Wish You a Merry Christmas. The variations are inspired by different musical styles: Classical, Romantic, Messiaenic (in memory of Olivier Messiaen), Minimal Toccata and Punctual.

Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.1027605 Composed by James Kennerley. Christian,Christmas,Contemporary,Sacred. Octavo. 30 pages. James Kennerley #2119771. Published by James Kennerley (A0.1027605). The Missa Sanctae Mariae Virginis – literally Mass of Saint Mary the Virgin – was composed for the Episcopal church of Saint Mary the Virgin, New York City, where the composer was Music Director & Organist from 2008 to 2013. The Kyrie was composed in 2016. The title makes reference to the name of the church, but also makes reference to the principal source of inspiration: two ancient plainsong melodies that accompany Marian texts (Salve regina and Ave maris stella). The Mass is composed in a vain that is influenced by the great parody Masses of Renaissance masters Palestrina, Lassus, and others. Nods are also made to the twentieth century, and particularly to the music of Herbert Howells and the Anglican tradition, and also to Jean Langlais, Olivier Messiaen, and similar French musical trends. It features a wide range of moods, from scintillating and exotic harmonies to thrilling rhythmic passages. The work is composed for 8-part choir with solo sections for additional voices from within the choir. The Mass can be performed complete as part of a church service. Likewise, any of the movements will work as independent compositions which makes them suitable for concert performance. Please visit www.jameskennerley.com for complete biographical information and for links to recorded performances of this work.

Instrumental Duet,Piano Clarinet,Instrumental Duet,Piano,Viola - Level 5 - Digital Download SKU: A0.886685 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 52 pages. Panagiotis Theodossiou #3573129. Published by Panagiotis Theodossiou (A0.886685).  Between Times Time past and time future... for clarinet, viola and piano (2017) op.73Work written within the framework of composer's postgraduate studies on Composition for Vocal and Instrumental Ensembles in Ionian university and dedicated to the professor Josef Papadatos. Based on an excerpt from the Four Quartets by T.S.Eliot is polystilistic in idiom and in concertante style. Time present and time past Are both perhaps present in time future And time future contained in time past. If all time is eternally present All time is unredeemable. What might have been is an abstraction Remaining a perpetual possibility Only in a world of speculation. What might have been and what has been Point to one end, which is always present. (T.S.Eliot, Four Quartets)Τα μέÏ�η:I.Adagio misterioso (Outer Space, Gravity Zero)II.Allegro (Into a time vortex)III.L'istesso tempo (Escape) to Antonio Vivaldi & Dmitri ShostakovitchIV.Andante rubato (Tranquillity Nebula) to Olivier MessiaenV.Allegro (Gravitational Disorder) to Keith EmersonVI.Adagio misterioso (Eternal Present)Premier by Ionian Islands Festival Ensemble (Alexandros Michailidis, Helias Sdoukos, Stefanos Nassos) at Ionian Academy Theater in 2017.The work was chosen by International Society for the Contemporary Music to represent Greece in 2018 ISCM World New Music Days in BeijingModern Music Festival, China. Performance by Trio Clavino (Doris Hall - Gulati, Simon Maurer, Xun Pan).

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.886684 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. 37 pages. Panagiotis Theodossiou #3213759. Published by Panagiotis Theodossiou (A0.886684). Egomia, Concert Monologues, for Wind Quintet (2009)Ι. Stasis I, Lento, come un recitativo II. Stasis II, L ‘istesso tempo, molto ritmicoIII. Stasis III, Passacaglia Ritmica, L ‘istesso tempo, grave    A work of free serialism, composed on the ritual of the Egomia, a very famous litany of the Eastern Orthodox Church which takes place on Holly Friday.   It consist of 3 parts, 3 Stasis, according to the traditional ritual. The unaccompanied monologues of the 1st Stasis lead to the virtuosic dialogues of the 2nd and to the general fortissimo tutti of the 3d. The work has a version with narration on the prototype text of the traditional ritual.    It was written on November 2009 for the Q innegal Wind Quintet which gave the premier at the German Evangelic Church in Athens next year and is dedicated to composer’s stepmother, Eleni, who died after the completion of the work. The 3d part has also a dedication to Olivier Messiaen, on the musical style of whom there are intentional references. https://www.youtube.com/watch?v=4BNVUEHBdhg

(SATB) - Digital Download Composed by Olivier Messiaen (1908-1992). This edition: scorch. French. Choral. 4 pages. Published by Hal Leonard - Digital

Piano Solo - Digital Download SKU: A0.507255 Composed by Heather Cattanach. 20th Century,Contemporary,Instructional. Score. 3 pages. Published by Heather Cattanach (A0.507255). Apus, Late Intermediate Piano Solo, is the name for the southern hemisphere constellation representing the Bird of Paradise. However, the name actually translates as “footless�, owing to the Dutch explorer’s mistaken belief that the bird had no feet. The Bird of Paradise does have feet as well as beautiful feathers. This piece is based on the octatonic scale (semi-tone, tone alternating series) which was often used by Olivier Messiaen, who (by the way) incorporated bird song into some of his compositions. This mysterious sounding piece is from “88 Constellations� a collection by Heather Cattanach featuring one piece of piano music for each of the 88 constellations (to match the number of keys on a standard piano). Performance Time 2 minutes. 2 pages. (General Instructional, Modern, Repertoire, Recital, 21st Century).

Jazz Ensemble Jazz Ensemble - Level 5 - Digital Download SKU: A0.1207069 Composed by Piotr Scholz. Jazz. Score and Parts. 866 pages. Piotr Scholz Music #805247. Published by Piotr Scholz Music (A0.1207069). Birds from Another Planet - Piotr ScholzBirds from Another Planet is a seven-part composition for big-band. Each of them is based on one symmetrical scale defined by Olivier Messiaen and maintained in a different jazz style. The scales were used mainly in a big-band arrangement, but often the construction of individual improvised fragments forces soloists to use symmetrical scales, in jazz commonly not used as a separate color or timbre. Grand Prize on 2nd ISAC International Popular Music Composition Competition 2023INSTRUMENTATION: Wind 1 (Soprano Saxophone)Wind 2 (Alto Saxophone)Wind 3 (Tenor Saxophone)Wind 4 (Tenor Saxophone)Wind 5 (Baritone Saxophone)Trumpet 1Trumpet 2, FlugelhornTrumpet 3Trumpet 4Trombone 1Trombone 2Trombone 3Bass TromboneGuitarPianoDouble BassDrums.

Organ - intermediate - Digital Download SKU: S9.Q7340 Composed by Naji Hakim. This edition: Sheet music. Downloadable. Duration 6 minutes. Schott Music - Digital #Q7340. Published by Schott Music - Digital (S9.Q7340). Born in Beirut and trained at the Paris Conservatoire, the organist and composer Naji Hakim (*1955) has won numerous prizes both as a creative and as a performing artist. After having worked as an organist in Paris for many years, for example as successor to Olivier Messiaen at La Trinité, he has been composer-in-residence at the Royal Academy of Music in London since 2004. For the 100th anniversary of the Binns organ at the Albert Hall in Nottingham he was commissioned to write 'Fanfare for Nottingham'. The composer designed the work as 'a series of free and energetic variations on the melody of the hymn Nottingham accompanying a merry procession' – it has become a hymnic and effective work, a valuable addition to the organ repertoire.

Large Ensemble Choir - Level 3 - Digital Download SKU: A0.1022039 Composed by Fredrik Schwenk. 20th Century,Christian,Contemporary,Sacred. Score and parts. 2 pages. Fredrik Schwenk #6319845. Published by Fredrik Schwenk (A0.1022039). The present edition contains the score of the interludio ecclesiastico come inserto tra il Credo e il Sanctus della Messa in re maggiore di Antonin Dvorak per coro, organo ed orchestra. The idea to compose a shorter work closely related to Antonin Dvořák's Mass in D major op. 86 came from the director of the course, Prof. Annedore Hacker-Jakobi, from which, after the composer's intensive study of Dvořák's tonally very bright Mass, a dark intermezzo developed as an insert between the Credo and the Sanctus. In the process, Dvořák's scoring was adopted unchanged. The frame text comes from the Credo and was deliberately chosen in reference to Olivier Messiaen's work of the same name. The central text Salvum me fac comes from Psalm 68 and has come down to us as a Gregorian responsorial chant. The title et expecto, intentionally omits the s in et exspecto contained in the ordinarium missae and emphasizes the contradictory meaning between the (Er)warten and the (Er)schauen.

Marimba and string orchestra - difficult - Digital Download SKU: S9.Q6975 Composed by Marcin Blazewicz. This edition: score. Downloadable, Score. Schott Music - Digital #Q6975. Published by Schott Music - Digital (S9.Q6975). Marcin Blazewicz, born in Warsaw in 1953, is one of the most successful Polish composers of contemporary music. He studied composition with Francois-Bernard Mache, Iannis Xenakis and Olivier Messiaen at the Chopin Music Conservatoire in Warsaw where he has been teaching instrumentation since 1985 and composition since 2004. To this day, he has written more than 200 works for the theatre, radio and film. Blazewicz composed 'Concerto rustico' specifically for 'The 5th World Marimba Competition 2008' in Stuttgart. The virtuoso concertante piece is written in a moderately modern style (tonal) and influenced by jazz elements - a valuable addition to every modern concert programme.

Organ - intermediate - Digital Download SKU: S9.Q22734 Composed by Naji Hakim. This edition: Sheet music. 'Salve Regina', a paraphrase of the Gregorian chant, was created in June 2004. Downloadable. Schott Music - Digital #Q22734. Published by Schott Music - Digital (S9.Q22734). Naji Hakim, born in Beirut in 1955, is counted among the most important of present-day organists and organ composers. He studied organ with Jean Langlais at the Conservatoire National Supérieur de Musique in Paris, was organist at Sacré-Cœur in Paris from 1985-93 and then succeeded Olivier Messiaen as organist at the Église de la Trinité. He gives concerts throughout the world, works as a professor at the Conservatoire de Musique in Boulogne, and holds a visiting professorship at the RoyalAcademy in London.In his organ works, Naji Hakim often draws his thematic material from the Gregorian chant, thesaurus of the Roman Catholic Church, which is regarded as essential part of the liturgy even by Vatican II. This paraphrase of the antiphon to the virgin, 'Salve Regina', is based on the plainsong theme (solemn tone). The Gregorian line is unchanged; it evolves slowly above an expressive harmony. The text of the prayer is underlined by the meditative, soft and peaceful character.

Violin and organ - intermediate - Digital Download SKU: S9.Q18882 Composed by Naji Hakim. This edition: Sheet music. Violin Library. 'Salve Regina', a paraphrase of the Gregorian chant, was created in June 2004. Downloadable. Duration 5:30. Schott Music - Digital #Q18882. Published by Schott Music - Digital (S9.Q18882). Naji Hakim, born in Beirut in 1955, is counted among the most important of present-day organists and organ composers. He studied organ with Jean Langlais at the Conservatoire National Supérieur de Musique in Paris, was organist at Sacré-Cœur in Paris from 1985-93 and then succeeded Olivier Messiaen as organist at the Église de la Trinité. He gives concerts throughout the world, works as a professor at the Conservatoire de Musique in Boulogne, and holds a visiting professorship at the RoyalAcademy in London.In his organ works, Naji Hakim often draws his thematic material from the Gregorian chant, thesaurus of the Roman Catholic Church, which is regarded as essential part of the liturgy even by Vatican II. This paraphrase of the antiphon to the virgin, 'Salve Regina', is based on the plainsong theme (solemn tone). The Gregorian line is unchanged; it evolves slowly above an expressive harmony. The text of the prayer is underlined by the meditative, soft and peaceful character.