SKU: A0.958781

Transcripción para Piano Solo por:

JUAN CARLOS CORTÉS A.

Basado en la versión grabada por la orquesta de Héctor Varela con las voces de Argentino Ledesma y Rodolfo Lesica. (sello Columbia, 29-03-1955)

TROVADOR MAZORQUERO (Vals)

Letra : Enrique Cadícamo (Domingo Enrique Cadícamo)
Música : Juan Carlos Howard

Introducción:

Ya se pierde el pregón del sereno en el barrio del Restaurador,
Y en la noche tan tibia de enero, esparce el lucero su limpio fulgor.
La magnolia foscata perfuma la casona de aljibe y jardín,
Y con voz varonil se desata una serenata que comienza así:

Soy tu fiel trovador mazorquero y esta noche he venido a cantar,
Repitiéndote que siempre: ¡Te quiero!, Te quiero alma mía, no me hagas penar.
Soy tu fiel trovador mazorquero poncho rojo, vihuela y facón,
De San Telmo eres toda la gala Federala de mi corazón.

La canción queda trunca, de pronto cae herido el soldado cantor,
Un puñal unitario le apaga su dulce guitarra, su canto de amor.
En la alcoba la amada sonríe Sin pensar que en la calle está él,
¡Ay! Malherido, con voz moribunda Cantándole a ella, repite otra vez:

Soy tu fiel trovador mazorquero y esta noche he venido a cantar,
Repitiéndote que siempre: ¡Te quiero!, Te quiero alma mía, no me hagas penar.
Soy tu fiel trovador mazorquero poncho rojo, vihuela y facón,
De San Telmo eres toda la gala Federala de mi corazón.
Federala de mi corazón. Federala de mi corazón.

SKU: A0.1292197

John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.

John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:

William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.

Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.

Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.

Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.

These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

SKU: A0.1292203

John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.

John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:

William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.

Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Their expressive harmonies and intricate counterpoints characterize Gibbons' compositions.

Thomas Tomkins: Tomkins was another English composer active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.

Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions significantly influenced Bull and other composers of the time.

These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

SKU: A0.1292447

John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.

John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:

William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.

Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.

Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.

Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.

These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

SKU: A0.1292216

John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a Doctor of Music at both Oxford and Cambridge Universities. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.

John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:

William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.

Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.

Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.

Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.

These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

SKU: A0.1282881

XXXVII from the Fitzwilliam Virginal Book.

John Bull was an English composer, organist, virginalist, and organ builder who lived from 1562/63 to 1628. He was educated as a chorister of the Chapel Royal in London and later became a doctor of music at the universities of both Oxford and Cambridge. Bull was one of the most famous composers of keyboard music of the early 17th century, and most of his compositions were written for the virginal, a keyboard instrument popular in the Renaissance period. He was known for his outstanding technical ability and keyboard virtuosity, and his music is distinguished by unfailing resourcefulness in devising new musical ideas. Bull's reputation rests on his extensive compositions for virginals and organ, some 150 extant pieces published in Musica Britannica. He was also one of the contributors to Parthenia, a collection of keyboard music published in 1611. Bull wrote an anthem, God the Father, God the Son, for the 1613 wedding of the princess and the Elector Palatine, in addition to his keyboard compositions, verse anthems, canons, and other works. Bull's music ranked among the foremost composers along with Byrd, Gibbons, and Tomkins.

John Bull had several contemporaries who were also prominent composers during the Renaissance period. Some of these composers include:

William Byrd: Byrd was an English composer and one of the most influential figures in English Renaissance music. He was a contemporary of John Bull and is considered one of the greatest composers of his time. Byrd's compositions include sacred choral music, keyboard works, and consort music.

Orlando Gibbons: Gibbons was an English composer and organist who lived during the same period as John Bull. He was known for his sacred choral music, particularly his anthems and verse anthems. Gibbons' compositions are characterized by their expressive harmonies and intricate counterpoint.

Thomas Tomkins: Tomkins was another English composer who was active during the same time as John Bull. He was known for his sacred choral music, including anthems and services. Tomkins' compositions are notable for their rich harmonies and expressive melodies.

Jan Pieterszoon Sweelinck: Sweelinck was a Dutch composer and organist who was highly regarded during the Renaissance period. He was known for his keyboard music, particularly his variations and fantasias. Sweelinck's compositions had a significant influence on Bull and other composers of the time.

These composers, along with John Bull, were influential figures in the development of Renaissance music and significantly contributed to the repertoire of keyboard and choral music during that era.

SKU: A0.1503869

The national anthem of the Dominican Republic (Spanish: Himno nacional de República Dominicana), also known by its incipit Valiant Quisqueyans (Spanish: Quisqueyanos valientes), was composed by José Rufino Reyes y Siancas (1835–1905), and its lyrics were authored by Emilio Prud'Homme (1856–1932).

José Reyes was inspired to create a national anthem for the Dominican Republic after having seen the Argentine National Anthem in the Parisian newspaper El Americano. In 1883, he invited his friend Emilio Prud'Homme to write lyrics for the anthem.

The first version of Prud'Homme's lyrics was published in the weekly newspaper El Eco de la Opinion on 16 August 1883, and the first public performance of the anthem took place the next day on 17 August in Respectable Hope Lodge No. 9 in Santo Domingo. Though the music was an instant success, several objections were made to the lyrics for having various historical inaccuracies. In 1897, Prud’Homme submitted revised lyrics, which stand to this day.

On 7 June 1897, the Congress of the Dominican Republic passed an act adopting Himno Nacional with the original music and revised lyrics as the country's official national anthem; however, then-President Ulises Heureaux (1846–1898) vetoed the act, because the lyric's author, Prud’Homme, was an opponent of the president and his administration.[1] In 1899, Heureaux was assassinated, and the political disorder that ensued prevented the national anthem's legal adoption until 30 May 1934, when Himno Nacional was officially adopted and signed into law.

SKU: H1.C5019DP

Traditional Spiritual
Sure to cross over to the school concert venue, this lively swing version of the two favorite spirituals - Good News! the Chariot's Comin' with Swing Low, Sweet Chariot - is brimming with excitement and promise. The orchestral track featuring the brass and saxes is phenomenal.

SKU: H1.C5019ODP

Traditional Spiritual
Sure to cross over to the school concert venue, this lively swing version of the two favorite spirituals - Good News! the Chariot's Comin' with Swing Low, Sweet Chariot - is brimming with excitement and promise. The orchestral track featuring the brass and saxes is phenomenal.

SKU: A0.1402175

An epic choral anthem composed by Kevin G. Pace.  Text by Mary Ann W. Snowball.

Text:
Promises, hymn text
“. . . He giveth this promise unto you, with an immutable covenant . . . “ (Doctrine and Covenants 98:3)

I am the Cov'nant Father for all of mankind. 
These, my children through the world I'm able to bind. 
Ev'ry oath I give attests of my dear Son, Jesus Christ. 
O, He is the One who sacrified; His love paid the price.

I am the Cov'nant Father for all vows extolled. 
Jesus gave His perfect life for each precious soul. 
Ye are my precious fam'ly pure kinship from the start.
I'm your Father up above and I give to  you my heart.

I am the Cov'nant Father; this is my design. 
Ordinances in Christ's name are the sacred signs. 
I assure my word of honor; my promises are sure. 
O, my love will last eternally, always to endure.

Promises are cherished gifts to give each child of mine. 
Promises are my own way to give love divine.

SKU: A0.1388643

A beautiful, sacred hymn with music by Kevin G. Pace and text by Mary Ann W. Snowball.

Text:
Promises, hymn text
“. . . He giveth this promise unto you, with an immutable covenant . . . “ (Doctrine and Covenants 98:3)

I am the Cov'nant Father for all of mankind.
These, my children through the world I'm able to bind.
Ev'ry oath I give attests of my dear Son, Jesus Christ.
O, He is the One who sacrified; His love paid the price.

I am the Cov'nant Father for all vows extolled.
Jesus gave His perfect life for each precious soul.
Ye are my precious fam'ly pure kinship from the start.
I'm your Father up above and I give to  you my heart.

I am the Cov'nant Father; this is my design.
Ordinances in Christ's name are the sacred signs.
I assure my word of honor; my promises are sure.
O, my love will last eternally, always to endure.

Promises are cherished gifts to give each child of mine.
Promises are my own way to give love divine.