Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 2 - Digital Download SKU: A0.1074047 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Standards,Wedding. 50 pages. Jmsgu3 #678317. Published by jmsgu3 (A0.1074047). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon� and the more complex “strict canon.� He was also an early adopter of the “inverted canon� form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.

Bassoon,Instrumental Duet,Oboe d'Amore - Level 2 - Digital Download SKU: A0.1073999 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #678267. Published by jmsgu3 (A0.1073999). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon� and the more complex “strict canon.� He was also an early adopter of the “inverted canon� form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.

Cello,Instrumental Duet,Viola - Level 2 - Digital Download SKU: A0.1073960 Composed by Josquin des Prez. Arranged by James M. Guthrie. Contest,Festival,Instructional,Renaissance,Wedding. 50 pages. Jmsgu3 #677904. Published by jmsgu3 (A0.1073960). Josquin des Prez (c.1450-1521) was a composer of the Renaissance period, widely regarded as one of the greatest composers of all time. His compositions set the standard for polyphonic music and are considered a high point in the history of music. He wrote a wide range of works, including masses, motets, and chansons, and was the first composer to set popular secular tunes as mass movements. His influence can be seen in the works of many later composers, including Johann Sebastian Bach, Antonio Vivaldi, and George Frideric Handel.Josquin des Prez was a prolific composer of chamber music and duets during the Renaissance period. He wrote several types of chamber music and duets, including madrigals, chansons, and motets. His compositions are characterized by their intricate counterpoint, as well as their harmonic richness and emotional expressiveness. His works often featured two voices in harmony, and he was known to use imitation and complex canonic techniques to create interesting musical textures. Josquin's chamber music and duets are renowned for their complexity and beauty, and they remain some of the most influential and admired works from the Renaissance period.Josquin Desprez is widely regarded as one of the most influential composers of the Renaissance period. His innovative use of counterpoint and canon helped to revolutionize the musical landscape of the time. Counterpoint is a technique of combining two or more independent melodies in a way that creates harmony and a cohesive musical texture. Josquin was a master of this technique, often combining multiple voices in complex contrapuntal textures. His use of canon, or round, was also highly influential. Canon involves two or more voices repeating the same melody in different registers and often with different rhythms. Josquin wrote canons in various styles and forms, including the popular “circular canon� and the more complex “strict canon.� He was also an early adopter of the “inverted canon� form, in which the same melody is repeated but in an inverted form. Josquin’s use of counterpoint and canon had a lasting impact on the development of Western music and helped to establish the foundation for many of the musical forms and techniques still used today.Contents: I. Duo from the Augsberger LiederbuchII. Agnus Dei II from Missa De Beata Virgine III. Duo from the Hör Organ tablatureIV. Agnus Dei II from Missa Ave maris stellaV. Benedictus from Missa GaudeamusVI. Agnus Dei II from Missa GaudeamusVII. Pleni sunt coeli from the Sanctus of Missa Hercules dux Ferrarie VIII. Agnus Dei II from Missa La sol fa re mi IX. Benedictus from Missa L'homme armé super voces musicalesX. Benedictus from Missa L'homme armé Sexti Toni XI. Pleni sunt coeli from Missa Malheur me bat XII. Pleni sunt from Missa Mater patris (canon at the major second)XIII. Benedictus from Missa Mater patris XIV. Agnus Dei II from Missa Mater patris (canon at the unison)XV. Pleni sunt caeli from Missa Pange lingua XVI. Benedictus from Missa Pange lingua XVII. Agnus Dei II from Missa Pange lingua XVIII. Pleni sunt from Missa sine nomine XIX. Domine non secundum peccata nostra XX. Ave verum and Cuius latus XXI. In principio erat verbum from Motet Verbum caro factus est XXII. Per illud ave prolatum - Secunda pars of motet Benedicta es caelorum regina.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.869207 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. With Summer: Cloudburst! Double rainbow … Trio 3). 48 pages. Thomas Oboe Lee #3905. Published by Thomas Oboe Lee (A0.869207). Program note: As indicated by the title, this is my twelfth string quartet. My very first work, Aperture (1974), was a string quartet. In between I wrote four (nos. 2 – 5) for the Kronos Quartet, one (no. 6) for the Manhattan String Quartet, one (no. 7) for the Lydian String Quartet, one (no. 8) for the Artaria String Quartet, two (nos. 9 - 10) for the Hawthorne String Quartet, and one (no. 11) for the Formosa Quartet. The number twelve immediately brought to mind the months of the year. But I thought a twelve-movement string quartet might be a bit excessive, and difficult to achieve in a coherent narrative arc. Most classical string quartets by Haydn, Mozart and Beethoven are in four movements. So why not the seasons, a movement for each: spring, summer, autumn, and winter. I am a huge fan of The Creation by Franz Joseph Haydn. Confession: I am a huge fan of anything by maestro Haydn. For inspiration and guidance, I went to Haydn’s other oratorio The Seasons. Armed with a Dover publication of the full score and a recording of the complete work by Sir Thomas Beecham on EMI Classics, I got down to work over the summer of 2010. String Quartet No. 12 … The Seasons, after Franz Joseph Haydn is in four movements, played without pause between movements. 1) Intro: Heavy snow … Spring: Crocuses blooming!!! 2) Summer: Cloudburst! Double rainbow … Trio 3) Autumn: La Caccia … Danza Rusticana … Trio 4) Intro: Heavy snow again … Winter: O Magnum Mysterium … Hail storm! The work begins with four descending chords, depicting the falling of snow. But it’s Spring and crocuses are seen peeping through the snow … Summer begins with cloudbursts, thunder, lightning and torrential rain. A double rainbow appears after the storm. The sun emerges from the clouds in the Trio section. It is a lovely day after all; but then the clouds return … La Caccia: men go hunting in the Autumn. Well, the men in Haydn’s days at least. Peasant ladies dance as they harvest in the fields. A hawk appears, soaring overhead in the Trio as the sun sets in an orange-red sky ... In Winter snow falls again; but it’s the season to celebrate the Nativity. Violin and viola chant O magnum mysterium … O Magnum Mysterium O great mystery Et admirabile sacramentum and wonderful sacrament Ut animalia viderent Dominum natum that animals should see the new-born Lord Jacentem in praesepio! lying in a manger! Beata Virgo, cujus viscera Blessed is the Virgin whose womb Meruerunt portare was worthy to bear Dominum Christum. Christ the Lord. Alleluia. Alleluia. A hailstorm wreaks havoc. Fine. Audio link.   Copy and paste the URL link into your browser.https://thomasoboelee.bandcamp.com/album/string-quartet-no-12-the-seasons-2010Video link: https://youtu.be/8seBbMtds84

C Instrument - Level 3 - Digital Download SKU: A0.1343622 By John Denver and Placido Domingo. By John Denver. Arranged by Johannes H. Hindriks. 20th Century,Pop,Rock,Singer/Songwriter. Lead Sheet / Fake Book. 6 pages. Johannes H. Hindriks #929145. Published by Johannes H. Hindriks (A0.1343622). This Comfort Covers setting of “Perhaps Love� by John Denver is primarily intended to provide bedside support to patients and their loved ones in the hospital, nursing home or hospice. The mezzo-soprano lead voice gently blends with the mostly open guitar chords while the male voice modestly winds its way between the song and the bass line of the guitar, thereby creating a warm and welcoming blend. The 6-page document contains a large-print score with the two voices plus spelled-out guitar chords. Mezzo range: F#3–B4; Baritone range: B2–D4. Skill Level: Intermediate, with rhythms somewhat simplified. Capo as preferred. Click here for a full listing of Comfort Covers titles.

Piano Solo - Level 3 - Digital Download SKU: A0.935522 By John Legend. By John Stephens and Toby Gad. Arranged by Dominic Goj. R & B,Soul. Score. 3 pages. Gosch Dominique #6204607. Published by Gosch Dominique (A0.935522). All Of Me by John Legend.

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.935521 Composed by Eddie Pola and George Wyle. Arranged by Dominic Goj. Film/TV. Score. 4 pages. Gosch Dominique #5002567. Published by Gosch Dominique (A0.935521). It's The Most Wonderful Time Of The Year - yes, it is.This sheet is written for piano intermediate to advanced players. The 3 pages contain the refrain, bridge and a short instrumental part. Have fun and enjoy this piece of music and listen to the preview!

Choral Choir,Choral,SA Chorus - Level 2 - Digital Download SKU: A0.1471289 Composed by Kovasciar Myvette, Lyrica Anderson, and Toby Gad. Arranged by Tanna Ward and Jan Ward. Film/TV,Pop,Rock. 11 pages. Ward Family Enterprises #1048948. Published by Ward Family Enterprises (A0.1471289). This show choir version of It's On from Disney's Camp Rock 2 is fun for both singers and audience! It has been shortened to fit the show choir format by omitting the first verse and chorus. The two-parts are simple, but it does include a solo scat or descant over the top. Instrumental parts may be requested and customized by emailing us at janward12@hotmail.com.

Piano Solo - Level 4 - Digital Download SKU: A0.1295715 Composed by Donald Ashwander. Ragtime. Score. 6 pages. The Donald Ashwander Estate #886012. Published by The Donald Ashwander Estate (A0.1295715). Perdido Bay Moon Rag is a heartfelt and evocative solo piano composition dedicated to the memory of an elegant lady whose love for dance and a chance suggestion led to the creation of this beautiful piece. The composition pays homage to the serene beauty and cherished memories of Bear Point, Alabama, a place rich in history and personal significance to the composer, Donald Ashwander.The story behind Perdido Bay Moon Rag begins on a summer day when Donald, along with friends Edith and Edwin Zelnicker, found themselves on the picturesque Bear Point, Alabama. This tranquil peninsula on the shores of Perdido Bay held a special place in their hearts, as it was a locale where they had spent countless hours as children. They reminisced about their youth, playing beneath the majestic magnolia trees adorned with Spanish Moss and exploring ancient Indian mounds in search of pottery shards.It was during this nostalgic conversation that Edith, the elegant lady in question, suggested the title for a piano composition: Perdido Bay Moon Rag. Enchanted by the idea, Donald was determined to bring this vision to life. Upon returning to New York, he began crafting the piece, but it somehow eluded his grasp. Despite this initial challenge, he designed an appropriate cover for the composition and sent it to Edith and Edwin in Mobile.Over the years, Perdido Bay Moon Rag remained a fixture on Edith and Edwin's piano, a symbol of a cherished memory and unfulfilled promise. Edith confessed to her friend that she had attempted to play the piece but found it too complex, and so it remained unplayed.Time passed, and sadly, Edith fell ill. On a poignant visit to Mobile after Edith's passing, the atmosphere in their home was filled with her spirit. There, prominently displayed on the piano, lay Perdido Bay Moon Rag. In that moment, Donald knew that he needed to fulfill his promise and honor Edith's memory properly.With newfound determination and inspiration, Donald embarked on a journey to create a completely new composition that would capture the essence of Bear Point, Perdido Bay, and the moonlit nights they had cherished. This time, the music flowed effortlessly from his fingertips, as if guided by the memories and love he held for his dear friend.Perdido Bay Moon Rag is a testament to the enduring power of memories, friendship, and the creative process. It reflects the tranquility of Bear Point, the gentle sway of Spanish Moss, and the serenity of moonlit nights on the bay. Through its delicate melodies and intricate rhythms, the composition invites listeners to share in the deep emotions and fond recollections that inspired its creation.The final page of the sheet music contains special program notes by Donald Ashwander.

Full Orchestra - Level 4 - Digital Download SKU: A0.1463479 By Naomi Scott. By Alan Menken, Benj Pasek, and Justin Paul. Arranged by Felix Linsmeier. 21st Century,Broadway,Classical,Film/TV,Musical/Show,Pop. 16 pages. Felix Linsmeier #1042200. Published by Felix Linsmeier (A0.1463479). Speechless is the new key song in the 2019 live-action remake of Aladdin. Written by Composer Alan Menken with lyrics by Benj Pasekand Justin Paul it gives new depth to the character of Jasmine. The song became famous sung by Naomi Scott and got translated into several languages.It is a solo sung by Jasmine, expressing how tired she is about being locked away in the palace and/or being silenced by Jafar or the Sultan and is finally ready to take a stand.This arrangement for full symphony orchestra and solo vocalist lets the singer shine in front of an epic accompaniment. It also features a prominent harp part (which can be doubled by piano if needed). It workes fabulous as a concert highlight for youth orchestras as well as intermediate to professional ensembles!This is the score only, purchase the parts here:.

Full Orchestra - Level 4 - Digital Download SKU: A0.1463485 By Naomi Scott. By Alan Menken, Benj Pasek, and Justin Paul. Arranged by Felix Linsmeier. 21st Century,Broadway,Classical,Film/TV,Musical/Show,Pop. 37 pages. Felix Linsmeier #1042209. Published by Felix Linsmeier (A0.1463485). Speechless is the new key song in the 2019 live-action remake of Aladdin. Written by Composer Alan Menken with lyrics by Benj Pasekand Justin Paul it gives new depth to the character of Jasmine. The song became famous sung by Naomi Scott and got translated into several languages.It is a solo sung by Jasmine, expressing how tired she is about being locked away in the palace and/or being silenced by Jafar or the Sultan and is finally ready to take a stand.This arrangement for full symphony orchestra and solo vocalist lets the singer shine in front of an epic accompaniment. It also features a prominent harp part (which can be doubled by piano if needed). It workes fabulous as a concert highlight for youth orchestras as well as intermediate to professional ensembles!These are the instrumental parts only, purchase the full score here:.

Woodwind Ensemble - Level 2 - Digital Download SKU: A0.532804 Composed by Jean-Georges Kastner. Instructional,Romantic Period,Standards. 49 pages. Musik Fabrik Music Publishing #33419. Published by Musik Fabrik Music Publishing (A0.532804). Jean-Georges Kastner was born March 9, 1810 in Strasbourg. He studied protestant theology at the University of Strasbourg all the while continuing to study music. His first completed comic operas would allow him to optain a scholarship from the City of Strasbourg to study music in Paris. On June 17, 1841 his opera “La Maschera“ was premièred at the Opéra-Comique. He wrote a dozen lyric works, including le dernier Roi de Juda (“The Last King Of Judea“, an oratorio première December 1st, 1844 at the Hall of the Paris Conservatory as well as symphonic poem. A close friend of Adolphe Sax, he was among the first composers to write for the saxophone, completing the Variations Faciles et Brillantes (which was almost certainly orchestrated by the composer, although that orchestration has been lost), a sextet for saxophones, and a series of duos for his saxophone method.

Large Ensemble - Level 3 - Digital Download SKU: A0.553910 Composed by Sir Arthur Seymour Sullivan. Arranged by Ray Thompson. 20th Century,Broadway,Musical/Show,Opera,Standards. Score and parts. 33 pages. RayThompsonMusic #6083851. Published by RayThompsonMusic (A0.553910). H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical theatre piece up to that time. H.M.S. Pinafore was Gilbert and Sullivan's fourth operatic collaboration and their first international sensation.Arranged for double wind quintet and bass. Flute 2 has the fun piccolo part!

Clarinet Duet Clarinet - Level 3 - Digital Download SKU: A0.534673 Composed by Paul Wehage. Contemporary,Standards. 2 scores. 21 pages. Musik Fabrik Music Publishing #6132005. Published by Musik Fabrik Music Publishing (A0.534673). Four Sketches for Bb clarinet and bass clarinet is written in a contrapunctal, extended-tonal style and is in four movements The first movement, Invention, uses canonic writing and imitative couterpoint. Valse Lente, is a slowly expressive waltz with the two instruments presenting the melody in the different sections. Berceuse begins as a soft cradlesong, but gradually the music becomes more expansive before returning to the first theme to end the movement quietly. The final Marche is a jaunty, stylized comic march in which the theme is passed between the two instruments. Passages involving hocketing underlined byarticulation effects create rythmnic tension before the piece comes to a close.  Four Sketches pour clarinet et clarinette basse est est composé dans un style contrepunctal avec une vocabulaire harmonique tonale. Elle est en quatre mouvements La première mouvement, Invention, utilise une écriture canonique e imitative. Valse Lente, est une mélopée expressive avec le chant qui passe entre les deux parties. Berceuse commence dans une manière typique du genre, mais peu à peu, les éléments plus expansives sont présentées. La pièce finit par un retour du thème berçant du début, pour finir calmement. La Marche finale est un pas-redoublé sans prétention et plutôt comique. La juxtaposition des motives rythmiques soulignées par des effets d'articulation reviennent de plus en plus souvent pour créer une atmosphère de divertissement.