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String Ensemble,String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.801011 By Barry Manilow. By Alex North. Arranged by Hy Zaret & Alex North. Contemporary. Score and parts. 14 pages. Douglas R. Morrison #6009559. Published by Douglas R. Morrison (A0.801011). A Rivendell String Trio Arrangement. This classic 50's chart-topper was featured prominently in the1990 American romantic fantasy thriller film Ghost starring Patrick Swayze, Demi Moore, and Whoopi Goldberg. The film received five nominations at the 63rd Academy Awards: Best Picture, Best Original Score and Best Film Editing, and winning Best Supporting Actress (for Goldberg) and Best Original Screenplay. This very recognizable melody is a great selection for wedding preludes, services, and receptions. Ditto.Also available as a Rivendell String Quartet Arrangement: H0.580879-879700Like us on Facebook: facebook.com/rivendellarrangements
Unchained Melody
Trio à Cordes: violon, alto, violoncelle
Barry Manilow
$12.99 11.32 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Piano Solo - Level 1 - Digital Download SKU: A0.803288 Composed by Knowles Shaw. Arranged by Paul Taylor. Christian,Praise & Worship,Sacred. Score. 2 pages. Paul Taylor #4611093. Published by Paul Taylor (A0.803288). Bringing in The Sheaves by Knowles Shaw is a stalwart of several hymn books in virtually every Christian denomination and was featured prominently in the musical Guys and Dolls.  This late elementary arrangement makes use of the primary chords in C and has some position shifts. There are also limited  points of imitation as well as some alberti and block chord style accompaniment. Chord symbols are presented for the verses, chorus and piano interlude and the text for the first two verses are included. .
Bringing in The Sheaves
Piano seul

$1.99 1.73 € Piano seul PDF SheetMusicPlus

Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1104138 Composed by H.W. Petrie. Arranged by F. Leslie Smith. 19th Century,Children,Comedy,Pop,Wedding. 28 pages. Sweetwater Brass Press #707372. Published by Sweetwater Brass Press (A0.1104138).       Howard W. Petrie was a composer of popular music active in the late 19th and early 20th centuries. One of his most popular songs was “I Don’t Want to Play in Your Yard,†published early in his career, 1894. The song underwent a revival in the mid-1950s when Peggy Lee recorded it. It also figured prominently in the popular 1981 film Reds. Lyrics are credited to Philip Wingate, and his first verse sets up the story. Two little girls were next-door neighbors and best of friends. One day, however, a quarrel arose and “hot tears were shared.†One announced, “You can’t play in our yard.†The reply of the other forms the familiar chorus: I don't want to play in your yard, I don't like you any more, You'll be sorry when you see me sliding down our cellar door, You can't holler down our rain-barrel, you can't climb our apple tree, I don't want to play in your yard, if you won't be good to me.       The second verse tells of the reconciliation. The two girls miss each other. They kiss and make up and remain friends “all thro’ life.†But “in sweet dreams of childhood†we still remember the controversy of the yard.       This version features the group's Trumpets somewhat taking the roles of the two little girls. It retains the F major key in which it was written, changes tempo four times (in addition to a few rallentando/a tempo instructions) and includes two short, rather simple cadenzas, one for each Trumpet. It starts (rather incongruously!) with the eight 4/4 measures of “Mary, Mary, Quite Contrary†then transitions to ¾ for the remainder of the piece.       Trumpets predominate with melody and lead. However Horn and Trombone do occasionally come to the fore to provide introductions, call-and-response figures and recapitulations. Both Trumpets play a few notes above their staff—G# and A—but for the most part, all instruments perform within their normal playing range. Performance time is about three and a half minutes to perform.       Completed in 2022, performance time runs about 3 minutes, 34 seconds. The arranger, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge. He would like to receive your suggestions, comments, corrections and criticisms. For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box. (Also, purchase of this piece entitles you to your choice of another of his arrangements at no charge; send a copy of your purchase receipt directly to him at lessmith61@bellsouth.net.).
I Don’t Want to Play in Your Yard: Trumpet Feature
Quatuor de Cuivres

$7.95 6.93 € Quatuor de Cuivres PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.1402451 By Duke Ellington and his Orchestra. By Duke Ellington, Irving Mills, and Juan Tizol. Arranged by John Ivor Holland. 20th Century,Broadway,Jazz,Latin,Musical/Show,Standards. 78 pages. John Ivor Holland #985670. Published by John Ivor Holland (A0.1402451). Caravan is an American jazz standard that was composed by Juan Tizol and Duke Ellington and first performed by Ellington in 1936. Irving Mills wrote lyrics, but they are rarely sung. The song is featured prominently in the 2014 film Whiplash as an important plot element and over the years has been covered by diverse artists, such as Thelonius Monk, Dizzy Gillespie and Wynton Marsalis. 'Sophisticated Ladies' is a musical revue based on the music of Duke Ellington; the revue ran on Broadway in 1981–83, earning two awards and eight nominations at the 35th Tony Awards. This arrangement is based on a jazz ensemble chart by Michael Sweeney with short solos for tenor sax and trumpet (chords and suggested solo lines provided).
Caravan
Orchestre d'harmonie
Duke Ellington and his Orchestra
$49.99 43.58 € Orchestre d'harmonie PDF SheetMusicPlus

Concert Band - Level 4 - Digital Download SKU: A0.1008264 Composed by William Brenner. Contemporary. Score and parts. 80 pages. William Brenner #5370501. Published by William Brenner (A0.1008264). Halifax was devastated on 6 December 1917 when two ships collided in the city's harbour, one of them a munitions ship loaded with explosives bound for the battlefields of the First World War. What followed was one of the largest human-made explosions prior to the detonation of the first atomic bombs in 1945.(...)In early December, one of the merchant ships in port was the large, Norwegian vessel Imo, en route from Halifax to New York to pick up relief supplies (...) Another was the French munitions ship Mont-Blanc - filled with tons of benzol, the high explosive picric acid, TNT and gun cotton - arriving in Halifax to join a convoy across the ocean.(...)The Imo was departing the harbour on the morning of 6 December 1917 (...) Imo had an experienced, local harbour pilot on board, William Hayes, who knew the navigation rules of the harbour. However, earlier encounters that morning with two inbound vessels moving towards Bedford Basin - both of which Imo had passed starboard-to-starboard - resulted in the unusual position that Imo now occupied, too far to the east (...) The Mont-Blanc had arrived outside Halifax the previous day and anchored overnight at the mouth of the harbour. On the morning of 6 December, the ship was cleared by harbour authorities to proceed toward Bedford Basin. Despite the Mont-Blanc's dangerous cargo, there was no special protocol for the passage of munitions ships in the harbour. Other ships such as the Imo were not ordered to hold their positions that morning until the Mont-Blanc had made safe passage through the port. Francis Mackey, Mont-Blanc's pilot, was guiding the ship inbound on the Dartmouth-side of the Narrows, when he encountered the Imo heading straight towards him in what he believed was Mont-Blanc's lane. Mackey would later maintain that the Imo was moving at an unsafe speed for such a large, unwieldly ship in the harbour, and also that incoming ships (in this case Mont-Blanc) had the right-of-way over outgoing vessels. Regardless of the accuracy of those claims, what is certain is that the Imo was sailing too far to the east, in what should have been Mont-Blanc's path.After a series of whistles and miscommunications between the officers and pilots on the two ships, and failed manoeuvres to avoid a collision, the Imo struck the starboard bow of the Mont-Blanc. After a few moments the two ships parted, leaving a gash in Mont-Blanc's hull and generating sparks that ignited volatile grains of dry picric acid, stored below its decks. (...) The Mont-Blanc exploded at 9:04:35 a.m., sending out a shock wave in all directions, followed by a tsunami that washed violently over the Halifax and Dartmouth shores. More than 2.5 square km of Richmond were totally levelled, either by the blast, the tsunami, or the structure fires caused when buildings collapsed inward on lanterns, stoves and furnaces.Homes, offices, churches, factories, vessels (including the Mont-Blanc), the railway station and freight yards - and hundreds of people in the immediate area - were obliterated. (...) Across Halifax, there were miraculous stories of survival. And equally, stories of tragedy. Many children were killed on their walk to school that morning, or blinded by flying glass. Those that survived the blast stumbled home, only to find their houses shattered, or their parents dead or wounded, among the wreckage. (...) Every year on 6 December, people gather above the Narrows to hear the ringing of the memorial's carillon bells, and to remember the victims of the disaster. www.thecanadianencyclopedia.ca/en/article/halifax-explosion
1917: The Halifax Disaster
Orchestre d'harmonie

$22.99 20.04 € Orchestre d'harmonie PDF SheetMusicPlus






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