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String Quartet Cello,Double Bass,String Quartet - Level 4 - Digital Download

SKU: A0.847134

By The Bangles. By Billy Steinberg, Susanna Hoffs, and Tom Kelly. Arranged by Susie Winkworth winkmusic.co.uk. Oldies. Score and parts. 16 pages. Winkmusic.co.uk #4810203. Published by winkmusic.co.uk (A0.847134).

What does every self-respecting three cellos and bass group want to play? A classic 80s ballad by the Bangles, and then covered by Atomic Kitten, of course. Enjoy!

Winkmusic.co.uk produces the highest quality arrangements. Tried and tested at 5* venues and concert halls, only the best make the cut. Previous commissions have appeared on Sunday Times Top 100 Albums of 2016, and are played by Classic FM chart-toppers and at festivals across the world.

Eternal Flame
Quatuor à cordes: 2 violons, alto, violoncelle
The Bangles
$16.00 15.18 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download

SKU: A0.1270160

By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160).

For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.

Wanna hear something? You know that Indians never ate clams. They didn't have linguini!
And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.

Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!

Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.

I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.

You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.

So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?

So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.

Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.

He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.

That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.]

Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.

You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...

I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.

Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.

The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.78 € Chorale TTBB PDF SheetMusicPlus

Trombone Quartet - Level 2 - Digital Download

SKU: A0.1264239

Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,March,Opera,Romantic Period. 11 pages. Woods Only, Arrangements #857102. Published by Woods Only, Arrangements (A0.1264239).

This trombone quartet arrangement was written to maintain the characteristics of the original work, inspiring and significant to Beethoven’s well-known choral symphony. Suitable for young music students and professional musicians, for recitals, repertoire, academic presentations, and didactic material. The transcription is faithful to the structure, with only one key change, maintaining the essence of the striking melody. Beethoven’s Ninth Symphony Op. 125 incorporates part of the poem An die Freude (“To Joyâ€), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as instruments in a symphony, creating a far-reaching work that set the tone for the symphonic form adopted by Romantic composers. This is Ludwig van Beethoven’s last complete symphony. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best-known works in the Western repertoire, considered an icon and predecessor of Romantic music and one of Beethoven’s great masterpieces. It was first performed on May 7, 1824 at the Kärntnertortheater in Vienna, Austria.

Ode to Joy by Beethoven for Trombone Quartet
Quatuor de cuivres: 4 trombones

$7.99 7.58 € Quatuor de cuivres: 4 trombones PDF SheetMusicPlus

Trumpet Quartet - Level 2 - Digital Download

SKU: A0.1264234

Composed by Ludwig van Beethoven. Arranged by Ander. 19th Century,Classical,March,Opera,Romantic Period. 11 pages. Woods Only, Arrangements #857098. Published by Woods Only, Arrangements (A0.1264234).

This trumpet quartet arrangement was written to maintain the characteristics of the original work, inspiring and significant to Beethoven’s well-known choral symphony. Suitable for young music students and professional musicians, for recitals, repertoire, academic presentations, and didactic material. The transcription is faithful to the structure, with only one key change, maintaining the essence of the striking melody. Beethoven’s Ninth Symphony Op. 125 incorporates part of the poem An die Freude (“To Joyâ€), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as instruments in a symphony, creating a far-reaching work that set the tone for the symphonic form adopted by Romantic composers. This is Ludwig van Beethoven’s last complete symphony. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best-known works in the Western repertoire, considered an icon and predecessor of Romantic music and one of Beethoven’s great masterpieces. It was first performed on May 7, 1824 at the Kärntnertortheater in Vienna, Austria.

Ode to Joy by Beethoven for Trumpet Quartet
Quatuor de cuivres: 4 trompettes

$7.99 7.58 € Quatuor de cuivres: 4 trompettes PDF SheetMusicPlus

Instrumental Duet,Piano C Instrument - Level 2 - Digital Download

SKU: A0.880969

By Mandy Moore. By Jonathan Foreman. Arranged by Marco Polo C. Ignacio. Pop. Lead Sheet / Fake Book. 2 pages. MARCO POLO IGNACIO #6362263. Published by MARCO POLO IGNACIO (A0.880969).

Only Hope is a song by American band Switchfoot. It was written by Jon Foreman for their 1999 album New Way to Be Human. The Christian-themed song is featured prominently in one of the scenes of the 2002 film A Walk to Remember.

Only Hope was recorded by Mandy Moore for the film A Walk to Remember (arranged and produced by the film's composer Mervyn Warren) and is included in her compilation The Best of Mandy Moore, although left out of her 2002 release. It was slated as the second single after Cry, which, however, was not a hit and consequently Only Hope was not released to radio. A music video-largely a date of the movie-was shot and was released successfully to music channels in Asia.

Only Hope
Ligne De Mélodie, (Paroles) et Accords
Mandy Moore
$4.99 4.73 € Ligne De Mélodie, (Paroles) et Accords PDF SheetMusicPlus

Saxophone Ensemble,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download

SKU: A0.1060220

By The Beatles. By John Lennon and Paul McCartney. Arranged by Kayleigh Huelin. Pop. 10 pages. Kayleigh Huelin #664545. Published by Kayleigh Huelin (A0.1060220).

Showcasing the Beatles' versatility as composers, 'Lady Madonna' is a boogie-woogie piano-based track which prominently features saxophones - so it's a great choice for any saxophone group! Guaranteed to please an audience, this is a great track for formal and informal performances. Arranged for SAATTB saxophone sextet. Like this? Why not check out my website for more saxophone arrangements: www.khuelinmusic.co.uk.

Lady Madonna
Ensemble de saxophones
The Beatles
$29.99 28.45 € Ensemble de saxophones PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download

SKU: A0.782531

Composed by Tyler Merideth. 20th Century,Christian,Contemporary,Sacred,Standards. Octavo. 7 pages. Tyler Merideth #5743199. Published by Tyler Merideth (A0.782531).

Benedictus is the eleventh movement from a larger work entitled Reconciliation, a set of 12 Latin prayers.

Each movement takes it's inspiration from individual postcards containing pictures of St. Michael's Cathedral

in Coventry, England. When performed in sequence, Reconciliation can serve as a worship service however,

the individual movements also can stand alone.

The postcard associated with this text shows the remains of the bombed out original cathedral shell through

a window with the famous Charred Cross prominently in the foreground. This cross is comprised of two

wooden beams found in the shape of a cross among the rubble immediately after the bombing in WWII.

The repetition and layering of the text represents Jesus making His journey from afar and subsequent

triumphant entry into Jerusalem. The joyful welcome from the crowd and shouts for Him to save them

is short-lived. His journey must continue until all prophecy is fulfilled and our reconciliation

Benedictus from Reconciliation
Chorale SATB

$3.99 3.78 € Chorale SATB PDF SheetMusicPlus

String Quintet - Level 2 - Digital Download

SKU: A0.1168472

Composed by Ludwig van Beethoven. Arranged by Ander. Classical,Instructional,March,Opera,Romantic Period. 15 pages. Woods Only, Arrangements #768806. Published by Woods Only, Arrangements (A0.1168472).

This arrangement adapted for string quintet was written keeping the characteristics of the original work, that is, inspiring and significant to the already known choral symphony by Beethoven, indicated to be performed by young music students, who want to enter the symphonic music, moreover, it can also be used by professional musicians, for recitals, repertoire, academic presentations and didactic material. As much as it is a funeral march, it is well suited for any musical performance occasion. The transcription is faithful to the structure, with only one change in key, so that it is comfortable for all instruments in the formation, thus maintaining the essence of the striking melody, as well as using it for ensemble practice among musicians of different traditions.

Beethoven's Ninth Symphony Op. 125 incorporates part of the poem An die Freude (To Joy), a hymn written by Friedrich Schiller, with the text sung by soloists and a choir in its last movement. It was the first example of a major composer using the human voice as prominently as the instruments in a symphony, thus creating a far-reaching work that set the tone for the symphonic form that was to be adopted by Romantic composers. This is the last complete symphony composed by Ludwig van Beethoven. The choral symphony, better known as the Ninth Symphony or The Ninth, is one of the best known works in the Western repertoire, considered both an icon and predecessor of Romantic music, and one of Beethoven's great masterpieces, where it was first performed on May 7, 1824, the same year it was completed, at the Kärntnertortheater in Vienna, Austria. The conductor was Michael Umlauf, the theater's music director, and Beethoven - dissuaded from conducting by the advanced stage of his deafness - was given a special place on the stage next to the conductor. It was later rearranged by Herbert von Karajan to become the anthem of the European Union in 1972, the national anthem of Rhodesia from 1974 until 1979, Rise, O Voices of Rhodesia, used the tune Ode to Joy..

Ode to Joy by Beethoven for String Quintet

$9.99 9.48 € PDF SheetMusicPlus

Piano Solo - Level 4 - Digital Download

SKU: A0.1274325

Composed by Angela Stone and David Vincent Bright. Arranged by John Fries. Broadway,Film/TV,Jazz,Musical/Show,Pop,Standards. Score. 3 pages. John Fries #866465. Published by John Fries (A0.1274325).

Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Thanks, John.  The song was composed in 1926 as a last-minute addition to the Rodgers and Hart musical Betsy. Although the show ran for only 39 performances, Blue Skies was an instant success, with audiences on opening night demanding 24 encores of the piece from star Belle Baker. During the final repetition, Ms. Baker forgot her lyrics, prompting Berlin to sing them from his seat in the front row. The song was featured prominently in the film Star Trek: Nemesis, as sung by Commander Data during the wedding at the start of the film. It is sung again at the very end of the film by his brother, the android B-4, during the final scene set in the 24th century,.

Blue Skies
Piano seul

$5.99 5.68 € Piano seul PDF SheetMusicPlus






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