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Concert Band - Level 3 - Digital Download SKU: A0.549206 Composed by Gabrieli. Arranged by James M. Guthrie, ASCAP. Renaissance,Standards. Score and Parts. 29 pages. Jmsgu3 #3461981. Published by jmsgu3 (A0.549206). Duration 3:00. Score 9 pg. Parts 2 pg. ea. Instrumentation: small wind band, no percussion. Innovations First of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style. Polychoral Works Gabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well. Spatial Music Above all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather more than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements which seem bizarre on paper, can in contrast sound perfectly in-balance. First Works Finally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material, but developing it by sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung. Homophony Hence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.
Gabrieli: Canzon Septimi Toni Ch 172 for Concert Band
Orchestre d'harmonie

$47.95 40.92 € Orchestre d'harmonie PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 4 - Digital Download SKU: A0.587777 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Ragtime,Standards. Score and parts. 5 pages. David McKeown #4896913. Published by David McKeown (A0.587777). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Soprano and Alto Saxophone Duet includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. The linked youtube performance is the Alto Saxophone version of this duet and the repeats are omitted for brevity.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  
Maple Leaf Rag, by Scott Joplin, Soprano and Alto Saxophone Duet
2 Saxophones (duo)

$4.60 3.93 € 2 Saxophones (duo) PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 4 - Digital Download SKU: A0.587770 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Ragtime,Standards. Score and parts. 5 pages. David McKeown #4896895. Published by David McKeown (A0.587770). The most popular of Scott Joplin’s piano rags during his lifetime,  The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Alto and Tenor Saxophone Duet includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. The linked youtube performance is the Alto Saxophone version of this duet and the repeats are omitted for brevity.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Maple Leaf Rag, by Scott Joplin, Alto and Tenor Saxophone Duet
2 Saxophones (duo)

$4.60 3.93 € 2 Saxophones (duo) PDF SheetMusicPlus

Tenor Saxophone Duet Tenor Saxophone - Level 4 - Digital Download SKU: A0.587765 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Folk,Ragtime,Standards. Score. 5 pages. David McKeown #4896841. Published by David McKeown (A0.587765). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films.This version for Tenor Saxophone Duet includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. The linked youtube performance is the Alto Saxophone version of this duet and the repeats are omitted for brevity.Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes.Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation. There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Maple Leaf Rag, by Scott Joplin, Tenor Saxophone Duet
2 Saxophones (duo)

$4.60 3.93 € 2 Saxophones (duo) PDF SheetMusicPlus

Soprano Saxophone Duet Soprano Saxophone - Level 4 - Digital Download SKU: A0.1109601 Composed by Scott Joplin. Arranged by David McKeown. 20th Century,Jazz,Ragtime. Score. 5 pages. David McKeown #711971. Published by David McKeown (A0.1109601). The most popular of Scott Joplin’s piano rags during his lifetime, The Maple Leaf Rag was published in 1899. Joplin lived for a while in Sedalia, Missouri and the Maple Leaf Club in that town is thought to have provided the name for this composition. It provided Joplin with a steady income for the rest of his life, and while he requested that it be played at his funeral, his wife refused as she felt it inappropriate. It was the first track on Joshua Rifkin’s famous 1970 revival recording of Joplin’s music and, never waning in popularity, it has featured in hundreds of films. This version for Soprano Saxophone Duet includes all four sections of the original composition. The tempo in recorded versions varies widely between 72 and 126, so the marking of 92 is a suggestion only. The YouTube link is a full performance of the Alto Saxophone version of this arrangement. Musicians at an advanced intermediate level and above will find this ideal for formal and informal performances. The overall performance time is around four minutes. Teachers will enjoy using this arrangement as a fun way to help with phrasing, syncopated rhythms and light articulation.  There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203
Maple Leaf Rag, by Scott Joplin, Soprano Saxophone Duet
2 Saxophones (duo)

$3.99 3.41 € 2 Saxophones (duo) PDF SheetMusicPlus

Instrumental Duet Instrumental Duet,Tenor Saxophone,Trumpet - Level 3 - Digital Download SKU: A0.588998 Composed by David McKeown. Jazz,Latin,World. Score and parts. 56 pages. David McKeown #5866241. Published by David McKeown (A0.588998). 10 Latin Duets is an exciting collection of original compositions by David McKeown, arranged as duets for one Trumpet and one Tenor Saxophone. Each piece explores a different style and flavour of Latin music, from the Rumbas, Salsas and Mambos of Cuba, to the Sambas and Bossas of Brazil, and on to the Calypsos and Merengues of the Caribbean. Mexico is represented by the Huapango, Venezuela and Colombia by the Joropo, and Argentina and Uruguay by the Tango.Most of these duets are ideal for players of an Intermediate standard, with two or three more suitable for Advanced Intermediate. The YouTube link above shows samples of each of these pieces played on clarinet. You can also find full performances of each of these duets elsewhere on my YouTube channel.10 Latin Duets for Trumpet and Tenor Saxophone areperfect for concert performances large and small; each piece lasts between two and a half and three minutes.fully articulated to help develop that Latin style.great for helping with complex rhythms.road tested with scores of students and performed all over the world.fun to play.an exciting introduction to the world of Latin American music.54 pages adding up to half an hour of quality music.The ten titles are, Bossa de Bastião, Calypso d’Isaac, Huapango de Hannah, Joropo de Justina, Mambo de Maya, Merengue de Merlin, Rumba de Ruth, Salsa de Shibby, Samba de Simão and Tango d’Elinora.There are many more top quality arrangements and compositions by David McKeown for you to browse at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
10 Latin Duets, for Trumpet and Tenor Saxophone
Trompette, Saxophone (duo)

$11.99 10.23 € Trompette, Saxophone (duo) PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Instrumental Duet,Trumpet - Level 3 - Digital Download SKU: A0.588454 Composed by David McKeown. Jazz,Latin,World. Score and parts. 56 pages. David McKeown #5866239. Published by David McKeown (A0.588454). 10 Latin Duets is an exciting collection of original compositions by David McKeown, arranged as duets for one Trumpet and one Alto Saxophone. Each piece explores a different style and flavour of Latin music, from the Rumbas, Salsas and Mambos of Cuba, to the Sambas and Bossas of Brazil, and on to the Calypsos and Merengues of the Caribbean. Mexico is represented by the Huapango, Venezuela and Colombia by the Joropo, and Argentina and Uruguay by the Tango.Most of these duets are ideal for players of an Intermediate standard, with two or three more suitable for Advanced Intermediate. The YouTube link above shows samples of each of these pieces played on clarinet. You can also find full performances of each of these duets elsewhere on my YouTube channel.10 Latin Duets for Trumpet and Alto Saxophone areperfect for concert performances large and small; each piece lasts between two and a half and three minutes.fully articulated to help develop that Latin style.great for helping with complex rhythms.road tested with scores of students and performed all over the world.fun to play.an exciting introduction to the world of Latin American music.54 pages adding up to half an hour of quality music.The ten titles are, Bossa de Bastião, Calypso d’Isaac, Huapango de Hannah, Joropo de Justina, Mambo de Maya, Merengue de Merlin, Rumba de Ruth, Salsa de Shibby, Samba de Simão and Tango d’Elinora.There are many more top quality arrangements and compositions by David McKeown for you to browse at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
10 Latin Duets, for Trumpet and Alto Saxophone
Trompette, Saxophone (duo)

$11.99 10.23 € Trompette, Saxophone (duo) PDF SheetMusicPlus

Instrumental Duet Clarinet,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.588576 Composed by David McKeown. Jazz,Latin,Multicultural,World. Score and parts. 56 pages. David McKeown #5866193. Published by David McKeown (A0.588576). 10 Latin Duets is an exciting collection of original compositions by David McKeown, arranged as duets for one Clarinet and one Tenor Saxophone. Each piece explores a different style and flavour of Latin music, from the Rumbas, Salsas and Mambos of Cuba, to the Sambas and Bossas of Brazil, and on to the Calypsos and Merengues of the Caribbean. Mexico is represented by the Huapango, Venezuela and Colombia by the Joropo, and Argentina and Uruguay by the Tango.Most of these duets are ideal for players of an Intermediate standard, with two or three more suitable for Advanced Intermediate. The YouTube link above shows samples of each of these pieces played on clarinet. You can also find full performances of each of these duets elsewhere on my YouTube channel.10 Latin Duets for Clarinet and Tenor Saxophone areperfect for concert performances large and small; each piece lasts between two and a half and three minutes.fully articulated to help develop that Latin style.great for helping with complex rhythms.road tested with scores of students and performed all over the world.fun to play.an exciting introduction to the world of Latin American music.54 pages adding up to half an hour of quality music.The ten titles are, Bossa de Bastião, Calypso d’Isaac, Huapango de Hannah, Joropo de Justina, Mambo de Maya, Merengue de Merlin, Rumba de Ruth, Salsa de Shibby, Samba de Simão and Tango d’Elinora.There are many more top quality arrangements and compositions by David McKeown for you to browse at https://www.sheetmusicplus.com/publishers/david-mckeown/6203
10 Latin Duets, for Clarinet and Tenor Saxophone
Saxophone, Clarinette (duo)

$11.99 10.23 € Saxophone, Clarinette (duo) PDF SheetMusicPlus

Trombone Solo - Level 3 - Digital Download SKU: A0.1174247 By Lewis Capaldi. By Ben Kohn, Lewis Capaldi, Michael Pollack, Pete Kelleher, Philip Plested, and Tom Barnes. Arranged by Guillaume Martin. Contemporary,Film/TV,Instructional,Pop,Singer/Songwriter. Individual part. 2 pages. Guillaume Martin #774411. Published by Guillaume Martin (A0.1174247). Pop Songs for Trombone - FORGET MEPOP SONGS FOR is a collection of simplified arrangements (in easy keys) of the most popular songs, featuring sheet music for more than fifteen different instruments. Copyright © 2022 BMG Gold Songs, Sony Music Publishing (UK) Limited, Warner-Tamerlane Publishing Corp., What Key Do You Want It In Music and Songs With A Pure Tone All Rights for BMG Gold Songs Administered by BMG Rights Management (US) LLC All Rights for Sony Music Publishing (UK) Limited Administered by Sony Music Publishing (US) LLC, 424 Church Street, Suite 1200, Nashville, TN 37219 All Rights for What Key Do You Want It In Music and Songs With A Pure Tone Administered by Warner-Tamerlane Publishing Corp. All Rights Reserved Used by Permission.
Forget Me
Trombone
Lewis Capaldi
$4.99 4.26 € Trombone PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Instrumental Duet,Tenor Saxophone - Level 3 - Digital Download SKU: A0.589625 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6082289. Published by David McKeown (A0.589625). Ale Brider is a Yiddish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Alto and one Tenor Saxophone.The music for Ale Brider is a traditional East European melody of unknown origin. The lyrics were written by Morris Winchevsky, a Lithuanian writer who became a prominent socialist/communist in early twentieth century London and New York. The title Ale Brider, (We Are All Brothers), reflected his socialist beliefs.Ale Brider is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played three times with constant variations in the accompaniment. Ale Brider is suitable for players at an intermediate level and above. With a performance time of three minutes, this version of Ale Brider is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203   
Ale Brider, Jewish Klezmer song for Alto and Tenor Saxophone Duet
2 Saxophones (duo)

$3.99 3.41 € 2 Saxophones (duo) PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Instrumental Duet,Soprano Saxophone - Level 3 - Digital Download SKU: A0.589627 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score and parts. 4 pages. David McKeown #6082293. Published by David McKeown (A0.589627). Ale Brider is a Yiddish Folk song, often performed by Klezmer musicians. This version is arranged as a duet for one Soprano and one Alto Saxophone.The music for Ale Brider is a traditional East European melody of unknown origin. The lyrics were written by Morris Winchevsky, a Lithuanian writer who became a prominent socialist/communist in early twentieth century London and New York. The title Ale Brider, (We Are All Brothers), reflected his socialist beliefs.Ale Brider is simply arranged in a key and range best suited to the instruments. The melody is in two sections and is played three times with constant variations in the accompaniment. Ale Brider is suitable for players at an intermediate level and above. With a performance time of three minutes, this version of Ale Brider is perfect for concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  
Ale Brider, Jewish Klezmer song for Soprano and Alto Saxophone Duet
2 Saxophones (duo)

$3.99 3.41 € 2 Saxophones (duo) PDF SheetMusicPlus

Bass Flute,Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.550921 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christian,Christmas,Concert,Easter,Standards. Score and individual part. 12 pages. Jmsgu3 #4888307. Published by jmsgu3 (A0.550921). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores. Register for free lifetime updates and revisions at www.jamesguthrie.comAve MariaAve Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals.Bach OverviewFirst of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with the instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and certainly the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio. HistoryBach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer. StyleIt seems like Bach created a fascinating new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top.Revival              Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV. VoyagerNASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach that all the others combined.
Bach-Gonoud: Ave Maria, Schwencke version for Bass Flute & Piano

$27.95 23.85 € PDF SheetMusicPlus

Cello,Piano - Level 2 - Digital Download SKU: A0.550915 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Contemporary,Easter,Wedding. Score and part. 12 pages. Jmsgu3 #4888259. Published by jmsgu3 (A0.550915). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.  Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
Bach-Gounod: Ave Maria, Schwencke version for Cello & Piano
Violoncelle, Piano

$32.95 28.12 € Violoncelle, Piano PDF SheetMusicPlus

Bass Clarinet,Piano - Level 2 - Digital Download SKU: A0.550920 Composed by J. S. Bach - Gounod. Arranged by James M. Guthrie, ASCAP. Christmas,Easter,Standards. Score and part. 12 pages. Jmsgu3 #4888299. Published by jmsgu3 (A0.550920). This arrangement features the controversial Schwencke measure (ms. 27) that was originally introduced in 1783 by Christian Friedrich Gottlieb Schwencke. The convenient 1st & 2nd endings provide an option for extended performance. Duration with repeat - 4:50. Score: 7 pages. Solo part: 1 page, piano part: 4 pages. Based on Prelude #1 in C Major from the Well-Tempered Clavier, Book 1. Well suited for church meditations or school programs or recital encores.  Ave Maria Ave Maria is a Catholic prayer that consequently asks for the mother of Jesus (Mary) to intercede. Charles Gounod composed a famous version of the Ave Maria. He was a French Romantic composer who overlaid a new melody on an existing Bach chord progression. The progression is from Bach’s Prelude No. 1 from Well-Tempered Clavier I. This version, as well as Schubert’s version, have become essential items at weddings, masses, and funerals. Bach Overview First of all, Johann Sebastian Bach is maybe the greatest composer in music history. Certainly, he was prolific. As a result, everyone has heard of his works. Furthermore, these works number well over a thousand. It seems like people are probably most familiar with instrumental works such as the Brandenburg Concertos, and the Goldberg Variations. But, similarly famous are such noteworthy works as the Well-Tempered Clavier, the Musical Offering, and the Art of Fugue. Seems like his most famous vocal works include the most noteworthy Mass in B Minor. Also, most noteworthy, though, are the St. John Passion, and certainly the Christmas Oratorio.  History Bach came from a long line of musicians and above all, composers. Consequently, he, first of all, pursued a career as a church organist. So as a result, he gained employment in various Protestant churches in Germany. For a while, he worked as a court musician in Weimar and Köthen. Here he probably developed his organ style and likewise his chamber music style. Eventually, he, therefore, gained an appointment as Cantor of St. Thomas in Leipzig. Here he worked until difficulties with his employer ultimately drove him away. The King of Poland finally appointed him as a court composer.  Style It seems like Bach created an engaging new international style. He synthesized elements of the most noteworthy European music ideas into his new style. Even more, this new style was probably his synthesis of European musical rhythm and form. Furthermore, he demonstrated a complete mastery of counterpoint and motivic development. His sense of harmonic organization probably propelled him to the top. Revival               Mendelssohn conducted a Bach revival in the nineteenth century. His effort probably helped to re-familiarize the public with the magnitude of Bach’s works. During this period, scholars published many noteworthy Bach biographies. Moreover, Wolfgang Schmieder published the BWV (Bach Werke Verzeichnis). As a result, this is now the official catalog of his entire artistic output. The BWV number allows us to locate a work in the catalog. Sometimes scholars will simply use an S (Schmieder) as an abbreviation for BWV.  Voyager NASA launched two Voyager spacecraft in 1977. Onboard are phonograph records with sounds, music, and images of life on Earth. The purpose of the launch was to inform intelligent extraterrestrial life forms about conditions on Earth. The music on the disc is varied. There is Bach, Mozart, Beethoven, and Stravinsky among others. However, because Bach is so important in our music history, it contains three times more Bach than all the others combined.
Bach-Gounod: Ave Maria, Schwencke version for Bass Clarinet & Piano
Clarinette Basse, Piano

$32.95 28.12 € Clarinette Basse, Piano PDF SheetMusicPlus






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