Woodwind Ensemble,Woodwind Quartet - Level 1 - Digital Download SKU: A0.957354 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Easter,Standards,Wedding. 10 pages. Woods Only, Arrangements #6856445. Published by Woods Only, Arrangements (A0.957354). This easy arrangement for saxophone quartet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass.

Tbn. Pft - Intermediate - Digital Download SKU: F2.FM423 Composed by David Osbon. Trombone and Piano. Score and part. 14 pages. Forton Music - Digital #FM423. Published by Forton Music - Digital (F2.FM423). ISBN 9790570483228.I've always been fascinated by the depth of expression in the song cycles of Robert Schumann, and have tried, in these two pieces, to emulate that using the trombone. Why the trombone? Well, it has a rich history of being 'paired' with the voice in choral music but, if I'm really honest, as a trumpet player I've always been a little bit envious of the trombone's lyrical elegance. The music, in both of these works, has a lot of 'dialogue' between the trombone and piano, I really did think of them as communicating - only without using words.

Brass Quintet Euphonium,Flugelhorn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.817159 Composed by Herbert L. Clarke. Arranged by Charles Decker. 20th Century,Chamber,Historic,Pop. 32 pages. Charles Decker Music Press #6056663. Published by Charles Decker Music Press (A0.817159). This solo feature for a quintet's trumpeter or cornetist is from the Golden Age of concert bands at the turn of the 20th century composed by legendary Sousa Band soloist Hebert L. Clarke. Clarke's impressive setting of Carnival of Venice remains the most frequently performed version of the theme and variations cornet solo first made famous by Arban. To contrast the cornet soloist's pyrotechnics is a humorous trombone and tuba accompaniment that enlivens the listening experience. A flugelhorn/trumpet alternate part is provided for the horn part. The sound file is an actual brass quintet performance of the entire arrangement and not a computer playback of the score. If looking for more trumpet solo features with brass quintet see Charles Decker Music Press SMP editions of Sasche Concertino for Eb Cornet of 1871, and opera arias by Puccini Che Gelida Manina from La Boheme, Verdi Caro Nome from Rigoletto and Rossini Non Piu Mesta from Cinderella. Use this link to Kendor Music to see my trumpet feature brass quintet arrangements of Clarke’s Bride of the Waves and Nestico’s Portrait of a Trumpet. See more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. See also 50+ homogeneous brass group editions with Charles Decker Music Press at Sheet Music Plus for horn, trumpet and trombone ensembles. Check out the Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others.  All ensemble publications include recordings of the entire edition.    For more Charles Decker brass quintet publications use these links Kendor Music and Cherry Classics Music for listings of my arrangements of music by J.S. Bach, H.L. Clarke, Debussy, Dukas, Elgar, Falla, Holst, Ives, Nestico, Rachmaninoff, Satie, and Tchaikovsky.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.1462253 Composed by Alan Bergman, James Howard, and Marilyn Bergman. Arranged by Will Corbin. Film/TV,Pop. 12 pages. Will Corbin #1041005. Published by Will Corbin (A0.1462253). This elegant ballad (at least, before I got my hands on it) is the love and closing theme from the wholly inelegant 1989 sports flick Major League (which I have to admit to watching more than once).  This is a trombone feature, demonstrating the idea that if a trombonist wants a really good part, the easiest route is to write it yourself.If you want alternative instrumentation, contact me at wilcor@aol.com.

Woodwind Ensemble,Woodwind Quartet Alto Saxophone,Baritone Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.834763 Composed by FRANZ LEHAR (1870 – 1948). Arranged by BRIAN W. COPPING. 20th Century,Opera,Standards. 18 pages. EMK Music #6436527. Published by EMK Music (A0.834763). Scored for two Altos, Tenor and Baritone saxes, there are alternative parts three and four so that it can be played by four Altos. This is very useful for teachers of groups of like instruments.  The Merry Widow Waltz is probably the most well-known and enduring melody from Franz Lehar’s Operetta ‘The Merry Widow’, first performed in 1905. Immediate success followed in both London and in America, and it was later adapted as a Ballet. There have been many subsequent arrangements of different elements of the Score that invariably include the ’molto sentimento’ Waltz, itself.

Alto Saxophone,Baritone Saxophone,Piano,Soprano Saxophone,Tenor Saxophone - Level 1 - Digital Download SKU: A0.1381073 By English Folk Song. By Traditional. Arranged by Jhonatan Lucio Viana. Classical,Folk,Holiday,Multicultural,Traditional,World. 9 pages. JLVPartitura #965799. Published by JLVPartitura (A0.1381073). Immerse yourself in this arrangement of Greensleeves English Folk Song, Traditional for Saxophone Quartet Piano. Key Features: 1) Adaptation smooth transition to your instrument, preserving the original music's magic and emotion; 2) Level beginner-friendly, suitable for those starting out or at an easy intermediate level; 3) Format professionally edited PDF for effortless study and performance; 4) Genre blends classical elements with whimsical touches, appealing to both adults and children; 5) Melody simple yet enchanting, evoking wonder and curiosity.Unlock the transformative power of music in your life! Purchase the sheet music today and immerse yourself in the beauty of this composition. Elevate your musical experience with every note of this carefully crafted arrangement. Don't hesitate any longer, embark on this unique musical journey and enrich your life with every chord.I'm happy to share this exclusive arrangement to enrich your musical journey. After purchasing the sheet music of your choice, I invite you to explore my extensive collection, accessible on the website under my name: Jhonatan Lucio Viana. Discover a variety of meticulously crafted arrangements for various instruments and voices, all at affordable prices.

Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328327 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916320. Published by Nicole Elyse DiPaolo (A0.1328327). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,� from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small� is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding� (erroneously labeled “simplified� on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!

High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1327769 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #915810. Published by Nicole Elyse DiPaolo (A0.1327769). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,� from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small� is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding� (erroneously labeled “simplified� on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!

High Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1329064 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #917034. Published by Nicole Elyse DiPaolo (A0.1329064). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,� from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small� is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding� (erroneously labeled “simplified� on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!

Low Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328390 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916380. Published by Nicole Elyse DiPaolo (A0.1328390). The first of its kind, and the first entry in the Accessible Accompaniments libraryâ??s collection of small-hand-optimized song literature publications, this is Richard Straussâ??s beloved â??Zueignung,â?� from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. â??Smallâ?� is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Booseyâ??s excellent small-hand edition of Frank Bridgeâ??s â??Love Went A-Ridingâ?� (erroneously labeled â??simplifiedâ?� on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Straussâ??s op. 10 collection is much more widespread on todayâ??s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Straussâ??s songs are often so orchestral in spiritâ??much more so than the Bridgeâ??that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Straussâ??s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henleâ??s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompanimentsâ?? distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you donâ??t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibilityâ??and that goes for singers, too!

Medium Voice,Vocal Solo - Level 5 - Digital Download SKU: A0.1328293 Composed by Richard Strauss. Arranged by Nicole Elyse DiPaolo. 19th Century,Classical,Romantic Period. 3 pages. Nicole Elyse DiPaolo #916286. Published by Nicole Elyse DiPaolo (A0.1328293). The first of its kind, and the first entry in the Accessible Accompaniments library’s collection of small-hand-optimized song literature publications, this is Richard Strauss’s beloved “Zueignung,� from Acht Gedichte, op. 10 (1885), optimized (but not simplified) for the needs of collaborative pianists with small hands. “Small� is generally understood to be just an octave in span, with limited capacity to grab chord tones within a blocked octave aside from the occasional inner fifth.This edition was inspired by Boosey’s excellent small-hand edition of Frank Bridge’s “Love Went A-Riding� (erroneously labeled “simplified� on the front matter), which thins the large chords that would be problematic or impossible for a barely-an-8ve-reach collaborative pianist to play without adding musically inappropriate rolls or breaks, but also preserves the musical content and grammatically accurate voice-leading. Given that Strauss’s op. 10 collection is much more widespread on today’s concert programs than the Bridge, and given that average conservatory pianist heights and hand sizes have dropped significantly in the 20th and 21st centuries, the need for a similar adaptation in at least some of the op. 10 songs is obvious. Additionally, Strauss’s songs are often so orchestral in spirit—much more so than the Bridge—that the instinct to treat them as orchestral reductions to be adapted by each individual player should be as self-evident and considered as musically appropriate as it would be for any of Strauss’s beloved horn concerti. Performers should feel free to insert their own adaptations, additions, and omissions to this score as needed.The primary source material for this edition is Henle’s edition of the Acht Gedichte. However, any proprietary material that is not public domain (like their fingerings, front matter, and critical notes) is left out of this edition, leaving only what is public domain and edited by Ms. DiPaolo. Unreasonably large chords and arpeggio figures that would require being reachable by a larger hand have been condensed into figures more appropriate for the just-an-octave hand without sacrificing technique and excitement. This edition makes minor improvements to the engraving, like removing syllabic beaming in the voice and adding octave lines when appropriate. This edition also uses Accessible Accompaniments’ distinctive house style, marked by its visual beauty and ease of reading.While this song will be published in low, middle, and high keys for your convenience, please feel free to request another transposition if you are purchasing from a site that does not offer automatic transposition or you don’t see the key that you need. As the name says, Accessible Accompaniments is committed to accessibility—and that goes for singers, too!

Soprano Saxophone Solo - Level 3 - Digital Download SKU: A0.1174241 By Lewis Capaldi. By Ben Kohn, Lewis Capaldi, Michael Pollack, Pete Kelleher, Philip Plested, and Tom Barnes. Arranged by Guillaume Martin. Contemporary,Film/TV,Instructional,Pop,Singer/Songwriter. Individual part. 2 pages. Guillaume Martin #774405. Published by Guillaume Martin (A0.1174241). Pop Songs for Bb Soprano Sax - FORGET MEPOP SONGS FOR is a collection of simplified arrangements (in easy keys) of the most popular songs, featuring sheet music for more than fifteen different instruments. Copyright © 2022 BMG Gold Songs, Sony Music Publishing (UK) Limited, Warner-Tamerlane Publishing Corp., What Key Do You Want It In Music and Songs With A Pure Tone All Rights for BMG Gold Songs Administered by BMG Rights Management (US) LLC All Rights for Sony Music Publishing (UK) Limited Administered by Sony Music Publishing (US) LLC, 424 Church Street, Suite 1200, Nashville, TN 37219 All Rights for What Key Do You Want It In Music and Songs With A Pure Tone Administered by Warner-Tamerlane Publishing Corp. All Rights Reserved Used by Permission.

Alto Saxophone Solo - Level 3 - Digital Download SKU: A0.1174218 By Lewis Capaldi. By Ben Kohn, Lewis Capaldi, Michael Pollack, Pete Kelleher, Philip Plested, and Tom Barnes. Arranged by Guillaume Martin. Contemporary,Film/TV,Instructional,Pop,Singer/Songwriter. Individual part. 2 pages. Guillaume Martin #774383. Published by Guillaume Martin (A0.1174218). Pop Songs for Eb Alto Sax - FORGET MEPOP SONGS FOR is a collection of simplified arrangements (in easy keys) of the most popular songs, featuring sheet music for more than fifteen different instruments. Copyright © 2022 BMG Gold Songs, Sony Music Publishing (UK) Limited, Warner-Tamerlane Publishing Corp., What Key Do You Want It In Music and Songs With A Pure Tone All Rights for BMG Gold Songs Administered by BMG Rights Management (US) LLC All Rights for Sony Music Publishing (UK) Limited Administered by Sony Music Publishing (US) LLC, 424 Church Street, Suite 1200, Nashville, TN 37219 All Rights for What Key Do You Want It In Music and Songs With A Pure Tone Administered by Warner-Tamerlane Publishing Corp. All Rights Reserved Used by Permission.

Tenor Saxophone Solo - Level 3 - Digital Download SKU: A0.1174244 By Lewis Capaldi. By Ben Kohn, Lewis Capaldi, Michael Pollack, Pete Kelleher, Philip Plested, and Tom Barnes. Arranged by Guillaume Martin. Contemporary,Film/TV,Instructional,Pop,Singer/Songwriter. Individual part. 2 pages. Guillaume Martin #774408. Published by Guillaume Martin (A0.1174244). Pop Songs for Bb Tenor Sax - FORGET MEPOP SONGS FOR is a collection of simplified arrangements (in easy keys) of the most popular songs, featuring sheet music for more than fifteen different instruments. Copyright © 2022 BMG Gold Songs, Sony Music Publishing (UK) Limited, Warner-Tamerlane Publishing Corp., What Key Do You Want It In Music and Songs With A Pure Tone All Rights for BMG Gold Songs Administered by BMG Rights Management (US) LLC All Rights for Sony Music Publishing (UK) Limited Administered by Sony Music Publishing (US) LLC, 424 Church Street, Suite 1200, Nashville, TN 37219 All Rights for What Key Do You Want It In Music and Songs With A Pure Tone Administered by Warner-Tamerlane Publishing Corp. All Rights Reserved Used by Permission.

Saxophone Trio,Woodwind Ensemble Alto Saxophone,Soprano Saxophone,Tenor Saxophone - Level 5 - Digital Download SKU: A0.1322416 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Holiday. 7 pages. Gert Th. Walter #910714. Published by Gert Th. Walter (A0.1322416). Are you looking for modern and spirited Christmas music including score & parts for your saxophone trio (SAT)? Here you go! © 2023 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de And now have fun making music!