Piano Solo - Level 3 - Digital Download SKU: A0.1012268 Composed by Mark Jonathan Salvador. Arranged by James Darren Salvador. Christian,Gospel,Spiritual. Score. 3 pages. J.D. Salvador #3882849. Published by J.D. Salvador (A0.1012268). Our very own Composition for our World Missions Conference

Choral Choir (SSA) - Level 2 - Digital Download SKU: A0.1003298 Composed by Dennis Tobenski. Contemporary,Folk. Octavo. 12 pages. Dennis Tobenski #539737. Published by Dennis Tobenski (A0.1003298). Sunset: St. Louis for SSA choir and piano was written at the suggestion of a conductor I met at the 2013 American Choral Directors’ Association national conference in Dallas, TX. He lamented the lack of new music for SSA choir that kept the voices within a restricted range yet wasn’t simplistic, and also didn’t use a restricitve number of accompanying instruments; throughout the week his sentiment was echoed by countless other conductors who I had the pleasure of spending time with. At that point, I also had no music for treble/women’s choir in my catalog, so this piece is not only an attempt to fill in this hole in the repertoire, but also an attempt to fill in the hole in my own choral output. The piece opens with a short passage for solo piano evocative of late afternoon light on water which leads into the voices’ hazy entrance of close diatonic harmonies and loose, liquid rhythms. After this soft opening, the piano begins a gently undulating, water-like accompaniment that – like the Mississippi – flows by, bringing harmonic shifts and swells. The words Dream by the river captured my imagination, conjuring images of the city drifting to sleep as the sun sets, so I couldn’t resist making the single word Dream into a refrain, weaving it into the larger structure of the poem, which makes the piece not only a love song to the city, but also a lullaby. The vocal parts have a compressed range: Soprano 1 has a few unsustained Gs, and the Alto line never drops below B-flat. There are some minor challenges with rhythm and pitch (hemiolas, tuplets, and some harmonic cross-relations with the piano), but all are navigable. The piece was written and prepared for publication in a compositional frenzy between 1pm on March 30, 2013 and 7pm on March 31, 2013 in Montauk, NY.Duration: ca. 4 min. Composed: 2013 Registered with ASCAP. Please email dennis@dennistobenski.com so that your performance of Sunset: St. Louis can be added to Dennis' website calendar. Email: dennis@dennistobenski.com Website: dennistobenski.com Facebook: facebook.com/dennistobenski Twitter: @dennistobenski Tumblr: A Commonplace Blog Soundcloud: soundcloud.com/dennistobenski

SATB with violoncello (Violoncello (Part Included)) - Digital Download SKU: MQ.18-96870-E Composed by Carl Bohm and Earlene Rentz. Octavo. 8 pages. Colla Voce Music - Digital #18-96870-E. Published by Colla Voce Music - Digital (MQ.18-96870-E). Featured at: 2014 NyACDA Summer Conference

SATB choir, soloists, cello, and piano - Moderately Difficult - Digital Download SKU: MQ.AHM-27-E Composed by Christopher Aspaas. 20 pages. Aspen Hill Music - Digital #AHM-27-E. Published by Aspen Hill Music - Digital (MQ.AHM-27-E). English.Music Makers, Dreamers of Dreams was commissioned by One Voice Mixed Chorus, Minnesota's own and North America's largest LGBT and straight allies chorus under the direction of Jane Ramseyer Miller. The text is a combination of Arthur O'Shaughnessy's Ode, Walt Whitman's Leaves of Grass and an anonymous text spoken at a GALA national conference: We have started a song and it cannot stop. Set for baritone soloist, piano, cello and SATB choir, the work seeks to empower singers of all ages through this stirring text setting.

Piano Solo - Level 4 - Digital Download SKU: A0.1148607 By Chan Wei Tuck. By Chan Wei Tuck. Classical,Contemporary,New Age. Score. 20 pages. Chan Wei Tuck #748752. Published by Chan Wei Tuck (A0.1148607). ISMN 979-0-9021-1056-3. Dreams is the aspiration the composer wants to achieve in life. This work was originally completed in 1999 and revised in 2022. This piece is dedicated to Chan Kam Hao. Memories is the remembrance of childhood years. This work was originally completed in 1999 and revised in 2022. This piece is dedicated to Joyce Tan Geok Chee. Raindrop came about when the composer was practicing for a conference recital while the skies opened up. This piece is dedicated to Wong Hui Yun. More details at https://www.wtchan.com.

Choral Choir (SATB divisi) - Level 4 - Digital Download SKU: A0.1043270 Composed by Jay Dougherty. A Cappella,Contemporary,Contest,Festival. Octavo. 9 pages. Jay Dougherty #647958. Published by Jay Dougherty (A0.1043270). Take the Moon is a farewell song. This heartfelt text, coupled with a memorable melody and poignant chords, is sure to touch the hearts of your audiences and singers alike. This work is perfect for a concert closer, choral festival, competition, conference performance, or graduation. Take the Moon features SATB voicing with occasional divisi and diatonic chord clusters to portray the emotion of saying goodbye, just for now, not forever. For more information on compositions and arrangements by Jay Dougherty, visit www.jmdougherty.com.

Piano,Tuba - Level 5 - Digital Download SKU: A0.533704 Composed by Carson Cooman. Concert,Contemporary,Standards. Score and part. 38 pages. Musik Fabrik Music Publishing #3039001. Published by Musik Fabrik Music Publishing (A0.533704). Sonata for Tuba and Piano (2007) was commissioned by and is dedicated to tubist MarkNelson for premiere at the 2007 Southwest Tuba and Euphonium Conference. The work isin three movements, each using the same basic musical material. Throughout the work,there is an integration of the total chromatic spectrum (represented through row-likeconstructions) with triadic and tonal elements, particularly connected to the interval of aminor third.The first movement, Speaking of Sunsets, is bold and dramatic throughout. The musicalmaterial is subjected to a series of circular paths that loop back on themselves until themovement ends. (The title refers to American poet James Tate’s poem Never Again theSame and also Charles Wuorinen’s musical setting of that text.)The second movement, Build Me a Garden, takes its title from an original song I overheardwhile planning this work. It sung by a homeless man who was then sitting on the banks ofthe Charles River in Boston, Massachusetts. His song (bearing both textual and musicalresemblance to various folk songs and African-American spirituals) spoke of hopes anddreams:Build me a garden, far ‘cross the seaBuild me a garden, a place I can beThe water is wide, the journey is long.I’ve put all my sorrows into this song.The movement opens with a slightly modified version of the song, which is developed overthe course of the movement. Connections are made between the first movement’s materialand the pentatonic melody (with its opening intervals of minor thirds).The third movement, Rising at Dawn, is a moto perpetuo. The ideas from both previousmovements are put together in new, dancing combinations. Coming out of the darker firsttwo movements, this movement continually seeks places of joy. The dance breaks down,and a recollection of the first movement leads to a bright coda.

B-Flat Clarinet Solo - Level 3 - Digital Download SKU: A0.889062 By Michael Ware. By Michael Ware. Classical,Praise & Worship,Sacred,Traditional. Individual part. 2 pages. Michael Ware Music #495345. Published by Michael Ware Music (A0.889062). Let It Be Christ is Michael Ware’s choral adaptation of a little know hymn text by James Montgomery. The lyrics are inspired from Paul’s words in Philippians 1:21, “For me to live is Christ, and to die is gain.� This stately anthem which was commissioned for the 2022 Baptist Church Music Conference features an instrumental solo which can be played on violin, flute, or clarinet. SATB and TTBB versions are available.

Choral Choir,Choral (SATB) - Level 2 - Digital Download SKU: A0.1376536 By Brooke Griffin Carpenter. By Brooke Griffin Carpenter. Arranged by Brooke Griffin Carpenter. Christian,Praise & Worship,Religious,Sacred,Spiritual. 8 pages. Brooke Griffin Carpenter #961065. Published by Brooke Griffin Carpenter (A0.1376536). I wrote this song to describe my feelings about the atonement of Jesus Christ. It's a conversation with the Savior about His role in my life and my desire to follow Him. It was greatly inspired by the October 2012 General Conference address The First Great Commandment by Elder Jeffrey R. Holland. Elder Holland states: My beloved brothers and sisters, I am not certain just what our experience will be on Judgment Day, but I will be very surprised if, at some point in that conversation, God does not ask us exactly what Christ asked Peter: 'Did you love me?' I think He will want to know if in our very mortal, very inadequate, and sometimes childish grasp of things, did we at least understand one commandment, the first and greatest commandment of them all—'Thou shalt love the Lord thy God with all thy heart, and with all thy soul, and with all thy strength, and with all thy mind' (Luke 10:27; see also Matthew 22:37–38). And if at such a moment we can stammer out, 'Yea, Lord, thou knowest that I love thee,' then He may remind us that the crowning characteristic of love is always loyalty. This song is a testament of the words I want to say when that day comes for me.*Please note that this is the choral version of this composition.

Piano,Vocal,Voice - Digital Download SKU: A0.1012250 Composed by Mark Jonathan Salvador. Arranged by James Darren Salvador. Christian,Gospel,Spiritual. Score. 1 pages. J.D. Salvador #3882811. Published by J.D. Salvador (A0.1012250). Our own composition for World Missions Conference

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.522481 Composed by Frank E. Graeff - Lyrics J. Lincoln Hall - Music. Arranged by Paul A. Jorg. A Cappella,Christian,Contemporary,Gospel,Praise & Worship,Sacred. Octavo. 4 pages. Paul A. Jorg #6256577. Published by Paul A. Jorg (A0.522481). The author of the lyrics, Frank E. Graeff. was a minister in the Philadelphia Conference of the Methodist denomination.  The lyrics were created in 1901, prior to the music being created a few years later by J. Lincoln Hall.  The first appearance in a hymnal was in 1905, which now appears in 116 different hymnals.  Does Jesus Care is an excellent hymn for the sick, the bereaved and those who have lost hope through hardship. Many also use it as a hymn or song for a funeral.This arrangement is for 4 part male harmony (TTBB) a cappella.

SATB choir divisi and organ - Medium - Digital Download SKU: MQ.50-6132-E Composed by Peter Niedmann. 18 pages. Duration 3 minutes, 45 seconds. MorningStar Music Publishers - Digital Sheet Music #50-6132-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-6132-E). English. Psalms 150.This setting of Psalm 150 was the winner of the 2019 Fyfe Prize sponsored by the Sewanee Church Music Conference. Big and joyful with a rollicking organ accompaniment, the music bounces motives back and forth energetically, between the sections of the choir and between the choir and the organ. A wonderful piece for a festival or celebration. Duration: 3:45.

Easy Piano - Level 2 - Digital Download SKU: A0.980418 Composed by Gary Noland. 20th Century,Blues,Concert,Contemporary,Instructional. Score. 6 pages. Freeland Publications #3237235. Published by Freeland Publications (A0.980418). Duration: ca. 1,000 years. These are three easy piano pieces written for beginning to lower intermediate level players. Fingerings are provided. The relatively long duration of this work (ca. 1,000 years) is due to a lengthy fermata at the end of the third piece, which need not be interpreted too literally. The titles of the pieces are: (1) Conference Hopper's Song, (2) Six O'Clock Blues, (3) Millennial Celebration. .

Small Ensemble Cello,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.837000 Composed by Jay Vosk. Contemporary. Score and parts. 5 pages. Jay Vosk #2025045. Published by Jay Vosk (A0.837000). Lyric Passages is a work in four brief movements. The movements alternate in mood between introspective and playful. A common thread throughout the piece is a lyric section in whole or part of each movement. The first movement was conceived as an ‘aria’ for the oboe. At times the melody is shared by the other instruments in the ensemble. The second movement is more of a showpiece to display the technical prowess of the oboist. In the third movement, I intended to create music which is more atmospheric and coloristic in nature, while in the final movement, a playful scherzo concludes with a bit of bravura on the part of the oboist. Lyric Passages was composed in 2010 and premiered in 2011 at an IDRS conference at Arizona State University.

SATB choir (choir divisi) unaccompanied - Moderately Easy - Digital Download SKU: MQ.1.3613-E Composed by Kyle Pederson. Graduation. Instrument part. 10 pages. Galaxy Music Corporation - Digital #1.3613-E. Published by Galaxy Music Corporation - Digital (MQ.1.3613-E). UPC: 600313136139. English.Selected as a �nalist in the 2019 Ithaca College Choral Festival and premiered there as part of the festival. This piece received its Midwest premiere at the ACDA North/North Central regional conference in 2020, performed by Roosevelt High School, directed by Robyn Starks Holcomb. The text of the piece is addressed to anyone facing struggles—and it presents an honest af�rmation that those struggles are real. Rather than deny the existence of problems or pain, the listener is encouraged to “lean into� the hardship, to name it—and to thereby reduce its power. Textually and musically, the listener is presented with the metaphor of a tree—being whipped by the wind—but built to bend in that wind and ultimately withstand the pressure-�lled gales. The power of community is also af�rmed—as the listener is encouraged to walk alongside—to bend along with—their neighbor.