SATB choir and organ, with optional congregation, descant, brass quintet, timpani, and cymbals (Instrumental parts include: Trumpets I and II in B-flat and C, Horn in F, Trombones I and II, Percussion) - Moderately Easy - Digital Download SKU: MQ.60-9771-E Composed by Jeremy J. Bankson. Easter. Instrument parts. 11 pages. MorningStar Music Publishers - Digital Sheet Music #60-9771-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.60-9771-E). English.A festive setting of the tune WEISSE FLAGGEN that may be used with or without brass. Commissioned for the 2022 Texas Choral Directors Association Conference.

Piano,Vocal,Voice - Digital Download SKU: A0.1012250 Composed by Mark Jonathan Salvador. Arranged by James Darren Salvador. Christian,Gospel,Spiritual. Score. 1 pages. J.D. Salvador #3882811. Published by J.D. Salvador (A0.1012250). Our own composition for World Missions Conference

Jazz Ensemble Jazz Ensemble - Level 3 - Digital Download SKU: A0.1029255 Composed by Dee Spencer. Blues,Jazz. Score and parts. 2 pages. Dee Spencer #6131463. Published by Dee Spencer (A0.1029255). Gospel meets slick New Orleans Street Band (think Dirty Dozen Brass Band and Trombone Shorty)!  Crowd pleaser that makes a great concert closer and will have the audience dancing in the aisles.  Commissioned for JEN 2020 conference in New Orleans.  Premiere performance by the University of Nebraska-Omaha Jazz Combo.

Handbells Handchimes - Level 2 - Digital Download SKU: H1.3014DP LEVEL 2. Original, Education, Celebration, Festival, General Worship, Adoration & Praise. Handbell score. 12 pages. Hope Publishing - Digital #3014DP. Published by Hope Publishing - Digital (H1.3014DP). Brenda Austin.Original Composition Filled with energy and a variety of techniques, this original composition features a contrasting middle section that makes this a delightful selection for your next festival, concert or worship service. Commissioned by Highland Hills Middle School for their State Music Educators conference performance.

3, 4, 5 or 6 octaves handbells - Level 3- - Digital Download SKU: C7.CGB933 Composed by Cathy Moklebust. General. With flute (or violin), 3, 4, 5, or 6 octaves handchimes. Score. 16 pages. Chorister's Guild - Digital #CGB933. Published by Chorister's Guild - Digital (C7.CGB933). UPC: 749193022276.Commissioned for the Handbell Musicians of America, Area 8 2016 Festival/Conference, Despite the Storm is dedicated to the memory of Cheryl Abney, longtime Area 8 board member. This original composition for handbells, optional handchimes, and optional flute (or violin) features a nautical, Celtic-flavored melody in G minor, with a gentle LV accompaniment. The second section is in C minor, and includes a repetitive, turbulent 16th-note handbell ostinato played over the bass and lower treble handchime melody. The next section returns to the original melody, but now in G major, it is full and chordal, with a soaring flute descant. The work ends with calming singing bells. The two editions for 2-3 and 3-6 octaves are compatible for massed ringing.

Full Orchestra - Level 4 - Digital Download SKU: A0.1025479 Composed by Arashk Azizi. Romantic Period. Score and parts. 38 pages. Arashk Azizi #4797861. Published by Arashk Azizi (A0.1025479). In the eternal day is a program symphony, composed in five movements based on the book the conference of the birds by Attar of Nishapur (13th-century Persian poet).this is the third movement of this epic symphony.

Instrumental Duet Guitar,Instrumental Duet,Voice - Level 3 - Digital Download SKU: A0.784924 Composed by Dennis McCorkle, Adele Paxton. Children,Contemporary,Folk,New Age. Score and parts. 8 pages. DF McCorkle Music and eBook Publications #6112315. Published by DF McCorkle Music and eBook Publications (A0.784924). Key: Bbm, Range: F3 to Db5 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music… The depth of the poetry came right through… Blown away by the setting and musicality… Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com

Small Ensemble,Strings Piano Accompaniment,Viola - Level 3 - Digital Download SKU: A0.786378 Composed by P. P. Bliss, Spiritual. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. Score and parts. 9 pages. Beka Wilson #4572485. Published by Beka Wilson (A0.786378). This viola trio arrangement combines one of P. P. Bliss' hymns with a children's favorite. This is a perfect piece for an offertory, prelude, or missions conference. While this piece is specifically for viola trio and piano accompaniment, the following versions are compatible for other instrumentation:B flat--coming soon!E flat--coming soon!F horn--coming soon!S0. 539986--C treble clef--flute, violin, oboeS0. 540012--C bass clef--trombone, cello, bassoon

TTBB choir, soloists, cello, and piano - Moderately Difficult - Digital Download SKU: MQ.AHM-28-E Composed by Christopher Aspaas. 20 pages. Aspen Hill Music - Digital #AHM-28-E. Published by Aspen Hill Music - Digital (MQ.AHM-28-E). English.Music Makers, Dreamers of Dreams was commissioned by One Voice Mixed Chorus, Minnesota's own and North America's largest LGBT and straight allies chorus under the direction of Jane Ramseyer Miller. The text is a combination of Arthur O'Shaughnessy's Ode, Walt Whitman's Leaves of Grass and an anonymous text spoken at a GALA national conference: We have started a song and it cannot stop. Originally set for baritone soloist, piano, cello and SATB choir, the work seeks to empower singers of all ages through this stirring text setting. This version for tenor/bass voices was commissioned by the Southern California Vocal Association for the 2016 Men's Honor Choir.

Baritone Horn TC,Vocal Solo,Voice - Level 4 - Digital Download SKU: A0.806732 Composed by Jane K (Evgeniya Kozhevnikova). Chamber,Contemporary,Contest,Festival,Opera,Romantic Period. 8 pages. Evgeniya Kozhevnikova #6100609. Published by Evgeniya Kozhevnikova (A0.806732). Written by Jane K (Evgeniya Kozhevnikova) in 2020, I Know I am but Summer to Your Heart is a setting of the text by Edna St. Vincent Millay for voice and piano. The musical setting is dedicated to singer and conductor Joel Snyder. The piece was premiered on October 24, 2020 by Benjamin Schoening and Vivian Doublestein, as a part of ROCC Virtual Conference at the University of Northern Georgia. .

Unison voices or 2-part treble voices or 2-part mixed voices, piano - Moderately Easy - Digital Download SKU: MQ.50-0501-E Composed by Paul D. Weber. Baptism of Our Lord, Lent. Instrument part. 11 pages. MorningStar Music Publishers - Digital Sheet Music #50-0501-E. Published by MorningStar Music Publishers - Digital Sheet Music (MQ.50-0501-E). Written for the 2009 Montreat Conference, this anthem is a lyrical setting of Isaiah 43 for unison or two part choir which may also be sung by an assembly with piano and/or guitar accompaniment. Its comforting text makes this song especially appropriate for a baptism, funeral, or memorial service, as well as for general use. The anthem memorializes a long-time church musician and educator, Herbert Nuechterlein, who compassionately and joyfully led his singers and students. Includes a reproducible page for congregation.

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.784938 Composed by Dennis McCorkle, Adele Paxton. Children,Concert,Contemporary,New Age. Score. 12 pages. DF McCorkle Music and eBook Publications #6190051. Published by DF McCorkle Music and eBook Publications (A0.784938). Key: Bm, Range F3 to F5 The songs from The Walter de la Mare Songbook resulted from an invitation to perform at the first ever conference, Reading Walter de la Mare at Cambridge University, England, 2018. Composing 10 original songs, Adèle Paxton (Classical Soprano) and Dennis McCorkle (Jazz Guitarist) teamed up as the duo Mackie and Me to present their unique sound and song settings of the English poet. Audience comments: Brilliant and creative music…, The depth of the poetry came right through…, Blown away by the setting and musicality…, Echoes of Lorenz Hart and Stephen Sondheim in the brilliant renderings… All poetry of Walter de la Mare has been licensed worldwide by The Literary Trustees of Walter de la Mare and the Society of Authors as their Representatives. Additional titles available: Lucy’s Shoe (or ‘The Lost Shoe’), A Song of Enchantment, The Window, Grill Me Some Bones (or ‘At the Keyhole’), The Song of Shadows, Dust to Dust, Slim Sophia (or ‘Reverie’), Silver, The Bees’ Song, The Listeners The Walter de la Mare Songbook Audio tracks and Ready-to-Sing performance ready backing tracks are available form SheetMusicPlus (see individual titles), Amazon Music, and Apple Music Contact Information: DennisMcCorkle.com

Brass Ensemble - Level 3 - Digital Download SKU: A0.786379 Composed by P. P. Bliss, Spiritual. Arranged by Beka Wilson. Christian,Gospel,Sacred,Spiritual. Score and parts. 9 pages. Beka Wilson #4572499. Published by Beka Wilson (A0.786379). This instrumental trio arrangement combines one of P. P. Bliss' hymns with a children's favorite. This is a perfect piece for an offertory, prelude, or missions conference. While this piece is specifically for treble clef B flat instruments (clarinet, trumpet, tenor sax, etc.) and piano accompaniment, the following versions are compatible for other instrumentation:E flat--coming soon!F horn--coming soon!S0. 539986--C treble clef--flute, violin, oboeS0. 558027--Alto clef--ViolaS0. 540012--C bass clef--trombone, cello, bassoon.

Alto Saxophone,Piano - Level 5 - Digital Download SKU: A0.755072 Composed by Sy Brandon. 20th Century,Contemporary. Score and part. 50 pages. Sy Brandon #3366105. Published by Sy Brandon (A0.755072). Concertino was composed during 2009 at the request of Dr. Andy Wen and premiered by him at the Region 4 NASA Conference in April 2011. This piano reduction of the band parts was completed in 2011. The work is in three movements. The first movement is in an abbreviated sonata form in a spirited Vivace tempo. The first theme group consists more of motives rather than an actual theme and is characterized by interplay between the soloist and the band. The second theme group has a lyrical saxophone line over a staccato bass line. The development begins quietly with the treatment of a syncopated idea from the second theme using a trio of solo saxophone, timpani and euphonium. After further development, a variant of the first theme group returns. The recapitulation consists only of first theme group ideas before ending with a brief coda. The second and third movements are performed with out pause between them. While the first movement was created during 2009, the second and third movements are a reworking of an earlier work by the composer for alto saxophone and piano soloists with orchestra. A rubato Lento theme containing many triplets that is accompanied by lush harmony begins the second movement. It is followed by a more scale-wise melody that is treated contrapuntally. Both these ideas develop during the movement leading to a strong climax before returning to a quiet conclusion. The third movement is an Allegro, once again with a rhythmic opening idea that changes meter often, and a more lyrical second idea with scale-wise passages as counterpoint. The development of these ideas leads to a cadenza for the solo saxophonist, followed by a coda that brings the composition to a rousing conclusion.