Piano Solo - Level 3 - Digital Download SKU: A0.1495308 By Clayderman Richard. By Paul Marie Andre De Senneville. Arranged by Alona Mylanych. Classical. Score. 6 pages. Alona Mylanych #1071820. Published by Alona Mylanych (A0.1495308). Marriage d'Amour is a popular piano piece often associated with romantic themes and is widely recognized for its beautiful, melancholic melody. The piece is frequently misattributed to Frédéric Chopin due to its classical style and emotional depth, but it was actually composed by French pianist and composer Paul de Senneville in 1979.The confusion surrounding the piece also comes from another title, Chopin's Spring Waltz, under which it has been falsely circulated, especially on the internet. However, Marriage d'Amour is purely Paul de Senneville's work, composed for the record label Delphine, which he co-founded with Olivier Toussaint. The piece was originally performed by pianist Richard Clayderman, who is known for his interpretations of romantic and easy-listening piano music.The piece itself is characterized by its flowing, lyrical melody and gentle waltz rhythm, making it a favorite for weddings and romantic occasions. Marriage d'Amour is loved by pianists and audiences alike for its simplicity and the emotional resonance it evokes, making it a timeless and enduring piece in the repertoire of romantic piano music.

Concert Band - Digital Download SKU: A0.1012109 Composed by Jannes Jacobs. Contemporary. Score and parts. 359 pages. Jannes Jacobs #3569171. Published by Jannes Jacobs (A0.1012109). Medioevo is a Composition based on impressions from the dark ages. The composer wrote the piece to take you on a journey through this remarkable period of time.Part 1: The Promised Beginning Land Of Departurethe part opens with a decisive rhythm in the lower brass, woodwind and percussion section. The theme played by the woodwinds is written to give the listeners a middle eastern feeling. This represents the crusades. The higher brass section play a nice and static counter theme.Part 2: Enchanted DominionThis section a bit mysterious and magic, played by mallets and flutes. The theme from the Oboe represents the ghost of a warlock trapped on the dominion. As we pas trough the dominion we need the protection of the church represented by the Harpsichord (clavecimbel) and clarinets.Part 3: The rustling ForestsAfter leaving the Enchanted Dominion we gallop with our horse trough the Rustling Forests. These forest show fast winds and have a lyric theme played by the trumpets and saxesPart 4: The SquareOnce trough the Forests we get to the Village square where the market is on going. We have several sales men selling their goods. These are represented in the themes of the woodwinds. The confusion gets to much and we try to hide from the sales men. The trumpets represent this part in a piano 5/4 movement which bring a big contrast trough the noises from the market place. In the end we need to get through the market place so we find a way to keep the sales men away by playing a wonderful legato melody which the dwarf’s taught us.Part 5: Dwarf’sThese social and kind people have a little village outside of the town where joyful melodies sound from both children as adults and elderly dwarf’s. the themes are divided under the different solo players of the woodwind sections.Part 6: Run or HideAfter a nice time with the Dwarf’s we continue our path but soon we face a large army coming our way. What do we do Run or Hide? This part is full of different melodies and counter melodies to represent the indecisiveness of the Dark Ages.Part 7: NeverlandWe arrive in the land of the elves where the tenor sax and horns play an agitato atmosphere to represent our hart beat when we see these beautiful creatures. The themes from the flutes and euphoniums show the grace and beauty of the elves. While the harp creates an elf like atmosphere.Part 8 The castle Gardenswe arrive in the castle gardens. These gardens are the most beautiful in the whole land. It makes the orchestra say Ahh. While the percussion section gives it a magical feeling. After being amassed we soon find out that these gardens are made for the Authorities and paid by our tax money which gives us a double feeling. Should this money not be better spend on good music?Part 9 Black Powderafter we find out the castle lord wrongly used or tax money we go and find some black powder to blow him up. After being hunted down by the castle lord trying to get some black powder. We find ourselves in the glorious fight.Part 10: Rageour glorious fight with the castle lord continues into an enormous climax where we are stroke down and ends up with a one way ticket to the graveyard.Part 11: The GraveyardThe whole orchestra sings a spiritual song to guide us into the afterlives. An angle comes to collect our soul (represented by the piccolo flute). And slowly or name is forgotten.

Small Ensemble Tenor Saxophone,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.782071 By The B-52's. By Catherine E. Pierson, Cynthia L. Wilson, Frederick W. Schneider, and Keith J. Strickland. Arranged by Caleb Elzinga. Contemporary,Pop,Rock. Score and parts. 8 pages. Aaron Hettinga #6498727. Published by Aaron Hettinga (A0.782071). This arrangement includes a set of freestanding horn parts (Trumpet, Tenor Sax, Trombone) that fit right in with the key and form of the B-52's original recording of Love Shack. None of the parts pose any particular technical challenges so even younger players should be able to manage this as long as they can reach a high C on trumpet or high Bb on trombone.Verses and sections are well marked to ensure performers can stay together with little difficulty or confusion. A great chart to have in the book for any cover band!

Handbell - Level 1 - Digital Download SKU: A0.1049642 Composed by Thomas Haynes Bayly. Arranged by John Wernega. Folk,Instructional,Traditional. Score. 1 pages. John Wernega #654022. Published by John Wernega (A0.1049642). Here is an opportunity for your young ringers to play an arrangement completely written on treble clef! There are two distinct, independent contrapuntal lines, depicted with stems-up and stems-down. This is great for inexperienced young ringers because they are playing harmonies without all the confusion of finding their notes on the page. I premiered this arrangement with my third grade bell choir, so this is tried and tested. Your young ringers will really enjoy the experience of playing this arrangement.

1 Piano,4 Hands,Piano Duet - Level 3 - Digital Download SKU: A0.1485605 Composed by Carl Ditters von Dittersdorf. Arranged by Allan Badley. Classical. Score. 67 pages. Artaria Editions #1062670. Published by Artaria Editions (A0.1485605). The parts are marked carefully although Dittersdorf is not over-detailed in his instructions to the performers. One major lacuna exists in the score: the primo part is missing from bar 42 to 129 in the Finale, in narrative terms, from the rage which culminates in Ajax stabbing himself with Achilles' sword to the miraculous appearance of the purple flowers. The editor has completed this section, basing it in part on earlier material and also on the clues provided in the secondo part. Otherwise, the edition presents few problems: the style and notation of articulation and dynamic markings have been standardised throughout and, where missing from the source, markings have been reconstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Like most eighteenth-century sources, the manuscript is at times inconsistent in its notation of appoggiature; these too have been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Allan Badley.

String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1092059 Composed by Carl Stamitz. Arranged by Artaria Editions. Classical. Score and parts. 37 pages. Artaria Editions #696196. Published by Artaria Editions (A0.1092059). For string quartet Artaria Editions AE021 Edited by Allan Badley 37 pages This is a scholarly edition of a public domain work. This edition is based a copy of the Sieber print now preserved in The British Library in London (Sig. g.412.a.(8.) ). In the absence of both the autograph score and an authentic set of parts,the edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. The style and notation of articulation and dynamic markings have been standardized throughout and,wher e missing,r econstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Like most eighteenth-century sources,the Sieber print is inconsistent at times in its notation of appoggiature ; these too have been standardized to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.

Piano,Voice Duet Piano,Voice - Level 2 - Digital Download SKU: A0.1295808 Composed by John W. Fisher. 21st Century,Christian,Contemporary,Instructional,Religious. 5 pages. John Fisher #886139. Published by John Fisher (A0.1295808). This sermon song duet is based on a sermon  preached by Dr. Paul de Jong at First Presbyterian Church, Fort Myers, Florida,on September 17, 2023.  The sermon was entitled, Who is This ? based on Mark 4:35-5:20.  My song is told from the view point of the disciples who were in awe of what they saw as Jesus calmed the seas and cast out demons into a herd of swine from a man who was possessed.  The disciples, at this point in the Gospel of Mark, were being taught by Jesus directly while the masses got parables.  But they still did not know really who Jesus was.  The duet stresses their  confusion of exactly , Who is He ? It has a haunting melody to express how the disciples must have felt.  My SERMON SONGS are a new genre in religious music in which I take sermon notes and turn them into notes in scores which I hope will be sung in places of worship everywhere.

String Quartet String Quartet - Level 5 - Digital Download SKU: A0.991481 Composed by Michelangelo Rodriguez. 20th Century,Contemporary. Score and parts. 108 pages. Michelangelo Rodriguez Music #2968035. Published by Michelangelo Rodriguez Music (A0.991481). Program Note: Affects, written in 2016, is a piece for string quartet that depicts the human emotions of grief, fear, anger, and sadness. Grief is a moderate paced movement where the different instruments respond to the loss of bond and affection in the human condition. Fear begins with a solo cello line that experiments with tonality. Each instrument is introduced with the same line, essentially building up the tension and confusion that is caused when humans exhibit fear. Anger uses a quick, rushed tempo similar to the fast, exerted force that is caused when humans express anger. Often, humans find themselves acting before they think, which is how the instruments interact with each other in this movement. The string quartet culminates in a slow, brooding movement, Sadness, where the themes are exhibited and built upon in a contrapuntal motion. Humans express sadness with misery, which is shown in the heavy lines of the instruments. The piece ends with a sense of hope, only to be crushed with the sadness that everyone eventually experiences, fading away into nothingness. Duration: c. 18 minutesFor more information, please visit www.michelangelorodriguez.com 

Vocal Solo,Voice - Level 3 - Digital Download SKU: A0.866624 Composed by Wayland Rogers. 20th Century. 8 pages. WR Editions #2025695. Published by WR Editions (A0.866624). From James Joyce's Chamber Music, this poem reflects his confusion about his beloved's behaviors towards him. For high voice and piano. May be sung individually or as part of Five James Joyce Poems or as one of 18 in James Joyde's Chamber Music for choirs, soloist and piano.

Choral Choir,Choral,SATB Chorus - Level 4 - Digital Download SKU: A0.1428554 Composed by Kevin G. Pace (ASCAP), Mark R. Fotheringham. Christian,Praise & Worship,Religious,Sacred,Spiritual. 3 pages. Kevin G. Pace #1009344. Published by Kevin G. Pace (A0.1428554). A monumental, sacred hymn with music by Kevin G. Pace and text by Mark R. Fotheringham.Text:May the bright love of God help me seeAll that my Savior has done for me.Lighting my way through a world of confusionTo see my path clearly ahead.Clearing the fog from my spirit and weeds from my way,To see my path clearly before me.May the bright love of God bless my soul,Nourish with waters to make me whole.Planted in places enriched with God's blessing,I rise with each blooming of faith.Fed by the Word of the Lord and His unfailing HandI rise with my faith ever blooming.May the bright love of God fill my heart,Brighter it grows as I do my part,Lending a warmth to the service I offerAs sunshine to flowers in Spring.Melting the frost of indifference through service and loveAs sunshine to flowers in Springtime.May the bright love of God bring me home,Never again in sin's fields to roam,Finally gathered as grain to His garner,A place where perfection is sown.Basking with awe in the glory of God and His Son,A place where perfection is growing.

Concert Band - Digital Download SKU: AX.00-PC-0015817_PC2 2nd Percussion. Composed by Roland Barrett. Instructional. Part. 1 pages. Alfred Music - Digital Sheet Music #00-PC-0015817_PC2. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0015817_PC2). UPC: 038081459592.A musical depiction of a state of utter confusion. There's order in that jumble of sound. Great fun for every first-year ensemble, the work has segments of unpredictable sound. You can predict a tremendous response without fail! (1:15)Concert/Contest; Festival.

SATB Chorus, Piano, Flute, Trumpet, Shaker - Digital Download SKU: IZ.VMF222 Composed by Robert M. Shearn. Score and Parts. 19 pages. Imagine Music - Digital #VMF222. Published by Imagine Music - Digital (IZ.VMF222). 9 x 12 inches.Easter Morn functions best in a worship setting during the Easter season. However, it has been used, on occasion, in a concert setting as well. Within liturgy or other worship settings, it is best used as a reflection piece: an affirmation song following the proclamation of the Gospel, or as a thanksgiving piece following the communion rite. While a full SATB choir, with piano, flute, percussion, and brass can yield splendid results, Easter Morn is easily adaptable for use during a simple outdoor sunrise service using guitar and vocals, or with light instrumentation. The tenor of the piece is festive and joyful, yet, somewhat subdued. Fear and confusion initially gripped the women disciples who discovered the tomb empty and first heard the angel's question, “why do you seek the living among the dead? It was not until later when the words of Jesus regarding his resurrection sunk in: “just as he said, JUST AS HE SAID, that their joy overflowed in a chorus of alleluias! Navigating this tension, and capturing this dynamic is key to an effective performance of the piece.

Drum Set,Electric Bass Guitar,Electric Guitar,Piano Accompaniment,Synthesizer - Level 4 - Digital Download SKU: A0.1105120 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Folk,Rock. Full Performance. Duration 215. David Kai #708367. Published by David Kai (A0.1105120). This fun song was written when heart transplants were fairly new and still in the news. The song depicts the healing ministry of Jesus brought into modern times. Since people like to put music into categories, the style could be roughly described as being country/bluegrass/synth-driven/gospel pop, which might make it pretty unique! The song was first recorded by the Christian rock group, Whitestone. The Great Healer words and music by David Kai ©1980 I’ve had a heart transplant with a bit of a difference, it may seem rather odd No scalpel, no surgeon, no anesthetic, just between me and God And now a new life beats inside of me, it’s more than mere words can describe My heart keeps time to the rhythm of the Spirit inside Well I went fishing for the truth to life, but I opened up a can of worms False religions and philosophies, misleading me at every turn Well I soon realized that knowledge is fine, but it’s really just a place to start ‘Cause you can change your mind but it’s God that has to change your heart Chorus: Yes, he’s the great healer, in a world of pain and strife He’s the great healer, and he can mend a broken life And though your hurts be too much to bear He can heal your wounds with his loving care And give you a new life that will never die So if you feel that you’ve lost all your reason to live Good and bad look the same And you’re walking around more dead than alive Life clotting up in your veins Just end your confusion, accept a transfusion of love from the heavenly Lord And to your surprise you’ll find that you have been restored Chorus:.

Clarinet - Digital Download SKU: A0.1103408 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Chamber,Patriotic. Full Performance. Duration 176. David Warin Solomons #706676. Published by David Warin Solomons (A0.1103408). Based on a South African liberation song in Zulu Aya ngena = They Come In, Aya phuma = They get out, Aya didizela = They're in a state of confusion, Aye sab' amagwala = The cowards are scared. Each instrument has a turn at being the soloist with various variations and the other parts go round, until the end section gives each instrument the start of the solo passage in a close canon.

String Quartet Cello,String Quartet,Viola,Violin - Digital Download SKU: A0.1092723 Composed by William Shield. Arranged by Artaria Editions. Classical. Score and parts. 32 pages. Artaria Editions #696829. Published by Artaria Editions (A0.1092723). For string quartet Artaria Editions AE223 Edited by Robert Hoskins 32 pages This is a scholarly edition of a public domain work. The present work was published by William Napier in 1782 under the inspection of Shield himself. No autograph score survives and Napier's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus 177c.69, is the only source of this edition. The title-page, which mistakenly prints 'flute' for 'oboe' reads: Six / QUARTETTOS / five for two / Violins a Tenor & Violoncello / and one for a / Flute, Violin Tenor, / and / VIOLONCELLO / Composed & humbly dedicated to the / Right honorable / LORD KINNAIRD / by / William Shield. / Op.III. [swelled rule] Pr. 10:6 / Printed for Wm Napier No 474 Strand. This edition presents as faithfully as possible the intentions of this source. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.