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Handbell - Level 1 - Digital Download SKU: A0.1049642 Composed by Thomas Haynes Bayly. Arranged by John Wernega. Folk,Instructional,Traditional. Score. 1 pages. John Wernega #654022. Published by John Wernega (A0.1049642). Here is an opportunity for your young ringers to play an arrangement completely written on treble clef! There are two distinct, independent contrapuntal lines, depicted with stems-up and stems-down. This is great for inexperienced young ringers because they are playing harmonies without all the confusion of finding their notes on the page. I premiered this arrangement with my third grade bell choir, so this is tried and tested. Your young ringers will really enjoy the experience of playing this arrangement.
Long, Long Ago- for 2 Octave Bell Choir
Cloches

$1.99 1.71 € Cloches PDF SheetMusicPlus

Concert Band - Level 2 - Digital Download SKU: A0.849029 Composed by Cory J. McBride. Arranged by Cory J. McBride. Standards. Score and parts. 88 pages. Cory J. McBride #5968273. Published by Cory J. McBride (A0.849029). Grade 3  'Where Grace and Melody Resound' depicts the challenging journey of grieving and the many colors that this process can sometimes portray. Through various stages of calm, confusion, anger, and frustration dealing with the hardship we face, as well as the peace, tranquility, and triumph of effectively processing our thoughts and feelings, this ever changing work will take you on an emotional journey. The main theme (Amazing Grace) is ever present alongside a secondary theme (Twinkle Twinkle Little Star) often hidden in the background.
Where Grace and Melody Resound
Orchestre d'harmonie

$70.00 60.16 € Orchestre d'harmonie PDF SheetMusicPlus

String Quartet String Quartet - Digital Download SKU: A0.1092053 Composed by Carl Stamitz. Arranged by Artaria Editions. Classical. Score and parts. 19 pages. Artaria Editions #696191. Published by Artaria Editions (A0.1092053). For string quartet Artaria Editions AE019 Edited by Allan Badley 19 pages This is a scholarly edition of a public domain work. This edition is based a copy of the Sieber print now preserved in The British Library in London (Sig. g.412.a.(8.)). In the absence of both the autograph score and an authentic set of parts,the edition presents as faithfully as possible the intentions of the composer as transmitted in the Sieber print. The style and notation of articulation and dynamic markings have been standardized throughout and,wher e missing,r econstructed from parallel passages. These are indicated by the use of dotted slurs or brackets where appropriate. Like most eighteenth-century sources,the Sieber print is inconsistent at times in its notation of appoggiature ; these too have been standardized to minimize confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets.
String Quartet in D major, Op. 14, No. 3 - Score Only
Quatuor à cordes: 2 violons, alto, violoncelle

$28.00 24.06 € Quatuor à cordes: 2 violons, alto, violoncelle PDF SheetMusicPlus

Easy Piano - Level 1 - Digital Download SKU: A0.1353370 Composed by Ludwig van Beethoven. Arranged by RIS. Classical,Contemporary,Early Music,Historic,Traditional. Score. 1 pages. RISsounds #938124. Published by RISsounds (A0.1353370). 🎼 Dive into the enchanting world of Beethoven's Fur Elise with our meticulously crafted Easy Piano arrangement sheet music, designed for both beginners and more advanced players! 🎹🌟 Key Features: 1ï¸âƒ£ Accessible for Beginners: Our sheet music simplifies the learning process, breaking down the iconic melody into an easy-to-follow format. Perfect for pianists at any skill level, this arrangement caters to those who are just starting their musical journey.2ï¸âƒ£ Improvisation Opportunity: Embrace the creative side of playing piano! The left hand in this arrangement is deliberately left open for improvisation, allowing more advanced players to add their personal touch to the piece. It's a great way to explore your musical expression and take your skills to the next level.3ï¸âƒ£ Clear Right Hand Melody: The right hand melody is precisely notated on the staff, providing clarity for beginners who may be new to reading sheet music. This ensures a seamless learning experience, allowing players to focus on mastering the iconic melody without any confusion.4ï¸âƒ£ Perfect for Piano Enthusiasts: Whether you're a fan of classical music or simply love the timeless beauty of Fur Elise, our sheet music allows you to recreate this masterpiece in the comfort of your own home. Share the joy of playing this classic tune with friends and family!🔠Unlock the Musical Magic: Our Easy Piano arrangement is expertly optimized for search engines, ensuring that you find this sheet music easily. Elevate your piano playing experience with Fur Elise and explore the world of musical expression like never before.🎵 Ready to embark on your musical journey? Download our Easy Piano sheet music now and let the magic of Fur Elise come alive at your fingertips!
Fur Elise
Piano Facile

$4.99 4.29 € Piano Facile PDF SheetMusicPlus

SATB Chorus, Piano, Flute, Trumpet, Shaker - Digital Download SKU: IZ.VMF222 Composed by Robert M. Shearn. Score and Parts. 19 pages. Imagine Music - Digital #VMF222. Published by Imagine Music - Digital (IZ.VMF222). 9 x 12 inches.Easter Morn functions best in a worship setting during the Easter season. However, it has been used, on occasion, in a concert setting as well. Within liturgy or other worship settings, it is best used as a reflection piece: an affirmation song following the proclamation of the Gospel, or as a thanksgiving piece following the communion rite. While a full SATB choir, with piano, flute, percussion, and brass can yield splendid results, Easter Morn is easily adaptable for use during a simple outdoor sunrise service using guitar and vocals, or with light instrumentation. The tenor of the piece is festive and joyful, yet, somewhat subdued. Fear and confusion initially gripped the women disciples who discovered the tomb empty and first heard the angel's question, “why do you seek the living among the dead? It was not until later when the words of Jesus regarding his resurrection sunk in: “just as he said, JUST AS HE SAID, that their joy overflowed in a chorus of alleluias! Navigating this tension, and capturing this dynamic is key to an effective performance of the piece.
Easter Morn
Chorale SATB

$16.00 13.75 € Chorale SATB PDF SheetMusicPlus

Instrumental Duet,Lever Harp - Level 3 - Digital Download SKU: A0.803886 Composed by John Francis Wade. Arranged by Serena O’Meara. Christmas,Holiday,Renaissance,Sacred,Traditional. 12 pages. O'Meara Music #5325977. Published by O'Meara Music (A0.803886). There is confusion as to who is the exact composer of this melody. Perhaps it was an anonymous Cistercian Monk, or King John IV of Portugal (1604-1656), or John Reading (1645-1692) or John Francis Wade (1711-1786). The first published version of it was in 1751 by John Francis Wade, a Scottish scholar of plainchant so he is often given credit as its composer. This arrangement has three verses of increasing difficulty; each using harmonics in the quiet sections. The dynamics are clearly marked. The melody is divided evenly between parts. The easier Trio version can be played along with this duet version to give 5 parts. You will receive the Score, Harp I, and Harp II.
O Come, All Ye Faithful, Harp Duet
2 Harpes (duo)

$8.00 6.88 € 2 Harpes (duo) PDF SheetMusicPlus

String Trio Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1488228 Composed by William Shield. Arranged by Robert Hoskins. Classical. 27 pages. Artaria Editions #1065115. Published by Artaria Editions (A0.1488228). Shield's Trios, written for a continental audience, are seminal works in the composer's output and mark a new level of compositional attainment in the English chamber music repertory. Technically, they contain a wide variety of ideas which are developed with great ingenuity through a wide range of keys, dynamic contrasts and timbral effects. Aesthetically, they blend 'popular' and 'learned' taste along with 'orchestral' splendour and 18th century notions of beauty. The Trios present a dazzling range of moods and style with each work demonstrating Shield's mastery of the idiom, both in his treatment of individual instruments and in the handling of textures. While there is no shortage of melody and accompaniment, in which the violin takes the lead, there are many memorable solos for the viola and the cello in its high register. The wide range of textures includes melodic decoration, dialogue, contrast of high and low register, legato and staccato, powerful unison and double octaves. Shield's ability to incorporate arioso-like melody, the prevailing 'symphonic' style and folk elements was largely achieved through the cross-generic requirements of English comic opera (a form to which Shield devoted himself during the whole of his creative career). In general, Shield's technique results in a firm control of the way music moves - with sometimes a surprising degree of stylistic restlessness and sometimes of unexpected plainness and simplicity. The trios Shield selected for publication were issued by Longman and Broderip, London, in January 1796 under the inspection of the composer. No autograph of these works survives and Longman and Broderip's printing, a copy of which is preserved in the Bodleian Library, Oxford, under the call number Mus.Instr.I 214(15), is the only source of this edition. The title page, with its dedicatory inscription, reads: Six / TRIOS / FOR / Violin, Tenor and Violoncello, / Composed / And Inscribed to the Memory of / Jacob More Esqr. / By / Wm. SHIELD./ (Musician in Ordinary to His Majesty) / Entd. At Statn. Hall [rule] Price 10/6 / ADVERTISEMENT / These Trios were Composed chiefly for the abovementioned Celebrated Landscape Painter (in Rome) / And are Dedicated to his Memory as a Token of Gratitude for the Services he rendered the Author / during his Residence in that City. The movements which are written in the uncommon Time / of 5/4 have amused some of the most distinguished Professors both in England & Italy which / induces the Author to hope they will not be disagreeable to the Public at Large / Goodge Street, Jany. 1st 1796 / [rule] / London, Printed for the Author by Longman & Broderip, No.26, Cheapside & No.13, Haymarket. Shield's three previously unpublished string trios are preserved in autograph score in the British Library under the call number Ms.Add.51015; they provide the only source for this edition. This present edition presents as faithfully as possible the intentions of these sources. The style and notation of articulation and dynamic markings have been standardised throughout and, where missing, markings have been reconstructed from parallel passages. The notation of appoggiature has also been standardised to minimise confusion. Obvious wrong notes have been corrected without comment; editorial emendations with no authority from the source are placed within brackets. Robert Hoskins.
String Trio No. 3 in A major
Trio à Cordes: violon, alto, violoncelle
/ Wm SHIELD
$49.00 42.11 € Trio à Cordes: violon, alto, violoncelle PDF SheetMusicPlus

Flute Duet Flute - Level 3 - Digital Download SKU: A0.811771 Composed by Robert Valentine (1671 - 1747). Arranged by Edited by Pat Spence. Baroque,Concert,Graduation,Standards,Wedding. Score. 22 pages. Piper Publications #6096735. Published by Piper Publications (A0.811771). The set of 6 sonatas for two flutes were first published by John Walsh in London, a clear indication that Robert enjoyed a Europe wide reputation as a composer and performer. They are in the Baroque style written for two equal players of intermediate ability.The dynamic markings are few as the custom of contrasting dynamics on repeated sections was well known. The dynamics in parentheses ( ) are suggestions only as are the dashed phrasings. The original publication was of separate part books. The repeated sections were only indicated in part two which probably caused some initial confusion! The current edition is in playing score format. The sonatas are also suitable for pairs of oboes or violins.
VALENTINE (1671 - 1747) THREE SONATAS FOR 2 FLUTES OPUS 6
2 Flûtes traversières (duo)

$8.00 6.88 € 2 Flûtes traversières (duo) PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 5 - Digital Download SKU: A0.767553 Composed by Mike Lyons. Contemporary,Standards. 56 pages. Lyons Music Services #5827839. Published by Lyons Music Services (A0.767553). This brand-new piece for wind quintet came about through the coronavirus lockdown and my observations of our UK politicians and how they behaved (One rule for them...) In terms of the music, each line is related to other lines through patterns of 5, 7 or 9 beats (or half beats). Each repetition of the pattern starts with all the instruments in that particular group playing on the first beat. As the music progresses and develops, motifs appear out of the combinations of these beats with each other. Gradually, these patterns and motifs develop melodies which then form the backbone of the piece. The first section (I hesitate to use the term movement) labelled Plotting develops a character of wiliness. It represents, in its twisting strands, the plotting of politicians to aggrandise themselves. The bottom 3 parts form an 'undercurrent' to the music as the 5,7 and 9 beat counts overlap and process. The flute and oboe, meanwhile, generate the first melodic strand - which becomes important in the later movements. The opening quaver patterns are passed around the whole ensemble, keeping the rhythmic pulse going. It slips between the anchoring notes of the lower 3 parts, as well as being essential to the development of the flute and oboe melodic material and stopping the bassoon part being too boring! The long winding, rising and falling line on the oboe and flute is deliberately ambiguous in its tonality, leading one to feel it strives upwards, but then loses its way. The frequent dissonances as this line crosses itself in the other parts represents the effect of all the plotting on ordinary people. Before letter B, there are a couple of brief hints of Dies Irae, but I didn’t want that idea to dominate too much. After B and into C, we get the day-to-day chitchat in Westminster, with interjections from many voices proclaiming their message, trying to persuade their colleagues and just leading to confusion and tonal extremism. From letter C to the end of the section is an extended accel/stretto as the discussion gets more heated. Section 2 is titled Scheming. The tempo is faster than the previous section, but the pace is slower. More motives have formed and developed organically out of the rhythm and pitch patterns. The 5/7/9 cross rhythms are now at double speed, giving a fiercer drive to the music. The bassoon and horn, for now, adhere to the longer pulse of the first section, providing something of a harmonic underpinning. At bar 101, the long but now slightly broken narrative line of the first movement returns in modified form. This now provides a backdrop for the rhythmic bartering and ‘back and forth’ of the political day. The section reaches a climax as the political bickering becomes rowdier. Section 3 begins in a relatively happy mood. The bassoon has a jolly capering little motif, later taken up by other members of the ensemble. There are hints of English folk tune-ness in the resulting conversation, perhaps emphasised by the overlays of this pleasant melody from letter D. Letter E is a ‘turning point’ as all the rhythmic pulses finally align again. This is the first time all five parts have played on the same beat since the opening. At Letter G, a pulsing drone is added to the mix, using the quaver version of the pulse. Perhaps representing the soring of politicians. There is a parallel drone added at letter H, these drones use the 5 (bassoon) and 7 (horn) beat pulses. The result is a solid underpinning of the rhythmic and melodic ideas in the upper 3 parts. After letter I comes a reprise of the spritely bassoon motif with dissonant harmonies as the discussion becomes more heated. The little semiquaver figures have the rhythm Mr. Speaker as members of the house shout for attention. In the repeat bars, we hear the Speaker shout Order! Letter J provides an altered reprise of the begi.
Wind Quintet - One Rule
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$35.00 30.08 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus






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