Piano Solo - Level 4 - Digital Download SKU: A0.730176 Composed by James Nathaniel Holland. Contemporary,Jazz. Score. 56 pages. James Nathaniel Holland #442835. Published by James Nathaniel Holland (A0.730176). New and fresh 21st century piano music. Melodic, sentimental and traditionally based but with modern harmonies and touches of jazz. Enjoyable to play and listen to. Combine and contrast with musical masters of the past. Perfect to include contemporary music into piano your recitals. James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. Born and raised in Indiana, he studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Demo video presentations: Piano Sonata No. 1: https://www.youtube.com/watch?v=JA7UBs7VuvQ Piano Sonata No. 2 The Viennese: https://www.youtube.com/watch?v=bZ6J21Ksxng Piano Sonata No. 3: https://youtu.be/KQyWRVEKDJU.

Full Orchestra - Level 5 - Digital Download SKU: A0.730465 Composed by James Nathaniel Holland. Contemporary,Holiday,Jazz,Patriotic. Score and parts. 220 pages. James Nathaniel Holland #3630023. Published by James Nathaniel Holland (A0.730465). (Duration: 25 minutes) Full Orchestral Score (in Concert Pitch) and Individual Instrument Parts. (Including solo piano part, revised 2018)James Nathaniel Holland is an American classical music composer of operas, symphonies, ballets, songs, and other musical concertworks that incorporate a unique, eclectic, blend of romantic, classical, world and jazz styles. In this second of his piano concerto, he blends jazz with sensitivity, rhythmic to lyrical.  Nice program compliment with any Mozart piano concertos or with Gershwin's Rhapsody in Blue to feature American composers.This concerto is entitle New York Tour because like the city that inspired it, it travels throughout times, musical neighborhoods and cultures. YouTube presentation: https://www.youtube.com/watch?v=eAKDrGPLa3g Instrumentation: picc, fl., ob.12, clBb 12, Bsn12, Hrn 123, Tpt 12, Trmb. 12, Tba, Timp, Perc (glock, bass drum, small gong, s. cym w/mall and stl., slapstick, tri., hh) Piano solo, strings.Born and raised in Indiana, James Nathaniel Holland studied music at DePauw University, Vienna Austria, Interlochen National Music Camp and Indiana University (Bloomington, IN). At these schools many of his early pieces were premiered and performed, with one work being selected for main-stage production in the season. Moving to Los Angeles and then settling in New York, he performed professionally sometimes as a singer, sometimes as a pianist, sometimes as choral conductor. He composed incidental music for the stage. In 2002 he founded a composers collective where they showcased their work. He was one of the first composers to participate in the American Music Center's initial on-line library. The New Jersey Concert Opera and the Gay Men's Chorus of New Jersey also featured his comic operas and art songs. From 2005 he moved to Costa Rica where he organized concerts with visiting guest artists to present his chamber music to the public. Presently he lives in a castle in the central mountains of Costa Rica. Website: http://www.lacoronadelossantos.net/jamesnathanielholland.html YouTube Channel: https://www.youtube.com/user/composerjnholland

Piano,Viola - Level 3 - Digital Download SKU: A0.549441 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 14 pages. Jmsgu3 #3494681. Published by jmsgu3 (A0.549441). Score: 7 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.    

Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549445 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 15 pages. Jmsgu3 #3497127. Published by jmsgu3 (A0.549445). Score: 10 pages, solo part: 2 pages, piano part: 3 pages. Duration: 4:25. Not difficult, but requires sensitivity & dynamic control. Suitable for recitals, church meditations, or school programs. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  

Piano,Violin - Level 3 - Digital Download SKU: A0.549439 Composed by Sir Arthur Seymour Sullivan. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. 14 pages. Jmsgu3 #3494667. Published by jmsgu3 (A0.549439). Score: 9 pages, solo part: 2 pages, piano part: 4 pages. Duration: 4:18. Suitable for a recital of church meditation. School Years First of all, Sullivan attended music school at the Royal Academy of Music. Because Sullivan was so talented, the Academy awarded him the Mendelssohn Scholarship for two years in a row. He, therefore, studied with John Goss, who studied with Thomas Atwood, who in turn studied with Mozart. Sullivan similarly studied the piano at the Academy with Arthur O’Leary. Study Abroad During his first year, he also earned money by singing solos in the Chapel Royal. At the end of his second year, the Academy consequently continued his scholarship and sent him to study at the Leipzig Conservatoire. He certainly studied composition, and likewise counterpoint and piano. Hence, during his final year in Leipzig, Sullivan finally completed his graduation composition project: Incidental Music for Shakespeare’s The Tempest. Association with Gilbert It seems like Sullivan built the bulk of his composing career largely in the 1860s. As a result, he became famous for his incidental music for the Tempest and his Irish Symphony. He, therefore, began collaborating with the poet W. S. Gilbert in the 1870s. Rather than focus on serious opera, Gilbert and Sullivan, in contrast, concentrated on comic operas such as H. M. S. Pinafore, the Pirates of Penzance, and the Mikado. Therefore, certainly as a result of his education and experience, Sullivan composed a total of 24 operas, 11 symphonic works, and 10 choral pieces. Even more, he wrote a large number of noteworthy hymns such as Onward Christian Soldiers. Lost Chord The general style of his music is maybe similar to Mendelssohn, Schumann, and perhaps Liszt. It seems like Sullivan was fond of writing distinct melodies for each character in his operettas. His melodies combine together as the characters did. Furthermore, he was a master orchestrator, and therefore played the flute, clarinet, trumpet, and trombone fluently. The Lost Chord Sullivan wrote his most noteworthy song the Lost Chord in 1877. As a result, it was a great success and was certainly performed all over the world by a variety of singers such as Enrico Caruso. Because Sullivan was the most famous composer in England, the Lost Chord became the most famous of all British or American songs of the 1870s and 1890s. Consequently, in 1888 Thomas Edison recorded The Lost Chord for the phonograph. It was one of the first songs ever recorded. Furthermore, Queen Victoria knighted Sullivan in 1883.  

Brass Ensemble Baritone Horn TC,Cornet,Euphonium,Tuba - Level 3 - Digital Download SKU: A0.1174943 By John Denver and Placido Domingo. By John Denver. Arranged by Rita Arendz. 20th Century,Contemporary,Contest,Festival,Pop,Wedding. Score and parts. 16 pages. Rita Arendz #775075. Published by Rita Arendz (A0.1174943). Combining the genres of folk and soft rock, John Denver penned Perhaps Love as a love letter to his wife, Anne Martell, during their separation in the early 1980s.Written and recorded in 1981 as a duet with opera tenor, Placido Domingo, there was some concern about the chart getting on the air.  It became its own genre of popera, which led to such groups as The Three Tenors.   By 2008, the song sold nearly four million copies.This arrangement for Brass Quintet with an optional Drum kit is great for Valentine's Day, weddings, anniversaries, and concerts.  The parts are for British Brass Band instruments with orchestral brass alternate parts.Duration 3:00  16 pages.

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1369244 Composed by John Philip Sousa. Arranged by Edition Maulwurf. 19th Century,March,Opera. 16 pages. Edition Maulwurf #953598. Published by Edition Maulwurf (A0.1369244). The Charlatanfrom the operatta of the same nameMarch (1898)Music by: John Philip Sousa (1854-1932)arrangement for brass quintet2 trumpets (Bb), horn (F), trombone, tubaduration: ca. 2:45 min.grade: intermediate score and partssee also for more arrangements:https://www.edition-maulwurf.dehttps://www.instagram.com/maulwurfedition

C Instrument,Instrumental Solo,Piccolo,Synthesizer - Level 4 - Digital Download SKU: A0.1212146 Composed by See description. Arranged by Tim Labor. 19th Century,Classical,Contemporary,Instructional,Opera. Individual part. 65 pages. Tim Labor #809664. Published by Tim Labor (A0.1212146). Patented in 1928 by Russian/Soviet television and surveillance researcher Leon Theremin, the instrument named for him is one of the world’s oldest electronic musical instruments.As a performer, the Thereminist pays some prices. They do not touch their instrument when playing, they cannot operate the device with people in range of the sensors (there are no Theremin sections in symphony orchestras), and compared to other instruments there are few teachers. Learning to play a Theremin is a lonely experience.Enter the public domain and the Digital Age, where increased online resources for listening to music on free streaming services and other platforms, form a special opportunity to jam.The Theremin Play-Along Book is a collection of twenty-eight imaginary parts for classical compositions that allow the Thereminist to solo along with existing recordings, integrate into a Western orchestral or chamber concert, or hone playing and listening skills by singing in an online shower. The volume includes selections from Puccini, Verdi, Faure, Debussy and even adaptations of Wagner's Liebestod and Rimsky-Korsakov's Flight of the Bumble Bee.

Brass Ensemble Euphonium,Horn,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.802524 By John Denver and Placido Domingo. By John Denver. Arranged by Peet du Toit. Rock. Score and parts. 10 pages. Peet du Toit #5765993. Published by Peet du Toit (A0.802524). Here's a great crossover of 'popera', with John Denver's smooth country ballad-style voice and with the trained classical opera voice of maestro Placido Domingo. At first it was thought that it would be impossible to broadcast this collaboration over the radio, but to the producers' surprise, it went 'viral'. The song was dedicated to Denver's wife (Annie Martell) as they went through a divorce. Transcribed for a brass quintet, you'd have the opportunity to portray both the beauty of love and brass. Enjoy!

Brass Quintet Horn,Trombone,Trumpet,Tuba - Level 3 - Digital Download SKU: A0.1379606 Composed by John Philip Sousa. Arranged by Edition Maulwurf. 19th Century,Opera. 30 pages. Edition Maulwurf #964307. Published by Edition Maulwurf (A0.1379606). The Smugglers Ouverturefrom the operatte The Smugglers (1881)Music by: John Philip Sousa (1854-1932)arrangement for brass quintet2 trumpets (Bb), horn (F), trombone, tubaduration: ca. 4:30 min.grade: intermediate score and partssee also for more arrangements:https://www.edition-maulwurf.dehttps://www.instagram.com/maulwurfedition

Large Ensemble - Level 3 - Digital Download SKU: A0.553910 Composed by Sir Arthur Seymour Sullivan. Arranged by Ray Thompson. 20th Century,Broadway,Musical/Show,Opera,Standards. Score and parts. 33 pages. RayThompsonMusic #6083851. Published by RayThompsonMusic (A0.553910). H.M.S. Pinafore; or, The Lass That Loved a Sailor is a comic opera in two acts, with music by Arthur Sullivan and a libretto by W. S. Gilbert. It opened at the Opera Comique in London, on 25 May 1878 and ran for 571 performances, which was the second-longest run of any musical theatre piece up to that time. H.M.S. Pinafore was Gilbert and Sullivan's fourth operatic collaboration and their first international sensation.Arranged for double wind quintet and bass. Flute 2 has the fun piccolo part!

Choral Choir,Choral (SATB) - Level 4 - Digital Download SKU: A0.955866 Composed by Giuseppe Verdi. Arranged by Scott S. Stewart. Opera. 10 pages. Scott S. Stewart #6504223. Published by Scott S. Stewart (A0.955866). The Brindisi (drinking song), Libiamo ne’ lieti calici (Let’s drink from the joyful chalices) is the famous duet from the Italian opera La traviata (1853) by Giuseppe Verdi, and perhaps one of the best known opera melodies in all the operatic repertoire.  This ‘arrangement’ is a practical performance arrangement scored for (reduced to) 4-part SATB ensemble with piano accompaniment; its aim is to ease the work of the pianist not having to deal with the many necessary page turns.  it also is a practical alternative for an SATB solo quartet to perform as an ensemble.  It is in the original Italian text. Performance time: 2:48+

Brass Ensemble - Level 3 - Digital Download SKU: A0.740278 By The Usaf Band. By Giacomo (Dp) Puccini and Giacomo Puccini. Arranged by Craig Garner. Contemporary. Score and parts. 22 pages. Dorm 40 Music #4413145. Published by Dorm 40 Music (A0.740278). This arrangement is part of the Chicago Gargoyle Brass &  Organ Ensemble Signature Series. Nessun dorma (None shall sleep) is  an aria from the final act of Giacomo Puccini's opera Turandot and is one of the best-known arias in all of opera. Although Nessun dorma has long been a staple of  operatic recitals, Luciano Pavarotti popularized the piece well beyond the world  of opera with his many recordings and live performances. Nessun  dorma became his signature aria. Nessun dorma also appeared on the best selling classical album of all time, The  Three Tenors in Concert. However, our favorite  version will always be the soul-infused rendition by Aretha  Franklin during the 1998 Grammy Awards, in which she sang in place of Luciano Pavarotti when he was unable to  perform due to throat problems. This arrangement for brass  quintet, organ, timpani/suspended cymbal, includes a full score, organ, percussion and brass parts (trumpet parts are provided for both B-flat and C; percussion part is designed for one player). Perfect  for any concert and it makes a great encore, as well! And, if you want to add voices,  we’ve got you covered. Dorm 40 Music has also published a version for mixed  choir (SATB), brass quintet, organ and percussion. And, it is available for  sale on Sheet Music Plus. Performance time, 2:45. Published by Dorm 40 Music, www.dorm40music.com.

Instrumental Solo,Piano - Level 2 - Digital Download SKU: A0.1391224 By Christopher Alexander. By Michael William Balfe. Arranged by Christopher Alexander. Opera,Standards,Traditional. Score and individual part. 12 pages. Christopher Alexander #974755. Published by Christopher Alexander (A0.1391224). Also known as The Gypsy Girl’s Dream, this aria comes from the 1843 opera The Bohemian Girl. Though the opera’s popularity has faded over time, this tune became a standout hit and still well-known to this day. It has been covered and performed by many artists around the world, most notably operatic soprano Dame Joan Sutherland and Irish singer Enya. The beautiful lyricism of the work creates a dream-like atmosphere that performers and audiences alike can find their own hope and peace.I Dreamt I Dwelt in Marble Halls is included in the collection:Songs Without Words: Ten Popular Songs Arranged for Solo Instrument with Piano Accompaniment

Voice Duet Voice - Level 4 - Digital Download SKU: A0.955865 Composed by Giuseppe Verdi. Arranged by Scott S. Stewart. Opera,Standards. 8 pages. Scott S. Stewart #6504233. Published by Scott S. Stewart (A0.955865). The Brindisi (drinking song), Libiamo ne’ lieti calici (Let’s drink from the joyful chalices) is the famous duet from the Italian opera La traviata (1853) by Giuseppe Verdi, and perhaps one of the best known opera melodies in all the operatic repertoire.  This ‘arrangement’ is a practical performance arrangement scored for (reduced to) soprano & tenor voices with piano accompaniment; its aim is to ease the work of the pianist not having to deal with the many necessary page turns.  It is in the original Italian text. Performance time: 2:31+