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Guitar - Advanced - Digital Download SKU: ZZ.DZ-4287 Composed by Francisco Braga. Arranged by Luciano Lima. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4287. Published by Les Productions d'OZ - Digital (ZZ.DZ-4287). ISBN 9782898522048.Antônio Francisco Braga (1868-1945) belongs to the generation of Brazilian composers of the first republican period, aesthetically tied to romanticism, alongside Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914), and Barrozo Neto (1881-1941). Born in Rio de Janeiro, on April 15th, 1868, he began his musical studies at the Asilo dos Meninos Desvalidos, in 1876. In 1883, he enrolled at the Imperial Conservatório de Música where he studied harmony and counterpoint with Carlos de Mesquita – a former student of César Franck, Durand, and Massenet – and clarinet with Antônio Luís de Moura. Braga's first compositions date from this period: Sonho de Dante (1885), Dolce far niente (1886), the first Valse Romantique for piano (1886), among others.In 1887, he premiered his first symphonic work, Fantasia-Abertura. In 1890, being one of the finalists in a competition to choose the new Brazilian national anthem, Braga was awarded a scholarship to study in Europe, where he took classes with Jules Massenet at the Paris Conservatory. During this period, he wrote some of his most important symphonic works, Paysage, Cauchemar, Episódio Sinfônico, and Marabá (which was performed by Richard Strauss and the Vienna Philharmonic in 1920, in Brazil). His opera Jupyra is considered one of the greatest Brazilian compositions of that genre.Back in Brazil, he was appointed professor of counterpoint, fugue, and composition at the Instituto Nacional de Música, in 1902. There, some of the finest Brazilian composers studied with him, like Glauco Velásquez and Lorenzo Fernândez.Braga wrote operas, symphonic works, songs, sacred music, two Masses, music for piano, different chamber formations, band, and choir. He is the author of many patriotic hymns, the most popular of which is Hino à Bandeira (with lyrics by Olavo Bilac). He explored Brazilian nationalist elements in some of his works, as in Variações sobre um Tema Brasileiro and in the Trio for violin, cello and piano, whose third movement is based on a lundu (a musical genre and dance of Afro-Brazilian origin).In addition to being a composer, Braga was one of the most active conductors of his time, having been ahead of three orchestras in Rio de Janeiro: Instituto Nacional de Música, Sociedade de Concertos Sinfônicos, and Theatro Municipal. Braga conducted the Brazilian premiere of major symphonic works such as La Mer (Debussy), Pacific 231 (Honegger) besides other numerous Brazilian compositions.In 1938, he retired from Instituto Nacional de Música. He passed away on March 14th, 1945, in Rio de Janeiro.Unfortunately, Francisco Braga never wrote for the guitar. However, over a century ago his music had already been incorporated to its repertoire. According to information found in newspapers of the time, Spanish guitarist Josefina Robledo included transcriptions of pieces by Braga in her programs when she performed in Brazil: Gavota e Minuete (from the melodrama Contratador de Diamantes), in 1919, in São Paulo, and the waltz-caprice Corrupio, in 1921, in Rio de Janeiro.The piano score of Madrigal Pavane was dedicated to Alexina Leitão and published by Casa Vieira Machado, in 1901. According to the composer’s catalogue, there are two other versions of this piece: strings orchestra (1901) and quartet (which is still in manuscript). Dedicated to Braga’s childhood friend José de Souza Rocha, Timburibá (the name of a Brazilian tree) is a tango for piano from 1886, published by Narciso & Arthur Napoleão.Antônio Francisco Braga (1868-1945) appartient à la génération des compositeurs brésiliens de la première période républicaine, esthétiquement liés au romantisme, aux côtés de Henrique Oswald (1852-1931), Leopoldo Miguez (1850-1902), Glauco Velásquez (1884-1914) , et Barrozo Neto (1881-1941). Né à Rio de Janeiro, le 15 avril 1868, il commence ses études musicales à l'Asilo dos Meninos Desvalidos, en 1876. En 1883, il s'inscrit au Imperial Conservatório de Música où il étudie l'harmonie et le contrepoint avec Carlos de Mesquita – ancien élève de César Franck, Durand et Massenet – et clarinette avec Antônio Luís de Moura. De cette période datent les premières compositions de Braga : « Sonho de Dante » (1885), « Dolce far niente » (1886), la première « Valse Romantique » pour piano (1886), entre autres.En 1887, il crée sa première œuvre symphonique, « Fantasia-Abertura ». En 1890, étant l'un des finalistes d'un concours pour choisir le nouvel hymne national brésilien, Braga obtient une bourse pour étudier en Europe, où il suit les cours de Jules Massenet au Conservatoire de Paris. Durant cette période, il écrit certaines de ses œuvres symphoniques les plus importantes, « Paysage », « Cauchemar », « Episódio Sinfônico » et « Marabá » (interprétée par Richard Strauss et la Philharmonie de Vienne en 1920, au Brésil). Son opéra « Jupyra » est considéré comme l'une des plus grandes compositions brésiliennes de ce genre.De retour au Brésil, il fut nommé professeur de contrepoint, de fugue et de composition à l'Instituto Nacional de Música, en 1902. Là, certains des meilleurs compositeurs brésiliens étudièrent avec lui, comme Glauco Velásquez et Lorenzo Fernândez.Braga a écrit des opéras, des œuvres symphoniques, des chansons, de la musique sacrée, deux messes, de la musique pour piano, différentes formations de chambre, un orchestre et une chorale. Il est l'auteur de nombreux hymnes patriotiques, dont le plus populaire est « Hino à Bandeira » (avec des paroles d'Olavo Bilac). Il a exploré des éléments nationalistes brésiliens dans certaines de ses œuvres, comme dans « Variações sobre um Tema Brasileiro » et dans le Trio pour violon, violoncelle et piano, dont le troisième mouvement est basé sur un « lundu » (un genre musical et une danse afro-américaine). Origine brésilienne).En plus d'être compositeur, Braga a été l'un des chefs d'orchestre les plus actifs de son époque, ayant dirigé trois orchestres à Rio de Janeiro : « Instituto Nacional de Música », « Sociedade de Concertos Sinfônicos » et « Theatro Municipal ». Braga a dirigé la première brésilienne d'œuvres symphoniques majeures telles que « La Mer » (Debussy), « Pacific 231 » (Honegger) ainsi que de nombreuses autres compositions brésiliennes.En 1938, il prend sa retraite de l'Instituto Nacional de Música. Il est décédé le 14 mars 1945 à Rio de Janeiro.Malheureusement, Francisco Braga n’a jamais écrit pour la guitare. Cependant, il y a plus d'un siècle, sa musique était déjà incorporée à son répertoire. Selon des informations trouvées dans les journaux de l'époque, la guitariste espagnole Josefina Robledo incluait des transcriptions de pièces de Braga dans ses programmes lorsqu'elle se produisait au Brésil : « Gavota e Minuete » (du mélodrame « Contratador de Diamantes »), en 1919, à São Paulo, et la valse-caprice « Corrupio », en 1921, à Rio de Janeiro.La partition pour piano de « Madrigal Pavane » a été dédiée à Alexina Leitão et publiée par « Casa Vieira Machado », en 1901. Selon le catalogue du compositeur, il existe deux autres versions de cette pièce : orchestre à cordes (1901) et quatuor (qui est encore manuscrit). Dédié à José de Souza Rocha, ami d'enfance de Braga, « Timburibá » (nom d'un arbre brésilien) est un tango pour piano de 1886, publié par « Narciso & Arthur Napoleão ».Envoyer des commentairesPanneaux latérauxHistoriqueEnregistrées.
Madrigal Pavane / Timburibá

$7.95 6.82 € PDF SheetMusicPlus

B-Flat Clarinet Solo - Level 2 - Digital Download SKU: A0.1283616 Composed by Richard Wagner. Arranged by César Madeira. 19th Century,Classical,Opera,Romantic Period,Wedding. Individual part. 1 pages. Sheet Music To Play Editions #874807. Published by Sheet Music To Play Editions (A0.1283616). Wedding March (Bridal Chorus from Lohengrin) by Wagner. With Individual Clarinet Part with Chords. Enjoy it!Richard Wagner (1813 – 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas. His major works included The Flying Dutchman, Tannhäuser, Lohengrin, Tristan und Isolde, Parsifal, and his great tetralogy, The Ring of the Nibelung.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Wedding March (Bridal Chorus) - Bb Clarinet Solo - W/Chords
Clarinette

$4.99 4.28 € Clarinette PDF SheetMusicPlus

Cello and piano - intermediate to advanced - Digital Download SKU: S9.Q53294 Op. 23. Composed by Guillaume Paque. Edited by Beverley Ellis and Rainer Mohrs. This edition: Sheet music. (c) 2020 Schott Music GmbH & Co. KG, Mainz. Classical. Downloadable. Op. 23. 15 pages. Schott Music - Digital #Q53294. Published by Schott Music - Digital (S9.Q53294). English • German.Belgian cellist Guillaume Paque was born in Brussels on 24.7.1825; he died in London on 2.3.1876. From 1835 onwards he studied with Francois de Munck at the Conservatoire in Brussels, where he went on to play cello in the royal theatre. After working in Barcelona for some time as a teacher and cellist at the Italian Opera he moved to London in 1850, where he played as principal cellist at the Theatre Royal and taught at the Royal Academy of Music. Paque published twenty-six works with Schott including salon music, virtuoso showpieces, cello arrangements of Schubert songs and operas by Mozart, Rossini and Verdi – and his well-known cello quartet ‘Souvenir de Curis’ (Schott CB 145). Romance et Tarantelle op. 23 is an effective concert piece that was published in 1874 (plate number 21153).
Romance et Tarantelle
Violoncelle, Piano

$3.99 3.42 € Violoncelle, Piano PDF SheetMusicPlus

Digital Download SKU: S9.Q25917 Vocal Score based on the Richard Wagner Complete Edition edited by Wolfgang M. Wagner. Composed by Richard Wagner. This edition: vocal/piano score. Erstveröffentlichung - Oper - Theater. Wagner Urtext Piano/Vocal Scores. Downloadable, Piano reduction. Schott Music - Digital #Q25917. Published by Schott Music - Digital (S9.Q25917). German • French.An important addition to Schott's newly published orchestral material is the first publication of piano scores for the ten major operas by Richard Wagner in all major versions. For the first time, we offer the stages and interested opera lovers piano scores as urtext editions that were designed according to uniform editorial criteria.•The score is aligned with the performance material of the Complete Edition. •All piano scores have study numbers and continuous measure numbers for rehearsal and study practice. •The editors are renowned musicologists from the circles of those working on the Richard Wagner Complete Edition who contribute detailed information on the respective editions to the critical prefaces.•The prefaces are printed in three languages (German, English, French). •The uniform appealing cover design with reproductions of paintings from the Wagner era emphasizes the serial character of the edition.TANNHÄUSERFor the Richard Wagner Complete Edition, the editors Egon Voss, Peter Jost and Reinhard Strohm as well as Cristina Urchueguía have researched and presented Tannhäuser's genesis and history of more than thirty years, which also took about thirty years of scientific work, on 2,959 pages in eight volumes. With the present piano score, the findings gathered therein shall now also to be made accessible for the musical practice. (Wolfgang M. Wagner, quoted from the foreword to the new Tannhäuser piano score)The piano score unites for the first time all four stages of the work (the score as of 1845, the score as of 1860, the Paris version as of 1861/62 with the complete French text of this version, and the Vienna version as of 1875) in a single excerpt for rehearsal and study practice, thus allowing the comparison of the versions, without sacrificing practicability.All variants are printed one after the other in the chronological sequence of the action on the stage, so that each of them can be explored in their context of action by simply turning over the pages. Only two variants rejected before the Paris premiere were printed separately in the appendix. A fascinating insight into Richard Wagner's thinking in terms of stage practice and into his very precise ideas of tonal balance, scenic details and role-conception are made possible by the quotations printed in key passages from his work On the Performance of Tannhäuser, published in 1852.For example, soon after the world premiere, Wagner suggested the deletion of bars in the orchestral part in the 4th scene of Act I, reasoning that […] due to the tremendous woodenness and self-consciousness of our usual supernumeraries, the impression of overwhelming liveliness, which was intended by me and which was to imply a heightening of the mood led up to by the liveliest manifestations of life, was not achieved. (piano reduction, p. 221)In the big ensemble scene at the end of Act II, Wagner puts in a comment at a certain passage, referring to the conductor and his great responsibility for tonal balance:The exclamations 'Ach, erbarm' dich mein!' require such a piercing emphasis that he [the performer of Tannhauser] as a mere, well-trained singer is not enough; it is but the highest dramatic art that has to provide him the energy of pain and desperation for an expression that must seem to break forth from the most gruesome depths of an awfully woeful heart, like a cry for salvation. The conductor has to ensure that the implied success is made possible for the principal singer by the most discrete accompaniment of the other singers as well as of the orchestra. (piano reduction, p. 367)3 (3. auch Picc.) · 2 · 2 · Bassklar. [nicht in Pariser F.] · 2 - 2 Ventilhr. · 2 Waldhr. · 3 Ventiltrp. · 3 · 1 [Pariser F.: Ophicléïde] - P. S. (Trgl. · Beck. · Tamb. · gr. Tr. · Tamt. [Pariser F.] · Kast. [Pariser/Wiener F.) (2-3 Spieler) - Str. Auf dem Theater: 2 Picc. [P/W: 1] · 4 Fl. [P/W: 2] · 4 Ob. [P/W: 2] · Engl. Hr. · 6 Klar. [P/W: 3] · 4 Fg. [P: 2, W: 0] - 12 Wald-Hr. · 12 Trp. [P: 9] · 4 Pos. [P/W: 4 Hr.] - Trgl. · Beck. · Tamb. · Kast. [nur in P] - Hfe. [in P/W].
Tannhäuser und der Sängerkrieg auf Wartburg

$53.99 46.34 € PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1211207 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Chamber,March,Patriotic,Romantic Period. Score and Parts. 32 pages. Sheet Music To Play Editions #808909. Published by Sheet Music To Play Editions (A0.1211207). William Tell Overture by Rossini. Arrangement for String Orchestra - Violin 1, 2, Viola, Violoncello and Contrabass. With Full Score and Individual Parts. Enjoy it!Gioachino Antonio Rossini (1792 – 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
William Tell Overture - String Orchestra (Full Score and Parts)
Orchestre à Cordes

$15.99 13.73 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1232039 Composed by Gioachino Rossini. Arranged by César Madeira. 19th Century,Chamber,Classical,Contest,Festival,Romantic Period. Score and Parts. 17 pages. Sheet Music To Play Editions #827715. Published by Sheet Music To Play Editions (A0.1232039). William Tell Overture by Rossini. Arrangement for String Orchestra - Violin 1, 2, Viola, Violoncello and Contrabass. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Gioachino Antonio Rossini (1792 – 1868) was an Italian composer who gained fame for his 39 operas, although he also wrote many songs, some chamber music and piano pieces, and some sacred music. He set new standards for both comic and serious opera before retiring from large-scale composition while still in his thirties, at the height of his popularity.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
William Tell Overture - String Orchestra (Individual Parts)
Orchestre à Cordes

$10.99 9.43 € Orchestre à Cordes PDF SheetMusicPlus

Piano,Viola - Level 3 - Digital Download SKU: A0.779848 Composed by Christoph Willibald Von Gluck. Arranged by Alexandre CARLIN. Christian,Classical,Contemporary,Sacred,Wedding. Score and part. 9 pages. Alexandre CARLIN #5724247. Published by Alexandre CARLIN (A0.779848). Alceste is an opera composed by german composer Christoph Willibald Gluck in 1767. Gluck was famous for his operas in italian and french style, anouncing the classical era. Among his most famous works are Alceste, Orfeo ed Euridice and Iphigenie en Tauride.This arrangement of the very nice slow air Marche Religieuse can be played in concert or in Church as a sacred piece.8 pages score and 1 page part. Easy piano part.Check out my other works for viola :S0.430165 - Trio for Clarinet, Viola and Piano (original composition)Check out my other arrangements for string quartet :H0.304597-558700 - Moon River by Henry ManciniS0.304603 - Radetzky March by Johan Strauss and many others to come ...My publisher page https://www.sheetmusicplus.com/publishers/alexandre-carlin/3119My Youtube channel https://www.youtube.com/channel/UC3BrFxLrQ4usgnIGGx6xXEQwww.alexandrecarlin.com
Marche Religieuse (from Alceste) by Gluck - Arranged for Viola and Piano
Alto, Piano

$8.99 7.72 € Alto, Piano PDF SheetMusicPlus

Piano,Vocal,Voice - Level 2 - Digital Download SKU: A0.1269675 Composed by Franz Schubert. Arranged by César Madeira. 19th Century,Classical,Multicultural,Opera,Romantic Period,World. Score. 7 pages. Sheet Music To Play Editions #862185. Published by Sheet Music To Play Editions (A0.1269675). An Die Musik D.547 by Schubert. Arrangement for Voice and Piano - Ab Major Key. With Full Score and Individual Parts. Enjoy it!Franz Peter Schubert (1797 - 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
An Die Musik - Voice and Piano - Ab Major (Full Score and Parts)
Piano, Voix

$6.99 6 € Piano, Voix PDF SheetMusicPlus

Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1371218 By Rachel J Peters. By Rachel J Peters. 21st Century,Broadway,Classical,Comedy,Musical/Show,Opera. Score. 237 pages. Rachel J Peters #955471. Published by Rachel J Peters (A0.1371218). Libretto by Royce Vavrek, based on and further inspired by Mermaid in the Jar by Sheila Heti.This triptych of short chamber operas (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy) takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chicken pox and shingles force her to confront what it means to care for others and be cared for herself.INSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-ukulele (doubling banjo)/1.0.0.1.1 (Full orchestra score and parts will need to be rented separately.)DURATION: 90 minutesPAGES: 237WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights, please contact the composer at rachel@racheljpeters.com.
The Wild Beast of the Bungalow
Piano, Voix
Rachel J Peters
$37.50 32.19 € Piano, Voix PDF SheetMusicPlus

Cello,Piano - Level 3 - Digital Download SKU: A0.1231720 Composed by Jules Massenet. Arranged by César Madeira. 19th Century,20th Century,Classical,Lent,Romantic Period. Score and part. 6 pages. Sheet Music To Play Editions #827422. Published by Sheet Music To Play Editions (A0.1231720). Méditation from opera Thaïs by Massenet. Arrangement for Violoncello and Piano. With Individual Parts. Enjoy it!This file DOES NOT contain Full Score. Individual Parts only.Jules Massenet (1842 - 1912) was a French composer. He is most famous for his operas, although he wrote a large amount of other music as well.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Meditation from Thais - Cello and Piano (Individual Parts)
Violoncelle, Piano

$5.99 5.14 € Violoncelle, Piano PDF SheetMusicPlus

Trombone Quartet Trombone - Level 3 - Digital Download SKU: A0.1283667 Composed by Richard Wagner. Arranged by César Madeira. 19th Century,Classical,Opera,Romantic Period,Wedding. 9 pages. Sheet Music To Play Editions #874859. Published by Sheet Music To Play Editions (A0.1283667). Wedding March (Bridal Chorus from Lohengrin) by Wagner. Arrangement for Trombone Quartet. With Full Score and Individual Parts. Enjoy it!Richard Wagner (1813 – 1883) was a German composer, theatre director, polemicist, and conductor who is chiefly known for his operas. His major works included The Flying Dutchman, Tannhäuser, Lohengrin, Tristan und Isolde, Parsifal, and his great tetralogy, The Ring of the Nibelung.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Wedding March (Bridal Chorus) - Trombone Quartet (Full Score and Parts)
Quatuor de cuivres: 4 trombones

$12.99 11.15 € Quatuor de cuivres: 4 trombones PDF SheetMusicPlus

Bassoon,Piano - Level 3 - Digital Download SKU: A0.1510838 Composed by Modest Petrovich Mussorgsky. Arranged by César Madeira. 19th Century,Classical,Film/TV,March,Romantic Period. Score and part. 7 pages. Sheet Music To Play Editions #1086045. Published by Sheet Music To Play Editions (A0.1510838). Promenade from Pictures at an Exhibition. Arrangement for Bassoon and Piano. With Full Score and Individual Parts. Enjoy it!Modest Petrovitch Mussorgsky (1839 - 1881) was a Russian composer famous for his operas and songs. He discovered new ways of writing for the voice which were very tuneful but which also suited the Russian language. His most famous opera is Boris Godunov. Another very famous piece is called Pictures at an Exhibition. He wrote it for the piano, but many years after his death another composer called Maurice Ravel orchestrated it and this is the version people usually hear today.For Tutorials, Play Alongs or request New Arrangements, visit the YouTube Channel: Sheet Music To Play
Pictures at an Exhibition - Promenade - Bassoon and Piano (Full Score and Parts)
Basson, Piano (duo)

$8.99 7.72 € Basson, Piano (duo) PDF SheetMusicPlus






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