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String Orchestra - Level 1 - Digital Download SKU: A0.1320984 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909429. Published by Suomi Music (A0.1320984). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE VIOLINSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER VIOLIN STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellow musicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE VIOLIN
Orchestre à Cordes

$19.49 16.91 € Orchestre à Cordes PDF SheetMusicPlus

Full Orchestra - Digital Download SKU: A0.745476 Composed by John Philip Sousa. Arranged by Randy Calistri-Yeh. Holiday,Patriotic,Traditional. Score and parts. 77 pages. Custom Chamber Music #353405. Published by Custom Chamber Music (A0.745476). Semper Fidelis is one of John Philip Sousa's most popular marches. This extremely flexible arrangement can be played with anywhere from 3 to 7 parts, suitable for a small chamber group, accompaniment for a choir, or a full band or orchestra (school, community, or professional).This song is also available as part of the collection American Patriotic Music for All, Volume 1, a package of four classic patriotic tunes and three complete Sousa marches (click the publisher link above).To demonstrate the flexibility of this arrangement, the audio clip has an excerpt performed as a full concert band, a string orchestra, and a woodwind trio.This song is in its original key, so it is easy to combine with your own choir or piano/organ parts.Your purchase contains a full score, as well as individual parts in all the appropriate clef and transposition to support the following ensembles:Brass trio, quartet, quintet, and sextet.Woodwind trio, quartet, quintet, and sextet.String trio, quartet, quintet, and sextet.Clarinet trio, quartet, quintet, and sextet.Saxophone trio, quartet, and quintet.Mixed trio, quartet, quintet, and sextet, with optional percussion.Wind ensemble, brass ensemble, string orchestra, full orchestra, and full band.The parts are described as follows:Part 1: Main melody. Piccolo, Flute, Oboe, Bb Clarinet, Soprano Saxophone, Bb Trumpet, Violin, Viola.Part 2: Main harmony, possibly some B-section melody. Bb Clarinet, Alto Clarinet, Alto Saxophone, Bb Trumpet, Violin, Viola.Part 3: Other harmony. Bb Clarinet, Alto/Bass Clarinet, Alto/Tenor Saxophone, French Horn, Bb Trumpet, Trombone, C/Bb Euphonium, Violin, Viola, Cello.Part 4: Main bass line. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 5: Other harmony. Bass Clarinet, Baritone Saxophone, Bassoon, Trombone, Bass Trombone, C/Bb Euphonium, Tuba, Cello, Bass.Part 6: Main melody down an octave, with some additional notes. Bass Clarinet, Bassoon, French Horn, Trombone, C/Bb Euphonium, Cello, Bass.Part 7: Optional percussion (snare drum, bass drum, cymbal) that can be added to any of the above combinations, or skipped entirely.We recommend the following combinations:Trio: Parts 1, 2, 4 (#4 works better than #3 for trio).Quartet: Parts 1, 2, 3, 4.Quintet: Parts 1, 2, 3, 4, 5.Sextet: Parts 1, 2, 3, 4, 5, 6.Septet: Part 1, 2, 3, 4, 5, 6, 7.
Sousa Semper Fidelis (Flexible Orchestra)
Orchestre

$15.00 13.02 € Orchestre PDF SheetMusicPlus

String Orchestra - Level 2 - Digital Download SKU: A0.1275415 Composed by Traditional. Arranged by Kenneth Baird. Christmas,Classical,Comedy,Holiday,Traditional. Score and Parts. 28 pages. Kenneth Baird Music #867338. Published by Kenneth Baird Music (A0.1275415). Fantasy on the Twelve Days of Christmas for Pompous Egocentric Soloist and String Orchestra.Hilarious! This solo feature will undoubtedly be the most talked-about selection on your Winter concert! While the Twelve Days of Christmas has long been a Christmas holiday favorite, you’ve never heard it played like this before. Here is an opportunity for the musical AND comedic talents of one of your most advanced players to be featured! The soloist plays the role of an accomplished, yet most pretentious and self-aggrandizing soloist. The accompanying orchestra parts are not difficult, although a more advanced orchestra will be able to make even more of the light-hearted and occasionally dramatic accompaniment. A two-page outline of suggestions are also provided to help enhance the comedy, but you are invited to put your own comedic stamp on the performance. Early in the work, the soloist has a few very simple solo passages which he or she deftly and smugly executes flawlessly. As the music proceeds, the soloist is highlighted with several showy, but brief, cadenzas. The mood then changes and becomes melodramatic and sorrowful, perhaps requiring a stagehand to produce a handkerchief and dry the tears of the soloist (and perhaps the conductor). The work ultimately concludes in a joyful and spirited manner. Your audience will long remember Fantasy on the Twelve Days of Christmas. Arranged for Solo Cello with string orchestra, optional solo parts for viola and for violin are also provided.
Fantasy on the 12 Days of Christmas for Pompous Egocentric Soloist and String Orchestra
Orchestre à Cordes

$35.00 30.37 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 4 - Digital Download SKU: A0.1400531 Composed by Max Bruch. Arranged by Paul Wood. Romantic Period. 35 pages. MyMusicScores.com #983728. Published by MyMusicScores.com (A0.1400531). Arrangement for cello and String Orchestra.Max Bruch’s “Ave Maria†is a poignant concert piece for violoncello and orchestra, inspired by the sixth movement—a prayer scene—from his cantata “Das Feuerkreuz†(The Fiery Cross), Opus 52. The cantata, drawing from Sir Walter Scott’s “Lady of the Lake,†underwent a lengthy creative process before reaching completion in 1888-89.Bruch’s deep affection for the Prayer Scene led him to publish it separately for voice and orchestra. However, at the urging of his friend, cellist Robert Hausmann, he reimagined it in 1892 for violoncello and orchestra, transposing it from D minor to A minor. This transformation allowed it to stand alongside his successful work “Kol Nidrei,†Opus 55.The PDF file contains the score and all parts.
Bruch Ave Maria Op. 61 for Cello and String Orchestra
Orchestre à Cordes

$24.99 21.68 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.601846 Composed by Johann Sebastian Bach. Arranged by Flávio Régis Cunha. 20th Century,Baroque,Instructional,Standards. Score and parts. 17 pages. Flavio Regis Cunha #4596887. Published by Flavio Regis Cunha (A0.601846). This string orchestra arrangement by Prélude Suite No. 1 in G Major (BWV 1007) for Cello Solo is an original composition made to accompany the traditional Prelude to solo violoncello of the famous suite n. 1 of Bach. It is a proposal where the string orchestra talks delicately with the cello soloist, without removing the brilliance and the importance of the solo cello. It is an interesting piece to present as an option to the public, since the original piece of Bach is constantly presented. It will be useful for concerts, recitals, weddings, and educational purposes. You and your orchestra will love playing this piece.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunha
Prélude Suite Nº 1 in G Major (BWV 1007) for Cello Solo and String Orchestra
Orchestre à Cordes

$12.99 11.27 € Orchestre à Cordes PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.746694 Composed by Lew Pollack. Arranged by Keith Terrett. 20th Century,Folk,Jazz,Traditional. 26 pages. Keith Terrett #2856819. Published by Keith Terrett (A0.746694). Arrangement of That's a Plenty for String Orchestra. That’s a Plenty arranged for String Orchestra, is a 1914 ragtime piano piece composed by Lew Pollack. Lyrics by Ray Gilbert (born 1912) were added decades later. A number of popular vocal versions have been recorded, but the tune remains more performed as an instrumental. The composition started out as a rag, but is nowadays played as a part of the Dixieland jazz repertoire. The song has been recorded by numerous artists, and it is considered a jazz standard. The first recording was in 1917 by Prince’s Band, and the New Orleans Rhythm Kings recorded their rendition in 1923.Television comedian Jackie Gleason used it in his shows in the 1950s and 1960s. Among the hundreds of later recordings of this standard, particularly notable versions include: Freddy Martin and His Orchestra recorded a version of That’s A Plenty in 1950. Sheet music from the 1950 version featuring Freddy Martin on the cover has the lyrics printed inside. It was recorded by Albert Nicholas, clarinet, with The Big Chief Jazz Band in Oslo on August 29, 1955. Released on the 78 rpm record Philips P 53038. The Pollack and Gilbert song is not to be confused with a 1909 song of the same name by Henry Creamer and Bert Williams. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com If you perform this arrangement in public, make a recording or broadcast it through any media, please notify the PRS (UK), or ASCAP (USA), or SOCAN (Canada), or APRA (Australia) or KODA (Denmark) or the equivalent organisation in your own country, giving the name of the arranger as Keith Terrett.
That's a Plenty for String Orchestra
Orchestre à Cordes

$12.99 11.27 € Orchestre à Cordes PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.861930 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 40 pages. Mark O'Connor Musik International #6208105. Published by Mark O'Connor Musik International (A0.861930). The American Seasons (2nd violins part – violin and string orchestra) MO148E2nd Violins Part (score and parts available)Music by Mark O’Connor36 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148ECopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method.
The American Seasons (2nd violins part – violin and string orchestra)
Orchestre

$15.00 13.02 € Orchestre PDF SheetMusicPlus

Full Orchestra - Level 5 - Digital Download SKU: A0.861925 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 34 pages. Mark O'Connor Musik International #6208093. Published by Mark O'Connor Musik International (A0.861925). The American Seasons (violin solo part – violin and string orchestra) MO148BViolin Solo Part (score and parts available)Music by Mark O’Connor30 pages - 38:00 minutes in length The American Seasons(Seasons Of An American Life)The American Seasons (Seasons Of An American Life) is a concerto for Violin And Chamber Orchestra. Composed in 1999, the music celebrates the various stages of an American life at the waking of the 21st century. Constructed in four movements and representing four stages of life, birth, adolescence, maturity and old age, the music also pays homage to Shakespeare's Seasons Of Man His acts being seven ages, incorporated throughout the work.Spring introduces the ideas of birth and infancy. After the principal theme has been stated, there is a violin cadenza encountering all twelve major keys and a 13/8 time signature representing the ancient golden ratio. These elements recall birth with all the possibilities a new life offers. Ending the movement, the principal theme is repeated with more complexity... as if posing life's questions.Summer represents the excitement and bravado of youthful adolescence and young adulthood. For the style of this movement I use a happy-go-lucky Blues voice which melds into Swing. I identify swing rhythm in all of 20th century American music culture as a common thread that runs through Ragtime through Rock and Roll on to Rap. Swing means testing the waters and pushing the envelope for lovers and soldiers.Fall is the slow movement symbolizing the wisdom of maturity. It is a peaceful theme with nostalgic strokes. It is a time for sincere reflection and enjoying ones accomplishments in life.Winter embodies the complexities and knowledge of an older person and that of a dying person. The movement begins with the principal them from Spring, but with a dissonance that emanates from a lifetime full of emotions and responsibilities. In the middle of the movement is a transition to an old world. I use my personal ancestry from Ireland as a foundation from which to rediscover one's lineage and explore the meaning and value of a cultural legacy.The exploration evolves into a four- and five-part fugue with a reel, jig, air, countered bass and the motif from the principal theme. All these elements, dances and melodies appear simultaneously and converge to form a unique insight to life's consequences from a historical perspective. Following the fugue, the principal theme finds its way back in. It sounds much as it did at birth. In the end, the solo violin cadenza carries the last earthly breaths before the violin and orchestra once again join in harmony to focus on a new life being transformed somewhere else. Life's four seasons in perpetuity. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1999 Composed by Mark O’ConnorCommissioned by the Troy Savings Bank Concert Hall for their 2000 Celebration Can be heard on American Seasons Sony Classical and The Essential Mark O’Connor Sony ClassicalMark O’Connor - violin, Metamorphosen Chamber Orchestra, Scott Yoo Catalogue Number MO148BCopyright © 1999 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor M.
The American Seasons (violin solo part – violin and string orchestra)
Orchestre

$22.50 19.52 € Orchestre PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1363990 By Myrto A.Kostaropoulou. By Myrto A.Kostaropoulou. 21st Century. 83 pages. Myrto A.Kostaropoulou #948312. Published by Myrto A.Kostaropoulou (A0.1363990). Trilogy for Chamber orchestra consists of six parts organized as three couples, i.e. first is Ades (1. Pluto, 2. Charon), second is Phaethon (3. Orion Nebula, 4. The Sun) and third is Prometheus (5. The Moon, 6. Earth). Written basically for woodwinds and string orchestra (1st couple), the chamber orchestra also contains in the second part Wind chimes, Glockenspiel, and in the third part a Mariba, a Drum set,and a Gong. It is a journey from the necrosis of Ades to the polemic return to our planet, earth.
Trilogy for Chamber orchestra - Score Only
Orchestre de chambre
Myrto A Kostaropoulou
$50.00 43.38 € Orchestre de chambre PDF SheetMusicPlus






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