Choral Choir (SATB) - Digital Download SKU: A0.969570 Composed by Zachary Damm. Christian,Sacred,Spiritual. Octavo. 7 pages. Digital Print Publishing #3025043. Published by Digital Print Publishing (A0.969570). This Psalm is a lovely piece with organ accompaniment that captures the spirit of the Biblical text. One of the songs of degrees, this was sung by the Jews many believe on their way to Jerusalem for a festive occasion or by the priests as they went up into the temple. Either way, it can be used in conjunction with the other fourteen songs, from Psalm 120 to Psalm 134, which are musically organized in a chromatic scale, ascending from one song to the next (ascending F sharp major and G flat major separately and using C major three times, at the beginning, in the middle, and at the end).

Choral Choir (SATB) - Digital Download SKU: A0.969571 Composed by Zachary Damm. Christian,Sacred,Spiritual. Octavo. 8 pages. Digital Print Publishing #3025045. Published by Digital Print Publishing (A0.969571). This Psalm is a lovely piece with piano and organ accompaniment that captures the spirit of the Biblical text. One of the songs of degrees, this was sung by the Jews many believe on their way to Jerusalem for a festive occasion or by the priests as they went up into the temple. Either way, it can be used in conjunction with the other fourteen songs, from Psalm 120 to Psalm 134, which are musically organized in a chromatic scale, ascending from one song to the next (ascending F sharp major and G flat major separately and using C major three times, at the beginning, in the middle, and at the end).

Organ (3-staff), harp - Intermediate SKU: LO.70-1370S Composed by Dale Wood. Sacred, Christmas. Full score. Sacred Music Press #70/1370S. Published by Sacred Music Press (LO.70-1370S). UPC: 000308063769.An acknowledged master composer for both harp and organ, Dale Wood has created an invaluable resource for the Christmas season. Organists and harpists will attest to his careful attention to the idiosyncrasies of both instruments, while all those who listen will enjoy the wholly satisfying musical result.

Multi-Percussion,Percussion Solo - Level 5 - Digital Download SKU: A0.1378609 Composed by Wolfgang Amadeus Mozart. Arranged by Richelle Bakovsky. Classical. Individual part. 10 pages. Pavel and Richelle Bakovsky #963268. Published by Pavel and Richelle Bakovsky (A0.1378609). Mozat's lively and colorful Overture to the Abduction from the Seraglio lends itsself well to performance on the pipe organ. I find it a great pity that Hal Leonard has seemingly discontinued the categories piano solo and organ solo. I hope organists will find my music anyway.

Choral Choir (SATB) - Digital Download SKU: A0.724078 Composed by Leo Hassler (1601). Arranged by Renato Tagliabue. Christian,Easter,Renaissance,Sacred,Spiritual. Octavo. 7 pages. Renato Tagliabue #3478873. Published by Renato Tagliabue (A0.724078). Arr. per coro e organo SATB.

Organ - Level 1 - Digital Download SKU: A0.1405337 Composed by José De Jesús Ravelo. 19th Century,Christian,Classical,Easter,Religious. Score. 88 pages. Editorial Copistas Acuario #988390. Published by Editorial Copistas Acuario (A0.1405337). Compendio de la Música Religiosa para Órgano del emblemático compositor dominicano José De Jesús Ravelo, con investigaciones musicológicas sobre su vida y obra realizadas por Joel Diaz y Melanie Rodríguez. Copia y edición de partituras por Samuel Beethoven Rodríguez.

Piano,Vocal,Voice - Digital Download SKU: A0.723659 Composed by S. Marinosci. 20th Century,Christian,Sacred. Score. 4 pages. Renato Tagliabue #2930649. Published by Renato Tagliabue (A0.723659). For Tenor and. OrganoYou have permission for two copies of the title to be made.----Visit my website on Youtube: https://www.youtube.com/user/liutebaag/videos..more than 350 videos!!

Instrumental Solo,Pipe Organ - Level 3 - Digital Download SKU: A0.1512346 By Annette Butters. By Traditional. Arranged by Annette Butters. 19th Century,Christian,Sacred. Individual part. 4 pages. Annette Butters #1087375. Published by Annette Butters (A0.1512346). A useful gentle voluntary for playing in a variety of service situations. This is a very straight forward setting designed to be useful for last minute selection if needed. It can easily be played on any two manual instrument with pedals. For many organists it will take very little work to learn. The key is G major and the piece 'lies under the fingers'. To hear the entire piece, follow the link to view on YouTube.

B-Flat Trumpet,Piano - Level 4 - Digital Download SKU: A0.1349810 Composed by Christopher Wilson. 21st Century. Score and part. 12 pages. Christopher Wilson #934583. Published by Christopher Wilson (A0.1349810). This is the piano accompaniment alternative version to the Trumpet and Organ (https://www.arrangeme.com/title/934114) and  still comes with the trumpet part.A feisty, one movement work for both Grade 8 trumpeters and organists. It is principally in the dorian mode but does venture in the development, during which the trumpet is unusually muted. The Vivace was premiered on the 23rd April 2000 for the procession of the Lord Bishop of Whitby and dedicated to composer and choral director, Tim Knight.

Harp SKU: LO.30-1703S Composed by Dale Wood. Sacred, Christmas. Harp part. Sacred Music Press #30/1703S. Published by Sacred Music Press (LO.30-1703S). UPC: 000308065886.An acknowledged master composer for both harp and organ, Dale Wood has created an invaluable resource for the Christmas season. Organists and harpists will attest to his careful attention to the idiosyncrasies of both instruments, while all those who listen will enjoy the wholly satisfying musical result.

Small Ensemble Cello,Organ,Violin - Level 5 - Digital Download SKU: A0.534000 Composed by Frederick Frahm. Contemporary,Folk,Standards,World. Score and parts. 34 pages. Musik Fabrik Music Publishing #3094575. Published by Musik Fabrik Music Publishing (A0.534000). I. INTROIT II. INTERLUDE III. ALLELUIAS Commissioned by the American Guild of Organists,Albuquerque Chapter,For the Region VII AGO Convention, 2009Performance notes:Indian Earth, after a book of poetry by Santa Fe poet Witter Bynner, explores the mystical cultures and resplendent terrain of the AmericanSouthwest. An underlying tenor ofthis collection is the complex relationship between the earth and humanity, and metaphorically the discordbetween native and colonial peoples. Bynner captures the essence of these relationships in this way:It is the earth itself that hems you round against intruders alien to the earth, that brings you heaven under a shadowy tree, curves heaven toyour arm and lets you lie close to its living thorn. The crown is yours, not theirs. You know the one divinity, the only death, the offering ofthe heart to the cruel earth, the love, the consummation.The three movements of the work progress from a quiet melancholy to exuberance, from darkness to light. Frahm makes use of an architecturalapproach to music composition in this piece, as in the building of an adobe wall brick by brick. Self-contained musical structures, often in four barunits, are symmetrically arranged as a technique of musical development. The final movement, 'Alleluias', is based in part on plainchant tone 6 fromthe Graduale Romanum.

Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.768518 Composed by Camille Saint-Saens. Arranged by Roar Kvam. Christmas,Romantic Period. Octavo. 80 pages. KVAMusic Edition #6078597. Published by KVAMusic Edition (A0.768518). Charles-Camille Saint-Saëns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist. He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers. This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de Noël (Christmas Oratorio) at the end of the 1850s and completed it in 1860. The first performanse was at the church La Madeleine in Paris December 1869. The work is dedicated to A Madame la Vicomtesse de Grandval. The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de Noël is drawn from the Old and New Testaments: (1. Instrumental).    2. Luke 2,8-14.   3. Psalm 39,1.   4. John 11.27.   5. Psalm 117, 26-28.   6. Psalm 2,1 and Gloria Patri.   7. Psalm 109,3 and Graduale.   8. Isaiah 49,13.   9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1.   10. Psalm 95,8-9, 11,13.

Choral Choir (SSA) - Level 4 - Digital Download SKU: A0.768516 Composed by Camille Saint-Saens. Arranged by Roar Kvam. Christian,Christmas,Romantic Period. Octavo. 144 pages. KVAMusic Edition #6078593. Published by KVAMusic Edition (A0.768516). Charles-Camille Saint-Saëns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist. He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the official church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-Saëns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers. This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de Noël (Christmas Oratorio) at the end of the 1850s and completed it in 1860. The first performanse was at the church La Madeleine in Paris December 1869. The work is dedicated to A Madame la Vicomtesse de Grandval. The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de Noël is drawn from the Old and New Testaments: (1. Instrumental).    2. Luke 2,8-14.   3. Psalm 39,1.   4. John 11.27.   5. Psalm 117, 26-28.   6. Psalm 2,1 and Gloria Patri.   7. Psalm 109,3 and Graduale.   8. Isaiah 49,13.   9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1.   10. Psalm 95,8-9, 11,13.

Level 3 - Digital Download SKU: A0.1401939 Composed by Camille Saint-Saens. Arranged by Roar Kvam. 19th Century,Christmas,Latin,Praise and Worship,Romantic Period. 64 pages. KVAMusic Edition #985137. Published by KVAMusic Edition (A0.1401939). Charles-Camille Saint-SaeÌ?ns (9 October 1835-16 December 1921) was a French composer, organist, conductor and pianist.He was a musical prodigy and made his concert debut at the age of ten. After studying at the Paris Conservatoire he followed a conventional career as a church organist, first at Saint-Merri, Paris and, from 1858, La Madeleine, the ocial church of the French Empire. After leaving the post twenty years later, he was a successful freelance pianist and composer, in demand in Europe and the Americas. As a young man, Saint-SaeÌ?ns was enthusiastic for the most modern music of the day, particularly that of Schumann, Liszt and Wagner, although his own compositions were generally within a conventional classical tradition. He was a scholar of musical history, and remained committed to the structures worked out by earlier French composers.This brought him into conflict in his later years with composers of the impressionist and dodecaphonic schools of music; although there were neoclassical elements in his music, foreshadowing works by Stravinsky and Les Six, he was often regarded as a reactionary in the decades around the time of his death. He wrote the Oratorio de NoeÌ?l (Christmas Oratorio) at the end of the 1850s and completed it in 1860.The first performanse was at the church La Madeleine in Paris December 1869.The work is dedicated to A Madame la Vicomtesse de Grandval.The work is originally scored for five soloists, soprano, mezzo-soprano, alto, tenor and baritone, mixed choir (except no. 4 which is for SSAA), harp, organ and strings (in this edition the choir has been transcribed for a SSAA choir). Texts in the Oratorio de NoeÌ?l is drawn from the Old and New Testaments: (1. Instrumental).2. Luke 2,8-14. 3. Psalm 39,1. 4. John 11.27. 5. Psalm 117, 26-28. 6. Psalm 2,1 and Gloria Patri. 7. Psalm 109,3 and Graduale. 8. Isaiah 49,13. 9. Lamentations 2,19, Mica 4.13, Zachary 9,9, Isaiah 62,1. 10. Psalm 95,8-9, 11,13.

Clarinet Ensemble,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 5 - Digital Download SKU: A0.1311910 Composed by Sigfrid Karg-Elert. Arranged by Stephen Davies. 20th Century,Chamber,Classical,Historic,Multicultural,World. 32 pages. Stephen Davies #900807. Published by Stephen Davies (A0.1311910). The music of Karg-Elert is renowned all over the world and cherished by Organists, his use of unusual harmony, bursts of frantic and passionate passages, with sensuous and vast chordal images never fails to deserve the many plaudits amassed by this composer, and above all never dull a moment.Carefully extracting the strands of music from the original is no easy task, but it does give us mere mortals a chance to view and listen to the music of Sigfrid Karg-Elert from a different angle.