High voice and piano - Moderately Difficult - Digital Download SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.

Trombone Quartet - Level 2 - Digital Download SKU: A0.1124122 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 10 pages. Woods Only, Arrangements #724879. Published by Woods Only, Arrangements (A0.1124122). This easy arrangement for trombone quartet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.

Jazz Combo - Level 3 - Digital Download SKU: A0.984039 Composed by Steffan Clemente and Stephen L. Lawrence. Arranged by Jilly Cooke. Children,Contemporary,Rock. Score and parts. 21 pages. Jilly Paige Cooke #6230841. Published by Jilly Paige Cooke (A0.984039). The full score transcription of Pear, the irresistibly catchy tune from the Sesame Street sketch of the same name, is AVAILABLE NOW!Originally written by composer Stephen Lawrence and Sesame staff writer Annie Evans, this spoof of the titular song from the musical Hair features a hippie dad and his family singing about the many things they love about pears. The original cast featured Martin P. Robinson (the Muppeteer beneath Telly Monster and Mr. Snuffleupagus) as Dad, Fran Brill (the Muppeteer beneath Zoe Monster and Prairie Dawn) as Mom, Leslie Carrara-Rudolph (the Muppeteer beneath Abby Cadabby) as Sister, Joey Mazzarino (the Muppeteer beneath Murray Monster and Stinky the Stinkweed) as Brother, and Stephanie D'Abruzzo (the Muppeteer who recently took over performing Prairie Dawn, best known as the Tony Award-nominated originator of the roles of Kate Monster and Lucy in Avenue Q) as the Pear.Instrumentation of 9 parts includes: Dad (Baritone, Bb2-F4), Mom (Mezzo-Soprano, Db4-Db5), Sister (Alto, Db4-Db5), Brother (Tenor, Eb3-F4), Piano, Electric Guitar, Electric Bass, Drum Set, and Hand Claps (provided by the audience in the original sketch).

Flute Duet Flute - Level 3 - Digital Download SKU: A0.1490329 Composed by Jacques Offenbach. Arranged by Kan Saito / Japan Duo Notes. 19th Century,20th Century,Classical,Opera. Score. 2 pages. Japan Duo Notes #1067167. Published by Japan Duo Notes (A0.1490329). Title: Barcarolle (from The Tales of Hoffmann) by Jacques Offenbach – Flute Duet ArrangementDescription:Indulge in the enchanting melody of Jacques Offenbach’s Barcarolle from The Tales of Hoffmann with this elegant flute duet arrangement. Originally composed as a duet for soprano and mezzo-soprano in Offenbach’s beloved opera, this Barcarolle is renowned for its lyrical beauty and flowing rhythm, evoking the gentle rocking of a gondola on Venetian waters. This arrangement skillfully adapts the piece for two flutes, preserving the grace and charm of the original while offering a fresh, harmonious experience.Key Features:Composer: Jacques OffenbachArrangement: Flute DuetDifficulty Level: IntermediateFormat: Digital Sheet Music PDFPages: Score: 2 pagesThis flute duet arrangement captures the timeless elegance and serene atmosphere of Offenbach’s Barcarolle, making it an ideal piece for concert performances, recitals, and special occasions. Flutists will appreciate the opportunity to explore the melodic lines and smooth, flowing phrases that make this piece a classic.Why Choose This Arrangement?Faithful to the Original: Maintains the lyrical beauty and graceful flow of Offenbach’s Barcarolle, thoughtfully arranged for two flutes.Versatile and Beautiful: Perfect for a variety of performance settings, including recitals, weddings, and chamber music concerts.Musically Satisfying: Designed for intermediate flutists, offering a delightful balance of technical accessibility and expressive potential.Enhance your flute repertoire with this charming arrangement of Jacques Offenbach’s Barcarolle from The Tales of Hoffmann. It’s a perfect choice for flutists who enjoy performing well-loved opera melodies in an intimate, chamber music setting.Keywords: Jacques Offenbach, Barcarolle, The Tales of Hoffmann, flute duet, flute sheet music, Offenbach arrangements, opera music, flute ensemble, intermediate flute music, classical music, concert flute duet, recital music, romantic music.

Bass Voice,Drums,Guitar,Keyboard - Level 2 - Digital Download SKU: A0.1367079 Composed by Deborah Johnson. Comedy,Contest,Festival,Jazz,Pop,Singer/Songwriter. Accompaniment. Duration 320. Deborah Johnson #951428. Published by Deborah Johnson (A0.1367079). The song Chocolate by Deborah Johnson is a delicious ballad that is easy to listen to an fairly easy to perform. This arrangement can be performed solo, as a duet, SSA chorus or SAB chorus. This is the instrumental accompaniment track without piano for those who would like to play and sing with the track. Also available is an instrumental accompaniment track with piano for performance. Originally on the album Chocolate: Songs of Love. (https://DJWorksMusic.com/products) Individual Original Album MP3 here: https://www.amazon.com/Chocolate-Songs-Love-Deborah-Johnson/dp/B0015KJAD2 for listening to complete album cut. Video is here: https://youtu.be/LWAPaXkekEg This lively arrangement is perfect for performance and the arrangement is very versatile. Also available is the full score with vocals, piano and chords for rhythm instruments and the extra value of Individual extracted vocal parts with rhythm ncluding piano/chords and vocal for rhythm sections for a total of 14 pages, including cover. The vocals are from A below middle C to C above for only a little over an octave range. The piano score is written out and is at the easy-intermediate level, very achievable for most players. There is plenty of room for improvisation. Chocolate is a fun thematic piece that would be a good addition for most any event! MP3s of the song and the instrumental track are also available, both with and without piano for performance. Twitter: @DJWorksMusic; Instagram: Deborah_johnsonmusic Like our Facebook page: https://www.facebook.com/deborah.johnson Get weekly updates & articles here: https://goalsforyourlife.com/newsletter DEBORAH JOHNSON, is a National Recording Artist, Composer, Speaker and published Author. She has recorded over a dozen albums, written 3 original musicals and has appeared on many stages around the country and world. She has also appeared with the headliner piano/vocal duo Double Grande. Also the author of multiple books, her music has been up for multiple Grammy Awards.You can find out more about Deborah at https://DJWorksMusic.com, https://GoalsForYourLife.com or https://DeborahJohnsonSpeaker.com. Production, Music and Lyrics by Deborah Johnson. Keyboards: Deborah Johnson; Background Vocals: Deborah Johnson & Charlie Clark; Sequencing & Orchestration: Richard Callaci.

Cello Solo - Level 4 - Digital Download SKU: A0.1457605 By Motley Crue. By Nikki Sixx and Tommy Lee. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. Individual part. 2 pages. Sarah Cellobat Chaffee #1036634. Published by Sarah Cellobat Chaffee (A0.1457605). Although hair metal band Mötley Crüe is best known for their rock anthems about girls and motorcycles, a standout moment of their discography is the (slightly) more sentimental power ballad Home Sweet Home. Released in 1985, the song opens with a catchy piano line and lyrics describing the singer's desire to come home and make things right with his significant other. Even though the epic guitar solo later in the song preserves the band's signature hard rock feel, this is still a popular request to this day for weddings and events, and you'll definitely have fun playing this Cellobat version for solo cello! Originally written for a wedding ceremony, this chart maintains the lyrical verses, hard-hitting choruses, and even the guitar solo of the original (although it is somewhat truncated, since the original solo is almost a full minute long!). Rated advanced-intermediate for some tenor clef and higher notes (not quite up to thumb position, but as high as 6th); this will be playable for more advanced students and sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.

Double Bass,String Bass Solo - Level 2 - Digital Download SKU: A0.780037 By Journey. By Jonathan Cain, Neal Schon, and Steve Perry. Arranged by Graham Boag. Rock. Individual part. 19 pages. Graham Boag #5023745. Published by Graham Boag (A0.780037). Don't Stop Believin’ is a song by American rock band Journey, originally released as the second single from their seventh album Escape (1981). It became a number 9 hit on the Billboard Hot 100 on its original release after entering the chart at position 56 on 31st October 1981. In the United Kingdom, the song was not a Top 40 hit on its original release; however, it reached number 6 in 2009.Mike DeGagne of AllMusic has described Don't Stop Believin' as a perfect rock song and an anthem, featuring one of the best opening keyboard riffs in rock. It is the best-selling digital track from the 20th century with over 7 million copies sold in the United States. It was used in the Final scene of HBO’s The Sopranos bringing the song to a newer audience and then it’s use in the US television series Glee where it was performed in either whols or part in six different episodes throughout the run of the show, including the 120th (second last) episode, once again brining the song to a new younger audience.   I have now done an arrangement for Double Bass quartet which is sure to prove popular with audience’s young and old as well as your Bass group.

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.1502880 By Edwin McCain. By Edwin McCain. Arranged by Sarah Cellobat Chaffee. Pop,Rock,Wedding. 18 pages. Sarah Cellobat Chaffee #1078551. Published by Sarah Cellobat Chaffee (A0.1502880). I'll Be was Edwin McCain's first and only top 10 hit, reaching #5 on the Billboard charts, and it has been featured in popular culture everywhere from Dawson's Creek to The Office to Glee. Its lyrics and gentle swing feel have made it a popular wedding song -- in fact, this arrangement was originally written for a wedding ceremony! This Cellobat chart for your string quartet maintains the slow-danceable rhythmic feel, beautiful harmonies, and sweeping melodic lines of the original, for an arrangement your audience will love and you'll love playing (especially since it's been transposed up to string-friendly C major rather than the original sharp-happy key of B!). Rated advanced-intermediate, mainly for some interesting rhythms due to the song alternating between a 3/4 and 6/8 feel. This will be learnable for students and sightreadable for professionals.Sarah “Cellobat” Chaffee is an in-demand acoustic & electric cellist and string arranger. You may have seen her onstage with legendary rock band Aerosmith as the cellist for their “Deuces Are Wild” residency, playing more than 50 sold-out shows with the Bad Boys from Boston; she is also the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays and tours with many other world-renowned groups including the Femmes of Rock, Premiere Wedding Music, Bella Electric Strings, and David Perrico’s Pop Strings Orchestra. Sarah has made a number of TV appearances including the Billboard Music Awards, the Latin Grammy Awards, the iHeartRadio Music Festival, and the CBS reality show “Love Island”; she also played with Michael Bublé for his sold-out Resorts World residency and appeared with him on the Kelly Clarkson Show. Sarah has performed and recorded with a number of other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Dionne Warwick, Sarah Brightman, and Sammy Hagar.Sarah is also an acclaimed string arranger with hundreds of arrangements published on Sheet Music Plus under her own label, Cellobat Charts. She is the exclusive arranger for several award-winning wedding and event companies across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles worldwide. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobathttp://www.facebook.com/SarahCellobatChaffee

Saxophone Trio,Woodwind Ensemble Baritone Saxophone - Level 2 - Digital Download SKU: A0.1138517 Composed by Christian Petzold, Johann Sebastian Bach, and Martin Luther. Arranged by Ander. Baroque,Easter,Renaissance,Sacred,Wedding. 38 pages. Woods Only, Arrangements #738858. Published by Woods Only, Arrangements (A0.1138517). This album contains 5 of Johann Sebastian Bach's most famous and versatile pieces for baritone saxophone trio, all very well suited for the beginners who want to get to know the baroque repertoire. They are also suitable for performances at events such as: weddings, Christian and church ceremonies, Easter, and academic recitals or concerts. They can be used in music institutions and by teachers as repertoire material and study methods, either for performance or instrumental technique. This collection includes a totally free bonus for you to enjoy: Martin Luther's A Mighty Fortress is Our God, a Renaissance sacred song for choir, which has been adapted for this set. 1: Air on the G String - The original piece is part of Johann Sebastian Bach's Suite No. 3 for orchestra, in D Major, BWV 1068, written for Prince Leopold of Anhalt. The so-called Air on the G String dates from one of these latter employments. In the service of the Prince of Cöthen, Bach composed not only the famous Brandenburg Concertos, but also several orchestral suites, from the third of which comes the Air on the G String. This curious title derives from a later arrangement of this piece for violin solo, in which the melody is played entirely on the lower, higher string of the instrument. 2: Arioso - The Cantata 156 (BWV 156) was written for the third Sunday after Epiphany in 1729, and was first performed on January 23 of that year. The text is by Picander, one of Bach's favorite librettists. Of the four cantatas written by Bach for the feast, it was the last and only one scored for solo voice. This is a choral cantata, employing a choral melody in several movements. Cantata 156, in fact, employs two different choral melodies and texts in the second and sixth movements. A cantata is a sung symphony consisting of several parts, one of which is the Arioso, which is the initial instrumental part. 3: Jesu, joy of man's desiring - This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works. 4: O Jesulein süss, o Jesulein mild - The Jesulein süß, the Jesulein mild is an original traditional German choral melody for voice and continuous bass arranged by Johann Sebastian Bach around 1735. With lyrics by Valentin Thilo, O Jesulein süss is a sacred melody adapted and catalogued as BWV 493. The first translation is by Dirk van Hogendorp, who made it more of a song for the time of suffering. 5: Minuet in G major - This famous piece has traditionally been attributed to Johann Sebastian Bach, as it appears in the Notebook for Anna Magdalena , a notebook that Bach gave to his wife Anna Magdalena in 1725 and which was to be filled with the favorite selections of Bach family members. However, recent research has concluded that this minuet, sometimes referred to as BWV Anhang 114. was probably composed by Christian Petzold, a German composer and organist contemporary with Bach. Bonus: A Mighty Fortress is Our God, by Martin Luther - Ein feste Burg ist unser Gott is a hymn written by Martin Luther probably before 1529. The melody was also considered his work for a long time, but it was created at least with the collaboration of Johann Walter. The song is of great symbolic power for Protestantism, where it is also known as Deus noster refugium et virtus. Considered one of the most important hymns in the history of Christianity, it was considered by the Christian poet Johann Heirich Heine (1797-1856) to be the Marseillaise of the Reformation, in an allusion to the French national anthem.

Guitar,Instrumental Duet - Level 4 - Digital Download SKU: A0.1406050 Composed by Gabriel Faure (1845-1924). Arranged by Clive Lane. 19th Century,Classical. 10 pages. Clive Lane #989141. Published by Clive Lane (A0.1406050). This gorgeous piece is one of Fauré's most famous works, originally for choir and piano (or organ). First published: 1865 (keyboard version, Schoen)I have arranged it for guitar duet.Score and parts.The text of the original piece is a French translation, by the 17th century French dramatist Jean Racine, of a medieval Latin hymn, Consors paterni luminis. When Gabriel Fauré set the translation to music, he gave it the title Cantique de Jean Racine, rather than the title of the original hymn.

Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.898552 Composed by Matthew Alan Edwards. Arranged by Matthew Alan Edwards. Baroque,Christmas,Concert,Renaissance,Sacred. Octavo. 9 pages. Matthew Alan Edwards #4266215. Published by Matthew Alan Edwards (A0.898552). Now offering 25% off my SMP price at MatthewAlanEdwards.com/op-7 !Canzona alla terza Verbum supernum prodiens was composed late one night after I was inspired by the chant melody as found in the Hymnal 1982, hymn 63. Rather than compose on the computer as I usually do, I wrote by hand as I determined the best four-part canonic treatment for each of the phrases of the chant. Composing this was akin to assembling a puzzle, both in mindset (this note fits best here) and addictive quality (need to finish this now!). Originally conceived as a short organ piece, I quickly chose to add the English text from the Hymnal 1982 then text directly from the Liber Usualis, a Catholic book of Gregorian chants commonly used until the reforms of the Second Vatican Council (Vatican II). This piece is similar in style to an Italian Renaissance canzona or early German Baroque kanon. It should be performed with performance practice of those eras in mind, including lifts after dotted notes, metric accents, and minimal vibrato, especially at cadences. Lines that end in a melisma should be performed by singing the final vowel and placing the consonant at the release of the final melisma note. The first verse may be sung in unison or as a solo as printed below. The verses may be sung in alternatum (odd verses, printed below: solo chant, even verses: choir). For a complete translation of the six Latin verses, refer to the next page. In the music’s text, I have retained all accent marks as found in the Liber Usualis. These should help inform text stress. The last two verses are suitable as a Communion anthem. This SSA Latin version was adapted from the original SATB version for the women of the Hillcrest High School choral program under the direction of Dr. Khristina Motley in Tuscaloosa, Alabama. It reduces the original four-voice setting to three voices without sacrificing any canonic entrances. This SSA version is also suitable for performance by an advanced middle school choral ensemble or for TTB men.Also available as an organ solo or in English. SATB Latin/English versions coming soon!

Concert Band - Level 3 - Digital Download SKU: A0.723171 Composed by Hewitt, James. Arranged by Jacklich, Joel. Holiday,Patriotic,Romantic Period. Score and parts. 26 pages. Joel Jacklich #6222869. Published by Joel Jacklich (A0.723171). In 1817, James Hewitt set Francis Scott Key's poem The Defence of Fort M'Henry (which we now better know as The Star Spangled Banner).  Hewitt's original song gained some local popularity; however, throughout most of the country, people began singing the poet's words to a popular drinking song then known to many Americans, English composer John Stafford Smith's To Anacreon in Heaven (originally written for a popular gentleman's club of amateur musicians in London, the Anacreontic Society).  Whereas John Stafford Smith's music was borrowed for the poem, Hewitt's music was especially composed for the poem.  I was asked by Mitch Sturman, the band director of the Wilson Junior High School Warrior Band in El Centro, California, to arrange the original piano music for his band to play at his annual spring Concert of Premieres where he presented new works he had commissioned for his band from well-known band composers, and arrangements of neglected works he felt were worthy of performance.  This was one of those neglected worthy pieces by an American composer for an American poem.  It is orchestrated for flute, oboe, clarinets 1-3, bass clarinet, alto sax, tenor sax, baritone sax, bassoon, French horn, trumpets 1-2, baritone horn, trombone, tuba, timpani, snare drum, bass drum, cymbals, and glockenspiel. .

Full Orchestra - Level 3 - Digital Download SKU: A0.1477436 By Celine Dion. By Corey Hart. Arranged by Georg Wiesinger. Film/TV,Pop,Praise & Worship,Religious. 40 pages. Georg Wiesinger #1054840. Published by Georg Wiesinger (A0.1477436). Experience the Majestic Sound of The Prayer with your full Orchestra Arrangement by Georg Wiesinger.Transform your concert repertoire with an extraordinary arrangement of The Prayer, a song originally performed by the iconic Celine Dion and the legendary Andrea Bocelli. Written by the acclaimed team of David Foster, Carole Bayer Sager, Tony Renis, and Alberto Testa, this breathtaking piece has captivated audiences worldwide since its debut in the 1998 film Quest for Camelot.Wiesinger's arrangement is crafted for a full orchestra, complete with solo tenor and solo soprano, meticulously preserving the essence and grandeur of the original duet. It offers a sublime musical experience that echoes the beauty and emotional depth of Dion and Bocelli's performances, making it a perfect addition to your orchestra's repertoire.The Prayer has garnered prestigious accolades, including a Golden Globe Award for Best Original Song and nominations for both an Academy Award and a Grammy Award. It has touched the hearts of listeners, securing its place on adult contemporary charts and becoming a beloved choice for special occasions such as weddings, Christmas celebrations, and even memorial services.An opportunity to present a piece that has been praised by critics as gorgeous, affecting, and absolutely exquisite.Bring the magic of The Prayer to your next performance and leave your audience in awe. With its rich history and timeless appeal, this arrangement is sure to elevate your concert program to new heights. Instrumentation: 2/1/2/1 2/2/2/0 Perc. (4: Drum Set, Perc., Timpani, Mallets), Pno, Hrp., Solo Tenor, Solo Soprano, Full StringsOrder your copy of The Prayer orchestral arrangement today and offer your audience an unforgettable musical experience.

Flute Duet Flute - Level 2 - Digital Download SKU: A0.1489784 Composed by R. Schumann. Arranged by Kan Saito / Japan Duo Notes. 19th Century,Classical,Film/TV,Romantic Period,Standards. Score. 1 pages. Japan Duo Notes #1066656. Published by Japan Duo Notes (A0.1489784). Title: Von fremden Ländern und Menschen (from Kinderszenen) by Robert Schumann – Flute Duet ArrangementDescription:Experience the gentle charm and lyrical beauty of Robert Schumann’s Von fremden Ländern und Menschen from Kinderszenen in this delicate flute duet arrangement. Originally composed as part of Schumann’s Kinderszenen, Op. 15 (Scenes from Childhood), this piece is one of the most beloved in the collection, known for its evocative melody and nostalgic character. Now, this timeless classic has been beautifully adapted for two flutes, offering a new way to enjoy Schumann’s enchanting music.Key Features:Composer: Robert SchumannArrangement: Flute DuetDifficulty Level: IntermediateFormat: Digital Sheet Music PDFPages:  Score: 1 pageThis arrangement captures the essence of Schumann’s original piano piece, translating its warm, lyrical lines into a harmonious dialogue between two flutes. Ideal for both students and experienced flutists, this duet is perfect for performances in recitals, educational settings, or simply as a delightful piece to share with fellow musicians.Why Choose This Arrangement?Faithful Adaptation: Preserves the lyrical and expressive qualities of Schumann’s original composition, reimagined for two flutes.Versatile Performance: Suitable for a variety of settings, including recitals, educational performances, and casual duets.Accessible Yet Rewarding: Designed for intermediate players, offering a balance of simplicity and musicality that allows both flutists to shine.Add a touch of classic elegance to your repertoire with this flute duet arrangement of Von fremden Ländern und Menschen. It’s a perfect piece for flutists who appreciate the beauty of Schumann’s music and want to explore it in a new format.Keywords: Robert Schumann, Von fremden Ländern und Menschen, Kinderszenen, flute duet, flute sheet music, Schumann arrangements, flute ensemble, intermediate flute music, classical music, concert flute duet, recital music, educational flute duet.

Flute Choir,Woodwind Ensemble Alto Flute,Bass Flute,Piccolo - Level 3 - Digital Download SKU: A0.1302261 By Bob Marley. By Bob Marley. Arranged by Sean Arawjo. Ska. 18 pages. Sean Arawjo #891868. Published by Sean Arawjo (A0.1302261). Piccolo, 3 C Flutes, Alto, Bass + Opt. Contrabass Flute 1 is divided in octaves - choose one if only one player. It includes a transcription of the sax solo on the original recording but feel free to improvise if comfortable!Alto flute is divided in 3. This should ideally be done by three alto players. Bob Marley's first recorded single, originally released on Beverly's Records in 1962. Medium Jamaican SKA with swung eighths. Works well with a drum set playing a simple swing ska beat along (as on the original recording). Find more ska flute content at: www.seanarawjo.com/and https://open.spotify.com/playlist/5ntN9DRGwBq8mDP4HKCHtm?si=0b82020485b54773Arranged for Flute Frenzy, Williamsburg, VA. https://www.flutefrenzy.org/