SKU: A0.534852

Endless Love is a song written by American Lionel Richie and originally recorded as a duet between Richie and fellow American singer Diana Ross. In this ballad, the singers declare their endless love for each other. It was covered by American singer Luther Vandross with fellow singer Mariah Carey and also by Canadian singer Shania Twain. Richie's friend (and sometimes co-worker) Kenny Rogers also recorded the song. Billboard named the original version the greatest musical duet of all time.

SKU: A0.928381

This arrangement was originally written for KeyStone A Cappella www.keystonevocals.com - written with a classic Swingles Singers style. www.thomasjwestmusic.com

SKU: A0.1199401

Addio del passato is a beautiful and moving aria from the opera La Traviata by Giuseppe Verdi. The piece was originally composed for soprano voice and orchestra. The arrangement begins with the classical guitar providing a gentle and understated introduction, creating a subtle harmonic background for the voice. The singer then enters, singing the iconic melody. As the piece progresses, the guitar provides a delicate and supportive accompaniment, creating a warm and intimate atmosphere for the vocal performance. The arrangement also includes moments where the guitar takes center stage, playing instrumental solos and interludes allowing the singer to rest. The classical guitar and voice arrangement of Addio del passato is a touching and intimate interpretation of Verdi's timeless aria. The interplay between the two instruments creates a nuanced and expressive performance that highlights the emotional depth and beauty of the original piece.

SKU: A0.1081861

This is Julie Gaulke's original arrangement of I Choose You (by Sara Bareilles) for SSATBB plus Soli a cappella. This arrangement was originally commissioned by the mixed choir of Alma College. Full performance recorded by Julie Gaulke & Stefan Wyatt - See scrolling demo video here: https://youtu.be/uABZr-OF56g

LEARNING TRACKS AVAILABLE FOR THIS SCORE HERE: https://www.juliegaulketracks.com/store/p266/ichooseyou.html

Please visit Julie's website Pianomom's Sheet Music for more great arrangements! https://www.pianomomsheetmusic.com/

SKU: A0.1256234

Originally commissioned by the Royal Scottish National Orchestra and conductor Christopher Bell in 2015, this extended version of one of the most globally appealing Christmas songs restores all of James Lord Pierpont’s original lyrics. A vibrant, yet eminently singable SATB and SSA choir arrangement, sure to delight any festive audience. Includes an optional percussion part for extra sparkle! Backing track and SATB version also available.
For rental of the full orchestration featured in the demo, please email info@studio-orchestrations.com.

SKU: A0.1017653

My Fugue Study in Em, is a sneak peak into a collection of studies for guitar that I've composed called Classically Different. They are not meant for the beginner student, but they are pedagogical. They are the result of imagining what it would have been like to have the 6 string guitar a common place instrument during the 18th century. Would there have been powerhouse guitarist/composers like Sor and Giuliani of the 19th century? Would they have performed and composed like Bach Vivaldi and Weiss? Would Bach have composed a suite for it?

I originally composed this Fugue for keyboard in my counterpoint class. As I started to arrange it for guitar and learn to play it, I realized that I was running into similar problems that guitarists have experienced since Tarrega first started transcribing Bach. I coincidentally rewrote a number of sequences and entrances of the subject to make it more guitar logical. There are still leaps by a 7th sprinkled in to continue a low melody an octave higher due to the range limitations of the 6 string guitar. I wonder if perhaps this would have been a useful mechanism for the hypothetical guitarists of the 18th century, or if they would have just composed for the instruments range. It is quite apparent to me that a great deal of Baroque music arranged for guitar makes great use of this without degradation to the original line. 

I use both tablature and standard notation for my scores with perhaps an overabundance of fingerings. I want to make it as easy as possible to understand the music for as many players as possible. .

SKU: A0.1150445

This arrangement adapted for baritone sax duo was written keeping the characteristics of the original work, in order to be performed by young music students who want to enter the symphonic music. Besides, it can also be used by professional musicians for recitals, repertoire, academic presentations and didactic material. The transcription remains faithful to the structure, with only one change in tone, so that it is comfortable for all the instruments in the formation, as well as being used as an activity in ensemble practice among musicians of different traditions. Beethoven's Turkish March (Op. 113) is the 4th movement of the operatic work: The Ruins of Athens, a set of incidental pieces written in 1812 by Ludwig van Beethoven, where the melody was originally written in 1809 as Theme with Six Variations for Piano, Op. 76. The work was written to accompany the play of the same name by August von Kotzebue, for the dedication of a new theater in Pest. Perhaps the best known part of the composition is the Marcia alla turca, In Latin America, this movement became known in Jean-Jacques Perrey's version (who titled it The Elephant never Forgets) since it was used as the opening theme of the successful Mexican TV comedy El Chavo del Ocho. The opening and the turkish march are often performed separately, and the other pieces in this set are not often heard.

SKU: A0.1267430

George Bizet's L'Arlésienne Suite is a captivating and evocative musical masterpiece that showcases the composer's brilliance and ability to create rich, emotional landscapes through his compositions. Originally composed as incidental music for the play L'Arlésienne by Alphonse Daudet, Bizet later compiled several of these pieces into two separate suites.

The suite takes listeners on a journey through the vibrant and picturesque landscapes of Provence, France. From the hauntingly beautiful Prelude, which sets the stage with its melancholic melodies and dramatic tension, to the lively and rhythmic Farandole each movement offers a distinct atmosphere and mood.

The suite skillfully combines various musical styles, including folk tunes, dance rhythms, and lyrical melodies, creating a diverse and immersive listening experience. With its intricate orchestration, passionate melodies, and expressive harmonies, L'Arlésienne Suite captures the essence of the characters and story from the original play while standing strong as a standalone musical work.

A true gem of French Romantic music, Bizet's L'Arlésienne Suite continues to enchant audiences with its timeless beauty and emotional depth, showcasing the composer's mastery and ability to evoke powerful emotions through his music.

This extraordinary 9-minute arrangement for advanced performers by James Haynor features a 10-part Brass Ensemble (double brass quintet) with Percussion. Instrumentation is for 4 Trumpets in B-flat, 2 Horns, 2 Trombones, 2 Tubas, Timpani, Snare Drum, Tambourine and Bass Drum.