Piano Quartet,String Ensemble - Level 3 - Digital Download SKU: A0.905620 Composed by David Perkins. Concert,Contemporary,Wedding. Score and parts. 31 pages. David Perkins #4631781. Published by David Perkins (A0.905620). The Sandy Path That Leads Me Down is an arrangement for Piano Quartet - Piano, Violin, Viola and Cello. Originally a setting of a poem by John Betjemen, this piece re-arranged for Piano Quartet, has become a wordless song in its own right. The somewhat cryptic title is a line taken from the original poem.This and seven other pieces (yet to be arranged) will eventually form a suite of pieces entitled As Wordless as the Windy Sky. Together they will create a broadly biographical sequence from the boundless imagination of childhood, through holidays, religion, love, the pleasures of the middle years to the inevitability of old age.

Instrumental Duet,Piano Baritone Horn TC,Euphonium,Instrumental Duet,Piano - Level 5 - Digital Download SKU: A0.842571 Composed by Gioachino Rossini. Arranged by Sean Brennan. Classical,Concert,Graduation,Romantic Period. Score and parts. 19 pages. Bl_music #6643225. Published by bl_music (A0.842571). Theme and Variations by G. Rossini, arr. Brennan for Solo Euphonium/Baritone with Piano accompaniment This edition is the theme and variations from Rossini's Introduction, Theme and Variations originally for clarinet and orchestra.                This version has been performed and recorded by a number of internationally renowned Euphonium soloists. We first published the complete Introduction, Theme and Variations for Euphonium in 1991 and performed it on a 1830s ophicleide and a 1840s square piano in 1993. This edition comes with a shortened introduction,theme and variations. Duration around 8 ½ min. Solo part in treble and bass clef.Message from Sean Brennan:This arrangement, or more correctly transcription, was first published by us in 1991, although its origins go back much further than that. I do remember being transfixed in the 1970s by Richard Stoltzman’s recording of the original form of the work for clarinet and orchestra. I was convinced it would work for Euphonium and that one day there would be players with the technique, and above all musicality, to bring it off. For me, this vision came true in 1994 when we first performed the piece in Birmingham in 2004, and then again 10 years later when David Thornton and the Black Dyke Band recorded the Theme and Variations. Rossini composed the Introduction, Theme and Variations for clarinet and orchestra in 1810 at the request of a fellow student at the Conservatorio di Bologna. Although the autograph score has been lost, and some musicologists have questioned the authenticity of the work, I find no reason for doubt since Rossini recycled some of the material in later works, and apart from that his evervascent musical personality is abundant from beginning to end.

Cello - Digital Download SKU: A0.1103915 By Ölveti Mátyás and Mády-Szabó Eszter. By David Warin Solomons. Chamber,Contemporary. Full Performance. Duration 195. David Warin Solomons #707199. Published by David Warin Solomons (A0.1103915). Composed originally as a vocal duo as I walked one day from Denning Point in the East End of London to sing at a service at St Michael's Cornhill around 1986, this version can be played on various instruments but preferably duos of the same instrument or at least instruments of the same range. The words of the original vocal duo are: I heard a happy song on a lonely city street; but it was a song of the past. It was a song from the days when the street was a meadow path; it was a song when the flowers on the window boxes had grass for company. It was a song when the Cathedral could be seen above the rooftops. I heard a happy song on a lonely city street; but it was a song from the future: song from the days when the street will dance with children It was a song when the flowers in the window boxes will learn to sing. It was a song when the rooftops won't be seen above the clouds. I heard a happy song on a lonely city street; and it is a song of now But it is a song I will sing from the rooftops to entrance the clouds. Performed by Ölveti Mátyás and Mády-Szabó Eszter of Budapest Scoring Cellos.

Piano Solo - Level 4 - Digital Download SKU: A0.878079 Composed by Judith Snowdon. 20th Century,Contemporary. Score. 2 pages. Judith E. Snowdon #3218739. Published by Judith E. Snowdon (A0.878079). A stately, slow moving Processional, appropriate for a formal occasion at an upper intermediate level. The piece is structured in an ABA form. Part A is the processional, Part B has a theme with forward motion, punctuated by a left hand repeated note pattern. Part A returns with the original melody, soaring an octave higher with an arpeggiated left hand. This piece is appropriate for recital/festival. It was originally written and a Wedding Processional.

String Orchestra - Level 4 - Digital Download SKU: A0.996381 Composed by Jonathan Geer. Arranged by Jonathan Geer. 20th Century,Contemporary,Romantic Period,World. Score and parts. 23 pages. Pot of Earth Publishing #5218731. Published by Pot of Earth Publishing (A0.996381). This is a string orchestra arrangement of a piece that was originally scored for tango quintet. It is a haunting, lyrical piece inspired by the beautiful slow milongas of Astor Piazzolla. The original piece for quintet was made famous by the Austin Piazzolla Quintet and continues to be one of their most beloved pieces.

Piano,Soprano Saxophone - Level 3 - Digital Download SKU: A0.528469 Composed by Edward Elgar. Arranged by Diego Marani. Classical,Concert,Instructional,Romantic Period,Standards. Score and part. 5 pages. Diego Marani #6029397. Published by Diego Marani (A0.528469). Salut d'Amour, Op. 12, is a musical work composed by Edward Elgar in 1888, originally written for violin and piano. Elgar finished the piece in July 1888, when he was romantically involved with Caroline Alice Roberts, and he called it Liebesgruss ('Love's Greeting') because of Miss Roberts' fluency in German.This arrangement for Bb Soprano Sax reflects faithfully the original for violin and can be also used as music for weddings events.

Flute Duet Flute - Level 3 - Digital Download SKU: A0.588870 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score. 4 pages. David McKeown #6020745. Published by David McKeown (A0.588870). Hava Nagila is a Hebrew Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for two Flutes. Hava Nagila was originally a Nigun melody thought to have originated in the Ukraine. In 1918 a professor and musicologist at the Hebrew University in Jerusalem, Abraham Zevi Idelsohn, set the tune to words adapted from Psalm 118. Hava Nagila was first performed at celebrations at the end of the Great War and quickly spread throughout the Jewish diaspora. In the fifties and sixties, performances by singers as diverse as Harry Belafonte and Bob Dylan popularised the song far beyond its original Jewish audience. Hava Nagila remains one of the best-known and loved Klezmer standards today, traditionally performed at Jewish celebrations.Hava Nagila is simply arranged in a key and range best suited to the instruments. After a steady beginning, the melody gradually increases in tempo, with constant variations in the accompaniment. Hava Nagila is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Hava Nagila is perfect for celebrations, weddings and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203  

Soprano voice,Vocal Solo - Level 3 - Digital Download SKU: A0.1289085 Composed by Charles Francois Gounod and Johann Sebastian Bach. Arranged by Benzaiten Editions. 19th Century,Christian,Classical,Religious,Wedding. 5 pages. Benzaiten Editions #879916. Published by Benzaiten Editions (A0.1289085). Hey! Are you a soprano singer who wants to learn to sing the song Ave Maria from Bach / Gounod? Stay with us!Bach / Gounod Ave Maria in A Major • soprano sheet music with piano accompaniment with chords The Benzaiten Editions Arrangement If you're searching for soprano voice sheet music with piano accompaniment for the timeless Ave Maria composition by Bach / Gounod, your search ends here! With our arrangement of Bach/Gounod's Ave Maria, you'll have the opportunity to perform this emotionally charged melody with grace and ease. The chords and melody ensure a smooth learning experience. Whether you aim to expand your repertoire or share the gift of music with others, our soprano voice arrangement of Bach/Gounod's Ave Maria promises to inspire. Bach / Gounod Ave Maria arrangements by Benzaiten Editions In all 12 tonalities:→ Soprano voice | piano accompaniment→ Alto voice | piano accompaniment→ Tenor voice | piano accompaniment→ Baritone voice | piano accompaniment About the song Ave Maria by Bach/Gounod is a cherished and revered composition, blending the genius of two remarkable composers. Originally, this piece was an adaptation of Johann Sebastian Bach's Prelude in C Major from The Well-Tempered Clavier.It was later paired with Charles Gounod's beautiful melody, creating the Ave Maria we know and love today. This rendition of Ave Maria is a timeless classic, invoking a sense of serenity, devotion, and pure beauty. The Latin lyrics, based on the Catholic prayer to the Virgin Mary, are sung with reverence, and the composition's emotive power touches the hearts of all who hear it.While Bach and Gounod's collaboration was not their original creation, it has become one of the most iconic and beloved pieces in the classical repertoire. The music's gentle and melodic flow, paired with its profound spiritual message, makes it a fitting choice for a variety of occasions, from religious ceremonies to concerts and personal performances.

Brass Ensemble - Level 4 - Digital Download SKU: A0.805841 Composed by Edvard Grieg. Arranged by G L Harvey. Concert,Romantic Period,Standards. Score and parts. 21 pages. G L Harvey #4611283. Published by G L Harvey (A0.805841). This work is from Grieg's Lyric Pieces originally written for piano in 1891.  I must confess that this is one of my favorite piano works to play and I've always thought that it would make a great piece for brass ensemble.  This arrangement keeps mostly to the original voicing and style, with the melodic elements flowing mostly between the two trumpets and horn.  Performance notes suggest  placing the trumpets at opposite ends of the ensemble to make the most of the stereo or antiphonal effect from the melody sweeping back and forth. Players of advanced intermediate standard (about grade 5+ ABRSM) will be able to produce a convincing performance.

String Quintet Violin - Level 3 - Digital Download SKU: A0.1336129 Composed by Franz Xaver Gruber. Arranged by Ander. Chamber,Christian,Christmas. 10 pages. Woods Only, Arrangements #921966. Published by Woods Only, Arrangements (A0.1336129). This is the arrangement of Silent Night for Violin Quintet. This piece, originally composed by Franz Xaver Gruber in 1818, is one of the most famous and beloved Christmas songs in the world, translated into more than 300 languages. In this arrangement, we play with the melody to give a new and magical air to this famous song, while maintaining the essence of the original work. The music was written in a difficult period for Salzburg, during the Napoleonic Wars, and expresses a longing for redemption and peace. This arrangement is perfect for any Christmas event, whether as chamber music in recitals, concerts, public shows, or as teaching material for music teachers and students. We believe that the beauty and history of this song, combined with our innovative arrangement, will enchant and inspire both musicians and the audience. Get your arrangement of Silent Night now and bring the magic of Christmas to your musical repertoire.

Cello Duet Cello - Level 3 - Digital Download SKU: A0.589293 Composed by Traditional. Arranged by David McKeown. Jewish,Wedding,World. Score. 4 pages. David McKeown #6020785. Published by David McKeown (A0.589293). Hava Nagila is a Hebrew Folk tune, often performed by Klezmer musicians. This version is arranged as a duet for two Cellos. Hava Nagila was originally a Nigun melody thought to have originated in the Ukraine. In 1918 a professor and musicologist at the Hebrew University in Jerusalem, Abraham Zevi Idelsohn, set the tune to words adapted from Psalm 118. Hava Nagila was first performed at celebrations at the end of the Great War and quickly spread throughout the Jewish diaspora. In the fifties and sixties, performances by singers as diverse as Harry Belafonte and Bob Dylan popularised the song far beyond its original Jewish audience. Hava Nagila remains one of the best-known and loved Klezmer standards today, traditionally performed at Jewish celebrations.Hava Nagila is simply arranged in a key and range best suited to the instruments. After a steady beginning, the melody gradually increases in tempo, with constant variations in the accompaniment. Hava Nagila is suitable for players at an intermediate level and above. With a performance time of around two and a half minutes, this version of Hava Nagila is perfect for celebrations, weddings and concert performances, both formal and informal. Click the link above to listen to a full Youtube performance of the Clarinet version of this duet.There are many more top quality arrangements and compositions by David McKeown for you to browse at http://www.sheetmusicplus.com/publishers/david-mckeown/6203

Piano Solo - Level 5 - Digital Download SKU: A0.1150422 Composed by Carrie Jacobs-Bond. Arranged by Phil Beaman. 20th Century. Score. 5 pages. Phil Beaman #750599. Published by Phil Beaman (A0.1150422). Over Hills and Fields of Daisies is a piano solo arrangement of the 1902 hit pop song by Carrie Jacobs-Bond, which was originally a ballad for voice and piano. I have created three variations based on the original piece. After a thick chordal introduction, the first variation places both hands up an octave in a 2/4 time scherzo with a slightly altered melodic rhythm and minim/half note blocked 7th chords in the LH. The second variation further changes the melodic rhythm to 3/4 time and elaborates the chordal harmony. The third variation dramatically extends across three staves back in 2/4 time, with the melody only implied in half-time and thick cascading chords in both hands, (a la Rachmaninoff's Preludes, written just the year before this piece). 5 page score; 2:54 minutes This piece is also found in my book, Carrie Jacobs-Bond, Popular Songs 1900-1925, a collection of 51 of her songs I have arranged for piano solo, which is also available on this site.

Bass Recorder,Descant Recorder,Tenor Recorder,Treble Recorder - Level 2 - Digital Download SKU: A0.1400025 Composed by Gabriel Faure (1845-1924). Arranged by Clive Lane. 19th Century,Classical. Recorder Ensemble. 17 pages. Clive Lane #983253. Published by Clive Lane (A0.1400025). Cantique de Jean RacineThis gorgeous piece is one of Fauré's most famous works, originally for choir and piano (or organ). First published: 1865 (keyboard version, Schoen)I have arranged it for recorder quartet [descant/treble/tenor/bass] or recorder orchestra and guitar.Score and parts.The text is a French translation, by the 17th century French dramatist Jean Racine, of a medieval Latin hymn, Consors paterni luminis. When Gabriel Fauré set the translation to music, he gave it the title Cantique de Jean Racine, rather than the title of the original hymn.

Small Ensemble Bassoon,Cello,Clarinet,Double Bass,Flute,Oboe,Viola,Violin - Level 4 - Digital Download SKU: A0.575857 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028845. Published by David Warin Solomons (A0.575857). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.

Solo Guitar - Level 1 - Digital Download SKU: A0.948979 Composed by Anonymous. Arranged by Bisdré Santos. Classical,Folk,Instructional,Renaissance,Standards. Individual part. 3 pages. Soul - Musical Creations #6362589. Published by Soul - Musical Creations (A0.948979). This piece (originally intitled) was transcribed by Oscar Chilesotti from a Sixteenth-century manuscript lute book. It is chosen here as a straightforward example of a common style of piece which was purely instrumental and unrelated to dance forms. The aim of the player is to bring out the contrapuntual (multiline) quality of the piece bycarefully sustaining tied and held notes for their value. It is important to recognize the original tune as it reoccurs in other voices. The Fantasia seems to sound well at a stately.