Guitar,Piano,Vocal,Voice - Level 1 - Digital Download SKU: A0.706634 Arranged by ANDRE LAITANO. Concert,Graduation,Instructional,Renaissance,Standards. Score. 5 pages. ANDRÉ DOS SANTOS #6356179. Published by ANDRÉ DOS SANTOS (A0.706634). Orlando di Lasso - Matona mia cara (Piano Reduction for Rehearsal)ContentPiano Reduction Part.

Brass Ensemble - Digital Download SKU: A0.941078 Composed by Di Lasso, Orlando. Arranged by Marco Simoncini. Concert,Renaissance,Wedding. Score and parts. 24 pages. MaestroSimoncini #3574829. Published by MaestroSimoncini (A0.941078). Renaissance music. 2'08. Appropriated for school and recitals.

Brass Ensemble Euphonium,Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1005634 Composed by Orlando di Lasso (1530? - 1594). Arranged by Rudy Volkmann. Easter,Renaissance. Score and parts. 10 pages. Rudy Volkmann #6038281. Published by Rudy Volkmann (A0.1005634). This wonderful Easter motet is a great choice for either an Easter service or a recital/concert for either a brass sextet or a brass choir.  A treble-clef baritone part is included.

Recorder - Level 2 - Digital Download SKU: A0.1102395 Composed by Orlande De Lassus. Arranged by John Geohegan. Renaissance. Recorder Ensemble. 95 pages. JGJG Sheet Music LLC #705805. Published by JGJG Sheet Music LLC (A0.1102395). Five two-part instrumental fantasies by Orlando di Lasso. Four fantasies are each adapted for both ST and AB duets. The fifth fantasy has SA, AT, and TB duet versions. Complete score and two-page parts for all 11 versions. Comfortable pitch ranges and easy key signatures (C and F). Choose your recorders, print the duet versions you need, and enjoy the beautiful counterpoint!

String Ensemble - Level 3 - Digital Download SKU: A0.719746 Composed by Tomas Luis de Victoria / Orlando di Lasso. Arranged by Curtis Hanson. Renaissance. Score and parts. 67 pages. Curtis Hanson #4839417. Published by Curtis Hanson (A0.719746). Hey string players and teachers, are you looking for something different to program or teach your students? This collection of pieces, suitable for beginning and experienced ensembles, may be what you’re looking for. For the choral musician, the a capella motets of the late Medieval and Renaissance periods, some well-known and others less so, comprise some of the richest and most beautiful works of choral literature. Unless otherwise indicated, the pieces in this collection are all set for a standard string quartet of 2 violins, viola, and cello, instruments most closely able to mimic the inflections of the human voice. The intent of these arrangements is to enable the string musician to experience a genre perhaps less familiar, from the relatively simple yet sublime homophonic piece, to the varying degrees of rhythmic complexity of polyphonic works and their juxtaposed interplay of duple and triple rhythmic figures. With the purchase of this collection, permission is granted to photocopy parts as needed. Vocal breath marks (‘) above the staff are meant to serve as guides in phrasing. In keeping with the period, no dynamics are indicated, and tempo markings and slurs are only suggestions. The performer is free to interpret as desired.  The audio example is of the first several pieces in the collection.

String Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.578768 Composed by Orlande De Lassus. Arranged by David Warin Solomons. Baroque,Renaissance,Sacred. 26 pages. David Warin Solomons #3874199. Published by David Warin Solomons (A0.578768). Pentecostal anthem

Choir - Digital Download SKU: A0.1059706 Composed by Orlande De Lassus. Arranged by David Warin Solomons. Baroque,Christian,Renaissance,Sacred. Full Performance. Duration 237. David Warin Solomons #3874579. Published by David Warin Solomons (A0.1059706). Score

Concert Band - Level 2 - Digital Download SKU: A0.770366 Composed by Orlande De Lassus. Arranged by Ivan Marini. Instructional,Multicultural,Renaissance,Sacred,World. Score and parts. 39 pages. Www.dalsegno.eu #3867431. Published by www.dalsegno.eu (A0.770366). The most famous Renaissance choral piece for two antiphonal ensembles finally arranged for Winds and Percussions, featuring a Brass Quartet (two trumpets and two trombones).This enjoyable concert piece is also useful to develope tone quality, intonation, phrasing and expression of every ensemble.Even smaller groups and young bands can perform this piece, because the four original parts are mostly doubled. The difficulty grade is very reasonable.Every conductor will take advantage of the performance stage/location, staging the better arrangement for the four solists (plus opt. Tenor Drums) and the ensemble.The soloist should stay, generally speaking, far away from the audience to emphasize the echo effect.A piano part (reduction of the ensemble) is also included, for both performance and rehearsal.Complete set with score and parts: Solos (Trumpet 1+2, Trombone 1+2),Piccolo, Flute 1+2, Oboe (or Soprano sax), Bassoon,Clarinets 1+2+3+bass, Saxes AATB,Trumpets/Cornets 1+2+3, F/Eb Horn, Trombones 1+2+3,Euphonium/Baritone BC+TC, Tuba, String Bass,Piano, Timpani, Side Drum(s), Tenor Drum(s).Other transpositions (e.g. Bb Trombones TC) available for free at simply requestDuration ca. 3 mins., 39 pages.Feel free to contact me at info@dalsegno.eu for any other setting!Please, check my other works at www.sheetmusicplus.com/publishers/3025323or visit www.dalsegno.eu

Woodwind Ensemble Bassoon,Clarinet,Flute,Oboe - Level 3 - Digital Download SKU: A0.580270 Composed by Orlande De Lassus. Arranged by David Warin Solomons. Baroque,Renaissance,Sacred. 26 pages. David Warin Solomons #3874085. Published by David Warin Solomons (A0.580270). Pentecostal anthem

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.580269 Composed by Orlande De Lassus. Arranged by David Warin Solomons. Baroque,Christian,Renaissance,Sacred. Octavo. 10 pages. David Warin Solomons #3874081. Published by David Warin Solomons (A0.580269). Pentecostal anthem

Woodwind Ensemble Clarinet,Flute - Level 3 - Digital Download SKU: A0.979803 Composed by Orlande De Lassus. Arranged by Jope. Renaissance. 4 pages. Jope #6734233. Published by Jope (A0.979803).

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.580268 Composed by Orlande De Lassus. Arranged by David Warin Solomons. Baroque,Christian,Renaissance,Sacred. Octavo. 10 pages. David Warin Solomons #3874079. Published by David Warin Solomons (A0.580268). Pentecostal anthem

Brass Quartet Euphonium,Horn,Trombone,Trumpet - Level 3 - Digital Download SKU: A0.1411910 Composed by Orlande De Lassus. Arranged by Quinten Schlücker. Chamber,Christian,Early Music,Religious,Renaissance. 13 pages. Quinten Schlücker #994238. Published by Quinten Schlücker (A0.1411910). Arrangement von Orlando di Lassos (1532-1594) Magnificat Quarti Toni, LV 290 für Blechblasquartett.Original für zwei Trompeten (in B) und zwei Posaunen. Inklusive zusätzlichen Stimmen für Altsaxophon (2. Stimme), Horn (3. Stimme) und Euphonium (3. und 4. Stimme im Violinenschlüssel in B). Die Tenorposaunen-Stimme liegt sowohl im Tenor- als auch Bassschlüssel vor.Arrangement of Orlando di Lasso's (1532-1594) Magnificat Quarti Toni, LV 290 for brass quartet.Original for two trumpets (in Bb) and two trombones. Including additional parts for alto saxophone (2nd part), horn (3rd part) and euphonium (3rd and 4th parts in treble clef in Bb). The tenor trombone part is available in both tenor and bass clef.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1264673 Composed by Orlande De Lassus. Arranged by Jasper Swank. A Cappella,Historic,Religious,Renaissance. Octavo. 28 pages. Jasper Swank #857504. Published by Jasper Swank (A0.1264673). About the composer Orlando Lasso, Orlande de Lassus, Orlando di Lasso or Orlandus Lassus was born in Bergen (Dutch) or Mons (French) in Henegouwen, Belgium – which was a place in the Habsburg Netherlands at the time – in 1532, and was highly regarded as the best composer of his time. Temopraries appointed him titles like ‘ruler of music’ and ‘master of motets’. The roman-catholic composer was also one of the most productive composers of all times. Among his works are 53 masses for four to eight voices, and 1250 works for two to twelve voices in the form of motets, requiems, madrigals, chansons and songs for choir. Later in life, he wrote German drinking songs, as well as Dutch songs. From the latter category, none have been preserved. One of his drinking songs ‘Un jour vis un foulon qui fouloit’ was translated to English by William Shakespeare, after which it was used in his theatre play ‘Henry IV part 2’. About this work Prophetiae Sibyllarum is a motet in Latin for four voices. Posthumously published in 1600, it sets 12 prophecies attributed to the Sibyls (priestesses of Apollo later adopted by Christians) with a prologue.The movements are catalogued in order under separate opus numbers LV 1048 to 1060. About this edition This edition was notated from the composer’s manuscript (published around 1600), Das Chorwerk (Wolfenbüttel, 1937) and an anonymous reading score. The note values were halved for easier sightreading by modern singers. Recordings by De Labyrintho were studied for interpretation. On the base of these recordings, small checkmarks are added at places where collective breathing moments are suggested. These are not part of the manuscript.Great care has been put in the correct notation of the original work, as well as in solving apparent inconsistencies in the source materials. However, this edition was made purely to acommodate singers to study the melodic lines and should not be used for historic purposes.

Choral Choir (SATB) - Digital Download SKU: A0.828730 Composed by Giuseppe Dogliani. Arranged by Guido Menestrina. Romantic Period,Sacred. Octavo. 6 pages. Guido Menestrina #1986533. Published by Guido Menestrina (A0.828730). SATB + Piano solo Musica dal dramma (su libretto di Jean-Baptiste Lemoyne) Cristoforo Colombo, 1896. Qui di seguito info sul compositore. n. a Costigliole di Saluzzo (Cuneo-Italia) il 13 maggio 1849; prof. a Lanzo il 23 settemre 1870; m. a Torino il 22 ottobre 1934. Fu accolto da don Bosco nel suo Oratorio di Valdocco (Torino) nel 1864, a 14 anni di età, come allievo falegname. Egli però, già cantore del duomo di Saluzzo, aveva una spiccata inclinazione alla musica, e trovò in don Bosco chi lo comprese e l'assecondò. Sotto la guida del M. De Vecchi poté studiare musica strumentale, armonia e composizione. I suoi progressi furono così rapidi che, fattosi salesiano, divenne il più attivo collaboratore del M. Cagliero, e, allorché questi partì per l'Argentina a capo della prima spedizione di missionari salesiani (1875), a lui fu affidata la direzione della Schola cantorum,e nel 1889 anche della banda musicale dell'Oratorio. Maestro impareggiabile - come attesta un suo ex-allievo, don Alberto Caviglia - trasformò la scuola di canto col suo metodo d'insegnamento, sia nella preparazione della lettura, sia nell'educazione delle voci bianche e nell'addestramento delle masse corali, che giunsero fino a quattrocento voci. Con mezzi così poderosi il M. Dogliani ricondusse in chiesa la musica classica, e la Basilica di Maria Ausiliatrice fu rinomata per le grandiose esecuzioni inappuntabili degli spartiti di Rossini, Cherubini, Haydn, Gounod, Sgambati, Bossi, Tebaldini, Pagella, Perosi, Bottazzo, Ravanello, Mattioli, Donini, giungendo perfino a eseguire la Missa Papae Marcelli del Palestrina, senza accompagnamento (1876), e le classiche composizioni di Vittoria, Lolli, Gabrielli, Orlando di Lasso. La presenza della sua Schola cantorum e della sua banda strumentale fu spesso ambita e richiesta in altre città d'Italia in solenni circostanze, meritando elogi e premi, e perfino a Marsiglia per le feste centenarie di santa Giovanna d'Arco e l'inaugurazione della nuova cattedrale (1894). Il Cagliero - di cui ridusse a stile liturgico le più solenni composizioni - lo invitò in Argentina per portarvi la sua esperienza pratica d'insegnamento, che poi concretò nel celebre Metodo di canto corale, edito varie volte e su cui si formarono generazioni di Pueri cantores. Fu pure compositore di musica sacra e inni d'occasione di ottimo effetto: notevole l'antifona Corona aurea, composta per l'incoronazione dell'effige di Maria Ausiliatrice nel suo santuario (1903). Ma soprattutto egli - seguendo il metodo educativo di don Bosco - seppe fare della scuola di canto e di banda validi strumenti di formazione interiore, educando soprattutto con l'esempio di perfetto religioso, sicché i suoi allievi, per la sua abituale compostezza e inalterabile pazienza, lo tenevano in concetto di santo. Tra essi vi fu pure il celebre tenore Francesco Tamagno; altro suo discepolo affezionatissimo fu Federico Caudana, poi maestro di cappella a Cremona e buon compositore di musica. È da notare che il M. Dogliani, col suo insegnamento e col suo esempio, precorse di un trentennio la riforma della musica sacra fatta da san Pio X col Motu proprio del 1903. (da http://www.coadiutoresalesiano.net/ ) follow the score online on youtube: https://youtu.be/kAj11WStQqc.