Large Ensemble Bassoon,Clarinet,Double Bass,Flute,Horn,Oboe - Level 4 - Digital Download SKU: A0.553823 Composed by Gioachino Rossini. Arranged by Ray Thompson. Classical,Opera,Standards. Score and parts. 87 pages. RayThompsonMusic #4832487. Published by RayThompsonMusic (A0.553823). The Barber of Seville, or The Useless Precaution (Italian: Il barbiere di Siviglia, ossia L'inutile precauzione is an opera buffa in two acts by Gioachino Rossini with an Italian libretto by Cesare Sterbini.This is an arrangement of all of the Overturefor dectet (double wind quintet) and double bass.There is also an arrangement on this site of the Alegro from the OvertureI have transposed it down to D minor from the original key of E minor.Horns in F and Clarinets in Bb

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.799683 Composed by Dave Gardner. A Cappella,Christian,Christmas,Sacred. Octavo. 20 pages. D. M. Gardner Music #6715985. Published by D. M. Gardner Music (A0.799683). Dave Gardner's Ave Maria is a timeless and beautiful work, evoking a sense wonder about the burden of being the mother of the Savior of the world. SATB a cappella  -or-  with Oboe (opt. Violin), & CelloThis new G major edition is easily accessible for the oboist and alternate ossia passages are offered to suit any skill level. Alternatively, a violin would beautifully compliment the choir and cello.Latin TextPremiere: University of Nebraska at Omaha3'55To learn more about the composer, please visit https://www.dmgardner.com

String orchestra - Digital Download SKU: IZ.OMS156 Composed by Marcia Stockton. Score and Parts. 13 pages. Imagine Music - Digital #OMS156. Published by Imagine Music - Digital (IZ.OMS156). 9 x 12 in inches.To a Wild Rose is the most popular piece in American composer Edward MacDowell's (1860-1908) well-known piano suite Woodland Sketches, Op. 51 (1896). Its simple, unassuming character portrays a pretty wild rose that one might encounter in the woods. Less elegant than their suburban garden cousins, the loveliness of wild rose blossoms is short-lived, fragrant and undisciplined. With this in mind, Stockton rejuvenated MacDowell's piano piece with a fresh orchestration featuring a lush string sound within younger musicians' capabilities.InstrumentationViolin I (divisi) up to 5th position; an optional ossia (the top voice down 1 octave) remains in 1st positionViolin IIViolaVioloncello (divisi)Contrabass (or bass cues in cello part).

String Orchestra - Level 1 - Digital Download SKU: A0.892959 Composed by Anon. English 16th century. Arranged by Leonie Capararo. Folk,Renaissance. Score and parts. 15 pages. Notewell Music #5708723. Published by Notewell Music (A0.892959). Two 16th century tunes arranged for a flexible string quartet with ossia parts.  Transport your audience back to Elizabethan times with these sprightly Renaissance folk tunes.  Perfect for the developing string ensemble. .

Guitar Ensemble Guitar - Level 2 - Digital Download SKU: A0.1127360 By Los Lobos. By Richard Valenzuela. Arranged by Derek Hasted. Pop,Standards. Score and parts. 25 pages. Derek Hasted #727987. Published by Derek Hasted (A0.1127360). LA BAMBA - GUITAR QUARTET with optional FIFTH PART BASSFor Classical or Acoustic Guitar - sometimes it's erroneously listed here as Electric Guitar. Derek Hasted writes This piece requires no introduction, except to say that it makes a fantastic concert piece for a school ensemble or equally, as a crowd-pleasing encore for an adult ensemble.My quartet arrangement is early intermediate. The top line as written is intermediate, but there are a few optional “ossia� bars that make the line early intermediate. There’s also an optional bass line for conventional guitar or bass guitar and that’s supplied in treble and bass clefs. The bass line will suit a beginner, but the piece also works fine without it. There is an “improvisation� section in the middle with call and response lines to add interest for players and audience alike.In a large ensemble it works well to have both top parts plus bass and octave bass lines playing - it makes a massive wall of sound!This arrangement was a firm favourite with the Hampshire Guitar Orchestra (HAGO) and their audiences. I hope you enjoy this piece as much as HAGO did!

Trumpet Solo - Level 5 - Digital Download SKU: A0.953866 By Digital Performance. By Francis Osentowski, DMA University of North Texas. 20th Century,Contemporary. Individual part. 30 pages. Francis Osentowski #6301537. Published by Francis Osentowski (A0.953866). Revelation for Trumpet and Piano was composed for Jack Stone. Jack played led in the early days for the University of North Texas One O'clock Lab band. A few years later in the 1970's he also commissioned my Celebration for Brass and Percussion. The Brass Quintet version is also listed in this web site. Revelation is a barn burner with lots of fun effects for advanced players. One high D includes an ossia down and octave. (The D I could have played)! It can be played by an advanced high school student and higher levels. Both Bb and C trumpet parts are enclosed. If you find a glitch in parts or score please let me know at: f.osentow@verizon.net  Hope you enjoy this piece. 

Descant Recorder,Instrumental Solo,Piano - Level 1 - Digital Download SKU: A0.1194110 Composed by Antonio Vivaldi. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards,Wedding. Score and individual part. 8 pages. Piacere Music Sheets #793544. Published by Piacere Music Sheets (A0.1194110). Opus/Catalog Number: Flute Concerto in D major, 'Il Gardellino' RV 428, Op. 10, No. 3, second movementKey/Tone: F majorMovements/Sections: Larghetto cantabileYear/Date of Composition: 1728 or beforeDifficulty: Grade 3/12 (Easy)Obs.: This beautiful piece is the second of three movements in Vivaldi's Concerto in D Major. This concerto is named Il Gardellino (The Goldfinch).This sheet music contains suggestions for ornamenting each section of flute part upon repeating it, as it was customarily done by musicians during the Baroque period.These suggestions are optional and can be adjusted to each player's taste and ability, and were written above the original melody as an ossia staff.The original arrangement is set in the key of D major, this score is an arrangement for Descant (soprano) Recorder and Piano. It's set in the key of F Major. Included: Full score and individual parts.

Piano,Vocal,Voice - Level 5 - Digital Download SKU: A0.1456328 Composed by F. J. Haydn (1739 - 1809). Arranged by A# Digital Music. Baroque,Classical,Opera. Score. 6 pages. A# Digital Music #1035407. Published by A# Digital Music (A0.1456328). Creonte's aria Chi spira e non spera from L'anima del filosofo, ossia Orfeo ed Euridice Hob:XXVIII:13 (Act 3)Vocal Scorein G major- Parts and Full Score available on demandasharp.digimus@gmail.com.

Euphonium,Piano - Level 4 - Digital Download SKU: A0.792132 Composed by Leoncavallo, Ruggiero. Arranged by Sauer, Ralph. 20th Century,Romantic Period. Score and part. 14 pages. Gordon Cherry #3667569. Published by Gordon Cherry (A0.792132). P.p1 {margin: 0.0px 0.0px 0.0px 0.0px; font: 8.0px 'Helvetica Neue'} The Serenade and Impromptu by Leoncavallo have been artfully arranged for Euphonium and Piano by Ralph Sauer. They are both originally written for Cello and Piano. These two obscure, yet charming and beautiful Neapolitan songs without words together are about 6-minutes in length. With the use of bass clef and ossia passages, they are playable by even moderately advanced performers.

Guitar - Level 2 - Digital Download SKU: A0.1188953 By Morgan Wallen. By Frank Hylo Brown, Josh Osborne, Morgan Wallen, Ralph Bowman, Shane McAnally, and Tommy John Hill. Arranged by Brian Streckfus. Blues,Country,Folk,Instructional,Singer/Songwriter. Chords/Lyrics. 4 pages. Brian Streckfus #788563. Published by Brian Streckfus (A0.1188953). This is lead-sheet style. It notates the vocal melody, guitar chords in diagrams, and the lyrics. These kinds of versions are ideal for singer/song-writers as they are meant to be short and to summarize aspects besides vocals.1. Chord diagrams.2. Lyrics2. Ossia tab for main guitar riff.3. Most grace notes were added.4. Left to right version. There are no navigation symbols.There are some improvisatory ornamental nuances of Morgan Wallen's vocal line that I may not have notated, however I feel like I notated many of them. Notating super fast grace notes that are only audible after listening to the recording many times is kind of uneccessary anyways (i. e. ornamental means unneccessary by definition). That being said, I feel that this version has a chance to be the best on the internet, and I think people will enjoy it.Some guitar parts are notated in sheet music.

String Orchestra - Level 1 - Digital Download SKU: A0.892961 Composed by Pierre Phalese. Arranged by Leonie Capararo. Concert,Renaissance,Standards. Score and parts. 16 pages. Notewell Music #5708787. Published by Notewell Music (A0.892961). Bransle - English - brawl is a swaying dance popular in the 16th and 17th centuries. It could also be sung.  This setting allows each instrument to take the melody in turn.  The crotchets should be played non legato throughout and the tempo is not too fast.  The bonus ossia parts and the simple rhythms make this a nice repertoire or study piece for the beginning sting ensemble.

Piano Solo - Level 4 - Digital Download SKU: A0.890243 By Toto. By David Paich and Jeff Porcaro. Arranged by Salvatore Mallimo. Pop,Rock. Score. 9 pages. Salvatore Mallimo #3620909. Published by Salvatore Mallimo (A0.890243). This is a late-intermediate arrangement, in the original key, with all verses individually transcribed with rhythmic accuracy, the complete keyboard solo, and even an ossia if the double-note passages are too difficult.  It is set in a very effective piano solo context with an artistic ending.

Chor SATTBB – S. (Glsp. · Crot. · Xyl. · Mar. · Trgl. · Gong · 8 hg. Beck. · 3 Tomt. · kl. Tr. · 2 Tamb. · 2 Rührtr. · 2 gr. Tr. · 2 Holzbl. · Kast.) (6-9 Spieler) – 3 Klav. (ossia 2 Klav.) mixed choir (SATTBB), 3 pianos and percussion (6-9 player) - intermediate - Digital Download SKU: S9.Q2608 Choral settings on texts by Bert Brecht. Composed by Carl Orff. This edition: choral score. Downloadable, Choral score. Duration 11 minutes. Schott Music - Digital #Q2608. Published by Schott Music - Digital (S9.Q2608). German • English.

Bass clarinet in Bb and orchestra - difficult - Digital Download SKU: S9.Q7310 For bass clarinet and orchestra. Composed by Stefan Heucke. This edition: piano reduction with solo part. Clarinet Library. Downloadable, Piano reduction with solo part. Op. 33. Duration 35 minutes. Schott Music - Digital #Q7310. Published by Schott Music - Digital (S9.Q7310). The work was written for the famous Dutch bass clarinettist Henri Bok. It consists of six movements merging into one another, offering the player all possibilities to present the wide tonal range of this still unusual instrument. As a special service, the solo part is available in ossia variants for the German and French fingering systems.Links: Str. (mind. 5 · 5 · 4 · 3 · 2) Rechts: Str. (mind. 5 · 5 · 4 · 3 · 2 [einer mit C-Saite auf H gestimmt]) Mitte: Bassklar. solo - P. S. (hg. Beck. · 2 Tamt. · 4 Tomt. · kl. Tr. · gr. Tr. · 4 Woodbl. · Röhrengl. · Glsp. · Xyl. · Vibr.) (2-4 Spieler) - Hfe.

C Instrument, Flute, Handbells, Violin - Level 3 - Digital Download SKU: H1.2225DP Composed by Graham Kendrick. Arranged by D. Linda McKechnie. Contemporary, General Worship, Sacred. Instrumental parts. 2 pages. Hope Publishing - Digital #2225DP. Published by Hope Publishing - Digital (H1.2225DP). By Graham Kendrick. 1 Peter 2:9 - 1 Peter 2:10 - 2 Corinthians 3:18 - Genesis 1:3 - Hebrews 10:1 - Isaiah 9:2 - John 1:4 - John 12:46 - John 8:12 - John 9:5.Contemporary Christian Song by Graham Kendrick The favorite newer congregational song is her set for bells and optional flute or violin. The favorite newer congregational song is her set for bells and optional flute or violin. Reflective tempos, changing harmonies, and even an optional passage (Ossia) all serve to enhance the music. The verses and chorus are marked for reference. Mallets are the predominant technique called for, although others are scattered about through the score.