EUROPE
828 articles
USA
1158 articles
DIGITAL
541 articles (ą imprimer)
Partitions Digitales
Partitions à imprimer
541 partitions trouvées

1 ....151 166 181 196 211 ....541

Guitar,Piano,Vocal,Voice - Level 4 - Digital Download SKU: A0.1198455 By Frank Sinatra. By Matt Dennis and Tom Adair. Arranged by John Fries. 20th Century,Film/TV,Jazz,Standards. Score. 1 pages. John Fries #797597. Published by John Fries (A0.1198455). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Ā You can also type John Fries in the searchbar to see all I have to offer.Ā  The Night We Called It a Day is a popular song and jazz standard. One early recording of the song was notable in that it was Frank Sinatra's first solo recording (Bluebird 11463 in 1942). A review in Billboard called the recording a sparkling example of song with Sinatra's singing and Axel Stordahl's musical direction. Sinatra also made studio recordings of the song for Columbia records in 1947 and Capitol Records in 1957. On May 19, 2015, Bob Dylan sang it on the second-to-last episode of The Late Show with David Letterman.
The Night We Called It A Day
Piano, Voix et Guitare
Frank Sinatra
$4.99 4.27 € Piano, Voix et Guitare PDF SheetMusicPlus

C Instrument - Level 4 - Digital Download SKU: A0.499606 By Frank Sinatra. By Matt Dennis and Tom Adair. Arranged by John Fries. 20th Century,Jazz,Standards. Lead Sheet / Fake Book. 1 pages. John Fries #112898. Published by John Fries (A0.499606). Please contact me by email at jfries@ptd.net to make a special request or to find out all that I have to offer and to express your comments or concerns. Ā You can also type John Fries in the searchbar to see all I have to offer.Ā  The Night We Called It a Day is a popular song and jazz standard. One early recording of the song was notable in that it was Frank Sinatra's first solo recording (Bluebird 11463 in 1942). A review in Billboard called the recording a sparkling example of song with Sinatra's singing and Axel Stordahl's musical direction. Sinatra also made studio recordings of the song for Columbia records in 1947 and Capitol Records in 1957. On May 19, 2015, Bob Dylan sang it on the second-to-last episode of The Late Show with David Letterman.
The Night We Called It A Day
Instruments en Do
Frank Sinatra
$3.99 3.41 € Instruments en Do PDF SheetMusicPlus

Choral Choir (SAB) - Level 4 - Digital Download SKU: A0.915693 Composed by Richard Joseph Barber. 20th Century,Christian,Christmas,Contemporary,Sacred. Octavo. 13 pages. Barber Music Company #3868985. Published by Barber Music Company (A0.915693). Voicing: SAB w/ piano. Range: Sop., C4 to A5; Alt., C4 to E-flat 5; Baritone., C3 to E-flat 4. Duration: 2:40. Use: Christmas services. Great for choirs low on male voices. Performance: I wrote this piece as the finale to The Father Sent the Son, a cantata I wrote for one of my church choirs. The last theme in this piece is a reprise of the title music. I was thinking of the shepherds running to tell their neighbors what they had seen that wonderful night in Bethlehem. Avoid singing with a heavy tone. There should be buoyancy in the tone and in the diction. The tempo is fast a mm140, but it works if you pianist can handle it. I have done it at mm132 on more than occasion for a piano player's sake. It still worked okay, but if you can manage 140,do it. By the way, every choir that I have done this piece with has enjoyed it thoroughly. It is fun to sing and to hear. Please send your comments, and questions. I will be happy to hear from you! Dick Barber: aspiringtunerrjb@sbcglobal.net. 
Go Tell Your Friends and Neighbors
Chorale 3 parties
the way, every choir that I have done this piece with has enjoyed it thoroughly It is fun to sing and to hear
$2.20 1.88 € Chorale 3 parties PDF SheetMusicPlus

Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ā€˜Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
The Story Of Reuben Clamzo & His Strange Daughter
Chorale TTBB
Arlo Guthrie
$3.99 3.41 € Chorale TTBB PDF SheetMusicPlus

String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105248 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop. Accompaniment. Duration 229. David Kai #708508. Published by David Kai (A0.1105248). This version of the song is for backing a soloist or group. This song was written to honour our front-line workers during these incredibly stressful pandemic times. It was inspired while thinking of two family members who are working in downtown hospital emergency rooms during this pandemic. This song might be used in worship services honouring our front-line workers or on subjects such as pastoral care during the pandemic, vocation or calling. THIS ANGEL Words and music by David Kai Ā©2021 Last night I thought I had the strangest dream An angel standing, watching over me No halo on her head, no gown of white No wings upon her back to give her flight I couldn’t see her face ā€˜cept for her eyes She smiled through them, and then I realized Just where I was and how it came to be This angel’s all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Dear angel, tell my family out there I love them very much, and I still care I’m sorry if I’ve caused them any pain God willing, I will see them all again Dear angel, say a prayer for this old soul That I might have some peace if I’m to go If I don’t make it through, tell them for me My angel all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Last night I thought I had the strangest dream This angel standing, watching over me.
This Angel (backing track)
David Kai
$1.99 1.7 € PDF SheetMusicPlus

String Ensemble Choir,Drum Set,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105244 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop,Rock. Full Performance. Duration 232. David Kai #708504. Published by David Kai (A0.1105244). This song was written to honour our front-line workers during these incredibly stressful pandemic times. It was inspired while thinking of two family members who are working in downtown hospital emergency rooms during this pandemic. This song might be used in worship services honouring our front-line workers or on subjects such as pastoral care during the pandemic, vocation or calling. THIS ANGEL Words and music by David Kai Ā©2021 Last night I thought I had the strangest dream An angel standing, watching over me No halo on her head, no gown of white No wings upon her back to give her flight I couldn’t see her face ā€˜cept for her eyes She smiled through them, and then I realized Just where I was and how it came to be This angel’s all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Dear angel, tell my family out there I love them very much, and I still care I’m sorry if I’ve caused them any pain God willing, I will see them all again Dear angel, say a prayer for this old soul That I might have some peace if I’m to go If I don’t make it through, tell them for me My angel all dressed up in PPE If I could only speak I’d gladly give my thanks aloud If I could only breathe I’d tell you clearly just how proud I am of all of you who put yourselves into harm’s way And help to pull me through another day Last night I thought I had the strangest dream This angel standing, watching over me.
This Angel
David Kai
$1.99 1.7 € PDF SheetMusicPlus

Concert Band - Level 3 - Digital Download SKU: A0.1504652 Composed by Henry Wood. Arranged by James Symington. 20th Century,Contest,Festival,Film/TV,Patriotic. 181 pages. James Edward Ernest Symington #1080077. Published by James Edward Ernest Symington (A0.1504652). This is a wind band arrangement of Fantasia on British Sea Songs, the iconic medley always performed at the end of the Last Night of the Proms at the Royal Albert Hall in London, UK. This version captures the grandeur of the original, and at the end, you'll hear Rule, Britannia!—complete with a vocal solo to recreate that classic Proms finale. The arrangement includes all the standard parts for wind ensemble, plus some extras like tenor horns and treble clef parts for lower brass.Bring the spirit of the Proms to your concert! Don't forget to like, subscribe, and share if you enjoyed this arrangement!#FantasiaOnBritishSeaSongs #LastNightOfTheProms #WindBand #RuleBritannia #BrassBand #MusicArrangement #RoyalAlbertHal.
Fantasia On British Sea Songs
Orchestre d'harmonie

$79.99 68.37 € Orchestre d'harmonie PDF SheetMusicPlus

Ssax(tsax)-tpt-pno-vln saxophone, trumpet, piano, violin and amplified narrator - Digital Download SKU: S9.Q19663 For narrator and instrumental ensemble. Composed by John Casken. This edition: score. Egypt - destiny - D.M. Thomas - Drama - dramatic - poem - Cleopatra - Life - poetry - fate - death - dead. Downloadable, Score. Duration 25 minutes. Schott Music - Digital #Q19663. Published by Schott Music - Digital (S9.Q19663). English.This work’s title comes from DM Thomas’s dramatic poem on an imagined episode in the life of Cleopatra. Cleopatra offers any three men from her royal court a night of unbridled passion, in return for which they must forfeit their lives the next morning. Three men step forward, the last of which is the son she had by her brother Ptolemy, whom she gave away at birth. Unaware that Cleopatra is his mother, he gives her wine laced with mandragora and makes his escape before daybreak. The grisly tale provided the composer many opportunities for dramatic characterisation. The use of a narrator necessitated an episodic structure in which the music captures the atmosphere suggested by the text, and mirrors the different moods as the journey unfolds and the three characters live out their different fates.The title Deadly Pleasures was suggested by the content of D.M. Thomas’s dramatic poem on an imagined episode in the life of Cleopatra. Cleopatra offers any three men from her royal court a night of unbridled passion, in return for which they must forfeit their lives the next morning. Three men step forward, the last of which (unbeknownst to all) is the son she had by her brother Ptolemy, whom she gave away at birth. Unaware that Cleopatra is his mother he gives her wine laced with the drug mandragora and escapes his grisly death before daybreak. The music of Deadly Pleasures skilfully captures the diff erent episodic moods of the text as the journey unfolds, and the three characters live out their diff erent fates.
Deadly Pleasures

$25.99 22.22 € PDF SheetMusicPlus

String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105250 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop. Full Performance. Duration 216. David Kai #708510. Published by David Kai (A0.1105250). This new hymn is especially appropriate for Affirming Ministries. The hymn draws on rainbow and rainbow-coloured imagery in the Bible, and the imagery of light which is composed of rainbow colors. The hymn suggests that Affirming Ministries have a badly needed light which they can proudly share with the world. We Are a Rainbow Words and music by David Kai Ā©2017 Tune: Slocan (see below) We’re the light of all the world, we are a city on a hill, We’re a candle on a stand proclaiming light, We will not hide our lamp beneath a bushel any more, We will shine a ray of hope that’s burning bright. Chorus: We are a rainbow, sign of covenant and peace, For the flood of tears will finally cease to be, Come shine your rainbow, splash your hues across the sky, Paint the world in colours proud and bold and free. We’re a coat of many colours, sewn from many different threads, Covering all in warmth, in welcome and in grace, God said ā€œLet there be lightā€, created every varied shade, In the rainbow each of us can find a place. Chorus: We are hope to still believe in tomorrow’s better day, We are peace in a world that’s torn apart, We are joy that will last in all the struggles that we face, We are love that blooms and grows in every heart. Chorus: When we face the storms of life, we will never be alone, For our God will be with us on the way, Hand in hand, side by side, we won’t be frightened* any more, As the mourning night of tears breaks into day. Chorus: *alt: clobbered.
We Are a Rainbow
David Kai
$1.99 1.7 € PDF SheetMusicPlus

String Ensemble Choir,Electric Bass Guitar,Piano Accompaniment - Level 3 - Digital Download SKU: A0.1105253 By David Kai. By David Kai. Arranged by David Kai. Christian,Contemporary,Pop. Accompaniment. Duration 211. David Kai #708513. Published by David Kai (A0.1105253). This is a backing track for soloist, group or congregation. This new hymn is especially appropriate for Affirming Ministries. The hymn draws on rainbow and rainbow-coloured imagery in the Bible, and the imagery of light which is composed of rainbow colors. The hymn suggests that Affirming Ministries have a badly needed light which they can proudly share with the world. We Are a Rainbow Words and music by David Kai Ā©2017 Tune: Slocan (see below) We’re the light of all the world, we are a city on a hill, We’re a candle on a stand proclaiming light, We will not hide our lamp beneath a bushel any more, We will shine a ray of hope that’s burning bright. Chorus: We are a rainbow, sign of covenant and peace, For the flood of tears will finally cease to be, Come shine your rainbow, splash your hues across the sky, Paint the world in colours proud and bold and free. We’re a coat of many colours, sewn from many different threads, Covering all in warmth, in welcome and in grace, God said ā€œLet there be lightā€, created every varied shade, In the rainbow each of us can find a place. Chorus: We are hope to still believe in tomorrow’s better day, We are peace in a world that’s torn apart, We are joy that will last in all the struggles that we face, We are love that blooms and grows in every heart. Chorus: When we face the storms of life, we will never be alone, For our God will be with us on the way, Hand in hand, side by side, we won’t be frightened* any more, As the mourning night of tears breaks into day. Chorus: *alt: clobbered.
We Are a Rainbow (instrumental)
David Kai
$1.99 1.7 € PDF SheetMusicPlus

Piano - Intermediate - Digital Download SKU: M0.31086EB Gospel. E-book. 41 pages. Mel Bay Publications - Digital Sheet Music #31086EB. Published by Mel Bay Publications - Digital Sheet Music (M0.31086EB). ISBN 9781513477787. 8.75X11.75 inches.We all have experienced devotion at varying levels of intensity within our lives. Sometimes it is temporary, but in other cases it is lasting and perhaps even permanent. Devotion can be directed toward an idea, a purpose, plan, pet or person, a concept, a sport or hobby, a philosophy, or a feeling or relationship, but we all have known it in some measure. It can be so pathetically shallow as devotion to an object or possession, but its highest expression is found in devotion to the most noble of lasting and eternal values and in pursuit of knowing the awesome Creator of the universe- - - God himself. Hopefully, these piano pieces will inspire a greater measure of devotion from each of us.
Southern Gospel Piano - Devotion
Piano seul

$14.99 12.81 € Piano seul PDF SheetMusicPlus


1 ....151 166 181 196 211 ....541




Partitions Gratuites
Acheter des Partitions Musicales
Acheter des Partitions Digitales à Imprimer
Acheter des Instruments de Musique

© 2000 - 2025

Accueil - Version intégrale