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Brass Ensemble - Level 2 - Digital Download SKU: A0.791063 By The Mindbenders. By Carole Bayer Sager and Toni Wine. Arranged by Kevin P Holdgate. Contemporary,Pop,Rock. Score and parts. 27 pages. Kevin P Holdgate #5223781. Published by Kevin P Holdgate (A0.791063). Versatile Brass 'Solo'CollectionThis is a straightforward arrangement of the Phil Collins classic song used in the film 'Buster', which featured him in the lead role of Buster Edwards, one of the Great Train Robbery participants.the solo part is very straightforward and should be playable by all levels of performer. The band parts are equally as simple and would suit any level of brass band.There is also a version of the arrangement available for Brass Ensemble.
A Groovy Kind Of Love
Ensemble de cuivres
The Mindbenders
$24.99 21.34 € Ensemble de cuivres PDF SheetMusicPlus

Piano,Violin - Level 3 - Digital Download SKU: A0.791170 By Stevie Wonder. By Stevie Wonder. Arranged by Kevin P Holdgate. Pop,Soul. 8 pages. Kevin P Holdgate #5334899. Published by Kevin P Holdgate (A0.791170). KPHMS 'Solo' CollectionAll in Love Is Fair is taken from Stevie Wonder's sixteenth studio album, Innervisions, released on August 3, 1973. All Music's Matthew Greenwald found All in Love Is Fair to be among Wonder's finest ballad statements, which contained one of the most graceful and memorable hooks from the eraThis arrangement is based on the Barbara Streisand version of the song which was recorded in 1974 and appeared on her multi-award-winning album 'The Way We Were',Rhythmically this arrangement is approximately Grade 5 ABRSM/Trinity and makes for an interesting challenge away from the grading syllabus.There are versions of this arrangement available for a variety of solo instruments and also versions as a vocal with Brass Band and a 10 piece brass ensemble.
All In Love Is Fair
Violon et Piano
Stevie Wonder
$4.99 4.26 € Violon et Piano PDF SheetMusicPlus

Full Orchestra - Level 2 - Digital Download SKU: A0.896909 Composed by Marcelo Torca. Arranged by Marcelo Torca. Contemporary,Instructional,Jazz,Pop,Rock. Score and parts. 508 pages. Marcelo Torca #2548811. Published by Marcelo Torca (A0.896909).                                     Este livro dá as noções iniciais para formar uma orquestra de câmara de um grupo instrumental, de instrumentos musicais diferentes dos normalmente utilizados nas orquestras tradicionais.                                   Os instrumentos musicais trabalhados serão: Flauta-doce Sopranino; Flauta-doce Soprano; Flauta-doce Contralto; Escaleta; Bandolim; Cavaco; Violão; Guitarra; Viola Caipira; Baixo elétrico; Acordeão; Teclado; Piano; Metalofone; Bateria; Percussão, Pandeiro, Surdo, Tamborim, Agogô, Reco-reco, Tantã ou Timba, Berimbau, Cajón, Rebolo.                                   Os arranjos para estes instrumentos, a forma como organizar as ideias musicais e como interpretar, seguem nas páginas seguintes.                                   As Grades fornecidas, são ideias de formação de conjuntos e como organizar.                                   Há arranjos para ritmos para percussão e para os demais instrumentos musicais abordados neste livro, exemplos de como pode se organizar as ideias rítmicas.                                   Nos exercícios de Harmonizando, com início na página trinta, coloca-se na prática as ideias, lembrando que nem sempre a ideia funciona bem, a confirmação é através do som.                                   Depois de ter feito os arranjos, basta transferir para a grade, este livro tem a preocupação de ensinar uma forma de arranjo, organizando as ideias, pois num conjunto grande, é fácil se perder, principalmente quando não tem algo fixo a ser seguido. O solo pode ser distribuído em vários instrumentos, assim como tocar todos os instrumentos de uma vez fica bom em trechos da música, mas não sempre a totalidade da música, assim vai dar as características mais de orquestra e não somente de um conjunto.                                   Este livro também fala sobre a grade dos instrumentos de percussão utilizados na OGI – Orquestra Grupo Instrumental, e o arranjo para várias levadas, assim como, várias levadas para a bateria. Percussão e Bateria, onde se podem tocar juntos, ou separados. As levadas são apenas uma noção do que se pode fazer, é apenas um guia, o arranjo de cada música é único e sempre tem que ser criativo.                                   Na última página encontra-se a legenda da notação musical para cada instrumento de percussão, respeitando sua característica sonora.                                   Há várias opções de organização e possibilidades.
Coleção OGI: Orquestra Grupo Instrumental
Orchestre

$20.00 17.08 € Orchestre PDF SheetMusicPlus

Brass Quintet Horn,Trombone,Trumpet,Tuba - Digital Download SKU: A0.1468129 Composed by F. Leslie Smith. Arranged by F. Leslie Smith. 19th Century,Chamber,Folk,Historic,Traditional. 49 pages. Sweetwater Brass Press #1046440. Published by Sweetwater Brass Press (A0.1468129). In 1856 Joseph P. Webster, a Wisconsin songwriter, met Henry D.L. Webster (no relation), formerly the minister of Zanesville, Ohio’s Universalist Church.  Joseph was in the process of writing a song but needed lyrics to go with his melody.  Henry obliged by writing a longish poem about the love of his life, Ella Blocksom.  She had been his fiancée, but the engagement had been broken and, apparently, so had Henry’s heart.  Joseph’s melody needed a name that would fit into a three-note phrase, so “Ella” was changed to “Lorena.”  Chicago’s Higgins Brothers published the song in 1857, and it became widely popular.  When the American Civil war broke out, “Lorena” was beloved by both Union and Confederate soldiers as they thought of the wives and girlfriends they had left behind.       J.P. Webster’s “Lorena” is beautiful and plaintive. It is no wonder that this song has remained a sentimental favorite over the years and is still performed and recorded.  In this composition, “Lorena: A Brass Quintet Setting,” the “Lorena” tune has been expanded and transformed to create additional melodies that enhance and complement the original.  You’ll find it a pleasure to play and a real crowd pleaser for audiences.     This composition is 201 measures in length.  It begins in the key of E-flat, transitions to B-flat at section C (measure 51) and goes to F at section G (measure 141).  Initial tempo marking is Adagio, increasing to Moderato at section C.  There are a number of temporary tempo variations and fermata marks, and the last 9 measures are characterized by a gradual slowing.     The introduction is 21 measures in length.  It leads to the second section, which consists of a plain, simple and straightforward statement of J.P. Webster’s “Lorena” theme, complete with grace notes and gruppetto.  In this section, Horn and Trumpet 1 do the honors, eventually joined by Tuba, and it should be played with great expression.       At section C, tempo then picks up, and the arrangement presents a series of explications of the theme in various styles.       The final section, I (measure 179), reprises most of the variations and ends with a partial reiteration of the “Lorena” theme.     Performance time is about eight minutes, forty seconds.  Tuba plays several notes near the top of its scale; otherwise, all notes are within the normal playing range of each instrument.     The composer, Les Smith, will be happy to provide substitute parts (for example, treble clef baritone for trombone) at no charge.  He would like to receive your suggestions, comments, corrections and criticisms.  Contact him at lessmith61@bellsouth.net.  For more arrangements by Les, enter Sweetwater Brass Press (without the quotation marks) in the Sheet Music Plus or Sheet Music Direct search box.
Lorena: A Brass Quintet Setting
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba

$6.99 5.97 € Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba PDF SheetMusicPlus






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