Small Ensemble Flute,Harp - Level 5 - Digital Download SKU: A0.912915 Composed by Brandon Nelson. Concert,Contemporary. Score and parts. 16 pages. Brandon Nelson #1998621. Published by Brandon Nelson (A0.912915). A great piece to show off the talents of mature flute and lever harp performers, this colorful character piece is appropriate for any recital or concert setting. Mannanàn mac Lir occupied several roles in the mythological universe of the Celtic peoples. Most notably, he was considered to be the god of the seas. He was also regarded as a psychopomp-that is, a figure associated with the realm of the dead, acting as a sort of veil between the worlds. In this work, I play on his connection to the sea by quoting the traditional Manx folk tune The Storm Is Up (Callin Veg Dhoan). The tune is developed through several permutations, each portraying a role Mannanàn played. Each movement is ushered to us by a psychopomp veil. With the Churl in the Drab Coat refers to Mannanàn’s association with the trickster figure Bodach an Chota Lachtna. The movement is erratic yet impishly playful. Mannanàn was also regarded as a sort of magician king. In that respect, he was given the role of Guardian of Mag Mell, a place that is comparable to the Nordic conception of Valhalla. Mag Mell was a plain of joy, a kingdom under the sea for a select few. Mannanàn protected this realm with the help of Fragarach, a sword which could slice through any armor and could compel anyone to tell the truth. This movement is bold and heavy in spirit, gradually becoming more dissonant as if portraying an ugly battle to defend this beautiful place. The final veil transports us to the end of times, a fading away of the once-great pantheon. That storm, as all must do, comes to a quiet, peaceful end. Learn more about me at bnelsonmusic.wordpress.com.

Choral Choir,Choral (SATB divisi) - Level 4 - Digital Download SKU: A0.1289921 Composed by Zelda Zolfo. 21st Century,A Cappella,Chamber,Historic,Jewish. 7 pages. Zelda Zolfo #880471. Published by Zelda Zolfo (A0.1289921). Viktor Frankl, the author of the text this piece is set to, was a psychiatrist and psychotherapist who founded logotherapy which is defined as the belief that the search for meaning, even amidst misery, can constitute a potential solution to human suffering. As an advocate for mental health, and a descendant of both World War II veterans and holocaust survivors, Zelda Zolfo takes a particular interest in this topic.

Cello Solo - Level 4 - Digital Download SKU: A0.1029293 Composed by CÉSAR CANO. Contemporary,World. Individual part. 16 pages. POLYHYMNIA Ediciones musicales #4799037. Published by POLYHYMNIA Ediciones musicales (A0.1029293). Perfil del ánima (Profile of the anima), Op. 86 is a solo cello piece written in a single movement. It is part of the series of PROFILES that I am composing since 2002 for solo instruments. The anima is a concept expounded by C.G. Jung in his book The Man and his Symbols. It is a personification of all female psychological tendencies in the psyche of a man, such as vague feelings and moods, prophetic forebodings, receptivity to the irrational, personal capacity for love, love of nature and, very importantly, his relationship with the unconscious. It is best perceived in dreams. If the dreamer is a man, he will discover a female personification of his unconscious. If it is a woman, it will be a male figure. Jung named them respectively anima and animus. My work has some quotes that evoke the anima, as a fragment of the 2nd movement of Mahler's 5th Symphony, which he wrote under the fascination of Alma Schindler, his future wife. Another citation is a motif of Dvořák’s opera Rusalka, an elf from Slavic mythology, which usually lives in a lake or river. Rusalka is an ancient fairy-tale figure, already appearing in literature in 1387. Her longing is to become a human being and to love as an earthly woman, even at the price of suffering and death. My piece evokes this inner and unconscious dialogue between the masculine and feminine in all of us, represented by the cello’s low and high registers. The use of many and varied instrumental resources (chords, microtones, harmonics, timbral variations, complex rhythms, tremolos, glissandi, pizzicati, etc.), together with its broadness and thematic complexity, make Profile of the anima a demanding work for the soloist. I finished its composition on December 21th, 2016. It is dedicated to Rafał Jezierski, who performed its world premiere on February 14th, 2017, in the Auditorium of the Museum of Fine Arts of Valencia, within the cycle of concerts organized by the Royal Academy of Fine Arts of San Carlos.

Piano Solo - Level 4 - Digital Download SKU: A0.1024516 Composed by Sarah Yap. 20th Century,Contemporary,Standards. Score. 4 pages. Sarah Yap #3365059. Published by Sarah Yap (A0.1024516). Intermediate to Late IntermediateChallenges to Student: Shifting time signatures, syncopation, difficult rhythmsApproved for Certificate of Merit/MTAC Convention New MaterialsAll rights reserved.Duration approximately 2 minutesLive Recording: https://soundcloud.com/psychosocial_h/in-orbitProgram Notes/Commentary: https://soundcloud.com/psychosocial_h/track-commentary-in-orbitContact Information: Email sarah.yap789@gmail.com Your Social Media Channels and Contact Information

Piano - Digital Download SKU: LV.6748 Composed by Van Der Weyde. Literature, Fictitious characters. Lester S. Levy Collection. 3 pages. Published by Johns Hopkins University Sheridan Libraries (LV.6748). Young Pianist's Companion. Topsy's Song O White Folks I Was Never Born. Quickstep. Choice Melodies Composed and Arranged by Van Der Weyde. Published 1854 by Horace Waters, 333 Broadway in New York. Composition of sectional with piano instrumentation. Subject headings for this piece include Literature, Fictitious characters. About The Lester S. Levy CollectionThe Lester S. Levy Collection of Sheet Music consists of over 29,000 pieces of American popular music. Donated to Johns Hopkins University Sheridan Libraries, the collection's strength is its thorough documentation of nineteenth-century American through popular music. This sheet music has been provided by Project Gado, a San Francisco Bay Area startup whose mission is to digitize and share the world's visual history.WARNING: These titles are provided as historical documents. Language and concepts within reflect the opinions and values of the time and may be offensive to some.

Piano Solo - Level 3 - Digital Download SKU: A0.1508548 Composed by Alan Menken. Arranged by Eric R. 20th Century,Broadway,Contemporary,Film/TV,Latin,Musical/Show. Score. 6 pages. Overture & Storybook Musical Arrangements #1083802. Published by Overture & Storybook Musical Arrangements (A0.1508548). 'Humiliation' (also known as 'The Pillory') is the score for a dramatic scene from The Hunchback of Notre Dame (1996), in which Quasimodo is ridiculed at the Feast of Fools. This scene directly follows the Topsy Turvy musical number. This cue makes use of musical motifs from Someday, Out There, The Bells of Notre Dame, and the Kyrie Eleison theme - all of which are seamlessly woven together in Menken's signature thematic style. The score for The Hunchback of Notre Dame is regarded by many as being Alan Menken's magnum opus. With orchestrations by Danny Troob, the score for Hunchback is elevated by Menken's modern Broadway sensibility.Alan Menken's score for The Hunchback of Notre Dame (1996) was nominated for an Academy Award for Best Original Musical or Comedy Score.This arrangement for solo piano is a reduction of the full orchestra, and is suited for Intermediate pianists. Chords are marked throughout. An additional staff with cue notes for the Woodwinds (meas 14-18), as well as the Violin part (meas 28-36) is shown for reference.

Choral Choir (SSAA) - Level 3 - Digital Download SKU: A0.1138367 Composed by Degiorgio, Hoogendorp, Leeuw, and Schreurs. Arranged by Liz Garnett. A Cappella,Barbershop,Contemporary,Jazz. Octavo. 4 pages. Liz Garnett #738692. Published by Liz Garnett (A0.1138367). Caro Emerald's celebration of being transformed by a new love has an infectious swing feel and is full quirky harmonic twists and turns to express the sense of a life gone cheerfully topsy-turvy. It works very naturally in the style of contest-suitable barbershop. Vocal Ranges: Tenor: F#4 - D5 Lead: A#3 - D5 Bari: A#3 - A4 Bass: D3 - E4 N.B. This arrangement is notated in the clef's for women's barbershop, i.e. treble (sung at pitch) and bass alta (sung an octave higher than written).