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Baritone Saxophone,Piano - Level 5 - Digital Download SKU: A0.1021990 Composed by Keith Carpenter. 20th Century,Contemporary. Score and part. 43 pages. Effiny Music #6273593. Published by Effiny Music (A0.1021990). The Devil His Due is a response to saxophonist Peter Verdonck’s love for Death Metal Music.  Not being tuned into that kind of rock, I imagined what it night sound like if written for saxophone and piano.  As a starting point, I began with the lowest, most raucous sound I could imagine for the combination of bari and piano.  From there, I organized the piece numerically around occult numbers, all the while emphasizing the devil’s interval, the tritone, and the muscular sound of metal power chords made of fifths and octaves.  The appeal of writing devil music has appealed to composers since at least the Romantic era (composer/violinist Niccolo Paganini even tried his best to look devilish), and my piece is an attempt at the same.
The Devil His Due
Saxophone Baryton, Piano

$30.00 26.21 € Saxophone Baryton, Piano PDF SheetMusicPlus

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 4 - Digital Download SKU: A0.1089024 Composed by J.B. Arban. Arranged by Chris Gorman. Classical,Contest,Festival. Brass Band. 101 pages. Chris Gorman #693241. Published by Chris Gorman (A0.1089024). The Carnival of Venice is based on a Neapolitan folk tune called O Mamma, Mamma Cara and popularised by violinist and composer Niccolo Paganini, who wrote twenty variations on the original tune. He titled it Il Carnevale Di Venezia, Op. 40. In 1829, he wrote to a friend, The variations I've composed on the graceful Neapolitan ditty, 'O Mamma, Mamma Cara,' outshine everything. I can't describe it. Since then, the tune has been used for a number of popular songs, such as If You Should Go to Venice and My Hat, It Has Three Corners. The tune was also used as an endless song in Australian schoolyards: A doggy stole a sausage, cos he was underfed The butcher saw him do it, and now that doggy's dead And all the little doggies, were very sad that night They built for him a tombstone, and on it they did write... – repeated, ad nauseam, to the tune of Carnival of Venice, sometimes only stopped by the ringing of the bell to return to class. A series of theme and variations has been written for solo cornet, as show off pieces that contain virtuoso displays of double and triple tonguing, and fast tempos.
The Carnival of Venice

$40.00 34.95 € PDF SheetMusicPlus






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