Large Ensemble Alto Saxophone,Baritone Saxophone,Bass Guitar,Clarinet,Drums,Flute,Piano,Tenor Saxophone - Level 4 - Digital Download SKU: A0.876447 Composed by Joe Procopio. Dance,Jazz,Pop. Score and parts. 24 pages. JoeCopio Music LLC #53323. Published by JoeCopio Music LLC (A0.876447). LILLY’S DANCE (THE TUMBLER) Back to School 2015 From PAPA’S FAMOUS DANCES by Joe Procopio LILLY’S DANCE (THE TUMBLER) is a delightful Latin flavored dance that was inspired by Little Miss Lilly who could tumble on command all by her big self when she was only 15 months old. When I first saw her dance and tumble at such a young age, I was so moved that I wrote this piece to celebrate her ability to amaze everyone with her dancing and tumbling. LILLY’S DANCE (THE TUMBLER) was originally written and arranged for a small ensemble, band, stage band or combo with flexible instrumentation so that it may be performed with only two Saxophones (Alto Sax I and Alto Sax II) and a standard backup with Piano/Keyboard, Guitar, Bass and Drums. In addition, any combo may be augmented by adding any or all of the parts included for Flute, Clarinet, Tenor Sax, and Baritone Sax. This flexible or variable instrumentation of LILLY’S DANCE (THE TUMBLER) makes it unique and perfect for schools and colleges that do not have a permanent roster of music students entering their music programs annually. It also eases the burden for Directors searching for good music to perform for groups with ever changing numbers of music students. What’s more, LILLY’S DANCE (THE TUMBLER) has a section open for solos to enable the ensemble to feature players who can improvise well enhancing not only the group’s enjoyment but also everyone’s listening pleasure. This piece is composed in the same style of the other dances in the set - all of which have been performed by College and High School students in many major concert events along the East Coast with great success. It is published separately and in a set entitled PAPA’S FAMOUS DANCES PART 1 from the sets PAPA’S FAMOUS DANCES Part I and Part II. Each Part contains 3 Dances. I have adapted the audio here for synthesizer so that it may be previewed. It is one of 6 works named and dedicated to each of my 6 Grandchildren: Lilly, Mary, Lydia, Emma, Joey and Wilson. Instrumentation for LILLY’S DANCE (THE TUMBLER) includes SCORE and parts for: ALTO SAX I ALTO SAX II TENOR SAX BARITONE SAX FLUTE CLARINET PIANO/KEYBOARD - GUITAR - BASS - DRUMS VITA Joe Procopio is a master musician and teacher with proven success for over 50 years. His purpose in teaching, writing music and books is to make his successful method of making musicians available to as many people as possible around the world. While I cannot guarantee that my methods will make you a great musician as they have for many others, says Procopio, I can say that they are designed to magnify your love of music - and that I guarantee each will enrich and enhance your life. People from all over the world have written to me to tell me so. As a Master Musician , Joe Procopio is an ASCAP Artist, composer, conductor and professional musician. He was the Lead Reed for many of the nation's top recording artists including: The Temptations, Steve and Eydie Gorme, Aretha Franklin, Tony Bennett, Lawrence Welk, Frankie Avalon, Frankie Laine, Jack Jones, Kathryn Grayson, Carmel Quinn, Don Cornell, Bobby Rydell, Vic Damone, Rodney Dangerfield, Foster Brooks, The Vagabonds, The Ritz Brothers, Sammy Cohn, Jimmy Van Heusen, Tiny Tim, Al Martino, Petula Clark, Wayne Newton, Pat Cooper, The Four Tops, The Spinners, etc. Lead Alto Sax Jimmy Dorsey Orchestra and the Palace Theater Myrtle Beach, SC He is listed in The Encyclopedia of Saxophone Music Londeix, Roncorp Pub. He is the teacher of Guitarist T. Maxwell heard in TV’s Magnum P.I., The Rockford Files and Kojak ; the vocalist/bassist I. Cattell of Brit Floyd (Pink Floyd) and New York Tenor Saxophonist Paul Carlon to mention a few. His accomplishments as a teacher include: The Miles Clark Endowed Chair, Music, College of the Albemarle, Elizabeth City, NC, Chair Music Depart.

C Instrument - Level 3 - Digital Download SKU: A0.1146309 By M. Ryan Taylor. By M. Ryan Taylor and Michael Young (Words). Arranged by M. Ryan Taylor. Christian,Christmas,Classical,Contemporary,Folk. Lead Sheet / Fake Book. 2 pages. Vocal Works #746528. Published by Vocal Works (A0.1146309). The reason for the season comes wrapped in swaddling clothes, Not masked in pretty paper, or tied with fancy bows. The reason for the season comes from the humble stall, And not with lights or pressing crowds, like in a shopping mall. The reason for the season speaks to the quiet throng, Who set aside all pride of heart to hear the angel’s song. The reason for the season came here to show the way, Come celebrate by offering you heart to him to day. The reason for the season comes though no place was found, And not unto a palace hall with servants hovering round. The reason for the season, first sung by angel choir, Still heralds at this holy time to kindle and inspire. The reason for the season comes in this baby boy, Who soon will reign a mighty king, as millions shout for joy. The reason for the season came here to show the way, Come celebrate by offering you heart to him to day.

Full Orchestra - Level 4 - Digital Download SKU: A0.1474100 Composed by Stephen Schwartz. Arranged by John Langley (Studio Orchestrations). Broadway,Contemporary,Film/TV,Halloween,Musical/Show. 144 pages. Www.studio-orchestrations.com #1051734. Published by www.studio-orchestrations.com (A0.1474100). This song is just one of so many fantastic powerful female vocalist songs in the Broadway and West End smash hit musical WICKED composed by Stephen Schwartz, a clever prequel story to The Wizard of Oz.   The song encapsulates the excitement of the principal character Elphaba (who later we find infamously and misleadingly becomes the Wicked Witch of the West) at the prospect - as a young wizarding student - of meeting and being recognised as a talentd young witch by the Great Wizard of Oz himself.Made famous by the great Idina Menzel this song (and this orchestration) offer the opportunity for a dramatic, full bodied and spectacular feature solo in any concert of show and film music.Instrumentation:2 Flutes (2nd dbl. Piccolo)OboeCor Anglais2 Clarinets2 Bassoons4 Horns2 Trumpets3 TrombonesTimpani2 Percussionists [Finger Cym./Mark Tree/Vibes/Glock./Xylo./Tub.Bells)HarpPiano(Optional 2nd Keyboard)Electric GuitarBass GuitarDrum KitFemale Vocal SoloistStringsLook out for other similar titles (including As long as you're mine and Popular also from Wicked) for sale by arrangers John Langley and Paul Campbell at www.studio-orchestrations.com.

Easy Piano - Level 2 - Digital Download SKU: A0.1112682 Composed by Forrest Avery Carney and Mohamad Indra Gerson. Arranged by Nicole Elyse DiPaolo. New Age,Pop. Score. 3 pages. Nicole Elyse DiPaolo #714697. Published by Nicole Elyse DiPaolo (A0.1112682). An abridged version of After Dark optimized for early intermediate pianists and those with small hands. The left hand chords can be varied with arpeggios, tremolos, and the like as the student's skill level allows. Great for teens who are fairly early in their piano studies and busy students who want to learn this piece quickly. ABOUT THE ARRANGER: Praised as a sensitive pianist and outstanding accompanist who delivers powerful interpretations, Nicole Elyse DiPaolo enjoys a multifaceted career as a sought-after collaborative pianist, educational composer, arranger, coach, private teacher, and adjunct music professor. Currently based in the Cleveland area, Ms. DiPaolo has appeared as a concerto soloist with the Ambassador Chamber Players on multiple occasions (two of which also featured her own Piano Trio in C minor) and as a recitalist, collaborator, and presenter worldwide. Currently, Ms. DiPaolo is an online Adjunct Lecturer in Music at Indiana University; the Principal Theory Teacher at Liberty Park Music, an online-only video subscription-based music school; an invited contributor to the Tonebase app's piano blog; and a sought-after online instructor of piano, music theory, and composition. She has additionally been an online teaching artist for the Tunaweza Kimuziki cultural/artistic exchange program+, through which IU instructors teach undergraduate music students in Kenya via Zoom and WhatsApp. Ms. DiPaolo was also on the composition and collaborative piano faculty at Blue Lake Fine Arts Camp in 2014 and 2015. In June 2018, Ms. DiPaolo was a Collaborative Piano Fellow at the Bay View Music Festival in Petoskey, Michigan, performing with the festival's SOARS voice program participants on fully staged opera scenes and art song recitals as well as in the Bay View Young Artist Series (Charlevoix, MI). She then joined the Spooky Goose Opera team as an online coach/pianist for their Quarantine Concert Series, the world's first livestreamed Zoom production of Mozart's Die Zauberflöte (summer 2020), and new opera projects under development. When not on the piano bench, Ms. DiPaolo continues to compose and arrange, and her compositions have been described as very effective with a fantastic amount of intrigue, mindfulness...[and] colorful nuance (Seven Sky Music). Ms. DiPaolo's music has been heard across the world. Along with numerous performances in the Midwest, her commissioned song settings of Muscogee poet laureate Alexander Posey's texts have been performed nationwide, and the Smithsonian Institution procured copies of two of these (Nature's Blessings and A Vision) to archive at the National Museum of the American Indian. Ms. DiPaolo's music also received its Mexican premiere in 2013 with a performance of her Divertimento, written for the International String Quartet of Yucatán. In 2014 Ms. DiPaolo published a set of twenty short pedagogical pieces in uncommon keys, entitled Venturing Beyond, for early-intermediate pianists of all ages, available on SheetMusicPlus and MusicaNeo, and she is currently working on Vignettes, a new set of pedagogical pieces that will introduce intermediate pianists to the Impressionist language of Maurice Ravel. Most recently, her Divertimento and Lucid Dreaming for solo harp were chosen to be featured in the She Scores new music festival, celebrating women composers with ties to Ohio, held at Case Western Reserve University in June 2022 and recorded for later broadcast on Mark Satola's Cleveland Ovations program on WCLV radio (90.3). Also a sought-after composition teacher and adjudicator, Ms. DiPaolo frequently judges state, regional, and divisional MTNA composition competitions at all levels, ranging from elementary to college-level Young Artists. In her private online studio, she has recently expanded her curricular offerings to include partimento and other historical methods of teaching tonal composition and improvisation.

Woodwind Ensemble - Level 2 - Digital Download SKU: A0.1305609 By a-ha. By Magne Furuholmne, Morton Harket, and Pal Waaktaar. Arranged by Russell Ward. 20th Century,Pop. 17 pages. Russell Ward #895062. Published by Russell Ward (A0.1305609). A flexible woodwind quartet arrangement of A-Ha's instantly recognisable hit, Take On Me.Suited to young players (Grade 2), this arrangement can be used for virtually any combination of flutes, clarinets and saxophones, with the optional 5th part allowing you to include a bass clarinet or baritone sax effectively.   This is sure to be an engaging and fun arrangement for your students and will be popular with most audiences.   PART 1 - Flute/Clarinet/Soprano SaxPART 2 - Flute/Clarinet/Alto SaxPART 3 - Clarinet/Alto Sax/Tenor SaxPART 4 - Clarinet/Alto Sax/Tenor Sax*PART 5 (optional) - Bass Clarinet/Baritone Sax

String Orchestra - Level 2 - Digital Download SKU: A0.1234470 By a-ha. By Magne Furuholmne, Morton Harket, and Pal Waaktaar. Arranged by Laura Gorden. Hip-Hop,Instructional,Pop,R & B,Soul. Score and Parts. 16 pages. Laura Gorden #829975. Published by Laura Gorden (A0.1234470). An arrangement of the hit song Take on Me as recorded by a-ha for string orchestra. The arrangement includes the score and parts around Grade Level 2 1/2. This score provides educational opportunities for young orchestras with specific concepts such as syncopated rhythms, transitioning from pizzacato to arco and back within short rests, bow changes over a long single note, and ensemble bowing decisions. There is no shifting for vln, vla or cello, however, small shifting for bass up to a 'high d' on the G string.  This arrangement is a shorter version than the original song and has a cheesy end with the melody plucked across all strings. The tempo is marked up a bit to match the style of the original, but please choose a tempo to best suite your orchestra. Hope you enjoy! 

Alto Voice,Vocal Solo - Level 3 - Digital Download SKU: A0.859667 Composed by Sydney Stevens. Contemporary,Country,Folk,New Age,Pop. 6 pages. Sydney Stevens, Water Music #2959565. Published by Sydney Stevens, Water Music (A0.859667). Contact: sydneystevenspianostudio@gmail.comHerbie: Emotional, heartfelt piano/vocal composed by Sydney Stevens (ASCAP). Sheet music arrangement is for piano/vocal/chords. From  Album: Cycles of Life Theme: What a pal, what a joyful friend. Appropriate for the loss of a loved one. Song was inspired by the loss of a pet. Mood: Flowing, reflective, tender, comforting Musical Traits: Strong melody, arpeggiated left hand piano, right hand reflects vocal part. Performance Time: 2:48 Sydney Stevens music is available on: Pandora, Spotify, iTunes, Amazon, Whisperings Solo Piano Radio, AllMusic More Links: www.sydneystevenswatermusic.com http://www.linkedin.com/in/sydney-stevens-532a113a BIOGRAPHY:Sydney Stevens began writing melodies on the piano before she could reach the pedals. Her earliest memory was watching her mother play classical piano. She began piano lessons at the age of 8, and started composing shortly thereafter.Stevens approaches her compositions as an artist. She paints musical portraits of the things that bring meaning to life: relationship to living things, emotional healing, discovering what matters most and honoring that as best we are able. Stevens' beautiful piano-based music aligns one with their own heart. Although some of her music can be described as New Age, her roots are heavily based in classical and jazz. Her study of classical composition makes her music more complex than some New Age music. Her music has been likened to the impressionistic composers such as Claude Debussy. Sydney's formal training is also reflected in her ability to compose for orchestral instruments. Her latest release, Cycles of Life, was solely recorded and produced by Sydney, programming all of the virtual instruments.Sydney has a great love for jazz. Keith Jarrett was an influence on her with his innovative and improvisational piano recordings and performances. She was particularly impressed with the freedom of style he portrayed in his performances. Bill Evans was something Sydney heard played as a young child. Where her mother was a classical pianist, her father was a jazz pianist. Perhaps that's why some of Sydney’s music can be described as a crossover between classical and jazz--remnants from those early years. Joni Mitchell and Judy Collins were big inspirations for Sydney's songwriting. She was especially drawn to the deeply emotional lyrics in many of their songs.Cycles of Life, the title track from Sydney's current release, was composed for her late step dad. The song is about the cycle of birth and death: Cycles of life go on, yet we carry all that we've known and loved through the ages. Time, another track on Sydney's current release, is a song about how time passes more quickly when we are doing something we cherish. Brian's Song, inspired by the loss of her father-in-law, reflects: All that really matters is the way we fill our heart, and the ways that it has loved. Dawn, a track from Sydney's album Seasons, is a beautiful piano-based instrumental with light string background. It portrays that very peaceful hour as the sun slowly lights up the world -- the hour of dawn.Sydney is a poet. She sees the world through a heart that feels the joy and sorrow of the world and those she meets. Her gift is the ability to transfer that emotion into music. Listening to her music is like taking a journey. She delves into depths of emotion, often taking the listener to places that can be difficult to go without the comfort of a beautiful song to accompany them.

Percussion Ensemble Hand Percussion,Timpani - Digital Download SKU: A0.883793 Composed by Phil Lawrence. 20th Century,Christmas,Contemporary. Score and parts. 33 pages. Phillip Lawrence #6612425. Published by Phillip Lawrence (A0.883793). Christmas comes but once a year, but when it does for many it inspires memories and thoughts of loved one’s past and present and your own memories too of this time of year when you were young spending Christmas with your family and friends. It is hopelessly nostalgic and at Christmas I revel in it’s nostalgia for me. So I’ve composed a work for brass firstly dedicated to a great man of the brass band from Liverpool Bob Dean (Sailors Chapel, ex Fodens, Camel Lairds and great pal of Jim Scott) and I studied under his baton at BR Edge Hill and with his help I moved on to the famous Manchester CWS Band. Us bander’s love a good tune and a tune that moves us too, I’ve been told by many who have played this that it ticks those boxes. So, however you celebrate this Christmas, I hope this will inspire memories?

Mixed Percussion B-Flat Tuba,B-Flat trombone,Baritone Horn TC/Euphonium,Bass Trombone,E-Flat Cornet,E-Flat Tenor Horn,E-Flat Tuba TC,Flugelhorn,Percussion 1,Percussion 2,Tenor Trombone - Level 3 - Digital Download SKU: A0.1373419 By Mama Cass Elliot. By Barry Mann and Cynthia Weil. Arranged by Mark Harrison. Pop. Brass Band. 20 pages. Mark Harrison #957785. Published by Mark Harrison (A0.1373419). Make Your Own Kind Of Music Made famous by Mama Cass, and also Paloma Faith, this arrangement gives the bulk of the melody to the part 2 people! 2nd Cornets hurrah! I have also made a simple beginner part for use in wider ops/young learners to play alongside. - 8 Part Ensemble - additional parts available on request - Bass Clef parts available on request.

Concert Band - Level 1 - Digital Download SKU: A0.1297263 By Michael Shane Vickery. By Michael Shane Vickery. Contest,Festival,Halloween,Instructional. Score and Parts. 30 pages. Bandapalooza #887336. Published by Bandapalooza (A0.1297263). 6-Note Spooktacular! is a grade 1 piece that will feature the entie band playing real band music that uses only the first 6 notes (concert Bb, C, D, Eb, and F). Your young students will play with confidence and sound great due to careful cross scoring and unison parts for low winds. This piece will work well during any season.

Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1271657 By Shane Vickery. By Shane Vickery. 20th Century,21st Century,Blues,Instructional,Jazz. Score and Parts. 45 pages. Bandapalooza #864040. Published by Bandapalooza (A0.1271657). Sometimes shadows can be scary to those of us with vivid imaginations, but in this case they provide a fun opportunity to play and create jazz music! This original chart for young jazz ensemble provides nearly everyone in the band with room to improvise if desired. Sample / suggested solos are included on many of the parts.

Jazz Ensemble Jazz Ensemble - Level 2 - Digital Download SKU: A0.1272298 By Shane Vickery. By Shane Vickery. Arranged by Shane Vickery. Blues,Contemporary,Contest,Festival,Jazz. Score and Parts. 32 pages. Bandapalooza #864582. Published by Bandapalooza (A0.1272298). Broad River Blues is an easy level jazz enssmble blues chart in Bb. I wrote this chart for the Madison County (GA) Middle School Jazz Band a couple of years ago and named it after the river that I would cross each morning as I entered that county on my way to the school from home. All rhythm section parts are fully notated in this chart, but these serve as suggestions and tools for building improvisation and comping skills. The same can be said for the written solos for tenor sax, trumpet, and trombone. Each solo section can easily be opened / extended for improvisation. I hope you and your young jazz ensemble enjoy Broad River Blues!

Choral 2-Part Chorus,Choir,Choral - Level 2 - Digital Download SKU: A0.1448482 By The Romantics. By James Marinos, Michael Skill, and Wally Palamarchuk. Arranged by Joseph Hollings. 20th Century,Children,Pop,Rock. 6 pages. Joseph Hollings Publishing #1028373. Published by Joseph Hollings Publishing (A0.1448482). Duration: 2:30Energize your choir’s repertoire with an upbeat and spirited two-part (SA or soprano/alto) arrangement of What I Like About You by The Romantics. This choir sheet music arrangement, featuring easy yet driving piano accompaniment and the iconic hand claps from the original song, captures the infectious energy of this classic rock hit, making it a favorite for performers and audiences alike.Carefully written for young voices, the arrangement is ideal for school choirs and smaller vocal ensembles. The piano part is easy yet maintains a driving energy, meaning the pianist could conduct from the piano and retain the vitality of the original if necessary.What I Like About You is known for its upbeat and energetic vibe, making it a great choice for choir concerts, festivals, and special events. Its lively tempo and engaging arrangement make it a perfect opening number or closing piece for the first half of your program, setting a dynamic tone or leaving the audience energized. Written by Wally Palmar, Mike Skill, and Jimmy Marinos, this song became a staple on MTV in the early 1980s and remains a beloved rock anthem. With covers by artists like Michael Morales, Lillix, and 5 Seconds of Summer, the song’s widespread recognition ensures it will be a hit with any audience.Add What I Like About You by The Romantics to your choir's program and experience the infectious energy and joy of this rock classic. Perfect for school choirs and community ensembles, this arrangement will bring a burst of enthusiasm and fun to any performance, making it an excellent choice for an opening number or a closing piece for the first half.

Flute Solo,Soprano Flute - Level 4 - Digital Download SKU: A0.1273703 Composed by Hannes Raffaseder. 20th Century,Classical. Individual part. 5 pages. Paladino Editions #865848. Published by Paladino Editions (A0.1273703). Upper Austrian composer and sound installation artist Hannes Raffaseder presents a piece for solo flute which is ideal for any competition, audition or concert for young flutists, but also enriches a professional player’s repertoire. Two calm and meditative sections frame the work’s playfully virtuoso middle part. This score has been edited by internationally renowned contemporary music specialist Eric Lamb.

String Quartet String Quartet - Level 4 - Digital Download SKU: A0.742473 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 8 pages. Arte Nova Music Lab #4600763. Published by Arte Nova Music Lab (A0.742473). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Le Turc Generaux. Osman Pasha is in love with his slave, the young Émilie, but she rejects him, telling him she was about to be married when a group of brigands abducted her. Osman urges her to give up hope that her fiancé is still alive (Air: Il faut que l'amour s'evole) but Émilie refuses to believe this is true. The sky turns dark as a storm brews; Émilie sees the violent weather as an image of her despair (Air: Vaste empire des mers). A chorus of shipwrecked sailors is heard (Chorus: Ciel! de plus d'une mort). Émilie laments that they too will be taken captive. She recognises one of the sailors as her fiancé Valère. Their joy at their reunion is tempered by sadness at the thought they are both slaves now. Osman enters and is furious to see the couple embracing. However, unexpectedly, he announces he will free them. He too has recognised Valère, who was once his master but magnanimously freed him. Osman loads Valère's surviving ships with gifts and the couple praise his generosity. They call on the winds to blow them back to France (Duet and chorus: Volez, Zéphyrs). The act ends with celebratory dances as Valère and Émilie prepare to set sail.