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Bass Clarinet,Instrumental Solo,Piano - Level 4 - Digital Download SKU: A0.814740 Composed by Richard E Brown. Concert,Contemporary,Standards. Score and individual part. 36 pages. Dacker Music #3049201. Published by Dacker Music (A0.814740). As the title indicates, Sonatina for Bass Clarinet and Piano closely follows sonata form on a somewhat smaller scale. Tonality and tonal relationships are basic to sonata form, and in this sonatina, the tonal relationships within the movements are all based on seconds, while the second movement is in the relative major of the sonatina's home key. The first movement, Allegro appassionato, is a fairly strict sonata-allegro in F minor. The second movement, Adagio cantabile, is a theme and variations in Ab major. The finale, Allegretto giocoso, is an abridged sonata-rondo in F minor. The B episode is derived from the inverted second subject of the first movement.Although not obvious on casual listening, this provides a degree of thematic unity to  the composition.Grade 4+               Duration:7:40
Sonatina for Bass Clarinet and Piano
Clarinette Basse, Piano

$14.00 11.93 € Clarinette Basse, Piano PDF SheetMusicPlus

Piano,Trombone - Level 5 - Digital Download SKU: A0.792818 Composed by Johannes Brahms. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry #6679905. Published by Gordon Cherry (A0.792818). Ralph Sauer has transcribed the beautiful Brahms (Clarinet) Sonata No. 1, Op. 120 for Trombone and Piano. This major work of over 23 minutes in length is suitable for advanced players.The Sonata No. 1 Op. 120 is a late work that was composed along with Sonata No. 2 in 1894. The work is in 4 movements: Allegro appassionato, Andante un poco adagio, Allegretto grazioso and Vivace. Soon after completing the composition, Brahms got together with Richard Mühlfeld for whom the solo was written and together they performed the Sonata with a private audience from Clara Schumann.This work is one of unimaginable beauty and will become a part of the Trombone repertoire.If you've ever wanted to play a marvelous solo piece by the great Johannes Brahms, this is it!!!
Sonata No 1, Op. 120 for Trombone and Piano
Trombone et Piano

$30.00 25.56 € Trombone et Piano PDF SheetMusicPlus

Instrumental Duet Alto Saxophone,Instrumental Duet,Piano - Digital Download SKU: A0.1021612 Composed by Tyler J. Holt. Contemporary. Score and parts. 54 pages. TJHoltMusic #6117625. Published by TJHoltMusic (A0.1021612). I was inspired to compose the Sonata for Alto Saxophone and Piano, Op. 4 towards the end of the Snow Pond Composer’s Workshop that I attended in the summer of 2017. I was compelled even further upon learning that the classical saxophone repertoire is limited. This work presented a challenge, as this is the first work I have composed for the saxophone. The first movement resembles a traditional Sonata-Allegro form, with the first theme being inspired by Petrouchka by Igor Stravinsky. All of the themes in this sonata are presented as the movement progresses. The second movement is slow and lyrical, based on quartal harmonies and tonal ambiguity as well as a varying accompanying passage. The third movement is a short, yet frantic interlude based on augmented arpeggios. Henri Tomasi’s Trumpet Concerto serves as an inspiration for the fourth movement, in terms of its spontaneous character.I. Allegro con gioiaII. Andante AppassionatoIII. InterludeIV. ScherzoComposed by Tyler J. Holt Published by TJHoltMusic Copyright © Tyler J. Holt, Composer .
Sonata for Alto Saxophone and Piano, Op. 4
Saxophone Alto et Piano

$20.00 17.04 € Saxophone Alto et Piano PDF SheetMusicPlus

Small Ensemble Cello,High Voice,Low Voice,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.828718 Composed by Leonardo Leo. Arranged by Guido Menestrina. A Cappella. Score and parts. 22 pages. Guido Menestrina #516705. Published by Guido Menestrina (A0.828718). Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento Transcribed by Guido Menestrina Celebre compositore e capostipite della bella scuola napoletana del XVIII secolo, nacque a San Vito degli Schiavoni, presso Brindisi, in provincia di Terra d'Otranto. De Leo avrebbe compiuto i suoi studi musicali al conservatorio della Pietà dei Turchini, sotto la direzione di Nicola Fago, soprannominato il tarentino[1]. Girolamo Chigi, maestro di Cappella di San Giovanni in Laterano, allievo e amico di Pitoni, dice che de Leo si recò a Roma e che vi studiò il contrappunto sotto la guida di questo sapiente maestro. Di ritorno a Napoli, de Leo ottenne il posto di secondo maestro al conservatorio della Pietà. Nel 1716 fu nominato organista della cappella reale e l'anno successivo venne designato per occupare il posto di maestro di cappella della chiesa di Santa Maria della Solitaria, per la quale scrisse molta musica. Nel 1719 fece rappresentare la Sofonisba, sua prima opera seria che fu ben accolta e in cui il carattere espressivo del suo talento si faceva già notare. I biografi che sostengono abbia insegnato al conservatorio di Loreto s'ingannano, fu infatti prima al conservatorio della Pietà, poi a quello di Sant'Onofrio, dove ebbe per allievi alcuni dei compositori più illustri del XVIII secolo, come Jommelli e Piccinni. Non morì nel 1743, come dice lo stesso Piccinni, in una breve notizia biografica sul suo maestro, né nel 1742 come afferma Burney, ma nel 1744. Il marchese di Villarosa, riferisce che de Leo sarebbe stato colpito da apoplessia, mentre era intento a scrivere un'aria buffa de La finta frascatana che comincia con queste parole: Voi par che gite/di palo in frasca. Lo si trovò con la testa appoggiata sul suo clavicembalo e si credette, in un primo momento che dormisse, ma in realtà aveva già cessato di vivere. Leo era di taglia media, colorito bruno, occhio vivo e temperamento ardente. Sebbene fosse abitualmente piuttosto serioso, non mancava di urbanità e gentilezza. Infaticabile nella professione, passava spesso la maggior parte delle notti a comporre e si trovava sempre in vena- Amava le sue opere, ma rendeva giustizia al merito dei suoi rivali quando occorreva. Morì rimpianto da tutti, lasciando a lungo il ricordo di sé e delle sue opere, nonché della scuola di cui fu uno dei fondatori. Considerazioni sull'artista Leo condivide col suo predecessore Alessandro Scarlatti e i contemporanei Nicola Porpora, Francesco Durante e Francesco Feo, la gloria di aver fondato la scuola di Napoli, da cui sono usciti, durante tutto un secolo, una moltitudine di compositori drammatici di prim'ordine. Egli stesso fu non soltanto un grande professore, ma un artista dei più dotati. La sua musica da chiesa non ha meno maestà di quella di Durante, tocca il cuore e fa nascere degli slanci di tenera devozione. Il suo Miserere a due cori è una composizione tanto notevole per l'elevatezza dei sentimenti che l'hanno dettata, quanto per la purezza di stile in cui si riconoscono le tracce della scuola cantoria romana in cui studiò. Nella sua musica sacra nello stile accompagnato e concertato, de Leo conserva la semplicità e si fa ammirare per la bellezza dell'espressione, come l'Ave Maris Stella per voce di soprano e orchestra o il Credo a quattro. Egualmente notevole nel genere teatrale, de Leo è sempre nobile, spesso patetico e appassionato ed è con questi mezzi, molto semplici, che perviene a grandi effetti. Piccinni fa i più grandi elogi alle sue opere, e cita in particolare l'aria Misero pargoletto da Demoofonte come modello di espressione drammatica, quest'aria è, in effetti, della più grande bellezza, anche Arteaga è prodigo di elogi verso questo musicista Segui lo spartito qui/Follow the score here: https://youtu.be/qjcFrb638VI or listen to it on soundcloud: https://soundcloud.com/guido-menestrina/leonardo-leo-dixit-dominus-4a-parte-quartetto Score includes: - full score - strings part - oboi par.
Leonardo Leo - Dixit Dominus a 2 cori, 1741, Quarto movimento (Quartetto)

$12.99 11.07 € PDF SheetMusicPlus

Euphonium,Piano - Level 5 - Digital Download SKU: A0.792822 Composed by Johannes Brahms. Arranged by Ralph Sauer. Romantic Period. Score and part. 40 pages. Gordon Cherry #6687745. Published by Gordon Cherry (A0.792822). Ralph Sauer has transcribed the beautiful Brahms (Clarinet) Sonata No. 1, Op. 120 for Euphonium and Piano. This major work of over 23 minutes in length is suitable for advanced players.The Sonata No. 1 Op. 120 is a late work that was composed along with Sonata No. 2 in 1894. The work is in 4 movements: Allegro appassionato, Andante un poco adagio, Allegretto grazioso and Vivace. Soon after completing the composition, Brahms got together with Richard Mühlfeld for whom the solo was written and together they performed the Sonata with a private audience from Clara Schumann.This work is one of unimaginable beauty and will become a part of the Euphonium repertoire.If you've ever wanted to play a marvelous solo piece by the great Johannes Brahms, this is it!!!
Sonata No. 1, Op. 120 for Euphonium and Piano
Euphonium, Piano (duo)

$32.50 27.69 € Euphonium, Piano (duo) PDF SheetMusicPlus

Flute Duet Flute - Level 3 - Digital Download SKU: A0.1490864 Composed by Enrique Granados. Arranged by Kan Saito / Japan Duo Notes. 19th Century,Classical,Contest,Festival,Folk,Multicultural,World. Score. 2 pages. Japan Duo Notes #1067648. Published by Japan Duo Notes (A0.1490864). Title: Andaluza by Enrique Granados – Flute Duet ArrangementDescription:Explore the passionate rhythms and rich melodies of Enrique Granados’s Andaluza with this expressive flute duet arrangement. Originally part of Granados’s Twelve Spanish Dances (Danzas Españolas), Andaluza—also known as Playera—captures the vibrant spirit of Andalusian folk music. This arrangement for two flutes brings the fiery and emotive character of the original piece to life, offering a dynamic and engaging performance experience.Key Features:Composer: Enrique GranadosArrangement: Flute DuetDifficulty Level: Intermediate to AdvancedFormat: Digital Sheet Music PDFPages: Score: 2 pagesThis flute duet arrangement of Andaluza maintains the essence of Granados’s original composition, translating its passionate melodies and intricate rhythms into a captivating dialogue between two flutes. Ideal for recitals, chamber music performances, and cultural events, this piece allows flutists to delve into the expressive and rhythmic nuances that define Spanish music.Why Choose This Arrangement?Authentic Adaptation: Faithfully captures the rhythmic vitality and emotional depth of Granados’s Andaluza, reimagined for two flutes.Versatile and Expressive: Perfect for a variety of performance settings, including formal recitals, chamber music concerts, and themed cultural events.Musically Rewarding: Designed for intermediate to advanced flutists, offering a blend of technical challenge and expressive opportunity.Add the fiery elegance of Spanish music to your flute repertoire with this stunning arrangement of Enrique Granados’s Andaluza. It’s an ideal choice for flutists who appreciate the rich cultural influences of Andalusian music and wish to perform a piece that is both passionate and evocative.Keywords: Enrique Granados, Andaluza, Playera, flute duet, flute sheet music, Granados arrangements, Spanish music, Andalusian music, flute ensemble, intermediate flute music, advanced flute duet, classical music, concert flute duet, recital music.
Andaluza / Enrique Granados
2 Flûtes traversières (duo)

$4.99 4.25 € 2 Flûtes traversières (duo) PDF SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Orchestre de chambre
Johann Sebastian Bach and Netherlands Bach Society
$18.99 16.18 € Orchestre de chambre PDF SheetMusicPlus






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