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Concert Band - Level 2 - Digital Download SKU: A0.978107 Composed by Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. 20th Century,Latin,World. Score and parts. 23 pages. Idalmo Santos #6679863. Published by Idalmo Santos (A0.978107). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, Turíbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for band
Orchestre d'harmonie

$13.33 11.58 € Orchestre d'harmonie PDF SheetMusicPlus

Small Ensemble Alto Saxophone,Piano,Tenor Saxophone - Digital Download SKU: A0.777905 Composed by Robert Schumann (1810-1856). Arranged by Mikio Kamada. Romantic Period. Score and parts. 5 pages. ACORDO Sheet Music #2075437. Published by ACORDO Sheet Music (A0.777905). Piano Trio in A Minor, Op.88, Fantasiestucke was composed by Robert Schumann (1810-1856) in 1842. It consists of four movements, and the movement III, Duett, is remarkably impassioned. As the title suggests, the music is like a romantic story played by two solo instruments. The conversation by the tow changes its nuances phrase to phrase which leads up to a tragedy. Players will be forced to imagine what is happening in the story.
Fantasiestucke Op.88 III Duett for Alt Saxophone, Tenor Saxophone & Piano
Saxophone Tenor et Piano

$7.40 6.43 € Saxophone Tenor et Piano PDF SheetMusicPlus

Ocarina - Level 2 - Digital Download SKU: A0.1170309 Composed by Robert Schumann. Arranged by Emiliano Bernagozzi. 19th Century,Classical,Instructional,Romantic Period,Traditional. 40 pages. Emiliano Bernagozzi #770669. Published by Emiliano Bernagozzi (A0.1170309). L'Album per la gioventù (titolo originale tedesco: Album für die Jugend), op. 68, è una raccolta di brani musicali semplici composti da Robert Schumann nel 1848 per le sue tre figlie. Questa suite raccoglie  6 brani dall’album  per i più piccoli arrangiati per settimino di ocarine. Una raccolta didattica per accompagnare i giovani ocarinisti e gli appassionati nel percorso di aprrendiemnto.
PICCOLA SUITE DALL'ALBUM FUR DIE JUGEND per settimino di ocarine
Ocarina

$25.00 21.71 € Ocarina PDF SheetMusicPlus

Oboe,Piano - Level 3 - Digital Download SKU: A0.549637 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516553. Published by jmsgu3 (A0.549637). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation, or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes. Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto, and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge), and the final five sonatas for piano.  
Beethoven: Adagio from Sonata Pathetique for Oboe & Piano
Hautbois, Piano (duo)

$24.95 21.67 € Hautbois, Piano (duo) PDF SheetMusicPlus

String Orchestra - Level 3 - Digital Download SKU: A0.1300102 Composed by Geraldine (Denny) Green. 21st Century,Chamber,Children,Classical. Score and Parts. 26 pages. Geraldine (Denny) Green at Oakmountmusic #889857. Published by Geraldine (Denny) Green at Oakmountmusic (A0.1300102). ALL PURCHASES COME WITH SCORE AND PARTSDuration 3 minutes.This short piece was inspired by my many sightings and observations of sparrowhawks in their behaviour,  hunting techniques and how they fly and soar. They appear to “Tango†with their prey. For me the Tango is a passionately agressive dance with no negotiation. If you are a small creature caught by a sparrowhawk there is also no negotiation!There are now 7 different arrangements of this piece available;No.1 – School arrangement; for violins 1, 2 and 3, cello 1 and 2.No.2 – Standard Arrangement; for violins 1 and 2, viola, cello and double bassNo.3 – Youth OrchestraThe instrumentation for the youth orchestra arrangement is as follows:Flutes 1&2, 1 Oboe, Clarinets 1&2 in Bflat, 1 Bass Clarinet in Bflat (to low C), 1 Bassoon, 1 Eflat Alto Saxophone.Trumpets 1&2 in Bflat2 Pedal Timpani, Side Drum, Bongos – 1 set, 1 Conga, 1 Suspended Cymbal (played with soft stick throughout), Maracas, Tambourine, Triangle.Violins 1,2 & 3, Cello 1 & 2No.4 – Flute, violin and pianoNo.5 – Flute, cello and pianoNo.6 – Flute, clarinet (Bflat), violin and pianoNo.7 – Flute, clarinet (Bflat) and pianoNo.8 – Piano Solo.
Sparrowhawk Tango. For Strings (Standard Arrangement)
Orchestre à Cordes

$23.00 19.98 € Orchestre à Cordes PDF SheetMusicPlus

Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.1122164 By Budapest Scoring wind quartet. By David Warin Solomons. Classical,Contemporary. Full Performance. Duration 292. David Warin Solomons #723314. Published by David Warin Solomons (A0.1122164). Instrumental quartet based on my song setting of a poem written for me in Armenian by James Russell when he left London Vaghə toghem əskez: kərkéra anagán usin Arden asteghats apsen galarvum eh depi índz Yev syukə sút eh shəshum te: Kezi petk cheh ser. Tomorrow I leave you: pointless vain passions Already the plate of the stars spins down towards me And the breeze whispers this lie: You need no love. Performers: The Budapest wind quartet, comprising Flute: Ildikó Szabady Oboe: Márton Belek Clarinet: Hunor Egyed Bassoon: Kristóf Szilágyi.
Exprompt for wind quartet
Budapest Scoring wind quartet
$4.50 3.91 € PDF SheetMusicPlus






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