Choral Choir (SATB) - Level 5 - Digital Download SKU: A0.790441 Composed by Maurizio Chiavaroli. Christian,Contemporary,Easter,Standards. Octavo. 62 pages. Maurizio Chiavaroli #4296619. Published by Maurizio Chiavaroli (A0.790441). Opera sacra per soli, coro, pianoforte e orchestra sul tema della Passione di CristoSacred opera for solo voice, choir, piano and orchestra of theme by Passion of the Christ.

Woodwind Ensemble,Woodwind Quartet Bassoon,Clarinet,Flute,Oboe - Level 4 - Digital Download SKU: A0.845172 Composed by Ludwig van Beethoven. Arranged by Phil Beaman. Classical,Romantic Period,Sacred,Standards. 24 pages. Phil Beaman #6293705. Published by Phil Beaman (A0.845172). Busslied (Penance) was composed by the Master, L. van Beethoven. It is the sixth of the Sechs Lieder (Six Songs), published in 1803, which foreshadowed the Art Songs of the Romantic Era. Originally for Voice and Piano, I have arranged it for Instrumental Quartet. My arrangement stays true to Beethoven's intent to capture the passion of the original text in the music. (The texts are all sacred poems by Gellert.) Without the presence of lyrics I needed to create musical interest and interpretation, so I realized inner voices and polyphony out of his original homophonic accompaniment. I added new shape to individual lines, altered phrasing, elaborated rhythms, and in true Beethoven style added more dynamic markings. The mood and meaning are now stunningly portrayed through music alone. Busslied is in three sections; Penance, the Impassioned Plea, and Acceptance and Absolution. Each section has a different key, a different tempo, and a different style. The final section has some virtuosic extended runs for some instruments.  

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.845175 Composed by Ludwig van Beethoven. Arranged by Phil Beaman. Classical,Romantic Period,Sacred,Standards. Score and parts. 24 pages. Phil Beaman #6293717. Published by Phil Beaman (A0.845175). Busslied (Penance) was composed by the Master, L. van Beethoven. It is the sixth of the Sechs Lieder (Six Songs), published in 1803, which foreshadowed the Art Songs of the Romantic Era. Originally for Voice and Piano, I have arranged it for Instrumental Quartet. My arrangement stays true to Beethoven's intent to capture the passion of the original text in the music. (The texts are all sacred poems by Gellert.) Without the presence of lyrics I needed to create musical interest and interpretation, so I realized inner voices and polyphony out of his original homophonic accompaniment. I added new shape to individual lines, altered phrasing, elaborated rhythms, and in true Beethoven style added more dynamic markings. The mood and meaning are now stunningly portrayed through music alone. Busslied is in three sections; Penance, the Impassioned Plea, and Acceptance and Absolution. Each section has a different key, a different tempo, and a different style. The final section has some virtuosic extended runs for some instruments.  

Instrumental Duet Cello,Instrumental Duet,Violin - Digital Download SKU: A0.777862 Composed by Johann Sebastian Bach. Arranged by Mikio Kamada. Baroque. Score and parts. 5 pages. ACORDO Sheet Music #58793. Published by ACORDO Sheet Music (A0.777862). Sinfonias No.1-15, BWV.787-801, are known as three part inventions for keyboard. Johann Sebastian Bach (1685-1750) composed these short pieces for educational purposes. It was not only for practice of playing keyboards but also for acquiring a strong foretaste of composition. All of them are full of musical charm. They are very good educational materials for players other than keyboard players. As some people call this piece, BWV.795,passion, it is like a part of Bach's passions.

Piano Solo - Level 3 - Digital Download SKU: A0.761830 Composed by Traditional. Arranged by Louis Landon. Christmas. Score. 5 pages. Landon Creative, Inc. #25963. Published by Landon Creative, Inc. (A0.761830). Deck the Halls is on the Peaceful Christmas - Solo Piano album and was recorded on August 12th & 13th 2011 at Piano Haven Recording Studio in Seattle, WA. Louis Landon is a Steinway Artist, formerly of New York and currently of Sedona, who has dedicated his life to music. His passion is for peace. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry: classical music for Mikhail Baryshnikov on national and international tours, Latin music with Pucho and his Latin Soul Brothers on national and international tours, pop music with Rupert Pina Colada Song Holmes on television and national tours, rock & roll with John Hall, opening for Little Feat on national tours. For the past 24 years, through his production company, Landon Music, he has written and produced music for film, video, and commercials, including three years of best plays and bloopers commercials for the National Basketball Association. Not long ago, Landon realized that his music - the solo piano compositions that bring him so much joy and peace, could surely bring joy, and particularly peace, to millions around the world. Louis Landon is currently working with three missions: 1. To create a more loving and peaceful world by writing, recording and performing, music from the heart. 2. To inspire people to live joyously and passionately. 3. To awaken and to assist people in healing themselves through music and mentoring. He has released 21 CDs on the LCI record label, his latest entitled Healing Hearts 3 - Solo Piano , was released on October 10, 2016 and contains music that was spontaneously composed during healing sessions. Visit his website at http://www.louislandon.com/ for more information, CDs, sheet music, bookings, photos, videos, and tour dates. Create a Louis Landon Pandora station: http://www.pandora.com/louis-landon

Mixed choir a cappella - Digital Download SKU: S9.Q19313 Liber usualis. Composed by Davide Perez. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q19313. Published by Schott Music - Digital (S9.Q19313). Davide Perez (1711-1782), who was known to his contemporaries above all as a composer of operas, wrote this skilful late baroque passiontide motet setting of the well-known words from the story of Christ’s Passion. The composer Enjott Schneider was inspired by this composition to write his work “Tenebrae� for soprano, violin and organ (ED 9668). We suggest that a concert performance might feature “Tenebrae� together with this motet by Davide Perez, performed by a choir a cappella.

Choral, Vocal SATB choir with optional cello - Digital Download SKU: H1.C5557DP Arranged by Joel Raney. Piano with Optional Cello. Classics, Hymntune, Lent. Octavo. 12 pages. Hope Publishing - Digital #C5557DP. Published by Hope Publishing - Digital (H1.C5557DP). 2 Corinthians 5:21 - Ephesians 2:8 - Ephesians 2:9 - Isaiah 53:3 - Isaiah 53:4 - John 19:1 - John 19:2 - John 19:3 - John 19:4 - John 19:5 - Luke 23:26 - Luke 23:27 - Luke 23:28 - Luke 23:29 - Luke 23:30 - Luke 23:31 - Luke 23:32 - L.Timeless hymn The PASSION CHORALE is perhaps the best known 'timeless' hymn which is synonymous with Holy Week and the journey to the cross. This emotion-filled rendition by Joel Raney builds intensity through a dramatic piano accompaniment, impassioned choral writing and a lush optional cello part.

Solo Cello, Piano - Digital Download SKU: H1.9035DP Arranged by Joel Raney. Piano with Optional Cello. Lent, Holy Week, Good Friday, Jesus Christ - Cross, Jesus Christ - Death. Vocal Score. 8 pages. Hope Publishing - Digital #9035DP. Published by Hope Publishing - Digital (H1.9035DP). Timeless hymn The PASSION CHORALE is perhaps the best known 'timeless' hymn which is synonymous with Holy Week and the journey to the cross. This emotion-filled rendition by Joel Raney builds intensity through a dramatic piano accompaniment, impassioned choral writing and a lush optional cello part.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.976711 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Easter,Sacred. Octavo. 31 pages. WheatMyer Music #4775085. Published by WheatMyer Music (A0.976711). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The piano/organ accompaniments are straightforward yet very colorful. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet does not compromise on artistic expression.The parts provided in this version include a full score, a piano-vocal octavo (which may be performed alone), and organ and timpani/percussion parts. Neither organ or timpani are required but adding either or both provides a deep and rich experience. Parts for reduced orchestra (strings and single winds) are available separately.

Clarinet Solo - Digital Download SKU: A0.777867 Arranged by ACORDO Sheet Music. Baroque. Individual part. 5 pages. ACORDO Sheet Music #61811. Published by ACORDO Sheet Music (A0.777867). Sinfonias No.1-15, BWV.787-801, are known as three part inventions for keyboard. Johann Sebastian Bach (1685-1750) composed these short pieces for educational purposes. It was not only for practice of playing keyboards but also for acquiring a strong foretaste of composition. All of them are full of musical charm. They are very good educational materials for players other than keyboard players. As some people call this piece, BWV.795,passion, it is like a part of Bach's passions.

Tenor voice, violoncello, and piano - Moderately Difficult - Digital Download SKU: MQ.8548-E Composed by David Conte. 31 pages. E. C. Schirmer Music Company - Digital #8548-E. Published by E. C. Schirmer Music Company - Digital (MQ.8548-E). English, French, Latin.A set of three love poems in three different languages; Latin, French, and English. In all three pieces, the violoncello represents the very soul of the speaker of these three texts, as it moves through many emotions, including passion, suffering, vulnerability, and joy. Levis exsurgit zephirus is taken from the eleventh century volume titled Cambridge Songs. The music has a gentle undulating quality, as the speaker is “possessed by deep sighs in the midst of all this beauty,� for his soul languishes. After several climaxes, the opening music returns in the minor mode, accompanied by “sighs� in the piano and violoncello. Duration: 5:00D’Anne qui me jetta de la neige describes a young man suddenly hit by what Italians poetically call the “Thunderbolt,� a burning moment where one falls suddenly and passionately in love. Duration: 4:00Theodore Roethke's poem, The Moment, is both subtly and unabashedly erotic, and indeed “ends in joy.� Duration: 6:00Contents:1. Levis exsurgit zephirus2. D’Anne qui me jetta de la neige3. The Moment.

Brass Ensemble Trombone - Level 4 - Digital Download SKU: A0.792563 Composed by Gustav Holst. Arranged by Ronald Barron. 20th Century,Contemporary,Romantic Period. Score and parts. 16 pages. Gordon Cherry #5008585. Published by Gordon Cherry (A0.792563). The Evening-Watch was written in 1925, when Holst lived in Thaxted, England having had to temporarily leave his teaching duties because of overwork and illness. This setting of Henry Vaughan’s ‘Dialogue between the Body and the Soul’ was too  austere for listeners of its day and it remained out of print for thirty years, until 1965. Its mood of calm strength and passionate resignation sounds as if it belongs to the 1960’s.  This beautiful arrangement for 8-part trombone choir by Ronald Baron seems altogether appropriate given the instrument’s vocal character, its frequent use for music at funerals and Holst’s other musical passion; his short career as a trombonist. The 4 minute piece is appropriate for moderately advanced performers.

Voice and piano - Medium - Digital Download SKU: MQ.8492-21E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 5 pages. E. C. Schirmer Music Company - Digital #8492-21E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-21E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Piano Solo - Level 2 - Digital Download SKU: A0.1262579 By Christina Perri. By Christina Perri and David Hodges. Arranged by Mav Duo. Film/TV,Pop. Score. 5 pages. Musicial #855592. Published by Musicial (A0.1262579). Unleash the Emotion: A Captivating Solo Piano Arrangement of A Thousand Years by Christina PerriAre you yearning for a soul-stirring musical experience that will transport you through time and touch the deepest recesses of your heart? Look no further, for we have a breathtaking solo piano arrangement of A Thousand Years by Christina Perri that will leave you utterly captivated.Immerse yourself in the timeless beauty of this beloved ballad as the piano keys whisper delicate melodies and evoke a cascade of emotions within you. Every note, every chord, is meticulously crafted to recreate the tender magic of A Thousand Years in a stunning instrumental rendition. Prepare to be swept away by the power and elegance of the piano as it weaves its own enchanting tale.Crafted by a skilled musician and arranged with utmost precision, this solo piano rendition of A Thousand Years captures the essence of the original song, elevating it to new heights of musical brilliance. The pure simplicity of the piano, with its ability to convey profound emotions, allows the heartrending beauty of the melody to take center stage, shining through with an unparalleled clarity.Whether you're a piano virtuoso seeking a challenging masterpiece to showcase your skills, an intermediate player yearning for a captivating piece to inspire your practice sessions, or a passionate music lover desiring a mesmerizing addition to your collection, this solo piano arrangement is an absolute must-have. It offers an opportunity to embrace the raw emotion of A Thousand Years and express your own interpretation through the power of your fingertips.As you navigate the gentle rise and fall of the melody, you'll feel an undeniable connection to the lyrics and the heartfelt emotions they encapsulate. Each delicate stroke of the piano keys reveals the bittersweet longing, the eternal love, and the unyielding hope found within this modern-day classic. Let the music guide you on an introspective journey, conjuring memories and dreams as it resonates deep within your soul.This exquisite solo piano arrangement of A Thousand Years is not just a musical composition; it is a conduit for emotions, a vessel that carries you to a world of tenderness and vulnerability. With each passing measure, you'll find yourself enveloped in a tapestry of longing, passion, and the eternal promise of love.Don't miss the chance to own a piece of musical brilliance. Order your solo piano arrangement of A Thousand Years today and immerse yourself in the unparalleled beauty and emotional resonance of this unforgettable composition. Let the piano keys become an extension of your heart, allowing you to relive and rediscover the timeless magic of Christina Perri's masterpiece.Keywords: solo piano arrangement, A Thousand Years, Christina Perri, soul-stirring, musical experience, touch the heart, timeless beauty, captivating rendition, tender magic, instrumental brilliance, piano virtuoso, inspiring practice sessions, mesmerizing addition, raw emotion, bittersweet longing, eternal love, unyielding hope, modern-day classic, introspective journey, vessel of emotions, musical brilliance, emotional resonance.

Voice and piano - Medium - Digital Download SKU: MQ.8492-10E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 7 pages. E. C. Schirmer Music Company - Digital #8492-10E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-10E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).