Piano Solo - Level 2 - Digital Download SKU: A0.1199422 By Ennio Morricone. By Ennio Morricone. Arranged by Flavio Regis Cunha. 20th Century,Contemporary,Contest,Festival,Film/TV,Instructional. Score. 5 pages. Flavio Regis Cunha #798489. Published by Flavio Regis Cunha (A0.1199422). A Fistful Of Dollars for Piano SoloUnlock the Soul of Music with A Fistful of Dollars Sheet Music by Ennio Morricone!Attention all passionate pianists, both professionals, and amateurs! Elevate your musical journey with the iconic A Fistful of Dollars (Title Theme) by the legendary Ennio Morricone.Immerse yourself in the emotive melody that transcends time and space, taking you on a cinematic journey of passion, courage, and adventure. Why choose our sheet music?Authenticity: Immerse yourself in the original composition, beautifully transcribed for piano, capturing every nuance of Morricone's masterpiece.Precision: Meticulously notated with attention to detail, our sheet music ensures an accurate representation of the composer's vision, empowering you to deliver a truly captivating performance.Versatility: Suitable for pianists of all levels, whether you're a seasoned professional or a budding enthusiast. Challenge yourself and bring the magic of Morricone to life!Emotional Impact: Connect with your audience on a profound level, evoking powerful emotions through the timeless beauty of A Fistful of Dollars. Limited Time Offer: Order now and receive exclusive access to a digital recording of the theme, expertly played by a professional pianist. Immerse yourself in the essence of Morricone's creation before you even touch the keys!Unleash your creativity and embark on a musical adventure that will leave a lasting impression. Don't miss this opportunity to own a piece of cinematic history![Order Now - A Fistful of Dollars Sheet Music]Transform your piano into a storytelling instrument and let the enchanting notes of Morricone's masterpiece resonate in your heart and soul.Easy-Intermediate.Format: Concert, 9 x 12 inches.5 pages.

Voice and piano - Medium - Digital Download SKU: MQ.8492-09E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-09E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-09E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

C Instrument - Level 1 - Digital Download SKU: A0.1310120 By Marcelo Borba. By Public Domain. Arranged by Marcelo Borba. Folk,Historic,Jazz,Multicultural,Patriotic,World. Lead Sheet / Fake Book. 2 pages. Marcelo Borba #899258. Published by Marcelo Borba (A0.1310120). Leadsheet style with chords Vieni Sul Mar é uma tradicional canção napolitana que captura a essência do romantismo italiano. Essa melodia evoca imagens das águas cintilantes do Mar Mediterrâneo e convida o ouvinte a se aventurar em um mundo de amor e paixão.A letra da música descreve um convite apaixonado para um amante se juntar ao mar, navegando juntos em um barco, simbolizando a jornada compartilhada da vida. A melodia suave e melancólica, combinada com a lírica sedutora, faz de Vieni Sul Mar uma canção atemporal que continua a encantar os ouvintes e a celebrar a beleza da música napolitana.Esta canção icônica foi gravada por muitos artistas ao longo dos anos, e sua popularidade transcende fronteiras, tornando-a uma representante da rica herança musical italiana. Vieni Sul Mar é uma amostra cativante do romantismo da região de Nápoles e uma lembrança das maravilhas do amor e da natureza, com seu apelo duradouro que ainda ressoa com as emoções de quem a ouve.A mesma canção foi adaptada para música popular Brasileira com o nome de Oh, Minas Gerais.É uma verdadeira ode ao estado de Minas Gerais, sua cultura, paisagens e povo. Oh, Minas Gerais se tornou um hino não oficial para os mineiros e uma representação musical do amor à sua terra natal, sendo regravada por diversos artistas ao longo dos anos.Vieni Sul Mar is a traditional Neapolitan song that captures the essence of Italian romanticism. This melody evokes images of the shimmering waters of the Mediterranean Sea and invites the listener to venture into a world of love and passion. The lyrics of the song describe a passionate invitation for a lover to join the sea, sailing together on a boat, symbolizing the shared journey of life. The gentle and melancholic melody, combined with the seductive lyrics, makes Vieni Sul Mar a timeless song that continues to enchant listeners and celebrate the beauty of Neapolitan music.This iconic song has been recorded by many artists over the years, and its popularity transcends borders, making it a representative of the rich Italian musical heritage. Vieni Sul Mar is a captivating sample of the romanticism of the Naples region and a reminder of the wonders of love and nature, with its enduring appeal that still resonates with the emotions of those who listen.The same song was adapted into Brazilian popular music with the name Oh, Minas Gerais. It is a true ode to the state of Minas Gerais, its culture, landscapes, and people. Oh, Minas Gerais has become an unofficial anthem for the people of Minas Gerais and a musical representation of their love for their homeland, being re-recorded by various artists over the years.

Alto Saxophone,Piano - Level 2 - Digital Download SKU: A0.844547 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3517817. Published by Phil Beaman (A0.844547). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges.  Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato.  This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.

Oboe,Piano - Level 2 - Digital Download SKU: A0.844542 Composed by Robert Franz. Arranged by Phil Beaman. Instructional,Romantic Period,Standards,Wedding. Score and part. 6 pages. Phil Beaman #3516897. Published by Phil Beaman (A0.844542). Robert Franz was a Romantic Era composer of lieder (German Art Song) whose pieces were highly praised by Schumann. When I removed the important lyrics from Feast of Love in order to make an accompanied instrumental solo I needed to convey the passionate drama just in the music. I changed a simple strophic form into an ABA Coda with every verse getting a different treatment. My harmony is much richer and more varied than the original. I added new articulations, dynamics, and other markings as well as a cadenza for one of the bridges.  Excellent piece for a student to learn Romantic characteristics of expression, phrase shaping, and sempre rubato.  This song is also excellent for Weddings. Alternative translations of the title are Celebration of Love and Love's Fire. You can definitely feel the fire and passion in this beautiful piece!This arrangement is not difficult to play, but is marked Early Intermediate because it requires musicianship to play well.3 minutes4 pages score, 2 page solo partTemporary recording of piano reduction of full score.

Saxophone Quintet,Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - Level 3 - Digital Download SKU: A0.1228440 Composed by Charles Neustedt (1834–1908). Arranged by Andrew Lamb. 19th Century,Romantic Period. 23 pages. Andrew Lamb #824517. Published by Andrew Lamb (A0.1228440). Title: Chant d’Adieu (Romance sans Paroles), Op. 77 Composer: Charles Neustedt (1834-1908) Arranger: Andrew LambIntroducing our captivating saxophone quintet arrangement of Chant d'Adieu composed by the esteemed Charles Neustedt (1834-1908). This masterfully transcribed adaptation breathes new life into this beautiful composition, showcasing the versatility and expressive qualities of the saxophone family.Our saxophone quintet arrangement of Chant d'Adieu artfully combines the unique timbres of the soprano, alto, tenor, and baritone saxophones, creating a harmonious blend that adds a contemporary twist to the original work. Each saxophone voice contributes to the rich and resonant sound palette, allowing the ensemble to capture the emotional depth and sensitivity of the composition.Chant d'Adieu is a profoundly moving piece that evokes a range of emotions, from introspection to wistfulness. Its enchanting melodies and poignant harmonies make for a deeply expressive performance. Our arrangement accentuates these qualities, providing saxophonists with an opportunity to immerse themselves in the timeless beauty of Neustedt's composition.Whether you are an established saxophone quintet looking to expand your repertoire or a group of passionate saxophonists seeking an evocative piece to perform, our saxophone quintet arrangement of Chant d'Adieu is a captivating addition to your musical collection. Its versatility makes it suitable for a variety of performance settings, from intimate chamber concerts to grand stages.The sheet music for our arrangement is meticulously notated, ensuring clear and accurate scores for each member of the saxophone quintet. Detailed performance instructions and dynamic markings guide musicians to bring out the subtle nuances and emotional depth within the music, enabling a truly captivating interpretation.Immerse yourself in the profound beauty of Charles Neustedt's Chant d'Adieu with our saxophone quintet arrangement. Let the expressive voices of the saxophone ensemble transport you and your audience to a world of musical sensitivity and artistic expression. This arrangement is a treasure trove of melodic richness, allowing saxophonists to showcase their skill and passion while paying homage to a timeless composition.

Easy Piano - Level 1 - Digital Download SKU: A0.1429295 Composed by Wolfgang Amadeus Mozart. Arranged by Glauco Fernandes. Classical,Instructional. Score. 3 pages. Glauco Fernandes #1010030. Published by Glauco Fernandes (A0.1429295). Ignite your passion for classical music with this magnificent piano solo sheet music of the renowned Symphony No. 40 by Mozart. This meticulously crafted arrangement captures the essence and beauty of this classical masterpiece.Composed by Wolfgang Amadeus Mozart, this symphony is one of the most iconic and thrilling pieces in the entire classical repertoire. Now, you can bring all the grandeur and elegance of this composition to your own piano, immersing yourself in the captivating melodies and passionate themes that have made this work beloved throughout the centuries.This piano solo arrangement allows pianists of all levels to enjoy the musical richness of this timeless symphony. Whether you're an enthusiastic beginner or an experienced pianist seeking a challenge, this sheet music provides a unique opportunity to explore and master one of the most emblematic works in music history.Experience the thrill of playing the powerful chords, delicate phrasing, and moments of intense expression that characterize Mozart's masterpiece. Through this sheet music, you can dive into the world of classical music, develop your piano skills, and experience the joy of performing one of the most revered compositions of all time.Don't miss the chance to add this exceptional sheet music to your musical collection. Discover the timeless beauty of Mozart's Symphony No. 40 through the keys of your own piano. Begin your exciting journey towards musical mastery!Tags: classical music, sheet music, piano solo, beginner piano sheet, Mozart, Symphony No. 40, arrangement, piano skills, interpretation, emotion, mastery.

Voice and piano - Medium - Digital Download SKU: MQ.8492-32E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 8 pages. E. C. Schirmer Music Company - Digital #8492-32E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-32E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Voice and piano - Medium - Digital Download SKU: MQ.8492-23E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 9 pages. E. C. Schirmer Music Company - Digital #8492-23E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-23E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Voice and piano - Medium - Digital Download SKU: MQ.8492-25E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-25E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-25E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Voice and piano - Medium - Digital Download SKU: MQ.8492-28E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8492-28E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-28E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Voice and piano - Medium - Digital Download SKU: MQ.8492-02E Composed by MeeAe Cecilia Nam and Theodore Gouvy. Instrument part. 4 pages. E. C. Schirmer Music Company - Digital #8492-02E. Published by E. C. Schirmer Music Company - Digital (MQ.8492-02E). French.Gouvy was known for writing some of the most beautiful melodies of the Romantic period. His style is a combination of German forms and an early French romantic harmonic structure. His writing for the piano in the songs is totally unified in mood and description with the voice, just as the piano is in Schubert’s songs. The equal partnership of the vocal line and piano interact closely to bring the poetry vividly into life with unimaginable artistic heights and unbridled passion.This volume includes Gouvy songs set to 18 poems of Philippe Desportes (1546–1606), and 18 poems of Moritz Hartmann (1821–1872). The elements of Romantic love poetry, such as enchanting love and its pain, and the personifying of nature, are fluently described with a great sensitivity in both voice and piano. Gouvy’s melody stir up the imagination because of his special treatment of words through a distinguishable and melodious vocal line, and his story telling and poetic treatment and development of the piano accompaniment. His compositional artistry places him in the upper echelons of art-song composers. One should note that Gouvy had a special fondness for the 16th Century poetry of La Pléiade (a group of Renaissance French poets, led by Pièrre de Ronsard (1524–1585). Desportes was truly the heir to Ronsard; however his work, when compared to that of Ronsard, is filled with greater abstraction and greater fluidity. Desportes seems to avoid any of the passionate anger that is occasionally characteristic of La Pléiade. This may be an indication that Desportes lived in a less distressed time. It also seems necessary to point out that he learned much in his early career by copying and studying the earlier works of La Pléiade. This has led some scholars to label him as a plagiarist, but it is important to realize that all the members of La Pléiade copied from each other when they wished to learn something new, and truly understand the style of the other poets in the group. Gouvy’s only choice of poems from his contemporaries, were the works of Moritz Hartmann (1821–1872), a good friend of Gouvy’s. Much of his poetry was strongly political in support of freedom of the individual. He traveled to Leipzig in 1845, but when the authorities discovered a volume of patriotic poems entitled Kelch und Schwert (Chalice and Sword), he fled to Belgium and France. It is at this time that he possibly met Théodore Gouvy. Eighteen poems of Hartmann were translated from German to French by the French poet, Adolph Larmande, of whom very little is known. Pierre Toussaint Adolphe Larmande seems to have been a rather obscure poet and musician. We know that he taught music theory at the Paris Conservatory at the same time Anton Reicha and Michele Carafa were on the faculty. We also know that in 1847 he married an English woman by the name of Marie Caroline Bradley. There are random documents, such as a Certificate of Arrival in London, England, in 1837, but there are no birth and death dates given, and that includes his obituary notice. Contents:18 Sonnets et Chansons de Desportes pour ténor ou soprano et piano, Op. 45 Six poésies allemandes de Moritz Hartmann pour baryton et piano, Op. 21 Douze poésies allemandes de Moritz Hartmann pour ténor et piano, Op. 26 (Poésies françaises d’Adolphe Larmande).

Easy Guitar (with TAB) - Level 2 - Digital Download SKU: A0.1259058 Composed by Ludwig van Beethoven. Arranged by Darek. 19th Century,Classical,Romantic Period,Wedding. Tablature. 1 pages. Darek #852323. Published by Darek (A0.1259058). Ode to Joy (GUITAR TAB) Theme from 9th Symphony [Ludwig van Beethoven]Guitar arrangement of Ode to Joy Theme from 9th Symphony by Ludwig van Beethoven. Simplified arrangement for guitarists. Easy-intermediate arrangement for beginners. Included: Sheet Music, Tabulature, Chords and Youtubue tutorial.  I am delighted to present you with the opportunity to learn and master the Ode to Joy Theme from Beethoven's 9th Symphony on the guitar. As a passionate guitarist and music enthusiast, I am thrilled to offer you my meticulously crafted guitar tablature for this timeless composition. Designed specifically for beginner-intermediate guitarists, my sheet music provides a seamless learning experience. With a focus on accessibility and progressive difficulty, you can confidently embark on your musical journey with this remarkable piece. Whether you're just starting out or looking to expand your repertoire, this guitar tablature will guide you every step of the way. The Ode to Joy Theme is a true gem from the classical era, showcasing the genius of Ludwig van Beethoven. As you dive into this composition, you'll be transported to a world of beauty, passion, and musical brilliance. The chords and tablature included in my sheet music faithfully capture the essence of the original piece, allowing you to recreate the iconic melody with ease. To enhance your learning experience, I have also included detailed sheet music and a video tutorial on YouTube. This comprehensive approach ensures that you have all the resources necessary to master the Ode to Joy Theme. From understanding the notes and chords to refining your technique and expression, my goal is to empower you to bring this masterpiece to life. Unlock your musical potential and embrace the joy of playing the guitar with this exceptional sheet music. Whether you dream of performing solo, jamming with friends, or simply immersing yourself in the magic of Beethoven's music, this guitar tablature will serve as your trusted companion. Experience the thrill of mastering the Ode to Joy Theme on the guitar and create music that resonates with your soul. Order your copy today and embark on a musical journey that will leave a lasting impression. Let the timeless beauty of Beethoven's composition inspire you as you strum the strings and bring forth the joyous melody.

Strings Piano Accompaniment - Level 2 - Digital Download SKU: A0.1355162 By Stephen DeCesare. By Stephen DeCesare. Christian,Contemporary,Lent,Sacred,Spiritual. Accompaniment. Duration 163. Exultet Music #939879. Published by Exultet Music (A0.1355162). Passionate and moving song about Saint Peter asking God's forgiveness for denying Jesus three times along with others who were at Jesus' arrest asking God for the same. Featured in the musical cantata Passion which is available on this site. Can be used during Lent, Palm Sunday, Good Friday or Tenebrae Service.

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.925770 Composed by David Nelson Jex. 20th Century,Concert,Contemporary,Graduation. Octavo. 9 pages. David Jex #2154591. Published by David Jex (A0.925770). 2016 Choral Contest EntryArt is a fire! is a bold statement on the importance of Art in our lives and society.Composed for SATB Chorus and Piano it is of moderate difficulty, with a length of 3 1/2 minutes.. The text is from a poem written by our older son, Matthew. He has a gift to express ideas and emotions in words that I do not, and I was very pleased and excited when he gave me permission to set his poem to music. The music is in an overall ternary form, with the fiery outer sections tempered with a more spiritual middle segment. The piano plays an important but supporting accompanying role. The music is somewhat tonally oriented, with an E minor basis for the more passionate outer sections. These sections also require the choir to sing some chromatic melodic and harmonic lines and constructions. The rhythm also varies somewhat, asking the chorus to express these emotional portions of the piece. The flowing middle section has a more consistent tempo and is centered in C major. This key seems to have the qualities of innocence and peace, which offsets the more restless and fiery E minor of the rest of this work. This more meditative center section also has a more triadic basis than the somewhat contrapuntal textures surrounding it. It invites the music performers and listeners to experience the joy of Music and Art, while the closing music and text sing of the passion and energy of the artistic experience.