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Mixed choir (SATB) - easy to intermediate - Digital Download SKU: S9.Q8365 (Mathew 27,45-46). Composed by Guenter Bialas. This edition: choral score. Schott Choral Music. Downloadable, Choral score. Schott Music - Digital #Q8365. Published by Schott Music - Digital (S9.Q8365). Latin.The composer whose 100th birthday was celebrated in 2007 is known especially as an outstanding composition teacher at the Munich Musikhochschule. Among his students were Peter Michael Hamel, Wilfried Hiller or Gerd Zacher, among others. With these editions, two of his sacred a-cappella works are made available in different levels of diffculty: the German motet 'Hosianna' for Advent or Lent, and 'Tenebrae factae sunt' for Passiontide in the much-demanded instrumentation for mixed choir with only one male voice.
Tenebrae factae sunt
Chorale SATB

$2.99 2.61 € Chorale SATB PDF SheetMusicPlus

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.850948 Composed by Edward Miller. Arranged by Geoffrey Turton Shaw, Andrew Henderson. Christian,Easter,Sacred. Octavo. 5 pages. Andrew Henderson #6877659. Published by Andrew Henderson (A0.850948). Verse 1-3 are SATB; verse 4 is in 7 parts, SSATTBB, with a piano/organ reduction. It could also be used with just the melody and soprano part as a descant, with the piano/organ supplying the rest of the harmony. This arrangement can lead congregational singing, or be used as a stand-alone (and very effective) concert item during Lent or Passiontide.music adapted by EDWARD MILLER (1731-1807) v1 harmony from The Irish Presbyterian Hymnbook v2 harmony from Common Praise v3 harmony by GEOFFREY TURTON SHAW (1879-1943) v4 harmony by ANDREW HENDERSON (b1984) words by ISAAC WATTS (1674-1748).
When I survey the wondrous cross
Chorale SATB

$1.99 1.74 € Chorale SATB PDF SheetMusicPlus

Baritone Horn TC,Euphonium,Piano - Level 3 - Digital Download SKU: A0.552860 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516929. Published by jmsgu3 (A0.552860). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.    
Beethoven: Adagio from Sonata Pathetique for Baritone Horn & Piano

$24.95 21.8 € PDF SheetMusicPlus

Choral, Vocal, Duet SATB Chorus - Digital Download SKU: H1.C5868DP Composed by Joel Raney. Piano Accompaniment. Quick Study Chorals. Lent, Holy Week, Sacred. Octavo. 8 pages. Hope Publishing - Digital #C5868DP. Published by Hope Publishing - Digital (H1.C5868DP). John Parker. Matthew 21:1 - Matthew 21:2 - Matthew 21:3 - Matthew 21:4 - Matthew 21:5 - Matthew 21:6 - Matthew 21:7 - Matthew 21:8 - Matthew 21:9 - Matthew 21:10 - Matthew 21:11 - Luke 22:39 - Luke 22:40 - Luke 22:41 - Luke 22:.Original Lenten ballad For SATB voices, John Parker and Joel Raney collaborated to give us this thought-provoking Lenten ballad. The rich text transports the listener to several Biblical scenes underscoring the solitude of Christ as he faced death. Joel Raney's impassioned original music evokes the drama of the sacrifice.
Jesus Died Alone

$2.95 2.58 € PDF SheetMusicPlus

Flute Solo - Level 3 - Digital Download SKU: A0.1083310 By Idalmo Santos. By Francisca Gonzaga (Chiquinha Gonzaga 1847-1935). Arranged by Idalmo Santos. Latin,Multicultural,World. Individual part. 2 pages. Idalmo Santos #687512. Published by Idalmo Santos (A0.1083310). The famous Corta-jaca, the name with which the tango Gaúcho became popular, is one of Chiquinha Gonzaga's most recorded and best-known songs, along with Ó abre alas, Lua branca, and Atraente. It was born on the stages of musical theaters, where it was danced in the final scene of the burlesque operetta of national costumes Zizinha Maxixe, imitated from French by an anonymous author, performed at the Teatro Éden Lavradio, in August 1895. Actor Machado Careca (José Machado Pinheiro e Costa), the anonymous author of the play, ended up putting verses to the music of Corta-jaca, helping to popularize it, especially after his version was recorded on disc by the duo Os Geraldos. Throughout history, Corta-jaca frequented other stages and repertoires: café-cantante, chope-berrante, rodas de choro... But it was at the Palácio do Catete, in 1914, that it achieved its glory. Performed on the guitar by first lady Nair de Teffé, it caused political scandal and ended up nicknaming the administration of Hermes da Fonseca. The reaction can be measured by the impassioned speech that Senator Rui Barbosa made from the rostrum. When asked what was the corta-jaca he had heard so much about, he concluded: The lowest, the most vulgar, the rudest of all wild dances, the twin sister of batuque, cateretê and samba. But at presidential receptions the corta-jaca is performed with all the honors of Wagner's music, and one does not want the conscience of this country to revolt, our faces to blush and the youth to laugh! Never before in the history of Brazil had eminently popular music been performed at the seat of government, in front of the diplomatic corps and the country's elite. Corta-jaca has become a classic of the great repertoire of Brazilian instrumental music, meriting recordings by, among others, Abel Ferreira, Altamiro Carrilho, Antonio Adolfo, Artur Moreira Lima, Clara Sverner, Conjunto Regional do Donga, Eudóxia de Barros, Guio de Morais, Itamar Assieré, Leandro Braga, Marcus Viana, Maria Teresa Madeira, Marcelo Verzoni, Paulo Moura, Radamés Gnatalli, Rosária Gatti, Talitha Peres, Turíbio Santos, countless bands, and some sung versions. It was written by the maestro also for singing and piano and small orchestra: oboe, viola, timpani, horns (bass), bassoon.
Gaúcho - Corta-Jaca By Chiquinha Gonzaga for flute
Flûte traversière
Idalmo Santos
$1.99 1.74 € Flûte traversière PDF SheetMusicPlus

Concert Band - Digital Download SKU: AX.00-PC-0001686_WPTBETC (wp) E-flat Tuba T.C.. Composed by Victor López. Instructional. World Part. 3 pages. Alfred Music - Digital Sheet Music #00-PC-0001686_wpTBETC. Published by Alfred Music - Digital Sheet Music (AX.00-PC-0001686_WPTBETC). UPC: 038081348926.Inspired by the diverse culture found in Yorkton, this original overture cultivates an energetic driving rhythm intertwined with charming melodic material. Occasional compound meter enhances the contemporary flair in the work. Passionately emotional, this work really sparkles. A worthy choice for contest and concert programming. (6:04) This title is available in SmartMusic.Concert/Contest.
Yorkton: (wp) E-flat Tuba T.C.
Orchestre d'harmonie

$3.00 2.62 € Orchestre d'harmonie PDF SheetMusicPlus

Woodwind Ensemble,Woodwind Quintet - Level 3 - Digital Download SKU: A0.549868 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Classical,Concert,Standards,Wedding,World. 56 pages. Jmsgu3 #3559227. Published by jmsgu3 (A0.549868). Beethoven Sonata Op. 49 No. 2 arranged for woodwind quintet.Instrumentation: 1 flute, 1 oboe, 1 clarinet in Bb, 1 French horn, 1 bassoon.Duration: ca: 10:15 Score: 30 pages, 242 measures. In two movements. A great recital piece to demonstrate nuances of the woodwind quintet. Sonata Op. 49 No. 2 Arranged from Beethoven’s Piano Sonata No. 20, this is a simple but interesting work in two movements showing the composers sense of humor. The first movement Allegro ma non troppo and the second movement Tempo di Menuetto are both in the key of G. Both Sonatas 19 and 20 (op. 49, No. 1 & 2) are named Easy Sonatas because they are technically easier than the usual Beethoven Sonatas. This makes them very popular among students and teachers alike. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna the rest of his life. In his late 20s it seems like his hearing certainly began to decline. It slowly declined until consequently he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies therefore belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.     www.jamesguthrie.com
Beethoven: Sonata Op. 49 No. 2 for Woodwind Quintet
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor

$49.95 43.64 € Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor PDF SheetMusicPlus

Choral Choir (Mixed) - Level 3 - Digital Download SKU: A0.885486 Composed by Gerard Willmes. Christian,Easter,Praise & Worship,Sacred. Octavo. 9 pages. Gerard Willmes #4288447. Published by Gerard Willmes (A0.885486). Lord Jesus think on me, and purge away my sins.  From harmful passions set me free, and make me pure within.A new setting of these marvellous words for SAB and piano.  Quiet and reflective, this arrangement makes a wonderful choral prelude, or an effective time of reflection as special music in your service.  Enjoy!The Markdale Collection has been composed for the congregation of Christ Church Anglican in Markdale, Ontario.   Each of the choral works has been part of the worship services and presented by the small but mighty choir of Christ Church.
Lord Jesus Think on Me
Chorale SATB

$2.49 2.18 € Chorale SATB PDF SheetMusicPlus

Small Ensemble Bassoon,Oboe,Piano - Digital Download SKU: A0.777902 Composed by Robert Schumann (1810-1856). Arranged by Mikio Kamada. Romantic Period. Score and parts. 5 pages. ACORDO Sheet Music #2075423. Published by ACORDO Sheet Music (A0.777902). Piano Trio in A Minor, Op.88, Fantasiestucke was composed by Robert Schumann (1810-1856) in 1842. It consists of four movements, and the movement III, Duett, is remarkably impassioned. As the title suggests, the music is like a romantic story played by two solo instruments. The conversation by the tow changes its nuances phrase to phrase which leads up to a tragedy. Players will be forced to imagine what is happening in the story.
Fantasiestucke Op.88 III Duett for Oboe, Bassoon & Piano
Hautbois, Piano (duo)

$7.40 6.47 € Hautbois, Piano (duo) PDF SheetMusicPlus

Flute,Piano - Level 3 - Digital Download SKU: A0.549643 Composed by Ludwig van Beethoven. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 16 pages. Jmsgu3 #3516599. Published by jmsgu3 (A0.549643). Duration: ca 5:20, Score: 8 pages, solo part: 3 pages, piano part: 4 pages. One of Beethoven's finest and most famous works. Program for a recital, church meditation or school program. Bring your best espressivo and plan to rehearse the many subtle dynamic changes.Sonata Pathétique Op. 13 First of all, this is an arrangement of the second movement of Beethoven’s Sonata Pathétique. It seems like Beethoven wrote this piece before becoming troubled by deafness. Published in 1799, it consequently remains one of the most celebrated pieces Beethoven ever wrote. As a result of its popularity, the movement was therefore performed by Karl Haas. Hass recorded it for a popular radio show called: Adventures in Good Music. Beethoven Background Ludwig van Beethoven (1770 –1827) was certainly a German pianist. Above all, he was probably one of the greatest composers in history. As a result, he is a pivotal character in the progress between the Classical and Romantic periods. He is certainly one of the most famous and hence important of all composers. Seems like his most familiar and noteworthy works include symphonies 1-9; piano concertos 1-5; and furthermore, the violin concerto. Also, certainly of extreme importance are the noteworthy 32 sonatas for the piano; the string quartets 1-16; the Missa solemnis; and likewise, his only opera, Fidelio. Beethoven Overview First of all, Beethoven was born and consequently raised in Bonn. Upon turning 21 he moved to Vienna probably to study composition with Haydn. That’s when he consequently grew a reputation as a brilliant pianist. Furthermore, he probably stayed in Vienna for the rest of his life. In his late 20s, it seems like his hearing certainly began to decline. It slowly declined until consequently, he was nearly totally deaf probably by the last decade of his life. As a result, he stopped conducting and performing. Nevertheless, he continued to compose. As a result, some of his greatest works probably come from this period. First Period Seems like we often divide Beethoven’s life into three periods. Period 1 begins with Beethoven’s arrival in Vienna. Hence, during this period, he mastered the Viennese style of Haydn & Mozart. He consequently began increasing the size and scale of his works. Furthermore, he experimented with extreme dynamics, and likewise extreme tempi. He worked similarly with chromatic harmony. His First and Second Symphonies, therefore, belong to this period. Other important works also belong here: the first six string quartets and the Sonata Pathétique, Op. 13. Second Period His second period probably began as soon as he realized that he was going deaf. During this period, it seems like he became obsessed with the idea of heroism. His works consequently become even larger and more massive. The most noteworthy of these include the symphonies 3 – 8, piano concertos 5& 6, 5 string quartets, several important piano sonatas (Waldstein and Appassionata), the Kreutzer violin sonata, the violin concerto and his only opera: Fidelio. Third Period In contrast, Beethoven's third period is branded above all by works of incredible intellectual depth, formal innovation, and penetrating expression. It seems like he continued to expand his works. Consequently, the string quartet Op. 131 spills over into seven connected movements. Likewise, in the Ninth Symphony, he adds choral forces to his orchestra probably for the first time in history. Even more, other works from this period include his Missa solemnis, the final 5 string quartets (including the enormous Große Fuge) and the final five sonatas for piano.    Register for free lifetime revisions and updates at www.jamesguthrie.com
Beethoven: Adagio from Sonata Pathetique for Alto Flute & Piano
Flûte traversière et Piano

$24.95 21.8 € Flûte traversière et Piano PDF SheetMusicPlus






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