Horn,Trombone,Trumpet,Tuba - Level 4 - Digital Download SKU: A0.1158143 Composed by Dr. Daniel N. Thrower. 20th Century,Chamber,Classical,Patriotic. 48 pages. Https://gildedmusicpress.com/ #758448. Published by https://gildedmusicpress.com/ (A0.1158143). The brief but picturesque title provides ample explanation for the intended imagery. The words “awe, wonder, majesty, inspiration, and contemplation� drove the musical strains of “Rushmore Trail.� The piece begins serenely (albeit with complex counterpoint throughout the brass parts), and the percussion part is needed to enhance the melodic line. The rest of the piece is full of fun, excitement, complexity, patriotism, and a variety of emotional play as the thematic content is presented and transformed in different ways. The overall feel is fulfillment of the American patriot’s dream to finally walk the trails and experience the grandeur of Mount Rushmore in person, shared with loved ones.

Choral Choir (TB) - Level 3 - Digital Download SKU: A0.617092 Composed by American Folk Melody. Arranged by Gary Lanier. Holiday,Patriotic. Octavo. 19 pages. The Lanier Company #4366912. Published by The Lanier Company (A0.617092). BATTLE HYMN OF THE REPUBLIC for 2 Part Men's Choir with Alto Sax and piano is an arrangement by Gary Lanier of one of our most popular patriot songs/hymns. It is often considered a candidate for the National Anthem. It works great for special music where Patriotism or God and Country is the emphasis... or for the joy of playing an inspired song about the coming of the Lord and His final victory (19 pages).

Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.987108 Composed by William Campbell. Arranged by William Campbell Music. Christian,Christmas,Concert,Contemporary,Sacred. Octavo. 12 pages. William Campbell Music #6115675. Published by William Campbell Music (A0.987108). A setting of the ancient Epiphany hymn Illuminans Altissime by St. Ambrose of Milan, From the collection, Five Ambrosian Hymns. Suitable for schools, churches, or for modern performance choirs, this music is based on the hymn written in the 4th Century by St. Ambrose of Milan. The original tune most likely sounded like what we would consider to be chant, but in a style that was specific to Ambrose, and came to be known as Milanese or Ambrosian in style. This is a meditative reflection of our own journey as we follow our own paths toward enlightenment. In recasting the hymn as a performance work I wanted to portray both the figurative and literal aspects of the imagery of light by using regular rhythmic patterns within accompaniment voices. In this way I hoped to illustrate the regular pattern of prayer that could lead individuals to Christ’s illumination. There are also important moments with harmonies that feature seconds, resulting in soft, almost clashing pitches that twinkle or shimmer like stars in the sky. .

Composed by Traditional. Arranged by Todd Marchand. Fourth of July, Patriotic, Americana. Score, Set of Parts. 9 pages. Published by Con Spirito Music (S0.181897). - Score,Set of Parts - Fourth of July,Patriotic,Americana - Con Spirito Music

Marimba Solo - Digital Download SKU: A0.955413 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Instructional,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6027565. Published by Neal Fitzpatrick Editions (A0.955413). This is Impromptu No.2 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

Marimba Solo - Digital Download SKU: A0.955417 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 2 pages. Neal Fitzpatrick Editions #6035749. Published by Neal Fitzpatrick Editions (A0.955417). This is Impromptu No.6 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

Marimba Solo - Digital Download SKU: A0.955423 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6039309. Published by Neal Fitzpatrick Editions (A0.955423). This is Impromptu No.11 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

Small Ensemble Cello,Clarinet,Viola,Violin - Digital Download SKU: A0.955455 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards. Score and parts. 21 pages. Neal Fitzpatrick Editions #6681759. Published by Neal Fitzpatrick Editions (A0.955455). This work is an arrangement for string quartet of Reverie For Guitar Quartet by Neal Fitzpatrick. It was composed in 2021. This set contains the score and parts and is approximately 3:22 minutes in duration.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.comhttps://www.youtube.com/channel/UCqZJwiMXPYbpckJVveQ6qag.

Marimba Solo - Digital Download SKU: A0.955430 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,World. Individual part. 6 pages. Neal Fitzpatrick Editions #6048849. Published by Neal Fitzpatrick Editions (A0.955430). This is Impromptu No.18 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

Piano Solo - Digital Download SKU: A0.955392 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Score. 2 pages. Neal Fitzpatrick Editions #6018677. Published by Neal Fitzpatrick Editions (A0.955392). This is Impromptu No.1 For Piano From Twenty Impromptus For Piano by Neal Fitzpatrick. There is a long tradition of arranging piano music for guitar. This edition reverses that tradition. This set of music for piano is based my Twenty Etudes For Guitar. The guitar and the piano are certainly cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for piano I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual pianist and piano teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

Solo Guitar - Level 5 - Digital Download SKU: A0.1507750 By Neal Fitzpatrick. By Neal Fitzpatrick. 21st Century,Classical,Contemporary. Individual part. 20 pages. Neal Fitzpatrick Editions #1083026. Published by Neal Fitzpatrick Editions (A0.1507750). This seven movement work for solo guitar by Neal Fitzpatrick is an hommage to seven great artists-Kazimir Malevich, Piet Mondrian, Caravaggio, Wassily Kandinsky, John Trumbull, Norman Rockwell, and Roy Lichtenstein.   Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com.

Instrumental Duet Cello,Instrumental Duet,Violin - Digital Download SKU: A0.955456 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary. Score and parts. 12 pages. Neal Fitzpatrick Editions #6687383. Published by Neal Fitzpatrick Editions (A0.955456). This piece by Neal Fitzpatrick is Adumbrations For Cello and Violin. The cello part takes an arpeggiated harmonic journey around the fretboard  while the violin provides a ground for the cello. The home key centers around E Minor. It is about 2:54 in duration.Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.comhttps://www.youtube.com/channel/UCqZJwiMXPYbpckJVveQ6qag

Marimba Solo - Digital Download SKU: A0.955416 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6029231. Published by Neal Fitzpatrick Editions (A0.955416). This is Impromptu No.5 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com

String Quartet Cello,String Quartet,Viola,Violin - Level 4 - Digital Download SKU: A0.955291 By Hank Williams Jr. By Harry Brooks and Thomas Fats Waller. Arranged by Neal Fitzpatrick. Jazz. Score and parts. 14 pages. Neal Fitzpatrick Editions #4885937. Published by Neal Fitzpatrick Editions (A0.955291). The classic jazz standard Ain't Misbehavin' here is arranged for string quartet. This arrangement is in the key of C Major. Great for schools, ensemble lessons and private studios. It can be a nice addition to any string quartets repertoire and is great for gigs.The harmonic realization is by the arranger Neal Fitzpatrick. This edition contains the score and individual parts.This arrangement is by Neal Fitzpatrick.  Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.co

Marimba Solo - Digital Download SKU: A0.955421 Composed by Neal Fitzpatrick. Arranged by Neal Fitzpatrick. Contemporary,Standards,World. Individual part. 3 pages. Neal Fitzpatrick Editions #6039281. Published by Neal Fitzpatrick Editions (A0.955421). This is Impromptu No.10 For Marimba From Twenty Impromptus For Marimba by Neal Fitzpatrick. This set of music for Marimba is based my Twenty Etudes For Guitar. Both being polyphonic instruments the guitar and the marimba are certainly distant cousins so I believe the essence of works for one instrument can be expressed on the other, in either direction. While these pieces may in fact work as etudes for marimba I have purposefully renamed them. Whether or not they work as etudes I will leave up to each individual percussionist and teacher the extent of their didactic usefulness. Ultimately though all music can be used for study and my wish is these pieces can be used for study and performance. They are relatively brief and ideally played in sets, the number and selections being determined by the performer. Guitarist Neal Fitzpatrick has a B.M. from the Hartt School where he studied with Alan Spriestersbach and his M.M. from The Yale School of Music where he studied with Benjamin Verdery. He also studied  extensively with Sharon Isbin and Sal Salvador. Based in Connecticut, he is active as a soloist and in the chamber music scene. You can contact him here:http://www.nealfitzpatrickguitar.com