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Piano Solo - Level 5 - Digital Download SKU: A0.890619 Composed by English Folk Song. Arranged by Stan Swim. Praise & Worship,Sacred. Score. 4 pages. Stanford Swim #5954761. Published by Stanford Swim (A0.890619). This arrangement tracks closely the text penned by William Clayton, describing the longing of the pioneers for their new gathering place, their determination to press on even if some would not make it, and the triumph of arrival.  Syncopations from the hymn treatment have been straightened, allowing for a more flowing and driving treatment of the melody.  The center of the arrangement is the transition from acknowledging the reality of death to exuberantly anticipating reunion with departed loved ones.
Come, Come, Ye Saints (piano solo)
Piano seul

$3.95 3.46 € Piano seul PDF SheetMusicPlus

B-Flat Trumpet Solo - Level 2 - Digital Download SKU: A0.1454860 By Patrick Jillett. By Patrick Jillett. 20th Century,21st Century,Contemporary. Individual part. 6 pages. Patrick Jillett #1033930. Published by Patrick Jillett (A0.1454860). Opus 8 - Solo For Bb Trumpet is a study piece composed early on, by a contemporary Australian composer, Patrick Jillett. Appropriate for a concert, recital or eisteddfod. It is playable by the early musician, and can be used to teach study genre. It is in the key of C major, beginning with an introduction and section A consisting of arpeggiated chords played as a syncopated almost swing style, in root position study. The remainder of the piece develops to softer legato step shaped melodic phrase, before returning to section A  progressing to the coda in ABA form. Opus 8 - Solo For Bb Trumpet uses early skill level, perfect for an introduction to study style.
Solo For Bb Trumpet
Trompette
Patrick Jillett
$1.99 1.75 € Trompette PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1084402 By Blaze Scheuerman. By Blaze Scheuerman. 20th Century,Classical,Contemporary,Contest,Festival,Romantic Period. Score. 6 pages. Blaze Scheuerman #688577. Published by Blaze Scheuerman (A0.1084402). The second movement of Blaze's Piano Sonata in E Major No. 1, following A Look Into The Past, A Moment In The Present was primarily inspired by Beethoven’s Piano Sonata in F Minor No. 1 and Piano Sonata in C Minor No. 8 “Pathetiqueâ€. I gave it its name because I find it to be a very relaxing and dawdling piece. It reminds me of someone just lounging around and enjoying nothing but taking in the moment. The syncopated melody gives off the feeling that his thoughts are also jumbled together. He is not actively trying to achieve anything, but instead just letting anything come to him. It is supposed to contrast the first movement by being simpler and more relaxing (where the first is dominating and complex). I especially wanted a much more lyrical and monophonic (single voiced) piece to contrast with the polyphony (many voiced) and layers of the first.
A Moment In The Present
Piano seul
Blaze Scheuerman
$4.99 4.38 € Piano seul PDF SheetMusicPlus

Brass Ensemble Horn,Trombone,Trumpet,Tuba - Level 2 - Digital Download SKU: A0.802657 Composed by Ray Egan, Roy K Marsh & Paul Whiteman, and Tom Pitts. Arranged by Dudley E Bayford & Peet du Toit. Contemporary. Score and parts. 8 pages. Peet du Toit #6216933. Published by Peet du Toit (A0.802657). This Quick-Step piece was recorded by Judy Garland in 1943 by Decca Records on her Second Souvenir album.The quickstep is a light-hearted dance of the standard ballroom dances. The movement of the dance is fast and powerfully flowing and sprinkled with syncopations. The upbeat melodies that quickstep is danced to make it suitable for both formal and informal events. Quickstep was developed in the 1920s in New York City and was first danced by Caribbean and African dancers. Its origins are in combination of slow foxtrot combined with the Charleston, a dance which was one of the precursors to what today is called swing dancing.This dance gradually evolved into a very dynamic one with much movement on the dance floor, with many advanced patterns including hops, runs, quick steps with much momentum, and rotation. The tempo of quickstep dance is rather brisk, as it was developed to ragtime era jazz music, which is fast-paced when compared to other dance music.The quickstep is elegant like the foxtrot and should be smooth and glamorous. The dancers should appear to be very light on their feet. It is very energetic and form-intensive. The quickstep is danced to 4/4 music of 48-52 measures per minute.
I never knew (I could love anybody, honey, like I'm loving you) - Pitts, Egan, Marsh & Whiteman (Bra
Quatuor de Cuivres : 2 trompettes, trombone, tuba

$14.00 12.28 € Quatuor de Cuivres : 2 trompettes, trombone, tuba PDF SheetMusicPlus

Bass Trombone,Tenor Trombone - Level 5 - Digital Download SKU: A0.1414070 Composed by Jeff Reynolds. 21st Century. 20 pages. Gordon Cherry #995840. Published by Gordon Cherry (A0.1414070). Fanfare for the PaleoBones for 8-part Trombone Choir is an exciting new original composition by Jeff Reynolds. The PaleoBones is a group of trombonists from northern California led by Jeff Reynolds who gather for special occasions to play glorious sounding works for Trombone Choir.The Fanfare is about 3 minutes in length. Mr. Reynolds explores several creative ideas including syncopations of rhythms, whole tone scale patterns, and the infamous Dies Irae chant theme, adding up to an exciting and interesting work to perform and listen to. The work is appropriate for advanced performers.The instrumentation features 5 tenors, 2 basses and 1 contrabass trombone.
Fanfare for the PaleoBones for 8-part Trombone Choir
Ensemble de Trombones

$25.00 21.92 € Ensemble de Trombones PDF SheetMusicPlus

Piano Solo - Level 3 - Digital Download SKU: A0.1378329 Composed by Matyas Seiber. Arranged by Thomas Ling. 20th Century,Instructional. Score. 1 pages. Thomas Swee Chin #962952. Published by Thomas Swee Chin (A0.1378329). Mátyás Seiber's Six-Eight from Easy Dances Vol. 2 is a spirited and engaging piece that captures the lively essence of a dance in 6/8 time signature. As part of the Easy Dances series, this composition is tailored to intermediate pianists, offering accessible yet musically rewarding material.The piece unfolds with a buoyant and rhythmic melody, characterized by its jaunty syncopations and energetic pace. Seiber's skillful use of the 6/8 time signature creates a sense of momentum and forward motion, evoking the lively atmosphere of a dance hall.Throughout the piece, Seiber incorporates playful rhythmic patterns and dynamic contrasts, keeping the music vibrant and engaging from start to finish. The melodic lines are catchy and memorable, inviting listeners to tap their feet and sway along with the music.Harmonically, Six-Eight features a blend of traditional tonalities and modern jazz-inflected chords, adding depth and richness to the overall sound. The harmonies provide a colorful backdrop for the melody, enhancing its expressive impact and giving pianists ample opportunity for interpretation and expression.Whether performed as a standalone piece or as part of a set, Six-Eight is sure to delight audiences with its infectious energy and irresistible charm. It is a testament to Seiber's ability to create music that is both accessible and artistically satisfying, making it a welcome addition to any pianist's repertoire.
Six-Eight
Piano seul

$4.80 4.21 € Piano seul PDF SheetMusicPlus

Alto Saxophone Solo - Level 5 - Digital Download SKU: A0.755094 Composed by Sy Brandon. 20th Century,Concert,Contemporary. Individual part. 10 pages. Sy Brandon #3381815. Published by Sy Brandon (A0.755094). Based on Jules Verne’s 20,000 Leagues Under the Sea I. A Shifting Reef – This movement depicts the Nautilus as an unknown phenomenon that is a threat to navigation. Some mariners thought it was a sea monster and others thought it was a shifting reef. No one could conceive that it was a boat capable of traveling under water. The music is ever changing throughout this movement. It constantly shifts tonality, melodic ideas, and rhythmic placement of motives. Although some ideas repeat, they are transformed by combining them in different patterns with other previously stated ideas. II. A Walk at the Bottom of the Sea Through a Submarine Forest – Circular breathing is used at the beginning and the end of this movement to represent an undersea walk. The musical material appears in reverse at the end representing a return to the Nautilus. The lighter middle section represents walking over a more rocky terrain. The multiphonics symbolize the wonders of the submarine forest. III. The Giant Squids – The giant squids have surrounded the Nautilus and have caused the propeller to jam. In order to free themselves, Captain Nemo, his crew, Professor Aronnax, Conseil, and Ned Land do battle with the squids. This energetic scherzo reflects on the dangers of the battle. Several screams are heard as the squids entangle Ned Land and other crewmembers. The short multiphonics and syncopations represent the men chopping away and the arms of the squid. At the end, the Nautilus finally frees itself after the loss of one life. IV. Trapped Near the South Pole – After discovering the South Pole, the Nautilus is returning to open waters when it is caught between the polar icecap and iceberg that flips over. The tremolos reflect the doom of the Nautilus as only two days of air supply remain. The only means of escape is to chop through the ice below the Nautilus. The staccato notes represent the crew members hacking away at the ice. When that fails, Captain Nemo tries to melt the ice by expelling hot water from the Nautilus. This is represented by the saxophonist blowing air through the saxophone and wiggling the keys. A sense of doom returns that is followed by a final attempt of the Nautilus to crash through the remaining ice. A triumphant ending reflects the success of this attempt. V. The Maelstrom – As Professor Aronnax, Conseil, and Ned Land attempt their escape from the Nautilus, the ship enters the feared maelstrom, a vortex off the coast of Norway where no ship has escaped. The swirling waters are represented by the triplet passages and the escape by the duplet passages. An epilogue using the doom music of the previous movement suggests the end of the Nautilus but a brief return to a slower version of the Shifting Reef motive perhaps suggests otherwise
20,000
Saxophone Alto

$4.99 4.38 € Saxophone Alto PDF SheetMusicPlus

Handbells handbell choir (3-5 octaves) - Level 3 - Digital Download SKU: H1.2097DP Composed by Thompson & Scruggs. Arranged by Patricia Cota. Contemporary, General Worship, Sacred. Handbell score. 7 pages. Hope Publishing - Digital #2097DP. Published by Hope Publishing - Digital (H1.2097DP). By John Thonpson & Randy Scruggs. 1 Corinthians 3:16 - 1 Corinthians 6:19 - 1 Peter 2:4 - 1 Peter 2:5 - 2 Corinthians 6:16 - Philippians 4:4 - Philippians 4:5 - Philippians 4:6 - Philippians 4:7.Contemporary Christmas tune by John Thonpson & Randy Scruggs The text of this Contemporary Christian tune ask the Lord to make the singer (ringer) a living sanctuary for God. A pulsating, flowing 16th-note accompaniment pattern with melody in octaves opens the work before going onto a section marked, deliberate, slow gospel feel. Later on mallet rolls are scored and specialty effects with the Ring Touch technique are used.
Sanctuary
Cloches
John Thonpson & Randy Scruggs 1 Corinthians 3:16 - 1 Corinthians 6:19 - 1 Peter 2:4 - 1 Peter 2:5 - 2 Corinthians 6:16 - Philippians 4:4 - Philippians 4:5 - Philippians 4:6 - Philippians 4:7
$7.00 6.14 € Cloches PDF SheetMusicPlus






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